The Confessions by Jean-Jacques Rousseau (best novels to read for students .txt) 📕

But I must now speak of my first visit to Madam Dupin, which produced more lasting consequences.

Madam Dupin was, as every one in Paris knows, the daughter of Samuel Bernard and Madam Fontaine. There were three sisters, who might be called the three graces. Madam de la Touche who played a little prank, and went to England with the Duke of Kingston. Madam Darby, the eldest of the three; the friend, the only sincere friend of the Prince of Conti; an adorable woman, as well by her sweetness and the goodness of her charming character, as by her agreeable wit and incessant cheerfulness.

Lastly, Madam Dupin, more beautiful than either of her sisters, and the only one who has not been reproached with some levity of conduct.

She was the reward of the hospitality of M. Dupin, to whom her mother gave her in marriage with the place of farmer general and an immense fortune, in return for the good reception he had given her in his province. When I saw her for the first time, she was still one of the finest women in Paris. She received me at her toilette, her arms were uncovered, her hair dishevelled, and her combing-cloth ill-arranged.

This scene was new to me; it was too powerful for my poor head, I became confused, my senses wandered; in short, I was violently smitten by Madam Dupin.

My confusion was not prejudicial to me; she did not perceive it. She kindly received the book and the author; spoke with information of my plan, sung, accompanied herself on the harpsichord, kept me to dinner, and placed me at table by her side. Less than this would have turned my brain; I became mad. She permitted me to visit her, and I abused the permission. I went to see her almost every day, and dined with her twice or thrice a week. I burned with inclination to speak, but never dared attempt it. Several circumstances increased my natural timidity.

Permission to visit in an opulent family was a door open to fortune, and in my situation I was unwilling to run the risk of shutting it against myself.

Madam Dupin, amiable as she was, was serious and unanimated; I found nothing in her manners sufficiently alluring to embolden me. Her house, at that time, as brilliant as any other in Paris, was frequented by societies the less numerous, as the persons by whom they were composed were chosen on account of some distinguished merit. She was fond of seeing every one who had claims to a marked superiority; the great men of letters, and fine women. No person was seen in her circle but dukes, ambassadors, and blue ribbons. The Princess of Rohan, the Countess of Forcalquier, Madam de Mirepoix, Madam de Brignole, and Lady Hervey, passed for her intimate friends. The Abbes de Fontenelle, de Saint Pierre, and Saltier, M. de Fourmont, M. de Berms, M. de Buffon, and M. de Voltaire, were of her circle and her dinners. If her reserved manner did not attract many young people, her society inspired the greater awe, as it was composed of graver persons, and the poor Jean-Jacques had no reason to flatter himself he should be able to take a distinguished part in the midst of such superior talents. I therefore had not courage to speak; but no longer able to contain myself, I took a resolution to write. For the first two days she said not a word to me upon the subject. On the third day, she returned me my letter, accompanying it with a few exhortations which froze my blood. I attempted to speak, but my words expired upon my lips; my sudden passion was extinguished with my hopes, and after a declaration in form I continued to live with her upon the same terms as before, without so much as speaking to her even by the language of the eyes.

I thought my folly was forgotten, but I was deceived. M. de Francueil, son to M. Dupin, and son-in-law to Madam Dupin, was much the same with herself and me. He had wit, a good person, and might have pretensions.

This was said to be the case, and probably proceeded from his mother-in-law’s having given him an ugly wife of a mild disposition, with whom, as well as with her husband, she lived upon the best of terms. M. de Francueil was fond of talents in others, and cultivated those he possessed. Music, which he understood very well, was a means of producing a connection between us. I frequently saw him, and he soon gained my friendship. He, however, suddenly gave me to understand that Madam Dupin thought my visits too frequent, and begged me to discontinue them. Such a compliment would have been proper when she returned my letter; but eight or ten days afterwards, and without any new cause, it appeared to me ill-timed. This rendered my situation the more singular, as M. and Madam de Francueil still continued to give me the same good reception as before.

I however made the intervals between my visits longer, and I should entirely have ceased calling on them, had not Madam Dupin, by another unexpected caprice, sent to desire I would for a few days take care of her son, who changing his preceptor, remained alone during that interval.

I passed eight days in such torments as nothing but the pleasure of obeying Madam Dupin could render supportable: I would not have undertaken to pass eight other days like them had Madam Dupin given me herself for the recompense.

M. de Francueil conceived a friendship for me, and I studied with him.

We began together a course of chemistry at Rouelles. That I might be nearer at hand, I left my hotel at Quentin, and went to lodge at the Tennis Court, Rue Verdelet, which leads into the Rue Platiere, where M.

