The Age of Innocence by Edith Wharton (story read aloud TXT) đź“•
In the centre of this enchanted garden MadameNilsson, in white cashmere slashed with pale blue satin,a reticule dangling from a blue girdle, and large yellowbraids carefully disposed on each side of her muslinchemisette, listened with downcast eyes to M. Capoul'simpassioned wooing, and affected a guileless incomprehensionof his designs whenever, by word or glance, hepersuasively indicated the ground floor window of theneat brick villa projecting obliquely from the right wing.
"The darling!" thought Newland Archer, his glanceflitting back to the young girl with the lilies-of-the-valley. "She doesn't even guess what it's all about."And he contemplated her absorbed young face with athrill of possessorship in which pride in his own masculineinitiation was mingled with a tender reverence forher abysmal purity. "We'll read Faust together
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seemed as strange as anything that the imagination
could invent.
“The change—what sort of a change?”
“Ah, Monsieur, if I could tell you!” M. Riviere paused.
“Tenez—the discovery, I suppose, of what I’d never
thought of before: that she’s an American. And that if
you’re an American of HER kind—of your kind—things
that are accepted in certain other societies, or at least
put up with as part of a general convenient give-and-take—become unthinkable, simply unthinkable. If
Madame Olenska’s relations understood what these things
were, their opposition to her returning would no doubt
be as unconditional as her own; but they seem to
regard her husband’s wish to have her back as proof of
an irresistible longing for domestic life.” M. Riviere
paused, and then added: “Whereas it’s far from being
as simple as that.”
Archer looked back to the President of the United
States, and then down at his desk and at the papers
scattered on it. For a second or two he could not trust
himself to speak. During this interval he heard M.
Riviere’s chair pushed back, and was aware that the
young man had risen. When he glanced up again he
saw that his visitor was as moved as himself.
“Thank you,” Archer said simply.
“There’s nothing to thank me for, Monsieur: it is I,
rather—” M. Riviere broke off, as if speech for him
too were difficult. “I should like, though,” he continued
in a firmer voice, “to add one thing. You asked me
if I was in Count Olenski’s employ. I am at this moment:
I returned to him, a few months ago, for reasons
of private necessity such as may happen to any one
who has persons, ill and older persons, dependent on
him. But from the moment that I have taken the step of
coming here to say these things to you I consider myself
discharged, and I shall tell him so on my return,
and give him the reasons. That’s all, Monsieur.”
M. Riviere bowed and drew back a step.
“Thank you,” Archer said again, as their hands met.
XXVI.
Every year on the fifteenth of October Fifth Avenue
opened its shutters, unrolled its carpets and hung
up its triple layer of window-curtains.
By the first of November this household ritual was
over, and society had begun to look about and take
stock of itself. By the fifteenth the season was in full
blast, Opera and theatres were putting forth their new
attractions, dinner-engagements were accumulating, and
dates for dances being fixed. And punctually at about
this time Mrs. Archer always said that New York was
very much changed.
Observing it from the lofty stand-point of a non-participant, she was able, with the help of Mr. Sillerton
Jackson and Miss Sophy, to trace each new crack in its
surface, and all the strange weeds pushing up between
the ordered rows of social vegetables. It had been one
of the amusements of Archer’s youth to wait for this
annual pronouncement of his mother’s, and to hear her
enumerate the minute signs of disintegration that his
careless gaze had overlooked. For New York, to Mrs.
Archer’s mind, never changed without changing for the
worse; and in this view Miss Sophy Jackson heartily
concurred.
Mr. Sillerton Jackson, as became a man of the world,
suspended his judgment and listened with an amused
impartiality to the lamentations of the ladies. But even
he never denied that New York had changed; and
Newland Archer, in the winter of the second year of his
marriage, was himself obliged to admit that if it had
not actually changed it was certainly changing.
These points had been raised, as usual, at Mrs.
Archer’s Thanksgiving dinner. At the date when she was
officially enjoined to give thanks for the blessings of
the year it was her habit to take a mournful though not
embittered stock of her world, and wonder what there
was to be thankful for. At any rate, not the state of
society; society, if it could be said to exist, was rather a
spectacle on which to call down Biblical imprecations—
and in fact, every one knew what the Reverend Dr.
Ashmore meant when he chose a text from Jeremiah
(chap. ii., verse 25) for his Thanksgiving sermon.
Dr. Ashmore, the new Rector of St. Matthew’s, had
been chosen because he was very “advanced”: his
sermons were considered bold in thought and novel in
language. When he fulminated against fashionable society
he always spoke of its “trend”; and to Mrs. Archer
it was terrifying and yet fascinating to feel herself part
of a community that was trending.
“There’s no doubt that Dr. Ashmore is right: there IS
a marked trend,” she said, as if it were something
visible and measurable, like a crack in a house.
“It was odd, though, to preach about it on Thanksgiving,”
Miss Jackson opined; and her hostess drily
rejoined: “Oh, he means us to give thanks for what’s
left.”
Archer had been wont to smile at these annual
vaticinations of his mother’s; but this year even he was
obliged to acknowledge, as he listened to an enumeration
of the changes, that the “trend” was visible.
“The extravagance in dress—” Miss Jackson began.
“Sillerton took me to the first night of the Opera, and I
can only tell you that Jane Merry’s dress was the only
one I recognised from last year; and even that had had
the front panel changed. Yet I know she got it out from
Worth only two years ago, because my seamstress always
goes in to make over her Paris dresses before she
wears them.”
