The Ghost by Arnold Bennett (best historical biographies .txt) 📕

the dining-room windows, which overhung the canal.

I was glad to be out of London, and as the days passed my gladness increased. I had not been pleased with myself in London. As the weeks followed each other, I had been compelled to admit to myself that the case of Alresca held mysteries for me, even medical mysteries. During the first day or two I had thought that I understood it, and I had despised the sayings of Rosetta Rosa in the carriage, and the misgivings with which my original examination of Alresca had inspired me. And then I gradually perceived that, after all, the misgivings had been justified. The man's thigh made due progress; but the man, slowly failing, lost interest in the struggle for life.

Here I might proceed to a technical dissertation upon his physical state, but it would be useless. A cloud of long words will not cover ignorance; and I was most emphatically ignorant. At least, such knowledge as I had obtained was merely of a negative character. All that I could be sure of was that this was by no means an instance of mysterious disease. There was no disease, as we understand the term. In particular, there was no decay of the nerve-centres. Alresca was well—in good health. What he lacked was the will to live—that strange and mystic impulse which alone divides us from death. It was, perhaps, hard on a young G.P. to be confronted by such a medical conundrum at the very outset of his career; but, then, the Maker of conundrums seldom considers the age and inexperience of those who are requested to solve them.

Yes, this was the first practical proof that had come to me of the sheer empiricism of the present state of medicine.

We had lived together—Alresca and I—peaceably, quietly, sadly. He appeared to have ample means, and the standard of luxury which existed in his flat was a high one. He was a connoisseur in every department of art and life, and took care that he was well served. Perhaps it would be more correct to say that he had once taken care to be well served, and that the custom primarily established went on by its own momentum. For he did not exercise even such control as a sick man might have been expected to exercise. He seemed to be concerned with nothing, save that occasionally he would exhibit a flickering curiosity as to the opera season which was drawing to a close.

Unfortunately, there was little operatic gossip to be curious about. Rosa had fulfilled her engagement and gone to another capital, and since her departure the season had, perhaps inevitably, fallen flat. Of course, the accident to and indisposition of Alresca had also contributed to this end. And there had been another factor in the case—a factor which, by the way, constituted the sole item of news capable of rousing Alresca from his torpor. I refer to the disappearance of Sir Cyril Smart.

Soon after my cousin Sullivan's reception, the papers had reported Sir Cyril to be ill, and then it was stated that he had retired to a remote Austrian watering-place (name unmentioned) in order to rest and recuperate. Certain weekly papers of the irresponsible sort gave publicity to queer rumors—that Sir Cyril had fought a duel and been wounded, that he had been attacked one night in the streets, even that he was dead. But these rumors were generally discredited, and meanwhile the opera season ran its course under the guidance of Sir Cyril's head man, Mr. Nolan, so famous for his diamond shirt-stud.

Perhaps I could have thrown some light upon the obscurity which enveloped the doings of Sir Cyril Smart. But I preferred to remain inactive. Locked away in my writing-case I kept the jewelled dagger so mysteriously found by me outside the Devonshire Mansion.

I had mentioned the incidents of that night to no one, and probably not a soul on the planet guessed that the young doctor in attendance upon Alresca had possession of a little toy-weapon which formed a startling link between two existences supposed to be unconnected save in the way of business—those of Sir Cyril and Rosetta Rosa. I hesitated whether to send the dagger to Rosa, and finally decided that I would wait until I saw her again, if ever that should happen, and then do as circumstances should dictate. I often wondered whether the silent man with the fixed gaze, whom I had met in Oxford Street that night, had handled the dagger, or whether his presence was a mere coincidence. To my speculations I discovered no answer.

Then the moment had come when Alresca's thigh was so far mended that, under special conditions, we could travel, and one evening, after a journey full of responsibilities for me, we had arrived in Bruges.

Soon afterwards came a slight alteration.

Alresca took pleasure in his lovely house, and I was aware of an improvement in his condition. The torpor was leaving him, and his spirits grew livelier. Unfortunately, it was difficult to give him outdoor exercise, since the roughly paved streets made driving impossible for him, and he was far from being able to walk. After a time I contrived to hire a large rowing boat, and on fine afternoons it was our custom to lower him from the quay among the swans into this somewhat unwieldy craft, so that he might take the air as a Venetian. The idea tickled him, and our progress along the disused canals was always a matter of interest to the towns-people, who showed an unappeasable inquisitiveness concerning their renowned fellow citizen.

