The Tatler, Volume 1, 1899 by George A. Aitken (best e reader for android txt) π
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well with coxcombs: they are never mortified, but when they see you receive, and despise them; otherwise they rest assured, that it is your ignorance makes them out of your good graces; or, that it is only want of admittance prevents their being amiable where they are shunned and avoided. But Sir Taffety is a fop of so sanguine complexion, that I fear it will be very hard for the fair one he at present pursues to get rid of the chase, without being so tired, as for her own ease to fall into the mouth of the mongrel she runs from. But the history of Sir Taffety is as pleasant as his character. It happened, that when he first set up for a fortune-hunter, he chose Tunbridge for the scene of action; where were at that time two sisters upon the same design. The knight believed of course the elder must be the better prize; and consequently makes all his sail that way. People that want sense, do always in an egregious manner want modesty, which made our hero triumph in making his amour as public as was possible. The adored lady was no less vain of his public addresses. An attorney with one cause is not half so restless as a woman with one lover. Wherever they met, they talked to each other aloud, chose each other partner at balls, saluted at the most conspicuous parts of the service at church, and practised in honour of each other all the remarkable particularities which are usual for persons who admire one another, and are contemptible to the rest of the world. These two lovers seemed as much made for each other as Adam and Eve, and all pronounced it a match of Nature's own making; but the night before the nuptials (so universally approved), the younger sister, envious of the good fortune even of her sister, who had been present at most of their interviews, and had an equal taste for the charms of a fop (as there are a set of women made for that order of men); the younger, I say, unable to see so rich a prize pass by her, discovered to Sir Taffety, that a coquette air, much tongue, and three suits, was all the portion of his mistress. His love vanished that moment, himself and equipage the next morning. It is uncertain where the lover has been ever since engaged; but certain it is, he has not appeared in his character as a follower of love and fortune till he arrived at Epsom, where there is at present a young lady of youth, beauty, and fortune, who has alarmed[453] all the vain and the impertinent to infest that quarter. At the head of this assembly, Sir Taffety shines in the brightest manner, with all the accomplishments which usually ensnare the heart of woman; with this particular merit (which often is of great service), that he is laughed at for her sake. The friends of the fair one are in much pain for the sufferings she goes through from the perseverance of this hero; but they may be much more so from the danger of his succeeding, toward which they give him a helping hand, if they dissuade her with bitterness; for there is a fantastical generosity in the sex, to approve creatures of the least merit imaginable, when they see the imperfections of their admirers are become the marks of derision for their sakes; and there is nothing so frequent, as that he who was contemptible to a woman in her own judgment, has won her by being too violently opposed by others.
Grecian Coffee-house, July 27.
In the several capacities I bear, of astrologer, civilian, and physician, I have with great application studied the public emolument: to this end serve all my lucubrations, speculations, and whatever other labours I undertake, whether nocturnal or diurnal. On this motive am I induced to publish a never-failing medicine for the spleen: my experience in this distemper came from a very remarkable cure on my ever worthy friend Tom Spindle,[454] who, through excessive gaiety, had exhausted that natural stock of wit and spirits he had long been blessed with: he was sunk and flattened to the lowest degree imaginable, sitting whole hours over the "Book of Martyrs," and "Pilgrim's Progress"; his other contemplations never rising higher than the colour of his urine, or regularity of his pulse. In this condition I found him, accompanied by the learned Dr. Drachm, and a good old nurse. Drachm had prescribed magazines of herbs, and mines of steel. I soon discovered the malady, and descanted on the nature of it, till I convinced both the patient and his nurse, that the spleen is not to be cured by medicine, but by poetry. Apollo, the author of physic, shone with diffusive rays the best of poets as well as of physicians; and it is in this double capacity that I have made my way, and have found, sweet, easy, flowering numbers, are oft superior to our noblest medicines. When the spirits are low, and nature sunk, the muse, with sprightly and harmonious notes, gives an unexpected turn with a grain of poetry, which I prepare without the use of mercury. I have done wonders in this kind; for the spleen is like the tarantula,[455] the effects of whose malignant poison are to be prevented by no other remedy but the charms of music: for you are to understand, that as some noxious animals carry antidotes for their own poisons; so there is something equally unaccountable in poetry: for though it is sometimes a disease, it is to be cured only by itself. Now I knowing Tom Spindle's constitution, and that he is not only a pretty gentleman, but also a pretty poet, found the true cause of his distemper was a violent grief that moved his affections too strongly: for during the late Treaty of Peace, he had written a most excellent poem on that subject; and when he wanted but two lines in the last stanza for finishing the whole piece, there comes news that the French tyrant would not sign. Spindle in few days took his bed, and had lain there still, had not I been sent for. I immediately told him, there was great probability the French would now sue to us for peace. I saw immediately a new life in his eyes; and knew, that nothing could help him forward so well, as hearing verses which he would believe worse than his own; I read him therefore the "Brussels Postscript";[456] after which I recited some heroic lines of my own, which operated so strongly on the tympanum of his ear, that I doubt not but I have kept out all other sounds for a fortnight; and have reason to hope, we shall see him abroad the day before his poem. This you see, is a particular secret I have found out, viz., that you are not to choose your physician for his knowledge in your distemper, but for having it himself. Therefore I am at hand for all maladies arising from poetical vapours, beyond which I never pretend. For being called the other day to one in love, I took indeed their three guineas, and gave them my advice; which was, to send for Γsculapius.[457] Γsculapius, as soon as he saw the patient, cries out, "'Tis love! 'tis love! Oh! the unequal pulse! these are the symptoms a lover feels; such sighs, such pangs, attend the uneasy mind; nor can our art, or all our boasted skill, avail--Yet O fair! for thee--" Thus the sage ran on, and owned the passion which he pitied, as well as that he felt a greater pain than ever he cured. After which he concluded, "All I can advise, is marriage: charms and beauty will give new life and vigour, and turn the course of nature to its better prospect." This is the new way; and thus Γsculapius has left his beloved powders, and writes a recipe for a wife at sixty. In short, my friend followed the prescription, and married youth and beauty in its perfect bloom.
