News from Nowhere by William Morris (essential books to read .txt) 📕
It was a beautiful night of early winter, the air just sharp enoughto be refreshing after the hot room and the stinking railwaycarriage. The wind, which had lately turned a point or two north ofwest, had blown the sky clear of all cloud save a light fleck or twowhich went swiftly down the heavens. There was a young moon halfwayup the sky, and as the home-farer caught sight of it, tangled in thebranches of a tall old elm, he could scarce bring to his mind theshabby London suburb where he was, and he felt as if he were in apleasant country place--pleasanter, indeed, than the deep country wasas he had known it.
He came right down to the river-side, and lingered a little, lookingover the low wall to note the moonlit river, near upon high water, goswirling and glittering up to Chiswick Eyot: as for the ugly bridgebelow, he did not notice it or think of it, except when for a moment(says our friend) it struck him that he missed the row
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“How strange to see such subjects here!”
“Why?” said he. “I don’t see why you should be surprised; everybody knows the tales; and they are graceful and pleasant subjects, not too tragic for a place where people mostly eat and drink and amuse themselves, and yet full of incident.”
I smiled, and said: “Well, I scarcely expected to find record of the Seven Swans and the King of the Golden Mountain and Faithful Henry, and such curious pleasant imaginations as Jacob Grimm got together from the childhood of the world, barely lingering even in his time: I should have thought you would have forgotten such childishness by this time.”
The old man smiled, and said nothing; but Dick turned rather red, and broke out:
“What DO you mean, guest? I think them very beautiful, I mean not only the pictures, but the stories; and when we were children we used to imagine them going on in every wood-end, by the bight of every stream: every house in the fields was the Fairyland King’s House to us. Don’t you remember, Clara?”
“Yes,” she said; and it seemed to me as if a slight cloud came over her fair face. I was going to speak to her on the subject, when the pretty waitresses came to us smiling, and chattering sweetly like reed warblers by the river side, and fell to giving us our dinner. As to this, as at our breakfast, everything was cooked and served with a daintiness which showed that those who had prepared it were interested in it; but there was no excess either of quantity or of gourmandise; everything was simple, though so excellent of its kind; and it was made clear to us that this was no feast, only an ordinary meal. The glass, crockery, and plate were very beautiful to my eyes, used to the study of mediaeval art; but a nineteenth-century club-haunter would, I daresay, have found them rough and lacking in finish; the crockery being lead-glazed pot-ware, though beautifully ornamented; the only porcelain being here and there a piece of old oriental ware. The glass, again, though elegant and quaint, and very varied in form, was somewhat bubbled and hornier in texture than the commercial articles of the nineteenth century. The furniture and general fittings of the ball were much of a piece with the table-gear, beautiful in form and highly ornamented, but without the commercial “finish” of the joiners and cabinet-makers of our time. Withal, there was a total absence of what the nineteenth century calls “comfort”—that is, stuffy inconvenience; so that, even apart from the delightful excitement of the day, I had never eaten my dinner so pleasantly before.
When we had done eating, and were sitting a little while, with a bottle of very good Bordeaux wine before us, Clara came back to the question of the subject-matter of the pictures, as though it had troubled her.
She looked up at them, and said: “How is it that though we are so interested with our life for the most part, yet when people take to writing poems or painting pictures they seldom deal with our modern life, or if they do, take good care to make their poems or pictures unlike that life? Are we not good enough to paint ourselves? How is it that we find the dreadful times of the past so interesting to us— in pictures and poetry?”
Old Hammond smiled. “It always was so, and I suppose always will be,” said he, “however it may be explained. It is true that in the nineteenth century, when there was so little art and so much talk about it, there was a theory that art and imaginative literature ought to deal with contemporary life; but they never did so; for, if there was any pretence of it, the author always took care (as Clara hinted just now) to disguise, or exaggerate, or idealise, and in some way or another make it strange; so that, for all the verisimilitude there was, he might just as well have dealt with the times of the Pharaohs.”
“Well,” said Dick, “surely it is but natural to like these things strange; just as when we were children, as I said just now, we used to pretend to be so-and-so in such-and-such a place. That’s what these pictures and poems do; and why shouldn’t they?”
“Thou hast hit it, Dick,” quoth old Hammond; “it is the child-like part of us that produces works of imagination. When we are children time passes so slow with us that we seem to have time for everything.”
He sighed, and then smiled and said: “At least let us rejoice that we have got back our childhood again. I drink to the days that are!”