Dupin lived. There, in consequence of a cold neglected, I contracted an inflammation of the lungs that had liked to have carried me off. In my younger days I frequently suffered from inflammatory disorders, pleurisies, and especially quinsies, to which I was very subject, and which frequently brought me near enough to death to familiarize me to its image.

During my convalescence I had leisure to reflect upon my situation, and to lament my timidity, weakness and indolence; these, notwithstanding the fire with which I found myself inflamed, left me to languish in an inactivity of mind, continually on the verge of misery. The evening preceding the day on which I was taken ill, I went to an opera by Royer; the name I have forgotten. Notwithstanding my prejudice in favor of the talents of others, which has ever made me distrustful of my own, I still thought the music feeble, and devoid of animation and invention. I sometimes had the vanity to flatter myself: I think I could do better than that. But the terrible idea I had formed of the composition of an opera, and the importance I heard men of the profession affix to such an undertaking, instantly discouraged me, and made me blush at having so much as thought of it. Besides, where was I to find a person to write the words, and one who would give himself the trouble of turning the poetry to my liking? These ideas of music and the opera had possession of my mind during my illness, and in the delirium of my fever I composed songs, duets, and choruses. I am certain I composed two or three little pieces, ‘di prima infenzione’, perhaps worthy of the admiration of masters, could they have heard them executed. Oh, could an account be taken of the dreams of a man in a fever, what great and sublime things would sometimes proceed from his delirium!

These subjects of music and opera still engaged my attention during my convalescence, but my ideas were less energetic. Long and frequent meditations, and which were often involuntary, and made such an impression upon my mind that I resolved to attempt both words and music.

This was not the first time I had undertaken so difficult a task. Whilst I was at Chambery I had composed an opera entitled ‘Iphis and Anaxarete’, which I had the good sense to throw into the fire. At Lyons I had composed another, entitled ‘La Decouverte du Nouveau Monde’, which, after having read it to M. Bordes, the Abbes Malby, Trublet, and others, had met the same fate, notwithstanding I had set the prologue and the first act to music, and although David, after examining the composition, had told me there were passages in it worthy of Buononcini.

Before I began the work I took time to consider of my plan. In a heroic ballet I proposed three different subjects, in three acts, detached from each other, set to music of a different character, taking for each subject the amours of a poet. I entitled this opera Les Muses Galantes.

My first act, in music strongly characterized, was Tasso; the second in tender harmony, Ovid; and the third, entitled Anacreon, was to partake of the gayety of the dithyrambus. I tried my skill on the first act, and applied to it with an ardor which, for the first time, made me feel the delightful sensation produced by the creative power of composition. One evening, as I entered the opera, feeling myself strongly incited and overpowered by my ideas, I put my money again into my pocket, returned to my apartment, locked the door, and, having close drawn all the curtains, that every ray of light might be excluded, I went to bed, abandoning myself entirely to this musical and poetical ‘oestrum’, and in seven or eight hours rapidly composed the greatest part of an act. I can truly say my love for the Princess of Ferrara (for I was Tasso for the moment) and my noble and lofty sentiment with respect to her unjust brother, procured me a night a hundred times more delicious than one passed in the arms of the princess would have been. In the morning but a very little of what I had done remained in my head, but this little, almost effaced by sleep and lassitude, still sufficiently evinced the energy of the pieces of which it was the scattered remains.

I this time did, not proceed far with my undertaking, being interrupted by other affairs. Whilst I attached myself to the family of Dupin, Madam de Beuzenval and Madam de Broglie, whom I continued to visit, had not forgotten me. The Count de Montaigu, captain in the guards, had just been appointed ambassador to Venice. He was an ambassador made by Barjac, to whom he assiduously paid his court. His brother, the Chevalier de Montaigu, ‘gentilhomme de la manche’ to the dauphin, was acquainted with these ladies, and with the Abbe Alary of the French academy, whom I sometimes visited. Madam de Broglie having heard the ambassador was seeking a secretary, proposed me to him. A conference was opened between us. I asked a salary of fifty guineas, a trifle for an employment which required me to make some appearance. The ambassador was unwilling to give more than a thousand livres, leaving me to make the journey at my own expense. The proposal was ridiculous. We could not agree, and M. de Francueil, who used all his efforts to prevent my departure, prevailed.

I stayed, and M. de Montaigu set out on his journey, taking with him another secretary, one M. Follau, who had been recommended to him by the office of foreign affairs. They no sooner arrived