Supine in Silvia's snowy arms he lies,
And all the busy care of life defies:
Each happy hour is filled with fresh delight,
While peace the day, and pleasure crowns the night.
From my own Apartment, July 27.
Tragical passion was the subject of the discourse where I last visited this evening; and a gentleman who knows that I am at present writing a very deep tragedy, directed his discourse in a particular manner to me. "It is the common fault," said he, "of you, gentlemen, who write in the buskin style, that you give us rather the sentiments of such who behold tragical events, than of such who bear a part in them themselves. I would advise all who pretend this way, to read Shakespeare with care, and they will soon be deterred from putting forth what is usually called 'tragedy.' The way of common writers in this kind, is rather the description, than the expression of sorrow. There is no medium in these attempts; and you must go to the very bottom of the heart, or it is all mere language; and the writer of such lines is no more a poet, than a man is a physician for knowing the names of distempers, without the causes of them. Men of sense are professed enemies to all such empty labours: for he who pretends to be sorrowful, and is not, is a wretch yet more contemptible than he who pretends to be merry, and is not. Such a tragedian is only maudlin drunk." The gentleman went on with much warmth; but all he could say had little effect upon me: but when I came hither, I so far observed his counsel, that I looked into Shakespeare. The tragedy I dipped into was, "Harry the Fourth." In the scene where Morton is preparing to tell Northumberland of his son's death, the old man does not give him time to speak, but says,
" The whiteness of thy cheeks
Is apter than thy tongue to tell thy errand;
Even such a man, so faint, so spiritless,
So dull, so dead in look, so woebegone,
Drew Priam's curtain at the dead of night,
And would have told him half his Troy was burnt:
But Priam found the fire, ere he his tongue,
And I my Percy's death ere thou reportest it "[458]
The image in this place is wonderfully noble and great; yet this man in all this is but rising towards his great affliction, and is still enough himself, as you see, to make a simile: but when he is certain of his son's death, he is lost to all patience, and gives up all the regards of this life; and since the last of evils is fallen upon him, he calls for it upon all the world.
" Now let not Nature's hand
Keep the wild flood confined; let Order die,
And let the world no longer be a stage,
To feed contention in a lingering act;
But let one spirit of the firstborn Cain
Reign in all bosoms, that each heart being set
On bloody courses, the wide scene may end,
And darkness be the burier of the dead ."
Reading but this one scene has convinced me,
Grecian Coffee-house, July 27.
