The Vicar of Tours by Honoré de Balzac (ebook pdf reader for pc .txt) 📕

DEDICATION

To David, Sculptor:

The permanence of the work on which I inscribe your name
--twice made illustrious in this century--is very problematical;
whereas you have graven mine in bronze which survives nations
--if only in their coins. The day may come when numismatists,
discovering amid the ashes of Paris existences perpetuated by
you, will wonder at the number of heads crowned in your
atelier and endeavour to find in them new dynasties.

To you, this divine privilege; to me, gratitude.

De Balzac.

THE VICAR OF TOURS

I

Early in the autumn of 1826 the Abbe Birotteau, the principal personage of this history, was overtaken by a shower of rain as he returned home from a friend's house, where he had been passing the evening. He therefore crossed, as quickly as his corpulence would allow, the deserted little square called "The Cloister," which lies directly behind the chancel of the cathedral of Saint-Gatien at Tours.

The Abbe Birotteau, a short little man, apoplectic in constitution and about sixty years old, had already gone through several attacks of gout. Now, among the petty miseries of human life the one for which the worthy priest felt the deepest aversion was the sudden sprinkling of his shoes, adorned with silver buckles, and the wetting of their soles. Notwithstanding the woollen socks in which at all seasons he enveloped his feet with the extreme care that ecclesiastics take of themselves, he was apt at such times to get them a little damp, and the next day gout was sure to give him certain infallible proofs of constancy. Nevertheless, as the pavement of the Cloister was likely to be dry, and as the abbe had won three francs ten sous in his rubber with Madame de Listomere, he bore the rain resignedly from the middle of the place de l'Archeveche, where it began to come down in earnest. Besides, he was fondling his chimera,--a desire already twelve years old, the desire of a priest, a desire formed anew every evening and now, apparently, very near accomplishment; in short, he had wrapped himself so completely in the fur cape of a canon that he did not feel the inclemency of the weather. During the evening several of the company who habitually gathered at Madame de Listomere's had almost guaranteed to him his nomination to the office of canon (then vacant in the metropolitan Chapter of Saint-Gatien), assuring him that no one deserved such promotion as he, whose rights, long overlooked, were indisputable.

If he had lost the rubber, if he had heard that his rival, the Abbe Poirel, was named canon, the worthy man would have thought the rain extremely chilling; he might even have thought ill of life. But it so chanced that he was in one of those rare moments when happy inward sensations make a man oblivious of discomfort. In hastening his steps he obeyed a more mechanical impulse, and truth (so essential in a history of manners and morals) compels us to say that he was thinking of neither rain nor gout.

In former days there was in the Cloister, on the side towards the Grand'Rue, a cluster of houses forming a Close and belonging to the cathedral, where several of the dignitaries of the Chapter lived. After the confiscation of ecclesiastical property the town had turned the passage through this close into a narrow street, called the Rue de la Psalette, by which pedestrians passed from the Cloister to the Grand'Rue. The name of this street, proves clearly enough that the precentor and his pupils and those connected with the choir formerly lived there. The other side, the left side, of the street is occupied by a single house, the walls of which are overshadowed by the buttresses of Saint-Gatien, which have their base in the narrow little garden of the house, leaving it doubtful whether the cathedral was built before or after this venerable dwelling. An archaeologist examining the arabesques, the shape of the windows, the arch of the door, the whole exterior of the house, now mellow with age, would see at once that it had always been a part of the magnificent edifice with which it is blended.

An antiquary (had there been one at Tours,--one of the least literary towns in all France) would even discover, where the narrow street enters the Cloister, several vestiges of an old arcade, which formerly made a portico to these ecclesiastical dwellings, and was, no doubt, harmonious in style with the general character of the architecture.

The house of which we speak, standing on the north side of the cathedral, was always in the shadow thrown by that vast edifice, on which time had cast its dingy mantle, marked its furrows, and shed its chill humidity, its lichen, mosses, and rank herbs. The darkened dwelling was wrapped in silence, broken only by the bells, by the chanting of the offices heard through the windows of the church, by the call of the jackdaws nesting in the belfries. The region is a desert of stones, a solitude with a character of its own, an arid spot, which could only be inhabited by beings who had either attained to absolute nullity, or were gifted with some abnormal strength of soul. The house in question had always been occupied by abbes, and it belonged to an old maid named Mademoiselle Gamard. Though the property had been bought from the national domain under the Reign of Terror by the father of Mademoiselle Gamard, no one objected under the Restoration to the old maid's retaining it, because she took priests to board and was very devout; it may be that religious persons gave her credit for the intention of leaving the property to the Chapter.

