His Masterpiece by Emile Zola (most inspirational books of all time txt) π
Striking Two O'clock In The Morning When The Storm Burst Forth. He Had
Been Roaming Forgetfully About The Central Markets, During That
Burning July Night, Like A Loitering Artist Enamoured Of Nocturnal
Paris. Suddenly The Raindrops Came Down, So Large And Thick, That He
Took To His Heels And Rushed, Wildly Bewildered, Along The Quai De La
Greve. But On Reaching The Pont Louis Philippe He Pulled Up, Ragefully
Breathless; He Considered This Fear Of The Rain To Be Idiotic; And So
Amid The Pitch-Like Darkness, Under The Lashing Shower Which Drowned
The Gas-Jets, He Crossed The Bridge Slowly, With His Hands Dangling By
His Side.
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- Author: Emile Zola
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Were Crossed Amidst A Torrential Crash, And The Street Was Invaded,
Flooded By The Howling Throng.
Claude, Nevertheless, Had Set Up Running By The Side Of Dubuche, Who
Came At The Fag-End, Very Vexed At Not Having Had Another Quarter Of
An Hour To Finish A Tinted Drawing More Carefully.
'What Are You Going To Do Afterwards?' Asked Claude.
'Oh! I've Errands Which Will Take Up My Whole Day.'
The Painter Was Grieved To See That Even This Friend Escaped Him. 'All
Right, Then,' Said He; 'In That Case I Leave You. Shall We See You At
Sandoz's To-Night?'
'Yes, I Think So; Unless I'm Kept To Dinner Elsewhere.'
Part 3 Pg 45
Both Were Getting Out Of Breath. The Band Of Embryo Architects,
Without Slackening Their Pace, Had Purposely Taken The Longest Way
Round For The Pleasure Of Prolonging Their Uproar. After Rushing Down
The Rue Du Four, They Dashed Across The Place Gozlin And Swept Into
The Rue De L'echaude. Heading The Procession Was The Truck, Drawn And
Pushed Along More And More Vigorously, And Constantly Rebounding Over
The Rough Paving-Stones, Amid The Jolting Of The Frames With Which It
Was Laden. Its Escort Galloped Along Madly, Compelling The Passers-By
To Draw Back Close To The Houses In Order To Save Themselves From
Being Knocked Down; While The Shop-Keepers, Standing Open-Mouthed On
Their Doorsteps, Believed In A Revolution. The Whole Neighbourhood
Seemed Topsy-Turvy. In The Rue Jacob, Such Was The Rush, So Frightful
Were The Yells, That Several House Shutters Were Hastily Closed. As
The Rue Bonaparte Was, At Last, Being Reached, One Tall, Fair Fellow
Thought It A Good Joke To Catch Hold Of A Little Servant Girl Who
Stood Bewildered On The Pavement, And Drag Her Along With Them, Like A
Wisp Of Straw Caught In A Torrent.
'Well,' Said Claude, 'Good-Bye, Then; I'll See You To-Night.'
'Yes, To-Night.'
The Painter, Out Of Breath, Had Stopped At The Corner Of The Rue Des
Beaux Arts. The Court Gates Of The Art School Stood Wide Open In Front
Of Him, And The Procession Plunged Into The Yard.
After Drawing Breath, Claude Retraced His Steps To The Rue De Seine.
His Bad Luck Was Increasing; It Seemed Ordained That He Should Not Be
Able To Beguile A Chum From Work That Morning. So He Went Up The
Street, And Slowly Walked On As Far As The Place Du Pantheon, Without
Any Definite Aim. Then It Occurred To Him That He Might Just Look Into
The Municipal Offices, If Only To Shake Hands With Sandoz. That Would,
At Any Rate, Mean Ten Minutes Well Spent. But He Positively Gasped
When He Was Told By An Attendant That M. Sandoz Had Asked For A Day
Off To Attend A Funeral. However, He Knew The Trick Of Old. His Friend
Always Found The Same Pretext Whenever He Wanted To Do A Good Day's
Work At Home. He Had Already Made Up His Mind To Join Him There, When
A Feeling Of Artistic Brotherliness, The Scruple Of An Honest Worker,
Made Him Pause; Yes, It Would Be A Crime To Go And Disturb That Good
Fellow, And Infect Him With The Discouragement Born Of A Difficult
Task, At The Very Moment When He Was, No Doubt, Manfully Accomplishing
His Own Work.
