The Age of Innocence by Edith Wharton (story read aloud TXT) đź“•
In the centre of this enchanted garden MadameNilsson, in white cashmere slashed with pale blue satin,a reticule dangling from a blue girdle, and large yellowbraids carefully disposed on each side of her muslinchemisette, listened with downcast eyes to M. Capoul'simpassioned wooing, and affected a guileless incomprehensionof his designs whenever, by word or glance, hepersuasively indicated the ground floor window of theneat brick villa projecting obliquely from the right wing.
"The darling!" thought Newland Archer, his glanceflitting back to the young girl with the lilies-of-the-valley. "She doesn't even guess what it's all about."And he contemplated her absorbed young face with athrill of possessorship in which pride in his own masculineinitiation was mingled with a tender reverence forher abysmal purity. "We'll read Faust together
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- Author: Edith Wharton
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bosom at the conclusion of the match, remarking that
in her day a filigree brooch would have been thought
enough, but that there was no denying that Beaufort
did things handsomely.
“Quite an heirloom, in fact, my dear,” the old lady
chuckled. “You must leave it in fee to your eldest girl.”
She pinched May’s white arm and watched the colour
flood her face. “Well, well, what have I said to make
you shake out the red flag? Ain’t there going to be any
daughters—only boys, eh? Good gracious, look at her
blushing again all over her blushes! What—can’t I say
that either? Mercy me—when my children beg me to
have all those gods and goddesses painted out overhead
I always say I’m too thankful to have somebody about
me that NOTHING can shock!”
Archer burst into a laugh, and May echoed it, crimson
to the eyes.
“Well, now tell me all about the party, please, my
dears, for I shall never get a straight word about it out
of that silly Medora,” the ancestress continued; and, as
May exclaimed: “Cousin Medora? But I thought she
was going back to Portsmouth?” she answered placidly:
“So she is—but she’s got to come here first to pick
up Ellen. Ah—you didn’t know Ellen had come to
spend the day with me? Such fol-de-rol, her not coming
for the summer; but I gave up arguing with young
people about fifty years ago. Ellen—ELLEN!” she cried in
her shrill old voice, trying to bend forward far enough
to catch a glimpse of the lawn beyond the verandah.
There was no answer, and Mrs. Mingott rapped
impatiently with her stick on the shiny floor. A mulatto
maid-servant in a bright turban, replying to the summons,
informed her mistress that she had seen “Miss
Ellen” going down the path to the shore; and Mrs.
Mingott turned to Archer.
“Run down and fetch her, like a good grandson; this
pretty lady will describe the party to me,” she said; and
Archer stood up as if in a dream.
He had heard the Countess Olenska’s name pronounced
often enough during the year and a half since
they had last met, and was even familiar with the main
incidents of her life in the interval. He knew that she
had spent the previous summer at Newport, where she
appeared to have gone a great deal into society, but
that in the autumn she had suddenly sub-let the “perfect
house” which Beaufort had been at such pains to
find for her, and decided to establish herself in
Washington. There, during the winter, he had heard of her
(as one always heard of pretty women in Washington)
as shining in the “brilliant diplomatic society” that was
supposed to make up for the social short-comings of
the Administration. He had listened to these accounts,
and to various contradictory reports on her appearance,
her conversation, her point of view and her choice
of friends, with the detachment with which one listens
to reminiscences of some one long since dead; not till
Medora suddenly spoke her name at the archery match
had Ellen Olenska become a living presence to him
again. The Marchioness’s foolish lisp had called up a
vision of the little firelit drawing-room and the sound
of the carriage-wheels returning down the deserted street.
He thought of a story he had read, of some peasant
children in Tuscany lighting a bunch of straw in a
wayside cavern, and revealing old silent images in their
painted tomb …
The way to the shore descended from the bank on
which the house was perched to a walk above the
water planted with weeping willows. Through their veil
Archer caught the glint of the Lime Rock, with its
white-washed turret and the tiny house in which the
heroic light-house keeper, Ida Lewis, was living her last
venerable years. Beyond it lay the flat reaches and ugly
government chimneys of Goat Island, the bay spreading
northward in a shimmer of gold to Prudence Island
with its low growth of oaks, and the shores of Conanicut
faint in the sunset haze.
From the willow walk projected a slight wooden pier
ending in a sort of pagoda-like summer-house; and in
the pagoda a lady stood, leaning against the rail, her
back to the shore. Archer stopped at the sight as if he
had waked from sleep. That vision of the past was a
dream, and the reality was what awaited him in the
house on the bank overhead: was Mrs. Welland’s pony-carriage circling around and around the oval at the
door, was May sitting under the shameless Olympians
and glowing with secret hopes, was the Welland villa at
the far end of Bellevue Avenue, and Mr. Welland,
already dressed for dinner, and pacing the drawing-room floor, watch in hand, with dyspeptic impatience—
for it was one of the houses in which one always knew
exactly what is happening at a given hour.
“What am I? A son-in-law—” Archer thought.
The figure at the end of the pier had not moved. For
a long moment the young man stood half way down
the bank, gazing at the bay furrowed with the coming
and going of sailboats, yacht-launches, fishing-craft and
the trailing black coal-barges hauled by noisy tugs. The
lady in the summer-house seemed to be held by the
same sight. Beyond the grey bastions of Fort Adams a
long-drawn sunset was splintering up into a thousand
fires, and the radiance caught the sail of a catboat as it
beat out through the channel between the Lime Rock
and the shore. Archer, as he watched, remembered the
scene in the Shaughraun, and Montague lifting Ada
Dyas’s ribbon to his lips without her knowing that he
was in the room.
