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her friends, fearing for her health, called in a doctor. He endeavored to reason with her, but she only replied to his philosophy by stretching out her neck, which she seemed to think was a remarkably long one, and hissing. The old lady had a set of gilt-band china cups and saucers, which, in her eyes, had been a sort of household gods. The knowledge of the fact coming to the ears of the physician, he advised her friends to break the precious treasures, one after another, before her eyes. The plan worked admirably. She immediately left her nest, and ran to the rescue of the china, and the excitement brought her back to her sense of the proprieties of womanhood.

Another old lady, who also resided in a neighboring town, fancied she had become a veritable teapot. She used to silence those who attempted to reason with her by the luminous argument, โ€œSee, here (crooking one arm at her side) is the handle, and there (thrusting upward her other arm) is the spout!โ€ What could be more convincing than that?

Another lady, whose faculties had begun to decline, thought her toes were made of glass; and a comical figure she cut when she went abroad, picking up and putting down her feet with the greatest caution, lest she should injure her precious toes.

Now these cases provoke a smile; but, had these ancient damsels fancied that they were bewitched, or that they were haunted, or that they held communion with the spirits of the invisible world, instead of exciting laughter and pity, they would have occasioned no small excitement among the simple-minded people of the neighborhood in which each resided.

A young Scottish farmer, having been to a fair, was riding homeward on horseback one evening over a lonely road.

He had been drinking rather freely at the fair, according to the custom, and his head was far from steady, and his conscience far from easy.

It was moonlight, and he began to reflect what a dreadful thing it would be to meet a ghost. His fears caused him to look very carefully about him. As he was approaching the old church in Teviotdale, he saw a figure in white standing on the wall of the churchyard, by the highway.

The sight gave him a start, but he continued his journey, hoping that it was his imagination that had invested some natural object with a ghostly shape. But the nearer he approached, the more ghostlike and mysterious did the figure appear.

He stopped, hesitating what to do, and then concluded to ride slowly. There was no other way to his home than the one he was following. He knew well enough that his mind was somewhat unsettled by drinking, and what he saw might, after all, he thought, be nothing but an illusion. He would approach the object slowly and cautiously, and, when very near it, would put spurs to his horse and dash by.

As he drew near, however, the figure showed unmistakable signs of life, gesticulating mysteriously, and uttering gibberish, that, although odd, sounded surprisingly human.

It was a ghostly night: the dim moonlight filled the silent air, and the landscape was flecked with shadows; it was a ghostly place,โ€”Teviotdale churchyard; and, in perfect keeping with the time and place, stood the figure, doing as a ghost is supposed to do,โ€”talking gibberish to the moon.

The young manโ€™s nerves were quite unstrung as he put spurs to his horse for a rush by the object of his fright. As he dashed past, his hair almost bristling with apprehension, the supposed phantom leaped upon the back of the horse and clasped the frightened man about his waist. His apprehensions were startling enough before, but now he was wrought to the highest pitch of terror.

He drove his spurs into his horse, and the animal flew over the earth like a phantom steed. Such riding never before was seen in the winding road of Teviotdale.

In a wonderfully short time the reeking animal stood trembling and panting before his masterโ€™s gate. The young man called lustily for his servants, who, coming out, were commanded in frantic tones to โ€œTak aff the ghaist, tak aff the ghaist!โ€ And โ€œtak aff the ghaistโ€ they did, which proved to be a young lady well known in Teviotdale for her unfortunate history.

She had married an estimable young man, to whom she was very strongly attached, and the brightest worldly prospects seemed opening before her. Her husband was taken ill, and suddenly died. She had confided in him so fondly that the world lost its attractions for her on his decease, and she moodily dwelt upon her misfortune until she became deranged.

Her husband was buried in Teviotdale churchyard, and she was in the habit of stealing away from her friends at night, to weep over his grave. These melancholy visits had the effect of giving a new impetus to her malady, making her for a time the victim of any fancy that chanced to enter her mind.

On the night of our story she imagined that the young farmer was her husband, and awaited his approach with great exhilaration of spirits, determined to give him an affectionate greeting.

The fright came near costing the young man his life. He was taken from his saddle to his bed, where he lay for weeks prostrated by a high nervous fever.

An eminent writer, after relating the above authentic story, remarks:โ€”

โ€œIf this woman had dropped from the horse unobserved by the rider, it would have been very hard to convince the honest farmer that he had not actually performed a part of his journey with a ghost behind him.โ€

True. Teviotdale churchyard would have obtained the reputation of being haunted, and would have been a terror to weak-minded people for many years to come.

