The Ghost by Arnold Bennett (best historical biographies .txt) đź“•
At eight o'clock, when the conductor appeared at his desk to an accompaniment of applauding taps from the musicians, the house was nearly full. The four tiers sent forth a sparkle of diamonds, of silk, and of white arms and shoulders which rivalled the glitter of the vast crystal chandelier. The wide floor of serried stalls (those stalls of which one pair at least had gone for six pound ten) added their more sombre brilliance to the show, while far above, stretching away indefinitely to the very furthest roof, was the gallery (where but for Sullivan I should have been), a mass of black spotted with white faces.
Excitement was in the air: the expectation of seeing once again Rosetta Rosa, the girl with the golden throat, the mere girl who, two years ago, had in one brief month captured London, and who now, after a period of petulance, had decided to recapture London. On ordinary nights, for the inhabitants of boxes, the O
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- Author: Arnold Bennett
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"Of course, that was forty years ago, and the system of teaching mutes to talk was not then invented, or, at any rate, not generally understood. So I was known and pitied as the poor dumb boy. I took pleasure in dumb animals, and had for pets a silver-gray cat, a goat, and a little spaniel. One afternoon—I should be about ten years old—my father came home from his school and sitting down, laid his head on the table and began to cry. Seeing him cry, I also began to cry; I was acutely sensitive.
"'What is the matter?' asked my good mother.
"'Alas!' he said, 'I am a murderer!'
"'Nay, that cannot be,' she replied.
"'I say it is so,' said my father. 'I have murdered a child—a little girl. I grumbled at her yesterday. I was annoyed and angry—because she had done her lessons ill. I sent her home, but instead of going home she went to the outer canal and drowned herself. They came and told me this afternoon. Yes, I am a murderer!'
"I howled, while my mother tried to comfort my father, pointing out to him that if he had spoken roughly to the child it was done for the child's good, and that he could not possibly have foreseen the catastrophe. But her words were in vain.
"We all went to bed. In the middle of the night I heard my dear silver-gray cat mewing at the back of the house. She had been locked out. I rose and went down-stairs to let her in. To do so it was necessary for me to pass through the kitchen. It was quite dark, and I knocked against something in the darkness. With an inarticulate scream, I raced up-stairs again to my parents' bedroom. I seized my mother by her night-dress and dragged her towards the door. She stopped only to light a candle, and hand-in-hand we went down-stairs to the kitchen. The candle threw around its fitful, shuddering glare, and my mother's eyes followed mine. Some strange thing happened in my throat.
"'Mother!' I cried, in a hoarse, uncouth, horrible voice, and, casting myself against her bosom, I clung convulsively to her. From a hook in the ceiling beam my father's corpse dangled. He had hanged himself in the frenzy of his remorse. So my speech came to me again."
All the man's genius for tragic acting, that genius which had made him unique in "Tristan" and in "Tannhauser," had been displayed in this recital; and its solitary auditor was more moved by it than superficially appeared. Neither of us spoke a word for a few minutes. Then Alresca, taking aim, threw the end of his cigar out of the window.
"Yes," I said at length, "that was tragedy, that was!"
He proceeded:
"The critics are always praising me for the emotional qualities in my singing. Well, I cannot use my voice without thinking of the dreadful circumstance under which Fate saw fit to restore that which Fate had taken away."
And there fell a long silence, and night descended on the canal, and the swans were nothing now but pale ghosts wandering soundlessly over the water.
"Carl," Alresca burst out with a start—he was decidedly in a mood to be communicative that evening—"have you ever been in love?"
In the gloom I could just distinguish that he was leaning his head on his arm.
"No," I answered; "at least, I think not;" and I wondered if I had been, if I was, in love.
"You have that which pleases women, you know, and you will have chances, plenty of chances. Let me advise you—either fall in love young or not at all. If you have a disappointment before you are twenty-five it is nothing. If you have a disappointment after you are thirty-five, it is—everything."
He sighed.
"No, Alresca," I said, surmising that he referred to his own case, "not everything, surely?"
"You are right," he replied. "Even then it is not everything. The human soul is unconquerable, even by love. But, nevertheless, be warned. Do not drive it late. Ah! Why should I not confess to you, now that all is over? Carl, you are aware that I have loved deeply. Can you guess what being in love meant to me? Probably not. I am aging now, but in my youth I was handsome, and I have had my voice. Women, the richest, the cleverest, the kindest—they fling themselves at such as me. There is no vanity in saying so; it is the simple fact. I might have married a hundred times; I might have been loved a thousand times. But I remained—as I was. My heart slept like that of a young girl. I rejected alike the open advances of the bold and the shy, imperceptible signals of the timid. Women were not for me. In secret I despised them. I really believe I did.
"Then—and it is not yet two years ago—I met her whom you know. And I—I the scorner, fell in love. All my pride, my self-assurance crumbled into ruin about me, and left me naked to the torment of an unrequited passion. I could not credit the depth of my misfortune, and at first it was impossible for me to believe that she was serious in refusing me. But she had the right. She was an angel, and I only a man. She was the most beautiful woman in the world."
"She was—she is," I said.
