The Ghost by Arnold Bennett (best historical biographies .txt) 📕

as we are cousins. I shouldn't at all like it if I mightn't call you Carl. Carl is such a handsome name, and it suits you. Now, doesn't it, Sully?"

"Yes, darling," Sullivan answered nonchalantly. He was at the back of the box, and clearly it was his benevolent desire to give me fair opportunity of a tête-à-tête with his dark and languorous lady. Unfortunately, I was quite unpractised in the art of maintaining a tête-à-tête with dark and languorous ladies. Presently he rose.

"I must look up Smart," he said, and left us.

"Sullivan has been telling me about you. What a strange meeting! And so you are a doctor! You don't know how young you look. Why, I am old enough to be your mother!"

"Oh, no, you aren't," I said. At any rate, I knew enough to say that.

And she smiled.

"Personally," she went on, "I hate music—loathe it. But it's Sullivan's trade, and, of course, one must come here."

She waved a jewelled arm towards the splendid animation of the auditorium.

"But surely, Emmeline," I cried protestingly, "you didn't 'loathe' that first act. I never heard anything like it. Rosa was simply—well, I can't describe it."

She gazed at me, and a cloud of melancholy seemed to come into her eyes. And after a pause she said, in the strangest tone, very quietly:

"You're in love with her already."

And her eyes continued to hold mine.

"Who could help it?" I laughed.

She leaned towards me, and her left hand hung over the edge of the box.

"Women like Rosetta Rosa ought to be killed!" she said, with astonishing ferocity. Her rich, heavy contralto vibrated through me. She was excited again, that was evident. The nervous mood had overtaken her. The long pendent lobes of her ears crimsoned, and her opulent bosom heaved. I was startled. I was rather more than startled—I was frightened. I said to myself, "What a peculiar creature!"

"Why?" I questioned faintly.

"Because they are too young, too lovely, too dangerous," she responded with fierce emphasis. "And as for Rosa in particular—as for Rosa in particular—if you knew what I knew, what I've seen——"

"What have you seen?" I was bewildered. I began to wish that Sullivan had not abandoned me to her.

"Perhaps I'm wrong," she laughed.

She laughed, and sat up straight again, and resumed her excellent imitation of the woman of fashion, while I tried to behave as though I had found nothing singular in her behavior.

"You know about our reception?" she asked vivaciously in another moment, playing with her fan.

"I'm afraid I don't."

"Where have you been, Carl?"

"I've been in Edinburgh," I said, "for my final."

"Oh!" she said. "Well, it's been paragraphed in all the papers. Sullivan is giving a reception in the Gold Rooms of the Grand Babylon Hotel. Of course, it will be largely theatrical,—Sullivan has to mix a good deal with that class, you know; it's his business,—but there will be a lot of good people there. You'll come, won't you? It's to celebrate the five hundredth performance of 'My Queen.' Rosetta Rosa is coming."

"I shall be charmed. But I should have thought you wouldn't ask Rosa after what you've just said."

"Not ask Rosa! My dear Carl, she simply won't go anywhere. I know for a fact she declined Lady Casterby's invitation to meet a Serene Highness. Sir Cyril got her for me. She'll be the star of the show."

The theatre darkened once more. There were the usual preliminaries, and the orchestra burst into the prelude of the second act.

"Have you ever done any crystal-gazing?" Emmeline whispered.

And some one on the floor of the house hissed for silence.

I shook my head.

"You must try." Her voice indicated that she was becoming excited again. "At my reception there will be a spiritualism room. I'm a believer, you know."

I nodded politely, leaning over the front of the box to watch the conductor.

Then she set herself to endure the music.

Immediately the second act was over, Sullivan returned, bringing with him a short, slight, bald-headed man of about fifty. The two were just finishing a conversation on some stage matter.

"Smart, let me introduce to you my cousin, Carl Foster. Carl, this is Sir Cyril Smart."

My first feeling was one of surprise that a man so celebrated should be so insignificant to the sight. Yet as he looked at me I could somehow feel that here was an intelligence somewhat out of the common. At first he said little, and that little was said chiefly to my cousin's wife, but there was a quietude and firmness in his speech which had their own effect.

Sir Cyril had small eyes, and small features generally, including rather a narrow forehead. His nostrils, however, were well curved, and his thin, straight lips and square chin showed the stiffest determination. He looked fatigued, weary, and harassed; yet it did not appear that he complained of his lot; rather accepted it with sardonic humor. The cares of an opera season and of three other simultaneous managements weighed on him ponderously, but he supported the burden with stoicism.

"What is the matter with Alresca to-night?" Sullivan asked. "Suffering the pangs of jealousy, I suppose."

"Alresca," Sir Cyril replied, "is the greatest tenor living, and to-night he sings like a variety comedian. But it is not jealousy. There is one thing about Alresca that makes me sometimes think he is not an artist at all—he is incapable of being jealous. I have known hundreds of singers, and he is the one solitary bird among them of that plumage. No, it is not jealousy."

"Then what is it?"