The ignorant and simple are not alone subject to illusions of fancy. The great and learned Pascal, than whom France has produced no more worthy philosopher, believed that an awful chasm yawned by his side, into which he was in danger of being thrown. This dreadful vision, with other fancies as gloomy, cast a shadow over an eventful period of his life, and gave a dark coloring to certain of his writings. Yet Pascal, on most subjects, was uncommonly sound in judgment. How unfavorable might have been the influence, had his disorder assumed a different form, and placed before him the delusion of a ghost!

Before giving credit to stories of supernatural events, even from sources that seem to be trustworthy, I hope my young friends will consider duly how liable to error are an unhealthy mind and an excited imagination. Every man is not a knave or a cheat who claims to have witnessed unnatural phenomena, but the judgment of very excellent persons is liable to be infected by illusions of the imagination.

I do not say that we may not receive impressions from the spiritual world. As the geologist, the botanist, the chemist, sees things in nature that the unschooled and undeveloped do not see, so it may be that a spiritually educated mind may know more of the spiritual world than the gross and selfish mind. I will not enlarge upon this topic or discuss this question; it might not be proper for me so to do.

Master Lewis had aimed to make clear to the boys that it is easy to start a superstitious story, and to suggest that such stories in ignorant times became legends.

A ruined fortress perched on a cliff

OLD FORTRESS ON THE RHINE.

โ€œI propose,โ€ said Willie Clifton, โ€œthat the first seven meetings of the Club be devoted to the Rhine.โ€

โ€œWe might call this series of meetings Seven Nights on the Rhine,โ€ added Herman Reed.

โ€œThe old members of the Club who made the Rhine journey with Mr. Beal might give us an account of that journey,โ€ suggested one of the new boys.

The plans suggested by these remarks met with approval, and a committee was appointed to arrange the literary exercises for seven meetings of the Club, to be known as Seven Nights on the Rhine.

The literary exercises for the present evening consisted of the relation of historic ghost stories, chiefly by members of the old Club. Among these were the Province House Stories of Hawthorne, the tradition of Mozartโ€™s Requiem, the Cock Lane Ghost, and several incidents from Scottโ€™s novels.

The principal story, however, was given by Tommy Toby, an old member of the Club, and a graduate of the Academy.

TOMMY TOBYโ€™S STORY OF ST. DUNSTAN AND THE DEVIL AND THE SIX BOY KINGS.

A splendid court had Athelstane, and foreign princes came there to be educated. Among these princes was Louis, the son of Charles the Simple, of France, who, by his long residence in England, obtained the pretty name of Louis dโ€™Outremer.

Splendid weddings were celebrated there. The king married one of his sisters to the King of France, another to the Emperor of Germany, another to Hugo the Great, Count of Paris, and another to the Duke of Aquitaine.

After the fight with the Cornish men, all of the land was at peace for many years, and the nobility became very scholarly and the people very polite.

Athelstane had a favorite, a friar, who made more mischief in his day and generation than any other man. This man is known in history by the name of St. Dunstan.

When Dunstan was a boy, he was taken very ill of a fever. One night, being delirious, he got up from his bed, and walked to Glastonbury church, which was then repairing, and ascended the scaffolds and went all over the building; and because he did not tumble off and break his neck, people said that he had performed the feat under the influence of inspiration, being directed by an angel.

This was called Dunstanโ€™s first miracle.

When he recovered from the fever, and heard of the miracle that he was said to have wrought, he was greatly pleased, and thought to turn the good opinion of people to his own advantage by performing other miracles.

So he made a harp that played in the wind,โ€”now soft, now loud; now sweet, now solemn. He said that the harp played itself. The people heard the sounds, full of seeming expression, as though touched by airy fingers, and, as they could not discredit the evidence of their own ears, they too reported that the harp played itself. And great was the fame of Dunstanโ€™s harp.

But Dunstan, according to old history, became a very bad man; so bad that I cannot tell you the worst things that he did. He discovered his true character at last, notwithstanding his sweetly playing harp.

He pretended to be a magician. Now a magician, in those old times, was one who was supposed to know things beyond the reach of common minds, who pretended to calculate the influence of the stars on a personโ€™s destiny, and who understood the effects of poisonous vegetables and minerals. The Saxon magicians were chiefly nobles and monks, and all of their great secrets which are worth knowing are now understood as simple matters of science, even by schoolboys.

Athelstaneโ€™s conscience must have been rather restless, I fancy, concerning young Edwin, his brother, whom he caused to be drowned; and people with unquiet conscience are usually very superstitious. At any rate, he made a bosom friend of Dunstan, after the latter took up the black art, and became greatly interested in magic, much to the sorrow of the people.

At last a party of the kingโ€™s friends resolved that the bad influence of the wily prelate should come to an end. They waylaid him one dark night, in an unfrequented place, and, binding him hand and foot, threw him into a miry marsh. But the water was shallow, and Dunstan kept his nose above the mire, and, after shouting lustily for help, and floundering about for a long time, he succeeded

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