The Abbe Birotteau was making his way to this house, where he had lived for the last two years. His apartment had been (as was now the canonry) an object of envy and his "hoc erat in votis" for a dozen years. To be Mademoiselle Gamard's boarder and to become a canon were the two great desires of his life; in fact they do present accurately the ambition of a priest, who, considering himself on the highroad to eternity, can wish for nothing in this world but good lodging, good food, clean garments, shoes with silver buckles, a sufficiency of things for the needs of the animal, and a canonry to satisfy self-love, that inexpressible sentiment which follows us, they say, into the presence of God,--for there are grades among the saints. But the covetous desire for the apartment which the Abbe Birotteau was now inhabiting (a very harmless desire in the eyes of worldly people) had been to the abbe nothing less than a passion, a passion full of obstacles, and, like more guilty passions, full of hopes, pleasures, and remorse.

The interior arrangements of the house did not allow Mademoiselle Gamard to take more than two lodgers. Now, for about twelve years before the day when Birotteau went to live with her she had undertaken to keep in health and contentment two priests; namely, Monsieur l'Abbe Troubert and Monsieur l'Abbe Chapeloud. The Abbe Troubert still lived. The Abbe Chapeloud was dead; and Birotteau had stepped into his place.

The late Abbe Chapeloud, in life a canon of Saint-Gatien, had been an intimate friend of the Abbe Birotteau. Every time that the latter paid a visit to the canon he had constantly admired the apartment, the furniture and the library. Out of this admiration grew the desire to possess these beautiful things. It had been impossible for the Abbe Birotteau to stifle this desire; though it often made him suffer terribly when he reflected that the death of his best friend could alone satisfy his secret covetousness, which increased as time went on. The Abbe Chapeloud and his friend Birotteau were not rich. Both were sons of peasants; and their slender savings had been spent in the mere costs of living during the disastrous years of the Revolution. When Napoleon restored the Catholic worship the Abbe Chapeloud was appointed canon of the cathedral and Birotteau was made vicar of it. Chapeloud then went to board with Mademoiselle Gamard. When Birotteau first came to visit his friend, he thought the arrangement of the rooms excellent, but he noticed nothing more. The outset of this concupiscence of chattels was very like that of a true passion, which often begins, in a young man, with cold admiration for a woman whom he ends in loving forever.

The apartment, reached by a stone staircase, was on the side of the house that faced south. The Abbe Troubert occupied the ground-floor, and Mademoiselle Gamard the first floor of the main building, looking on the street. When Chapeloud took possession of his rooms they were bare of furniture, and the ceilings were blackened with smoke. The stone mantelpieces, which were very badly cut, had never been painted. At first, the only furniture the poor canon could put in was a bed, a table, a few chairs, and the books he possessed. The apartment was like a beautiful woman in rags. But two or three years later, an old lady having left the Abbe Chapeloud two thousand francs, he spent that sum on the purchase of an oak bookcase, the relic of a chateau pulled down by the Bande Noire, the carving of which deserved the admiration of all artists. The abbe made the purchase less because it was very cheap than because the dimensions of the bookcase exactly fitted the space it was to fill in his gallery. His savings enabled him to renovate the whole gallery, which up to this time had been neglected and shabby. The floor was carefully waxed, the ceiling whitened, the wood-work painted to resemble the grain and knots of oak. A long table in ebony and two cabinets by Boulle completed the decoration, and gave to this gallery a certain air that was full of character. In the course of two years the liberality of devout persons, and legacies, though small ones, from pious penitents, filled the shelves of the bookcase, till then half empty. Moreover, Chapeloud's uncle, an old Oratorian, had left him his collection in folio of the Fathers of the Church, and several other important works that were precious to a priest.

Birotteau, more and more surprised by the successive improvements of the gallery, once so bare, came by degrees to a condition of involuntary envy. He wished he could possess that apartment, so thoroughly in keeping with the gravity of ecclestiastical life. The passion increased from day to day. Working, sometimes for days together, in this retreat, the vicar could appreciate the silence and the peace that reigned there. During the following year the Abbe Chapeloud turned a small room into an oratory, which his pious friends took pleasure in beautifying. Still later, another lady gave the canon a set of furniture for his bedroom, the covering of which she had embroidered under the eyes of the worthy man without his ever suspecting its destination. The bedroom then had the same effect upon the vicar that the gallery had long had; it dazzled him. Lastly, about three years before the Abbe Chapeloud's death, he completed the comfort of his apartment by decorating the salon. Though the furniture was plainly covered in red Utrecht velvet, it fascinated Birotteau. From the day when the canon's friend first laid eyes on the red damask curtains, the mahogany furniture, the Aubusson carpet which adorned the vast room,