So Claude Had To Resign Himself To His Fate. He Dragged His Black
Melancholy Along The Quays Until Mid-Day, His Head So Heavy, So Full
Of Thoughts Of His Lack Of Power, That He Only Espied The Well-Loved
Horizons Of The Seine Through A Mist. Then He Found Himself Once More
In The Rue De La Femme-Sans-Tete, Where He Breakfasted At Gomard's
Wine Shop, Whose Sign 'The Dog Of Montargis,' Inspired Him With
Interest. Some Stonemasons, In Their Working Blouses, Bespattered With
Mortar, Were There At Table, And, Like Them, And With Them, He Ate His
Eight Sous' 'Ordinary'--Some Beef Broth In A Bowl, In Which He Soaked
Some Bread, Followed By A Slice Of Boiled Soup-Beef, Garnished With
Haricot Beans, And Served Up On A Plate Damp With Dish-Water. However,
It Was Still Too Good, He Thought, For A Brute Unable To Earn His
Bread. Whenever His Work Miscarried, He Undervalued Himself, Ranked
Himself Lower Than A Common Labourer, Whose Sinewy Arms Could At Least
Part 3 Pg 46Perform Their Appointed Task. For An Hour He Lingered In The Tavern
Brutifying Himself By Listening To The Conversation At The Tables
Around Him. Once Outside He Slowly Resumed His Walk In Haphazard
Fashion.
When He Got To The Place De L'hotel De Ville, However, A Fresh Idea
Made Him Quicken His Pace. Why Had He Not Thought Of Fagerolles?
Fagerolles Was A Nice Fellow, Gay, And By No Means A Fool, Although He
Studied At The School Of Arts. One Could Talk With Him, Even When He
Defended Bad Painting. If He Had Lunched At His Father's, In The Rue
Vieille-Du-Temple, He Must Certainly Still Be There.
On Entering The Narrow Street, Claude Felt A Sensation Of Refreshing
Coolness Come Over Him. In The Sun It Had Grown Very Warm, And
Moisture Rose From The Pavement, Which, However Bright The Sky,
Remained Damp And Greasy Beneath The Constant Tramping Of The
Pedestrians. Every Minute, When A Push Obliged Claude To Leave The
Footwalk, He Found Himself In Danger Of Being Knocked Down By Trucks
Or Vans. Still The Street Amused Him, With Its Straggling Houses Out
Of Line, Their Flat Frontages Chequered With Signboards Up To The Very
Eaves, And Pierced With Small Windows, Whence Came The Hum Of Every
Kind Of Handiwork That Can Be Carried On At Home. In One Of The
Narrowest Parts Of The Street A Small Newspaper Shop Made Him Stop. It
Was Betwixt A Hairdresser's And A Tripeseller's, And Had An Outdoor
Display Of Idiotic Prints, Romantic Balderdash Mixed With Filthy
Caricatures Fit For A Barrack-Room. In Front Of These 'Pictures,' A
Lank Hobbledehoy Stood Lost In Reverie, While Two Young Girls Nudged
Each Other And Jeered. He Felt Inclined To Slap Their Faces, But He
Hurried Across The Road, For Fagerolles' House Happened To Be
Opposite. It Was A Dark Old Tenement, Standing Forward From The
Others, And Was Bespattered Like Them With The Mud From The Gutters.
As An Omnibus Came Up, Claude Barely Had Time To Jump Upon The Foot
Pavement, There Reduced To The Proportions Of A Simple Ledge; The
Wheels Brushed Against His Chest, And He Was Drenched To His Knees.