He laughed easily.
"She is," he repeated. "But she is nothing to me. I admire her beauty and her goodness, that is all. She refused me. Good! At first I rebelled against my fate, then I accepted it." And he repeated: "Then I accepted it."
I might have made some reply to his flattering confidences, but I heard some one walk quickly across the foot-path outside and through the wide entrance porch. In another moment the door of the salon was thrown open, and a figure stood radiant and smiling in the doorway. The antechamber had already been lighted, and the figure was silhouetted against the yellow radiance.
"So you are here, and I have found you, all in the dark!"
Alresca turned his head.
"Rosa!" he cried in bewilderment, put out his arms, and then drew them sharply back again.
It was Rosetta. She ran towards us, and shook hands with kind expressions of greeting, and our eyes followed her as she moved about, striking matches and applying them to candles. Then she took off her hat and veil.
"There! I seemed to know the house," she said. "Immediately I had entered the courtyard I felt that there was a corridor running to the right, and at the end of that corridor some steps and a landing and a door, and on the other side of that door a large drawing-room. And so, without ringing or waiting for the faithful Alexis, I came in."
"And what brings you to Bruges, dear lady?" asked Alresca.
"Solicitude for your health, dear sir," she replied, smiling. "At Bayreuth I met that quaint person, Mrs. Sullivan Smith, who told me that you were still here with Mr. Foster; and to-day, as I was travelling from Cologne to Ostend, the idea suddenly occurred to me to spend one night at Bruges, and make inquiries into your condition—and that of Mr. Foster. You know the papers have been publishing the most contradictory accounts."
"Have they indeed?" laughed Alresca.
But I could see that he was nervous and not at ease. For myself, I was, it must be confessed, enchanted to see Rosa again, and so unexpectedly, and it was amazingly nice of her to include myself in her inquiries, and yet I divined that it would have been better if she had never come. I had a sense of some sort of calamity.
Alresca was flushed. He spoke in short, hurried sentences. Alternately his tones were passionate and studiously cold. Rosa's lovely presence, her musical chatter, her gay laughter, filled the room. She seemed to exhale a delightful and intoxicating atmosphere, which spread itself through the chamber and enveloped the soul of Alresca. It was as if he fought against an influence, and then gradually yielded to the sweetness of it. I observed him closely—for was he not my patient?—and I guessed that a struggle was passing within him. I thought of what he had just been saying to me, and I feared lest the strong will should be scarcely so strong as it had deemed itself.
"You have dined?" asked Alresca.
"I have eaten," she said. "One does not dine after a day's travelling."
"Won't you have some coffee?"
She consented to the coffee, which Alexis John Smedley duly brought in, and presently she was walking lightly to and fro, holding the tiny white cup in her white hand, and peering at the furniture and bric-a-brac by the light of several candles. Between whiles she related to Alresca all the news of their operatic acquaintances—how this one was married, another stranded in Buenos Ayres, another ill with jealousy, another ill with a cold, another pursued for debt, and so on through the diverting category.
"And Smart?" Alresca queried at length.
I had been expecting and hoping for this question.
"Oh, Sir Cyril! I have heard nothing of him. He is not a person that interests me."
She shut her lips tight and looked suddenly across in my direction, and our eyes met, but she made no sign that I could interpret. If she had known that the little jewelled dagger lay in the room over her head!
Her straw hat and thin white veil lay on a settee between two windows. She picked them up, and began to pull the pins out of the hat. Then she put the hat down again.
"I must run away soon, Alresca," she said, bending over him, "but before I leave I should like to go through the whole house. It seems such a quaint place. Will you let Mr. Foster show me? He shall not be away from you long."
"In the dark?"
"Why not? We can have candles."
And so, a heavy silver candlestick in either hand, I presently found myself preceding Rosa up the wide branching staircase of the house. We had left the owner with a reading-lamp at the head of his couch, and a copy of "Madame Bovary" to pass the time.
We stopped at the first landing to examine a picture.
"That mysterious complaint that he had, or thought he had, in London has left him, has it not?" she asked me suddenly, in a low, slightly apprehensive, confidential tone, moving her head in the direction of the salon below.
For some reason I hesitated.
"He says so," I replied cautiously. "At any rate, he is much better."
"Yes, I can see that. But he is still in a very nervous condition."
"Ah," I said, "that is only—only at certain times."
As we went together from room to room I forgot everything except the fact of her presence. Never was beauty so powerful as hers; never was the power of beauty used so artlessly, with such a complete unconsciousness. I began gloomily to speculate on the chances of her ultimately marrying Alresca, and a remark from her awoke me from my abstraction. We were nearing the top of the house.
"It is all familiar to me, in a way," she said.
"Why, you said the same down-stairs. Have you been here before?"
"Never, to my knowledge."
We were traversing a long, broad passage side by side. Suddenly I tripped over an unexpected single stair, and nearly fell. Rosa, however, had allowed for it.
"I didn't see that step," I said.
"Nor I," she answered, "but I knew, somehow, that it was there. It is very strange and uncanny, and I shall insist on an explanation from Alresca." She gave a forced laugh.
As I fumbled with the handle
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