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the back of a chair. Two barrels have been halved and turn coyly from each other as a settee.

The farther end of the room is more strictly the kitchen, and is a great recess, which can be shut off from the hall by folding doors. There is a large open fire in it. The chimney is half of one of the boats of the yacht. On the walls of the kitchen proper are many plate-racks, containing shells; there are rows of these of one size and shape, which mark them off as dinner plates or bowls; others are as obviously tureens. They are arranged primly as in a well-conducted kitchen; indeed, neatness and cleanliness are the note struck everywhere, yet the effect of the whole is romantic and barbaric.

The outer door into this hall is a little peculiar on an island. It is covered with skins and is in four leaves, like the swing doors of fashionable restaurants, which allow you to enter without allowing the hot air to escape. During the winter season our castaways have found the contrivance useful, but Crichton's brain was perhaps a little lordly when he conceived it. Another door leads by a passage to the sleeping-rooms of the house, which are all on the ground-floor, and to Crichton's work-room, where he is at this moment, and whither we should like to follow him, but in a play we may not, as it is out of sight. There is a large window space without a window, which, however, can be shuttered, and through this we have a view of cattle-sheds, fowl-pens, and a field of grain. It is a fine summer evening.

Tweeny is sitting there, very busy plucking the feathers off a bird and dropping them on a sheet placed for that purpose on the floor. She is trilling to herself in the lightness of her heart. We may remember that Tweeny, alone among the women, had dressed wisely for an island when they fled the yacht, and her going-away gown still adheres to her, though in fragments. A score of pieces have been added here and there as necessity compelled, and these have been patched and repatched in incongruous colours; but, when all is said and done, it can still be maintained that Tweeny wears a skirt. She is deservedly proud of her skirt, and sometimes lends it on important occasions when approached in the proper spirit.

Some one outside has been whistling to Tweeny; the guarded whistle which, on a less savage island, is sometimes assumed to be an indication to cook that the constable is willing, if the coast be clear. Tweeny, however, is engrossed, or perhaps she is not in the mood for a follower, so he climbs in at the window undaunted, to take her willy nilly. He is a jolly-looking labouring man, who answers to the name of Daddy, and--But though that may be his island name, we recognise him at once. He is Lord Loam, settled down to the new conditions, and enjoying life heartily as handy-man about the happy home. He is comfortably attired in skins. He is still stout, but all the flabbiness has dropped from him; gone too is his pomposity; his eye is clear, brown his skin; he could leap a gate.

In his hands he carries an island-made concertina, and such is the exuberance of his spirits that, as he lights on the floor, he bursts into music and song, something about his being a chickety chickety chick chick, and will Tweeny please to tell him whose chickety chick is she. Retribution follows sharp. We hear a whir, as if from insufficiently oiled machinery, and over the passage door appears a placard showing the one word 'Silence.' His lordship stops, and steals to Tweeny on his tiptoes.

LORD LOAM. I thought the Gov. was out.

TWEENY. Well, you see he ain't. And if he were to catch you here idling--

(LORD LOAM pales. He lays aside his musical instrument and hurriedly dons an apron. TWEENY gives him the bird to pluck, and busies herself laying the table for dinner.)

LORD LOAM (softly). What is he doing now?

TWEENY. I think he's working out that plan for laying on hot and cold.

LORD LOAM (proud of his master). And he'll manage it too. The man who could build a blacksmith's forge without tools--

TWEENY (not less proud). He made the tools.

LORD LOAM. Out of half a dozen rusty nails. The saw-mill, Tweeny; the speaking-tube; the electric lighting; and look at the use he has made of the bits of the yacht that were washed ashore. And all in two years. He's a master I'm proud to pluck for.

(He chirps happily at his work, and she regards him curiously.)

TWEENY. Daddy, you're of little use, but you're a bright, cheerful creature to have about the house. (He beams at this commendation.) Do you ever think of old times now? We was a bit different.

LORD LOAM (pausing). Circumstances alter cases. (He resumes his plucking contentedly.)

TWEENY. But, Daddy, if the chance was to come of getting back?

LORD LOAM. I have given up bothering about it.

TWEENY. You bothered that day long ago when we saw a ship passing the island. How we all ran like crazy folk into the water, Daddy, and screamed and held out our arms. (They are both a little agitated.) But it sailed away, and we've never seen another.

LORD LOAM. If we had had the electrical contrivance we have now we could have attracted that ship's notice. (Their eyes rest on a mysterious apparatus that fills a corner of the hall.) A touch on that lever, Tweeny, and in a few moments bonfires would be blazing all round the shore.

TWEENY (backing from the lever as if it might spring at her). It's the most wonderful thing he has done.

LORD LOAM (in a reverie). And then--England--home!

TWEENY (also seeing visions). London of a Saturday night!

LORD LOAM. My lords, in rising once more to address this historic chamber--

TWEENY. There was a little ham and beef shop off the Edgware Road--(The visions fade; they return to the practical.)

