The Tatler, Volume 1, 1899 by George A. Aitken (best e reader for android txt) 📕

council; a man of most undaunted resolution and great knowledge in maritime affairs; famous for destroying the navy of the Franks,[110] and singularly happy in one particular, that he never preferred a man who has not proved remarkably serviceable to his country. Philander[111] is mentioned with particular distinction; a nobleman who has the most refined taste of the true pleasures and elegance of life, joined to an indefatigable industry in business; a man eloquent in assemblies, agreeable in conversation, and dextrous in all manner of public negotiations. These letters add, that Verono,[112] who is also of this council, has lately set sail to his government of Patricia, with design to confirm the affections of the people in the interests of his queen. This minister is master of great abilities, and is as industrious and restless for the preservation of the liberties of the people, as the greatest enemy can be to subvert them. The influence of these personages, who are men of such distinguished parts and virtues, makes the people enjoy the utmost tranquillity in the midst of a war, and gives them undoubted hopes of a secure peace from their vigilance and integrity.[113]


[Footnote 96: In a copy of the original edition of the Tatler , with MS. notes written early in the last century, which was sold at Messrs. Sotheby's, in April, 1887, the ladies here described were said to be Mrs. Chetwine and Mrs. Hales respectively. Mrs. Hales was a maid of honour who married Mr. Coke, vice-chamberlain, in July, 1709 (Luttrell's "Brief Relation," vi. 462); "Mrs. Chetwine" was probably the wife of William Richard Chetwynd, afterwards third Viscount Chetwynd, who married Honora, daughter of John Baker, Consul at Algiers; or the wife of his brother Walter, M.P. for Stafford, and Master of the Buckhounds. In 1717, Lady M. W. Montagu, describing a week spent by a fashionable lady, said, 'Friday, Mrs. Chetwynd's, &c.; a perpetual round of hearing the same scandal' (Pope's Works, ix. 385).]

[Footnote 97: Charles Jervas, portrait painter (died 1739), became principal painter to George I. and George II. He also made a translation of "Don Quixote," first published in 1742.]

[Footnote 98: A translation of Owen McSwiney (1709) from the Italian of Scarlatti.]

[Footnote 99: In the Spectator (Nos. 1, 5, 13, &c.) Addison often wrote against the Italian opera. In 1706, Dennis published "An Essay on the Operas after the Italian Manner, which are about to be established on the English Stage: with some reflections on the damage which they may bring to the Public." He traces to the recent alterations in the entertainments of the stage, the fact that familiar conversation among all classes was confined to two points, news and toasting, neither of which required much intelligence.]

[Footnote 100: The street cries of 1709 are described in Lauron's "Habits and Cries of the City of London." They included "Any card-matches or save-alls" and "Twelve-pence a peck, oysters."]

[Footnote 101: Matches made by dipping pieces of card in melted sulphur. In the Spectator (No. 251), Addison speaks of vendors of card-matches as examples of the fact that those made most noise who had least to sell.]

[Footnote 102: In vol. ii. of Dr. W. King's Works (1776) is "An Essay on the Invention of Samplers, by Mrs. Arabella Manly, schoolmistress at Hackney."]

[Footnote 103: May Fair was abolished in 1709, after it had on several occasions been presented as a nuisance by the Grand Jury at Westminster. This fair was granted by King James II. under the Great Seal, in the fourth year of his reign, to Sir John Coell and his heirs for ever, in trust for Henry Lord Dover and his heirs for ever, to be held in the field called Brookfield, in the parish of St. Martin's, Westminster, to commence on the first day of May, and to continue fifteen days yearly. It soon became the resort of the idle, the dissipated, and the profligate, insomuch that the peace-officers were frequently opposed in the performance of their duty; and, in the year 1702, John Cooper, one of the constables, was killed, for which a fencing-master, named Cook, was executed. (See also No. 20.) The fair was revived under George I., but was finally abolished through the exertions of the sixth Earl of Coventry.]

[Footnote 104: William Pinkethman, the popular actor and droll, was spoken of by Gildon as "the flower of Bartholomew Fair, and the idol of the rabble." In June, 1710, he opened a theatre at Greenwich, and in 1711 his "wonderful invention called The Pantheon, or, The Temple of the Heathen Gods," with over 100 figures, was to be seen in the Little Piazza, Covent Garden ( Spectator , No. 46, advertisement).]

[Footnote 105: "It is credibly reported that Mr. D----y has agreed with Mr. Pinkethman to have his play acted before that audience as soon as it has had its first sixteen days' run in Drury Lane" (folio). The play was D'Urfey's "Modern Prophets."]

[Footnote 106: Britain.]

[Footnote 107: John, Lord Somers, President of the Council.]

[Footnote 108: Sidney, Lord Godolphin, the Lord High Treasurer; or (according to the MS. notes in the copy mentioned above) Lord Sunderland.]