M. Fagerolles, Senior, A Manufacturer Of Artistic Zinc-Work, Had His
Workshops On The Ground Floor Of The Building, And Having Converted
Two Large Front Rooms On The First Floor Into A Warehouse, He
Personally Occupied A Small, Dark, Cellar-Like Apartment Overlooking
The Courtyard. It Was There That His Son Henri Had Grown Up, Like A
True Specimen Of The Flora Of The Paris Streets, At The Edge Of That
Narrow Pavement Constantly Struck By The Omnibus Wheels, Always
Soddened By The Gutter Water, And Opposite The Print And Newspaper
Shop, Flanked By The Barber's And Tripeseller's. At First His Father
Had Made An Ornamental Draughtsman Of Him For Personal Use. But When
The Lad Had Developed Higher Ambition, Taking To Painting Proper, And
Talking About The School Of Arts, There Had Been Quarrels, Blows, A
Series Of Separations And Reconciliations. Even Now, Although Henri
Had Already Achieved Some Successes, The Manufacturer Of Artistic
Zinc-Work, While Letting Him Have His Will, Treated Him Harshly, Like
A Lad Who Was Spoiling His Career.
After Shaking Off The Water, Claude Went Up The Deep Archway Entrance,
To A Courtyard, Where The Light Was Quite Greenish, And Where There
Was A Dank, Musty Smell, Like That At The Bottom Of A Tank. There Was
An Overhanging Roofing Of Glass And Iron At The Foot Of The Staircase,
Which Was A Wide One, With A Wrought-Iron Railing, Eaten With Rust. As
The Painter Passed The Warehouse On The First Floor, He Glanced
Part 3 Pg 47Through A Glass Door And Noticed M. Fagerolles Examining Some
Patterns. Wishing To Be Polite, He Entered, In Spite Of The Artistic
Disgust He Felt For All That Zinc, Coloured To Imitate Bronze, And
Having All The Repulsive Mendacious Prettiness Of Spurious Art.
'Good Morning, Monsieur. Is Henri Still At Home?'
The Manufacturer, A Stout, Sallow-Looking Man, Drew Himself Straight
Amidst All His Nosegay Vases And Cruets And Statuettes. He Had In His
Hand A New Model Of A Thermometer, Formed Of A Juggling Girl Who
Crouched And Balanced The Glass Tube On Her Nose.
'Henri Did Not Come In To Lunch,' He Answered Drily.
This Cool Reception Upset Claude. 'Ah! He Did Not Come Back; I Beg
Pardon For Having Disturbed You, Then. Good-Day, Monsieur.'
'Good-Day.'
Once More Outside, Claude Began To Swear To Himself. His Ill-Luck Was
Complete, Fagerolles Escaped Him Also. He Even Felt Vexed With Himself
For Having Gone There, And Having Taken An Interest In That
Picturesque Old Street; He Was Infuriated By The Romantic Gangrene
That Ever Sprouted Afresh Within Him, Do What He Might. It Was His
Malady, Perhaps, The False Principle Which He Sometimes Felt Like A
Bar Across His Skull. And When He Had Reached The Quays Again, He
Thought Of Going Home To See Whether His Picture Was Really So Very
Bad. But The Mere Idea Made Him Tremble All Over. His Studio Seemed A
Chamber Of Horrors, Where He Could No More Continue To Live, As If,
Indeed, He Had Left The Corpse Of Some Beloved Being There. No, No; To
Climb The Three Flights Of Stairs, To Open The Door, To Shut Himself
Up Face To Face With 'That,' Would Have Needed Strength Beyond His
Courage. So He Crossed The Seine And Went Along The Rue St. Jacques.
He Felt Too Wretched And Lonely; And, Come What Might, He Would Go To
The Rue D'enfer To Turn Sandoz From His Work.
Sandoz's Little Fourth-Floor Flat Consisted Of A Dining-Room, A
Bedroom, And A Strip Of Kitchen. It Was Tenanted By Himself Alone; His
Mother, Disabled By Paralysis, Occupied On The Other Side Of The
Landing A Single Room, Where She Lived In Morose And Voluntary
Solitude. The Street Was A Deserted One; The Windows Of The Rooms
Overlooked The Gardens Of The Deaf And Dumb Asylum, Above Which Rose
The Rounded Crest Of A Lofty Tree, And The Square Tower Of St.
Jacques-Du-Haut-Pas.
Claude Found Sandoz In His Room, Bending Over His Table, Busy With A
Page Of 'Copy.'
'I Am Disturbing You?' Said Claude.
'Not At All. I Have Been Working Ever Since Morning, And I've Had
Enough Of It. I've Been Killing Myself For The Last Hour Over
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