In the several capacities I bear, of astrologer, civilian, and physician, I have with great application studied the public emolument: to this end serve all my lucubrations, speculations, and whatever other labours I undertake, whether nocturnal or diurnal. On this motive am I induced to publish a never-failing medicine for the spleen: my experience in this distemper came from a very remarkable cure on my ever worthy friend Tom Spindle,[454] who, through excessive gaiety, had exhausted that natural stock of wit and spirits he had long been blessed with: he was sunk and flattened to the lowest degree imaginable, sitting whole hours over the "Book of Martyrs," and "Pilgrim's Progress"; his other contemplations never rising higher than the colour of his urine, or regularity of his pulse. In this condition I found him, accompanied by the learned Dr. Drachm, and a good old nurse. Drachm had prescribed magazines of herbs, and mines of steel. I soon discovered the malady, and descanted on the nature of it, till I convinced both the patient and his nurse, that the spleen is not to be cured by medicine, but by poetry. Apollo, the author of physic, shone with diffusive rays the best of poets as well as of physicians; and it is in this double capacity that I have made my way, and have found, sweet, easy, flowering numbers, are oft superior to our noblest medicines. When the spirits are low, and nature sunk, the muse, with sprightly and harmonious notes, gives an unexpected turn with a grain of poetry, which I prepare without the use of mercury. I have done wonders in this kind; for the spleen is like the tarantula,[455] the effects of whose malignant poison are to be prevented by no other remedy but the charms of music: for you are to understand, that as some noxious animals carry antidotes for their own poisons; so there is something equally unaccountable in poetry: for though it is sometimes a disease, it is to be cured only by itself. Now I knowing Tom Spindle's constitution, and that he is not only a pretty gentleman, but also a pretty poet, found the true cause of his distemper was a violent grief that moved his affections too strongly: for during the late Treaty of Peace, he had written a most excellent poem on that subject; and when he wanted but two lines in the last stanza for finishing the whole piece, there comes news that the French tyrant would not sign. Spindle in few days took his bed, and had lain there still, had not I been sent for. I immediately told him, there was great probability the French would now sue to us for peace. I saw immediately a new life in his eyes; and knew, that nothing could help him forward so well, as hearing verses which he would believe worse than his own; I read him therefore the "Brussels Postscript";[456] after which I recited some heroic lines of my own, which operated so strongly on the tympanum of his ear, that I doubt not but I have kept out all other sounds for a fortnight; and have reason to hope, we shall see him abroad the day before his poem. This you see, is a particular secret I have found out, viz., that you are not to choose your physician for his knowledge in your distemper, but for having it himself. Therefore I am at hand for all maladies arising from poetical vapours, beyond which I never pretend. For being called the other day to one in love, I took indeed their three guineas, and gave them my advice; which was, to send for Γsculapius.[457] Γsculapius, as soon as he saw the patient, cries out, "'Tis love! 'tis love! Oh! the unequal pulse! these are the symptoms a lover feels; such sighs, such pangs, attend the uneasy mind; nor can our art, or all our boasted skill, avail--Yet O fair! for thee--" Thus the sage ran on, and owned the passion which he pitied, as well as that he felt a greater pain than ever he cured. After which he concluded, "All I can advise, is marriage: charms and beauty will give new life and vigour, and turn the course of nature to its better prospect." This is the new way; and thus Γsculapius has left his beloved powders, and writes a recipe for a wife at sixty. In short, my friend followed the prescription, and married youth and beauty in its perfect bloom.
Supine in Silvia's snowy arms he lies,
And all the busy care of life defies:
Each happy hour is filled with fresh delight,
While peace the day, and pleasure crowns the night.
From my own Apartment, July 27.
Tragical passion was the subject of the discourse where I last visited this evening; and a gentleman who knows that I am at present writing a very deep tragedy, directed his discourse in a particular manner to me. "It is the common fault," said he, "of you, gentlemen, who write in the buskin style, that you give us rather the sentiments of such who behold tragical events, than of such who bear a part in them themselves. I would advise all who pretend this way, to read Shakespeare with care, and they will soon be deterred from putting forth what is usually called 'tragedy.' The way of common writers in this kind, is rather the description, than the expression of sorrow. There is no medium in these attempts; and you must go to the very bottom of the heart, or it is all mere language; and the writer of such lines is no more a poet, than a man is a physician for knowing the names of distempers, without the causes of them. Men of sense are professed enemies to all such empty labours: for he who pretends to be sorrowful, and is not, is a wretch yet more contemptible than he who pretends to be merry, and is not. Such a tragedian is only maudlin drunk." The gentleman went on with much warmth; but all he could say had little effect upon me: but when I came hither, I so far observed his counsel, that I looked into Shakespeare. The tragedy I dipped into was, "Harry the Fourth." In the scene where Morton is preparing to tell Northumberland of his son's death, the old man does not give him time to speak, but says,
" The whiteness of thy cheeks
Is apter than thy tongue to tell thy errand;
Even such a man, so faint, so spiritless,
So dull, so dead in look, so woebegone,
Drew Priam's curtain at the dead of night,
And would have told him half his Troy was burnt:
But Priam found the fire, ere he his tongue,
And I my Percy's death ere thou reportest it "[458]
The image in this place is wonderfully noble and great; yet this man in all this is but rising towards his great affliction, and is still enough himself, as you see, to make a simile: but when he is certain of his son's death, he is lost to all patience, and gives up all the regards of this life; and since the last of evils is fallen upon him, he calls for it upon all the world.
" Now let not Nature's hand
Keep the wild flood confined; let Order die,
And let the world no longer be a stage,
To feed contention in a lingering act;
But let one spirit of the firstborn Cain
Reign in all bosoms, that each heart being set
On bloody courses, the wide scene may end,
And darkness be the burier of the dead ."
Reading but this one scene has convinced me,
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