The World of Romance<br />being Contributions to The Oxford and Cambridge Magazine, 1856 by William Morris (best summer reads of all time txt) 📕

her heart she remembered how once, long ago in the old mountain country, in her father’s house, some one had said that only men who were born so, could do cunningly with the left hand; and how Siur, then quite a boy, had said, ‘Well, I will try’: and how, in a month or two, he had come to her with an armlet of silver, very curiously wrought, which he had done with his own left hand.

So Robert said: ‘Yea, mother, he works with his left hand almost as much as with his right, p. 120and sometimes I have seen him change the hammer suddenly from his right hand to his left, with a kind of half smile, as one who would say, ‘Cannot I then?’ and this more when he does smith’s work in metal than when he works in marble; and once I heard him say when he did so, ‘I wonder where my first left hand work is; ah!  I bide my time.’  I wonder also, mother, what he meant by that.’

She answered no word, but shook her arm free from its broad sleeve, and something glittered on it, near her wrist, something wrought out of silver set with quaint and uncouthly-cut stones of little value.

* * * * *

In the council-chamber, among the lords, sat Svend with his six brethren; he chief of all in the wielding of sword or axe, in the government of people, in drawing the love of men and women to him; perfect in face and body, in wisdom and strength was Svend: next to him sat Robert, cunning in working of marble, or wood, or brass; all things could he make to look as if they lived, from the sweep of an angel’s wings down to the slipping of a little field-mouse from under the sheaves in the harvest-time.  Then there was Harald, who knew concerning all the stars of heaven and flowers p. 121of earth: Richard, who drew men’s hearts from their bodies, with the words that swung to and fro in his glorious rhymes: William, to whom the air of heaven seemed a servant when the harp-strings quivered underneath his fingers: there were the two sailor-brothers, who the year before, young though they were, had come back from a long, perilous voyage, with news of an island they had found long and long away to the west, larger than any that this people knew of, but very fair and good, though uninhabited.

But now over all this noble brotherhood, with its various gifts hung one cloud of sorrow; their mother, the Peace-Queen Cissela was dead, she who had taught them truth and nobleness so well; she was never to see the beginning of the end that they would work; truly it seemed sad.

There sat the seven brothers in the council chamber, waiting for the king, speaking no word, only thinking drearily; and under the pavement of the great church Cissela lay, and by the side of her tomb stood two men, old men both, Valdemar the king, and Siur.

So the king, after that he had gazed awhile on the carven face of her he had loved well, said at last:

p. 122‘And now, Sir Carver, must you carve me also to lie there.’  And he pointed to the vacant space by the side of the fair alabaster figure.

‘O king,’ said Siur, ‘except for a very few strokes on steel, I have done work now, having carved the queen there; I cannot do this thing for you.’

What was it sent a sharp pang of bitterest suspicion through the very heart of the poor old man? he looked steadfastly at him for a moment or two, as if he would know all secrets; he could not, he had not strength of life enough to get to the bottom of things; doubt vanished soon from his heart and his face under Siur’s pitying gaze; he said, ‘Then perhaps I shall be my own statue,’ and therewithal he sat down on the edge of the low marble tomb, and laid his right arm across her breast; he fixed his eyes on the eastern belt of windows, and sat quite motionless and silent; and he never knew that she loved him not.

But Siur, when he had gazed at him for awhile, stole away quietly, as we do when we fear to waken a sleeper; and the king never turned his head, but still sat there, never moving, scarce breathing, it seemed.

Siur stood in his own great hall (for his house was large), he stood before the dais, p. 123and saw a fair sight, the work of his own hands.

For, fronting him, against the wall were seven thrones, and behind them a cloth of samite of purple wrought with golden stars, and barred across from right to left with long bars of silver and crimson, and edged below with melancholy, fading green, like a September sunset; and opposite each throne was a glittering suit of armour wrought wonderfully in bright steel, except that on the breast of each suit was a face worked marvellously in enamel, the face of Cissela in a glory of golden hair; and the glory of that gold spread away from the breast on all sides, and ran cunningly along with the steel rings, in such a way as it is hard even to imagine: moreover, on the crest of each helm was wrought the phoenix, the never-dying bird, the only creature that knows the sun; and by each suit lay a gleaming sword terrible to look at, steel from pommel to point, but wrought along the blade in burnished gold that outflashed the gleam of the steel, was written in fantastic letters the word ‘Westward.’

So Siur gazed till he heard footsteps coming; then he turned to meet them.  And Svend and his brethren sat silent in the council chamber, till they heard a great noise and clamour of the p. 124people arise through all the streets; and then they rose to see what it might be.  Meanwhile on the low marble tomb, under the dim sweeping vault sat, or rather lay, the king; for, though his right arm still lay over her breast, his head had fallen forward, and rested now on the shoulder of the marble queen.  There he lay, with strange confusion of his scarlet, gold-wrought robes; silent, motionless, and dead.  The seven brethren stood together on a marble terrace of the royal palace, that was dotted about on the baluster of it with white statues: they were helmetted, and armed to the teeth, only over their armour great black cloaks were thrown.