"I wish I knew. He asked me to go and dine with him this afternoon. You know he dines at four o'clock. Of course, I went. What do you think he wanted me to do? He actually suggested that I should change the bill to-night! That showed me that something really was the matter, because he's the most modest and courteous man I have ever known, and he has a horror of disappointing the public. I asked him if he was hoarse. No. I asked him if he felt ill. No. But he was extremely depressed.

"'I'm quite well,' he said, 'and yet—' Then he stopped. 'And yet what?' It seemed as if I couldn't drag it out of him. Then all of a sudden he told me. 'My dear Smart,' he said, 'there is a misfortune coming to me. I feel it.' That's just what he said—'There's a misfortune coming to me. I feel it.' He's superstitious. They all are. Naturally, I set to work to soothe him. I did what I could. I talked about his liver in the usual way. But it had less than the usual effect. However, I persuaded him not to force me to change the bill."

Mrs. Sullivan struck into the conversation.

"He isn't in love with Rosa, is he?" she demanded brusquely.

"In love with Rosa? Of course he isn't, my pet!" said Sullivan.

The wife glared at her husband as if angry, and Sullivan made a comic gesture of despair with his hands.

"Is he?" Mrs. Sullivan persisted, waiting for Smart's reply.

"I never thought of that," said Sir Cyril simply. "No; I should say not, decidedly not.... He may be, after all. I don't know. But if he were, that oughtn't to depress him. Even Rosa ought to be flattered by the admiration of a man like Alresca. Besides, so far as I know, they've seen very little of each other. They're too expensive to sing together often. There's only myself and Conried of New York who would dream of putting them in the same bill. I should say they hadn't sung together more than two or three times since the death of Lord Clarenceux; so, even if he has been making love to her, she's scarcely had time to refuse him—eh?"

"If he has been making love to Rosa," said Mrs. Sullivan slowly, "whether she has refused him or not, it's a misfortune for him, that's all."

"Oh, you women! you women!" Sullivan smiled. "How fond you are of each other."

Mrs. Sullivan disdained to reply to her spouse.

"And, let me tell you," she added, "he has been making love to her."

The talk momentarily ceased, and in order to demonstrate that I was not tongue-tied in the company of these celebrities, I ventured to inquire what Lord Clarenceux, whose riches and eccentricities had reached even the Scottish newspapers, had to do with the matter.

"Lord Clarenceux was secretly engaged to Rosa in Vienna," Sir Cyril replied. "That was about two and a half years ago. He died shortly afterwards. It was a terrible shock for her. Indeed, I have always thought that the shock had something to do with her notorious quarrel with us. She isn't naturally quarrelsome, so far as I can judge, though really I have seen very little of her."

"By the way, what was the real history of that quarrel?" said Sullivan. "I only know the beginning of it, and I expect Carl doesn't know even that, do you, Carl?"

"No," I murmured modestly. "But perhaps it's a State secret."

"Not in the least," Sir Cyril said, turning to me. "I first heard Rosa in Genoa—the opera-house there is more of a barn even than this, and a worse stage than this used to be, if that's possible. She was nineteen. Of course, I knew instantly that I had met with the chance of my life. In my time I have discovered eleven stars, but this was a sun. I engaged her at once, and she appeared here in the following July. She sang twelve times, and—well, you know the sensation there was. I had offered her twenty pounds a night in Genoa, and she seemed mighty enchanted.

"After her season here I offered her two hundred pounds a night for the following year; but Lord Clarenceux had met her then, and she merely said she would think it over. She wouldn't sign a contract. I was annoyed. My motto is, 'Never be annoyed,' but I was. Next to herself, she owed everything to me. She went to Vienna to fulfil an engagement, and Lord Clarenceux after her. I followed. I saw her, and I laid myself out to arrange terms of peace.

"I have had difficulties with prime donne before, scores of times. Yes; I have had experience." He laughed sardonically. "I thought I knew what to do. Generally a prima donna has either a pet dog or a pet parrot—sopranos go in for dogs, contraltos seem to prefer parrots. I have made a study of these agreeable animals, and I have found that through them their mistresses can be approached when all other avenues are closed. I can talk doggily to poodles in five languages, and in the art of administering sugar to the bird I am, I venture to think, unrivalled. But Rosa had no pets. And after a week's negotiation, I was compelled to own myself beaten. It was a disadvantage to me that she wouldn't lose her temper. She was too polite; she really was grateful for what I had done for her. She gave me no chance to work on her feelings. But beyond all this there was something strange about Rosa, something I have never been able to fathom. She isn't a child like most of 'em. She's as strong-headed as I am myself, every bit!"

He paused, as if inwardly working at the problem.

"Well, and how did you make it up?" Sullivan asked briskly.

(As for me, I felt as if I had come suddenly into the centre of the great world.)

"Oh, nothing happened for a time. She sang in Paris and America, and took her proper place as the first soprano in the world. I did without her, and managed very well. Then early this spring she sent her agent to see me, and offered to sing ten times for three thousand pounds. They can't keep away from London,