It was plain to me that he was recovering; that he had lifted himself out of the circle of that strange influence under which he had nearly parted with his life. The fact was plain to me, but the explanation of the fact was not plain. I was as much puzzled by his rise as I had been puzzled by his descent. But that did not prevent me from trying to persuade myself that this felicitous change in my patient's state must be due, after all, to the results of careful dieting, a proper curriculum of daily existence, supervision of mental tricks and habits—in short, of all that minute care and solicitude which only a resident doctor can give to a sick man.

One evening he was especially alert and gay, and I not less so. We were in the immense drawing-room, which, like the dining-room, overlooked the canal. Dinner was finished—we dined at six, the Bruges hour—and Alresca lay on his invalid's couch, ejecting from his mouth rings of the fine blue smoke of a Javanese cigar, a box of which I had found at the tobacco shop kept by two sisters at the corner of the Grande Place. I stood at the great central window, which was wide open, and watched the whiteness of the swans moving vaguely over the surface of the canal in the oncoming twilight. The air was warm and heavy, and the long, high-pitched whine of the mosquito swarms—sole pest of the city—had already begun.

"Alresca," I said, "your days as an invalid are numbered."

"Why do you say that?"

"No one who was really an invalid could possibly enjoy that cigar as you are enjoying it."

"A good cigar—a glass of good wine," he murmured, savoring the perfume of the cigar. "What would life be without them?"

"A few weeks ago, and you would have said: 'What is life even with them?'"

"Then you really think I am better?" he smiled.

"I'm sure of it."

"As for me," he returned, "I confess it. That has happened which I thought never would happen. I am once more interested in life. The wish to live has come back. I am glad to be alive. Carl, your first case has been a success."

"No thanks to me," I said. "Beyond seeing that you didn't displace the broken pieces of your thigh-bone, what have I done? Nothing. No one knows that better than you do."

"That's your modesty—your incurable modesty."

I shook my head, and went to stand by his couch. I was profoundly aware then, despite all the efforts of my self-conceit to convince myself to the contrary, that I had effected nothing whatever towards his recovery, that it had accomplished itself without external aid. But that did not lessen my intense pleasure in the improvement. By this time I had a most genuine affection for Alresca. The rare qualities of the man—his serenity, his sense of justice, his invariable politeness and consideration, the pureness of his soul—had captured me completely. I was his friend. Perhaps I was his best friend in the world. The singular circumstances of our coming together had helped much to strengthen the tie between us. I glanced down at him, full of my affection for him, and minded to take advantage of the rights of that affection for once in a way.

"Alresca," I said quietly.

"Well?"

"What was it?"

"What was what?"

I met his gaze.

"What was that thing that you have fought and driven off? What is the mystery of it? You know—you must know. Tell me."

His eyelids fell.

"Better to leave the past alone," said he. "Granting that I had formed an idea, I could not put it into proper words. I have tried to do so. In the expectation of death I wrote down certain matters. But these I shall now destroy. I am wiser, less morbid. I can perceive that there are fields of thought of which it is advisable to keep closed the gates. Do as I do, Carl—forget. Take the credit for my recovery, and be content with that."

I felt that he was right, and resumed my position near the window, humming a tune.

"In a week you may put your foot to the ground; you will then no longer have to be carried about like a parcel." I spoke in a casual tone.

"Good!" he ejaculated.

"And then our engagement will come to an end, and you will begin to sing again."

"Ah!" he said contemplatively, after a pause, "sing!"

It seemed as if singing was a different matter.

"Yes," I repeated, "sing. You must throw yourself into that. It will be the best of all tonics."

"Have I not told you that I should never sing again?"

"Perhaps you have," I replied; "but I don't remember. And even if you have, as you yourself have just said, you are now wiser, less morbid."

"True!" he murmured. "Yes, I must sing. They want me at Chicago. I will go, and while there I will spread abroad the fame of Carl Foster."

He smiled gaily, and then his face became meditative and sad.

"My artistic career has never been far away from tragedy," he said at length. "It was founded on a tragedy, and not long ago I thought it would end in one."

I waited in silence, knowing that if he wished to tell me any private history, he would begin of his own accord.

"You are listening, Carl?"

I nodded. It was growing dusk.

"You remember I pointed out to you the other day the little house in the Rue d'Ostende where my parents lived?"

"Perfectly."

"That," he proceeded, using that curiously formal and elaborate English which he must have learned from reading-books, "that was the scene of the tragedy which made me an artist. I have told you that my father was a schoolmaster. He was the kindest of men, but he had moods of frightful severity—moods which subsided as quickly as they arose. At the age of three, just as I was beginning to talk easily, I became, for a period, subject to fits; and in one of these I lost the power of speech. I, Alresca, could make no sound; and for seven years that tenor whom in the future people were to call 'golden-throated,' and 'world-famous,' and 'unrivalled,' had no voice." He made a deprecatory gesture. "When I