“Second childhood,” said I in a low voice, and then blushed at my double rudeness, and hoped that he hadn’t heard. But he had, and turned to me smiling, and said: “Yes, why not? And for my part, I hope it may last long; and that the world’s next period of wise and unhappy manhood, if that should happen, will speedily lead us to a third childhood: if indeed this age be not our third. Meantime, my friend, you must know that we are too happy, both individually and collectively, to trouble ourselves about what is to come hereafter.”
“Well, for my part,” said Clara, “I wish we were interesting enough to be written or painted about.”
Dick answered her with some lover’s speech, impossible to be written down, and then we sat quiet a little.
Dick broke the silence at last, saying: “Guest, forgive us for a little after-dinner dulness. What would you like to do? Shall we have out Greylocks and trot back to Hammersmith? or will you come with us and hear some Welsh folk sing in a hall close by here? or would you like presently to come with me into the City and see some really fine building? or—what shall it be?”
“Well,” said I, “as I am a stranger, I must let you choose for me.”
In point of fact, I did not by any means want to be ‘amused’ just then; and also I rather felt as if the old man, with his knowledge of past times, and even a kind of inverted sympathy for them caused by his active hatred of them, was as it were a blanket for me against the cold of this very new world, where I was, so to say, stripped bare of every habitual thought and way of acting; and I did not want to leave him too soon. He came to my rescue at once, and said -
“Wait a bit, Dick; there is someone else to be consulted besides you and the guest here, and that is I. I am not going to lose the pleasure of his company just now, especially as I know he has something else to ask me. So go to your Welshmen, by all means; but first of all bring us another bottle of wine to this nook, and then be off as soon as you like; and come again and fetch our friend to go westward, but not too soon.”
Dick nodded smilingly, and the old man and I were soon alone in the great hall, the afternoon sun gleaming on the red wine in our tall quaint-shaped glasses. Then said Hammond:
“Does anything especially puzzle you about our way of living, now you have heard a good deal and seen a little of it?”
Said I: “I think what puzzles me most is how it all came about.”
“It well may,” said he, “so great as the change is. It would be difficult indeed to tell you the whole story, perhaps impossible: knowledge, discontent, treachery, disappointment, ruin, misery, despair—those who worked for the change because they could see further than other people went through all these phases of suffering; and doubtless all the time the most of men looked on, not knowing what was doing, thinking it all a matter of course, like the rising and setting of the sun—and indeed it was so.”
“Tell me one thing, if you can,” said I. “Did the change, the ‘revolution’ it used to be called, come peacefully?”
“Peacefully?” said he; “what peace was there amongst those poor confused wretches of the nineteenth century? It was war from beginning to end: bitter war, till hope and pleasure put an end to it.”
“Do you mean actual fighting with weapons?” said I, “or the strikes and lock-outs and starvation of which we have heard?”
“Both, both,” he said. “As a matter of fact, the history of the terrible period of transition from commercial slavery to freedom may thus be summarised. When the hope of realising a communal condition of life for all men arose, quite late in the nineteenth century, the power of the middle classes, the then tyrants of society, was so enormous and crushing, that to almost all men, even those who had, you may say despite themselves, despite their reason and judgment, conceived such hopes, it seemed a dream. So much was this the case that some of those more enlightened men who were then called Socialists, although they well knew, and even stated in public, that the only reasonable condition of Society was that of pure Communism (such as you now see around you), yet shrunk from what seemed to them the barren task of preaching the realisation of a happy dream. Looking back now, we can see that the great motive-power of the change was a longing for freedom and equality, akin if you please to the unreasonable passion of the lover; a sickness of heart that rejected with loathing the aimless solitary life of the well-to-do educated man of that time: phrases, my dear friend, which have lost their meaning to us of the present day; so far removed we are from the dreadful facts which they represent.
“Well, these men, though conscious of this feeling, had no faith in it, as a means of bringing about the change. Nor was that wonderful: for looking around them they saw the huge mass of the oppressed classes too much burdened with the misery of their lives, and too much overwhelmed by the selfishness of misery, to be able to form a conception of any escape from it except by the ordinary way prescribed by the system of slavery under which they lived; which was nothing more than a remote chance of climbing out of the oppressed into the oppressing class.
“Therefore, though they knew that the only reasonable aim for those who would better the world was a condition of equality; in their impatience and despair they managed to convince themselves that if they could by hook or by crook get the machinery of production and the management of property so altered that the ‘lower classes’ (so the horrible word ran) might have their slavery somewhat ameliorated, they would be ready to fit into this machinery, and would use it for bettering their condition still more and still more, until at last the result would be a practical equality (they were very fond of using the word ‘practical’), because ‘the rich’ would be forced to pay so much for keeping ‘the poor’ in a tolerable condition that the condition of riches would become no longer
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