“Ah, Jane Merry is one of US,” said Mrs. Archer
sighing, as if it were not such an enviable thing to be in
an age when ladies were beginning to flaunt abroad
their Paris dresses as soon as they were out of the
Custom House, instead of letting them mellow under
lock and key, in the manner of Mrs. Archer’s contemporaries.
“Yes; she’s one of the few. In my youth,” Miss
Jackson rejoined, “it was considered vulgar to dress in
the newest fashions; and Amy Sillerton has always told
me that in Boston the rule was to put away one’s Paris
dresses for two years. Old Mrs. Baxter Pennilow, who
did everything handsomely, used to import twelve a
year, two velvet, two satin, two silk, and the other six
of poplin and the finest cashmere. It was a standing
order, and as she was ill for two years before she died
they found forty-eight Worth dresses that had never
been taken out of tissue paper; and when the girls left
off their mourning they were able to wear the first lot
at the Symphony concerts without looking in advance
of the fashion.”
“Ah, well, Boston is more conservative than New
York; but I always think it’s a safe rule for a lady to
lay aside her French dresses for one season,” Mrs.
Archer conceded.
“It was Beaufort who started the new fashion by
making his wife clap her new clothes on her back as
soon as they arrived: I must say at times it takes all
Regina’s distinction not to look like … like …” Miss
Jackson glanced around the table, caught Janey’s bulging
gaze, and took refuge in an unintelligible murmur.
“Like her rivals,” said Mr. Sillerton Jackson, with
the air of producing an epigram.
“Oh,—” the ladies murmured; and Mrs. Archer added,
partly to distract her daughter’s attention from forbidden
topics: “Poor Regina! Her Thanksgiving hasn’t
been a very cheerful one, I’m afraid. Have you heard
the rumours about Beaufort’s speculations, Sillerton?”
Mr. Jackson nodded carelessly. Every one had heard
the rumours in question, and he scorned to confirm a
tale that was already common property.
A gloomy silence fell upon the party. No one really
liked Beaufort, and it was not wholly unpleasant to
think the worst of his private life; but the idea of his
having brought financial dishonour on his wife’s family
was too shocking to be enjoyed even by his enemies.
Archer’s New York tolerated hypocrisy in private relations;
but in business matters it exacted a limpid and
impeccable honesty. It was a long time since any well-known banker had failed discreditably; but every one
remembered the social extinction visited on the heads
of the firm when the last event of the kind had
happened. It would be the same with the Beauforts, in spite
of his power and her popularity; not all the leagued
strength of the Dallas connection would save poor
Regina if there were any truth in the reports of her
husband’s unlawful speculations.
The talk took refuge in less ominous topics; but
everything they touched on seemed to confirm Mrs.
Archer’s sense of an accelerated trend.
“Of course, Newland, I know you let dear May go
to Mrs. Struthers’s Sunday evenings—” she began; and
May interposed gaily: “Oh, you know, everybody goes
to Mrs. Struthers’s now; and she was invited to Granny’s
last reception.”
It was thus, Archer reflected, that New York
managed its transitions: conspiring to ignore them till they
were well over, and then, in all good faith, imagining
that they had taken place in a preceding age. There was
always a traitor in the citadel; and after he (or generally
she) had surrendered the keys, what was the use of
pretending that it was impregnable? Once people had
tasted of Mrs. Struthers’s easy Sunday hospitality they
were not likely to sit at home remembering that her
champagne was transmuted Shoe-Polish.
“I know, dear, I know,” Mrs. Archer sighed. “Such
things have to be, I suppose, as long as AMUSEMENT is
what people go out for; but I’ve never quite forgiven
your cousin Madame Olenska for being the first person
to countenance Mrs. Struthers.”
A sudden blush rose to young Mrs. Archer’s face; it
surprised her husband as much as the other guests
about the table. “Oh, ELLEN—” she murmured, much in
the same accusing and yet deprecating tone in which
her parents might have said: “Oh, THE BLENKERS—.”
It was the note which the family had taken to sounding
on the mention of the Countess Olenska’s name,
since she had surprised and inconvenienced them by
remaining obdurate to her husband’s advances; but on
May’s lips it gave food for thought, and Archer looked
at her with the sense of strangeness that sometimes
came over him when she was most in the tone of her
environment.
His mother, with less than her usual sensitiveness to
atmosphere, still insisted: “I’ve always thought that
people like the Countess Olenska, who have lived in
aristocratic societies, ought to help us to keep up our
social distinctions, instead of ignoring them.”
May’s blush remained permanently vivid: it seemed
to have a significance beyond that implied by the
recognition of Madame Olenska’s social bad faith.
“I’ve no doubt we all seem alike to foreigners,” said
Miss Jackson tartly.
“I don’t think Ellen cares for society; but nobody
knows exactly what she does care for,” May continued,
as if she had been groping for something noncommittal.
“Ah, well—” Mrs. Archer sighed again.
Everybody knew that the Countess Olenska was no
longer in the good graces of her family. Even her
devoted champion, old Mrs. Manson Mingott, had been
unable to defend her refusal to return to her husband.
The Mingotts had not proclaimed their disapproval
aloud: their sense of solidarity was too strong. They
had simply, as Mrs. Welland said, “let poor Ellen find
her own level”—and that, mortifyingly and
incomprehensibly, was in the dim depths where the Blenkers
prevailed, and “people who wrote” celebrated their
untidy rites. It was incredible, but it was a fact, that
Ellen, in spite of all
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