LORD LOAM. Tweeny, do you think I could have an egg to my tea? (At this moment a wiry, athletic figure in skins darkens the window. He is carrying two pails, which are suspended from a pole on his shoulder, and he is ERNEST. We should say that he is ERNEST completely changed if we were of those who hold that people change. As he enters by the window he has heard LORD LOAM's appeal, and is perhaps justifiably indignant.)

ERNEST. What is that about an egg? Why should you have an egg?

LORD LOAM (with hauteur). That is my affair, sir. (With a Parthian shot as he withdraws stiffly from the room.) The Gov. has never put my head in a bucket.

ERNEST (coming to rest on one of his buckets, and speaking with excusable pride. To TWEENY). Nor mine for nearly three months. It was only last week, Tweeny, that he said to me, 'Ernest, the water cure has worked marvels in you, and I question whether I shall require to dip you any more.' (Complacently.) Of course that sort of thing encourages a fellow.

TWEENY (who has now arranged the dinner table to her satisfaction). I will say, Erny, I never seen a young chap more improved.

ERNEST (gratified). Thank you, Tweeny, that's very precious to me.

(She retires to the fire to work the great bellows with her foot, and ERNEST turns to TREHERNE, who has come in looking more like a cow-boy than a clergyman. He has a small box in his hand which he tries to conceal.) What have you got there, John?

TREHERNE. Don't tell anybody. It is a little present for the Gov.; a set of razors. One for each day in the week.

ERNEST (opening the box and examining its contents.) Shells! He'll like that. He likes sets of things.

TREHERNE (in a guarded voice). Have you noticed that?

ERNEST. Rather.

TREHERNE. He's becoming a bit magnificent in his ideas.

ERNEST (huskily). John, it sometimes gives me the creeps.

TREHERNE (making sure that TWEENY is out of hearing). What do you think of that brilliant robe he got the girls to make for him.

ERNEST (uncomfortably). I think he looks too regal in it.

TREHERNE. Regal! I sometimes fancy that that's why he's so fond of wearing it. (Practically.) Well, I must take these down to the grindstone and put an edge on them.

ERNEST (button-holing him). I say, John, I want a word with you.

TREHERNE. Well?

ERNEST (become suddenly diffident). Dash it all, you know, you're a clergyman.

TREHERNE. One of the best things the Gov. has done is to insist that none of you forget it.

ERNEST (taking his courage in his hands). Then--would you, John?

TREHERNE. What?

ERNEST (wistfully). Officiate at a marriage ceremony, John?

TREHERNE (slowly). Now, that's really odd.

ERNEST. Odd? Seems to me it's natural. And whatever is natural, John, is right.

TREHERNE. I mean that same question has been put to me today already.

ERNEST (eagerly). By one of the women?

TREHERNE. Oh no; they all put it to me long ago. This was by the Gov. himself.

ERNEST. By Jove! (Admiringly.) I say, John, what an observant beggar he is.

TREHERNE. Ah! You fancy he was thinking of you?

ERNEST. I do not hesitate to affirm, John, that he has seen the love-light in my eyes. You answered--

TREHERNE. I said Yes, I thought it would be my duty to officiate if called upon.

ERNEST. You're a brick.

TREHERNE (still pondering). But I wonder whether he was thinking of you?

ERNEST. Make your mind easy about that.

TREHERNE. Well, my best wishes. Agatha is a very fine girl.

ERNEST. Agatha? What made you think it was Agatha?

TREHERNE. Man alive, you told me all about it soon after we were wrecked.

ERNEST. Pooh! Agatha's all very well in her way, John, but I'm flying at bigger game.

TREHERNE. Ernest, which is it?

ERNEST. Tweeny, of course.

TREHERNE. Tweeny? (Reprovingly.) Ernest, I hope her cooking has nothing to do with this.

ERNEST (with dignity). Her cooking has very little to do with it.

TREHERNE. But does she return your affection.

ERNEST (simply). Yes, John, I believe I may say so. I am unworthy of her, but I think I have touched her heart.

TREHERNE (with a sigh). Some people seem to have all the luck. As you know, Catherine won't look at me.

ERNEST. I'm sorry, John.

TREHERNE. It's my deserts; I'm a second eleven sort of chap. Well, my heartiest good wishes, Ernest.

ERNEST. Thank you, John. How's the little black pig to-day?

TREHERNE (departing). He has begun to eat again.

(After a moment's reflection ERNEST calls to TWEENY.)

ERNEST. Are you very busy, Tweeny?

TWEENY (coming to him good-naturedly). There's always work to do; but if you want me, Ernest--

ERNEST. There's something I should like to say to you if you could spare me a moment.

TWEENY. Willingly. What is it?

ERNEST. What an ass I used to be, Tweeny.

TWEENY (tolerantly). Oh, let bygones be bygones.

ERNEST (sincerely, and at his very best). I'm no great shakes even now. But listen to this, Tweeny; I have known many women, but until I knew you I never knew any woman.

TWEENY
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