[Footnote 109: Edward, Earl of Orford.]

[Footnote 110: At La Hogue, 1692.]

[Footnote 111: Probably Lord Halifax.]

[Footnote 112: Thomas, Earl of Wharton, Lord Lieutenant of Ireland.]

[Footnote 113: "Advertisement.--Upon the humble petition of Running Stationers, &c., this paper maybe had of them, for the future, at the price of one penny" (folio). The first four numbers were distributed gratuitously.]


No. 5. [STEELE.

From Tuesday, April 19 , to Thursday, April 21 , 1709.

* * * * *


White's Chocolate-house, April 20.

Who names that lost thing, love, without a tear,
Since so debauched by ill-bred customs here,
To an exact perfection they have brought
The action, love, the passion is forgot.

This was long ago a witty author's lamentation, but the evil still continues; and if a man of any delicacy were to attend the discourses of the young fellows of this age, they would believe there were none but prostitutes to make the objects of passion. So true it is what the author of the above verses said, a little before his death, of the modern pretenders to gallantry: "They set up for wits in this age, by saying when they are sober, what they of the last spoke only when they were drunk." But Cupid is not only blind at present, but dead-drunk, he has lost all his faculties: else how should Celia be so long a maid with that agreeable behaviour? Corinna, with that uprightly wit? Lesbia, with that heavenly voice? And Sacharissa, with all those excellences in one person, frequent the park, the play, and murder the poor tits that drag her to public places, and not a man turn pale at her appearance? But such is the fallen state of love, that if it were not for honest Cynthio,[114] who is true to the cause, we should hardly have a pattern left of the ancient worthies that way: and indeed he has but very little encouragement to persevere; but he has a devotion, rather than love, for his mistress; and says,

Only tell her that I love,
Leave the rest to her, and Fate;
Some kind planet from above,
May, perhaps, her passsion move:
Lovers on their stars must wait.[115]

But the stars I am so intimately acquainted with, that I can assure him, he will never have her: for would you believe it, though Cynthio has wit, good sense, fortune, and his very being depends on her, the termagant for whom he sighs, is in love with a fellow, who stares in the glass all the time he is with her, and lets her plainly see, she may possibly be his rival, but never his mistress. Yet Cynthio, the same unhappy man whom I mentioned in my first narrative, pleases himself with a vain imagination, that with the language of his eyes, now he has found who she is, he shall conquer her, though her eyes are intent upon one who looks from her; which is ordinary with the sex. It is certainly a mistake in the ancients, to draw the little gentleman, Love, as a blind boy; for his real character is, a little thief that squints. For ask Mrs. Meddle, who is a confidante, or spy, upon all the passions in town, and she will tell you, that the whole is a game of cross purposes. The lover is generally pursuing one who is in pursuit of another, and running from one that desires to meet him. Nay, the figure of this passion is so justly represented in a squinting little thief (who is always in a double action) that do but observe Clarissa next time you see her, and you'll find, when her eyes have made their tour round the company, she makes no stay on him they say she is to marry, but rests two seconds of a minute on Wildair, who neither looks nor thinks on her, or any woman else. However, Cynthio had a bow from her the other day, upon which he is very much come to himself; and I heard him send his man of an errand yesterday without any manner of hesitation; a quarter of an hour after which he reckoned twenty, remembered he was to sup with a friend, and went exactly to his appointment. I sent to know how he did this morning, and I find he very perfectly remembers that he spoke to me yesterday.


Will's Coffee-house, April 20.

This week[116] being sacred to holy things, and no public diversions allowed, there has been taken notice of, even here, a little treatise, called, "A Project for the Advancement of Religion; dedicated to the Countess of Berkeley."[117] The title was so uncommon, and promised so peculiar a way of thinking, that every man here has read it, and as many as have done so, have approved it. It is written with the spirit of one, who has seen the world enough to undervalue it with good breeding. The author must certainly be a man of wisdom, as well as piety, and have spent much time in the exercise of both. The real causes of the decay of the interest of religion, are set forth in a clear and lively manner, without unseasonable passions; and the whole air of the book, as to the language, the sentiments, and the reasonings, show it was written by one whose virtue sits easy about him, and to whom vice is thoroughly contemptible. It was said by one of this company,[118] alluding to the knowledge the author seems to have of the world, "The man writes much like a gentleman, and goes to heaven with a very good mien."


St. James's Coffee-house, April 20.

Letters from Italy say, that the Marquis de Prie, upon the receipt of an express from the Court of Vienna, went immediately to the palace of Cardinal Paulucci, minister of state to his Holiness, and demanded in the name of his Imperial Majesty, that King Charles should be forthwith acknowledged king of Spain, by a solemn act of the congregation of cardinals appointed for that purpose: he declared at the same time, that if