Now the whole great terrace was a-sway with the crowd of nobles and princes, and others that were neither nobles or princes, but true men only; and these were helmetted and wrapped in black cloaks even as the princes were, only the crests of the princes’ helms were wrought wonderfully with that bird, the phoenix, all flaming with new power, dying because its old body is not strong enough for its new-found power: and those on that terrace who were unarmed had anxious faces, some fearful, some stormy with Devil’s rage at disappointment; but among the faces of those p. 125helmed ones, though here and there you might see a pale face, there was no fear or rage, scarcely even any anxiety, but calm, brave joy seemed to be on all.

Above the heads of all men on that terrace shone out Svend’s brave face, the golden hair flowing from out of his helmet: a smile of quiet confidence overflowing from his mighty heart, in the depths of which it was dwelling, just showed a very little on his eyes and lips.

While all the vast square, and all the windows and roofs even of the houses over against the palace, were alive with an innumerable sea of troubled raging faces, showing white, upturned from the under-sea of their many-coloured raiment; the murmur from them was like the sough of the first tempest-wind among the pines, and the gleam of spears here and there like the last few gleams of the sun through the woods when the black thunder-clouds come up over all, soon to be shone through, those woods, by the gleam of the deep lightning.

Also sometimes the murmur would swell, and from the heart of it would come a fierce, hoarse, tearing, shattering roar, strangely discordant, of ‘War!  War! give us war, O king!’

Then Svend stepping forward, his arms hidden under his long cloak as they hung down p. 126quietly, the smile on his face broadening somewhat, sent from his chest a mighty, effortless voice over all the raging:

‘Hear, O ye people!  War with all that is ugly and base; peace with all that is fair and good.—NO WAR with my brother’s people.’

Just then one of those unhelmetted, creeping round about stealthily to the place where Svend stood, lifted his arm and smote at him with a dagger; whereupon Svend clearing his right arm from his cloak with his left, lifted up his glittering right hand, and the traitor fell to the earth groaning with a broken jaw, for Svend had smitten him on the mouth a backward blow with his open hand.

One shouted from the crowd, ‘Ay, murderer Svend, slay our good nobles, as you poisoned the king your father, that you and your false brethren might oppress us with the memory of that Devil’s witch, your mother!’

The smile left Svend’s face and heart now, he looked very stern as he said:

‘Hear, O ye people!  In years past when I was a boy my dream of dreams was ever this, how I should make you good, and because good, happy, when I should become king over you; but as year by year passed I saw my dream flitting; the deep colours of it changed, faded, p. 127grew grey in the light of coming manhood; nevertheless, God be my witness, that I have ever striven to make you just and true, hoping against hope continually; and I had even determined to bear everything and stay with you, even though you should remain unjust and liars, for the sake of the few who really love me; but now, seeing that God has made you mad, and that his vengeance will speedily fall, take heed how you cast out from you all that is good and true-hearted!  Once more—which choose you—Peace or War?’

Between the good and the base, in the midst of the passionate faces and changing colours stood the great terrace, cold, and calm, and white, with its changeless statues; and for a while there was silence.

Broken through at last by a yell, and the sharp whirr of arrows, and the cling, clang, from the armour of the terrace as Prince Harald staggered through unhurt, struck by the broad point on the helmet.

‘What, War?’ shouted Svend wrathfully, and his voice sounded like a clap of thunder following the lightning flash when a tower is struck.  ‘What! war? swords for Svend! round about the king, good men and true!  Sons of the golden-haired, show these men WAR.’

p. 128As he spoke he let his black cloak fall, and up from their sheaths sprang seven swords, steel from pommel to point only; on the blades of them in fantastic letters of gold, shone the word WESTWARD.

Then all the terrace gleamed with steel, and amid the hurtling of stones and whizz of arrows they began to go westward.

* * * * *

The streets ran with blood, the air was filled with groans and curses, the low waves nearest the granite pier were edged with blood, because they first caught the drippings of the blood.

Then those of the people who durst stay on the pier saw the ships of Svend’s little fleet leaving one by one; for he had taken aboard those ten ships whosoever had prayed to go, even at the last moment, wounded, or dying even; better so, for in their last moments came thoughts of good things to many of them, and it was good to be among the true.

But those haughty ones left behind, sullen and untamed, but with a horrible indefinable dread on them that was worse than death, or mere pain, howsoever fierce—these saw all the ships go out of the harbour merrily with swelling sail and dashing oar, and with joyous singing of those aboard; and Svend’s was the last of all.

p. 129Whom they saw kneel down on the deck unhelmed, then all sheathed their swords that were about him; and the Prince Robert took from Svend’s hand an iron crown fantastically wrought, and placed it on his head as he knelt; then he continued kneeling still, till, as the ship drew further and