Worlds Unseen by Rachel Starr Thomson (best classic novels TXT) 📕

The war is over, and the King has gone from our land. Gone with him are the faithful children of men, and now only I am left! I alone remain to sing the Song of the Burning Light over this bloodstained ground. The Earth Brethren are gone; I know not where. It seems they are vanquished who once made all men tremble with fear before the strength of wolf and wind and water, of growing thing and of fire. They are gone, and never more shall I hear their battle cries all around me. My heart quakes to think of them conquered, yet how could it be otherwise? Their power was shattered in grief when the King’s heart was pierced by the treachery of his beloved ones. Surely the anguish of his heartbreaking must shake this world so that nothing can stand untouched.

And the Shearim, the merry ones, the Fairest of Creation: they too are gone. They whom no one could kill have destroyed themselves that the children of men might be protected from their own wickedness. With the life-force which once danced in their eyes the Shearim have woven a Veil, a barrier between the Blackness and men. Yet my heart tells me that even the Veil cannot last forever. One day it will grow weak and tear, and the Shearim will pass out of the world forever. How the stars weep for us!

But now my blood grows hot within me and visions pass before my eyes, and I, the Poet, I, the Prophet, will speak! The Blackness will not reign victorious always. In the end the hearts of men will yearn again for their King, and he shall come! Hear, all you heavens. Listen to me, all you earth! Rejoice, for he will come again!

Yet quietly will it begin. His reign shall not be taken up first on the Throne of Men, but in their Hearts: in the hearts of small things, of insignificant things, of forgotten things. In their hearts shall be kindled the Love of the Ages, and they shall sing the Song of the Burning Light!

And he shall come.

*

The air was just beginning to take on a metallic chill when Maggie passed the Orphan House.

Its tall wrought iron gates frowned down on her and striped her face with shadows where they blocked the orange light of the windows. Creepers, brown with the coming of winter, wound their way up the red, soot-covered brick walls. The windows were barred and tightly shut. One, on the ground floor, had been cranked open, though bars crossed it. Maggie could hear the clanging and shouts coming from that window, and though she was too far away to feel it, she could imagine the oppressive heat drifting out into the evening. It was the kitchen, a room made hellish by the constant activity of twenty ovens. In the winter the window would be kept shut to keep the icy wind from blowing in and the expensive heat from drifting out. But not yet.

Maggie picked up her pace instinctively, as she always did before the glaring visage of the House. Had she been caught outside those walls as a child she would have been locked in the cupboard, or worse. Now, there was no one to shout her name, no one to threaten her and slap her and tell her not to try running away again. It had been years since the Orphan House had held her prisoner, yet the tyranny of the place still held some sway over her soul. So she walked faster.

From the kitchen came the harsh shrieking of a matron in a foul mood, and in the yard a dog sent up a dismal howl. The cold seemed to cling to Maggie, seeping through her heavy brown overcoat. She pulled it closer to her and shivered. It was a cold evening in an autumn that had thus far been unusually warm. A dragon-headed iron train screamed over a bridge in the distance. An elderly man with a decorated sword hanging from his belt nodded to her as he sauntered past.

The Orphan House behind her, Maggie turned down a residential street lined with old houses that were crammed in next to each other like books on a shelf. The street dead-ended in an iron fence that closed in a large property: a stately old house with yellow paint that was peeling and a flower garden that bloomed like the sun in summer. In the quickly fading light, the old house looked somewhat mournful. Most of its flowers had already succumbed to the frost. In an upstairs window a candle was burning, and a stout shape moved around the room in what looked like a waltz. Maggie smiled.

She turned from the view of the yellow house and ascended the creaking steps of her own home, the last on the bookshelf street, a slim, two-story brick house with peeling blue shutters at the windows. Maggie sighed when she thought of the hours she and Patricia had put into painting them just last summer, while Mrs. Cook, the owner of the house, puttered around in the kitchen baking cookies to feed “her girls” when they finished.

Maggie twisted the brass doorknob and pushed the door open. It protested loudly, and Maggie made a mental note to oil the hinges soon. If Pat had been home, surely the door would have been attended to earlier. She always noticed such things.

A bright fire was burning cheerfully in the fireplace, casting its glow over the small room. A painting of a river in the country hung over the mantle, which was covered in little glass figurines, newly dusted and glowing proudly in the firelight. On the wall, tucked in the shadows of the fireplace bricks, a slim sword hung on a hook. Pat had insisted on leaving it with them-how she expected either Maggie or Mrs. Cook to use it was a mystery.

Maggie collapsed into a high-backed stuffed chair near the fire without taking off her coat or boots. She closed her eyes and let all of her muscles