“She doesn’t know—she hasn’t guessed. Shouldn’t I
know if she came up behind me, I wonder?” he mused;
and suddenly he said to himself: “If she doesn’t turn
before that sail crosses the Lime Rock light I’ll go
back.”
The boat was gliding out on the receding tide. It slid
before the Lime Rock, blotted out Ida Lewis’s little
house, and passed across the turret in which the light
was hung. Archer waited till a wide space of water
sparkled between the last reef of the island and the
stern of the boat; but still the figure in the summer-house did not move.
He turned and walked up the hill.
“I’m sorry you didn’t find Ellen—I should have liked
to see her again,” May said as they drove home through
the dusk. “But perhaps she wouldn’t have cared—she
seems so changed.”
“Changed?” echoed her husband in a colourless voice,
his eyes fixed on the ponies’ twitching ears.
“So indifferent to her friends, I mean; giving up New
York and her house, and spending her time with such
queer people. Fancy how hideously uncomfortable she
must be at the Blenkers’! She says she does it to keep
cousin Medora out of mischief: to prevent her marrying
dreadful people. But I sometimes think we’ve always
bored her.”
Archer made no answer, and she continued, with a
tinge of hardness that he had never before noticed in
her frank fresh voice: “After all, I wonder if she wouldn’t
be happier with her husband.”
He burst into a laugh. “Sancta simplicitas!” he
exclaimed; and as she turned a puzzled frown on him he
added: “I don’t think I ever heard you say a cruel thing
before.”
“Cruel?”
“Well—watching the contortions of the damned is
supposed to be a favourite sport of the angels; but I
believe even they don’t think people happier in hell.”
“It’s a pity she ever married abroad then,” said May,
in the placid tone with which her mother met Mr.
Welland’s vagaries; and Archer felt himself gently relegated
to the category of unreasonable husbands.
They drove down Bellevue Avenue and turned in
between the chamfered wooden gate-posts surmounted
by cast-iron lamps which marked the approach to the
Welland villa. Lights were already shining through its
windows, and Archer, as the carriage stopped, caught a
glimpse of his father-in-law, exactly as he had pictured
him, pacing the drawing-room, watch in hand and
wearing the pained expression that he had long since
found to be much more efficacious than anger.
The young man, as he followed his wife into the hall,
was conscious of a curious reversal of mood. There
was something about the luxury of the Welland house
and the density of the Welland atmosphere, so charged
with minute observances and exactions, that always
stole into his system like a narcotic. The heavy carpets,
the watchful servants, the perpetually reminding tick of
disciplined clocks, the perpetually renewed stack of
cards and invitations on the hall table, the whole chain
of tyrannical trifles binding one hour to the next, and
each member of the household to all the others, made
any less systematised and affluent existence seem unreal
and precarious. But now it was the Welland house,
and the life he was expected to lead in it, that had
become unreal and irrelevant, and the brief scene on
the shore, when he had stood irresolute, halfway down
the bank, was as close to him as the blood in his veins.
All night he lay awake in the big chintz bedroom at
May’s side, watching the moonlight slant along the
carpet, and thinking of Ellen Olenska driving home
across the gleaming beaches behind Beaufort’s trotters.
XXII.
A party for the Blenkers—the Blenkers?”
Mr. Welland laid down his knife and fork and
looked anxiously and incredulously across the luncheon-table at his wife, who, adjusting her gold eye-glasses,
read aloud, in the tone of high comedy: “Professor and
Mrs. Emerson Sillerton request the pleasure of Mr. and
Mrs. Welland’s company at the meeting of the Wednesday
Afternoon Club on August 25th at 3 o’clock
punctually. To meet Mrs. and the Misses Blenker.
“Red Gables, Catherine Street. R. S. V. P.”
“Good gracious—” Mr. Welland gasped, as if a second
reading had been necessary to bring the monstrous
absurdity of the thing home to him.
“Poor Amy Sillerton—you never can tell what her
husband will do next,” Mrs. Welland sighed. “I suppose
he’s just discovered the Blenkers.”
Professor Emerson Sillerton was a thorn in the side
of Newport society; and a thorn that could not be
plucked out, for it grew on a venerable and venerated
family tree. He was, as people said, a man who had
had “every advantage.” His father was Sillerton Jackson’s
uncle, his mother a Pennilow of Boston; on each
side there was wealth and position, and mutual
suitability. Nothing—as Mrs. Welland had often remarked—
nothing on earth obliged Emerson Sillerton to be an
archaeologist, or indeed a Professor of any sort, or to
live in Newport in winter, or do any of the other
revolutionary things that he did. But at least, if he was
going to break with tradition and flout society in the
face, he need not have married poor Amy Dagonet,
who had a right to expect “something different,” and
money enough to keep her own carriage.
No one in the Mingott set could understand why
Amy Sillerton had submitted so tamely to the eccentricities
of a husband who filled the house with long-haired men and short-haired women, and, when he
travelled, took her to explore tombs in Yucatan instead
of going to Paris or Italy. But there they were, set in
their ways, and apparently unaware that they were
different from other people; and when they gave one of
their dreary annual garden-parties every family on the
Cliffs, because of the Sillerton-Pennilow-Dagonet
connection, had to draw lots and send an unwilling
representative.
“It’s a wonder,” Mrs. Welland remarked, “that they
didn’t choose the Cup Race day! Do you remember,
two
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