Peter and Jane by Sarah Macnaughtan (best novel books to read .TXT) 📕

fences, it is true; but then Kitty of all people in the world was the last to be afraid of a stiff course. It was not like her to keep her eyes turned away from the horses until some one quite close to her said, 'Well, they 're over the water-jump anyway,' when she suddenly raised her field-glasses, with hands that were trembling a little, and kept her eyes fixed on the race. It was going to be a close finish, most people thought, and as the horses came round the farther corner you could, as the saying goes, have spread a tablecloth over them. Toffy's horse closely hugged the rails and was kept well in hand; while, of the two in front of him, one was showing signs of the pace and the other had not much running left in him. These two soon tailed off, when the favourite (dark green and yellow hoops) came through the other horses and rode neck to neck with Toffy's. It became a race between these two, and it was evident that the finish was going to be a close one.

'Toffy's not fit to ride,' said the voice of a young man who would have liked Toffy to win the race, although he knew better than to back him. 'He is as mad as ten hatters to have ridden to-day.'

'His weight is right enough,' said another manly voice, with a laugh; 'it's extraordinary how a man of his height can ride so light. Christopherson 's a regular bag of bones.'

'I wish to goodness they wouldn't talk!' said Kitty suddenly under her breath.

The two horses came on neck to neck to the last fence but one.

'By gad, he knows how to ride!' went on the masculine voice, 'but Spinach-and-Eggs is on the better horse of the two.'

The ground was in splendid going condition and the two horses raced over it. They could see Christopherson's face now, and Toffy was smiling slightly, while the other man's teeth were firmly set. Their two stirrups clanged together as their horses rose to the rails and galloped on to the last fence.

And there, of course, Toffy's horse fell. It was not his fault; there was a bit of soft ground just where he landed, his horse blundered and fell, and the favourite rode past the winning-post, an easy winner.

The spectators in the grand stand could see Christopherson pick himself up a moment later and lead his horse home; but there was one moment, when the rider behind him took the last jump, in which for a fraction of time it seemed more than possible that he might land on the top of Sir Nigel. For a breathless space there was that dramatic silence which may be felt when a concourse of people literally hold their breath. Miss Abingdon covered her face for a moment, and Jane heard Peter say 'Good God!'

The next moment the danger was over, and Jane was surreptitiously handing Miss Sherard a handkerchief drenched in eau-de-Cologne, for Kitty had sat down suddenly and her face was white. She did not speak, but she looked up into Jane's face for a moment, and the look said as plainly as possible, 'I can't help it—don't tell any one.'

'It was a horribly near thing,' Jane said, in order to explain Kitty's pallor to herself, 'and I 'm afraid it has given you rather a turn.'

Miss Sherard's feeling of faintness was only momentary, and already the bright colour was in her cheeks again and she laughed and said, 'It was not the jump, really, Jane; but I am a horrible gambler, and I put my very last shilling on Toffy.'

CHAPTER VI

Mrs. Ogilvie's ball, according to an old-established custom, followed closely on the race. The proximity of the two events had helped to gain for the quiet countryside the reputation of a gay neighbourhood. Country houses were filled with visitors, and the ballroom and the famous picture-gallery at Bowshott received an even larger number of guests than usual. There was something impressive in the great space and width of the ballroom, with its polished floor. The palm-houses had been emptied to form an avenue of green up the middle of the picture-gallery, at whose extreme end an altarpiece, representing a scene from the Book of Revelation, showed a company of the heavenly host as a background to a buffet-table crowded with refreshments. The constant movements and the brilliant lights provided a fitting air of gaiety to the scene. It was Mrs. Ogilvie's whim to have her rooms illuminated in a manner as nearly as possible to represent the effect of tempered sunlight. 'No woman cares to see,' she used to say, 'she wants to be seen.' And so the lights at Bowshott were always arranged in such a way that the beauty of women should be enhanced by them. Plain faces softened under the warm glow which had no hard shadows in it, and beautiful faces were lighted up in a manner that was almost extravagantly becoming.

'It is only on such an occasion as this,' said Miss Abingdon, 'that one really seems to think that Bowshott is put to its proper use.'

She was talking to a young man who called old furniture delicious and Spanish brocade sweetly pretty. 'The modern Englishman,' said Mr. Lawrence, 'was made to live in barracks or in a stable. Probably he is only in his right place when he is on a horse. Could any one but he live at Bowshott and dress in shabby shooting clothes, and smoke cigarettes in a room where Charles I. made love, and wear hobnailed boots to go up and down a grand staircase?'

Miss Abingdon sat on a convenient large couch, where a chaperon might close her eyes for a moment towards the end of a long evening without being accused of drowsiness. She was the recipient of many wise nods and hints and questions.

'How well they look together!' said a lady, as Peter Ogilvie and Jane came down the line of palms, and she left a blank at the end of her speech, to be filled in, if possible, by Miss Abingdon.

'Jane makes Peter look rather short,' said another.

'She should have chosen some one taller.'

'I suppose it really will be settled some day,' said Mr. Lawrence.

'They went for a ride this morning,' said Miss Abingdon dryly, 'and they were positively disappointed because Sir Nigel Christopherson could not go with them. I do not profess to understand love-affairs of the present day.'

Mr. Lawrence was a portly, red-faced young man, with a high-pitched voice. He throve on scandal, and gossiped like a housekeeper. Miss Abingdon liked and thoroughly approved him; his views were sound, his opinions orthodox, and he always took her in to supper at any dance where they met.

Mr. Lawrence's manner towards elderly ladies was a mixture of deference and familiarity which never failed to give satisfaction; he could even discuss Miss Abingdon's relatives with her without offence, and he gave advice on domestic matters. People in want of a cook or of a good housemaid generally wrote to Mr. Lawrence to ask if he knew of any one suitable for the post, and he recommended houses and health-resorts, and knew to a fraction what every one's income was. He was a useful member of society in a neighbourhood like that of Culversham, and was considered an interesting caller. It was his ambition to be first with every piece of intelligence, and he enjoyed telling news, even of a harassing description. Mr. Lawrence believed that Miss Abingdon's niece was already engaged to Peter Ogilvie, and he began by a series of deft questions to try to abstract the definite information that he required from her.

'Young people nowadays,' said Miss Abingdon, ascribing a riper age to Mr. Lawrence than he altogether approved—'young people nowadays think that everything that concerns themselves is what they call their own business. They talk as though they lived in some desert cave instead of in the midst of the world. I am on thorns sometimes when the servants are in the room; after all, a man may be only a footman, and yet is not necessarily a deaf-mute.'

Peter and Jane, meanwhile, had strolled into the picture-gallery, with its softly shaded lights and long vistas of flowering plants and palms. There was about them to-night something which seemed to set them apart. Few persons cared to disturb them, even by a greeting, as they sat side by side in the corridor or walked together down the long gallery. Jane Erskine had put off that air, which suited her so admirably, of seeming to be always under an open sky; she had left it behind with her short skirt and the motor-cap which she loved to pull down over her eyes. This evening in shimmering white satin, and with a string of pearls round her throat, she looked what she was—a very beautiful and very distinguished young woman. The tempered light of the room seemed to deepen the colour in her cheeks and to bring out the bright tints of her hair; her lips parted in a smile, and her eyes had radiance in them.

She and Peter mingled with the throng of dancers again, and then, not waiting until the music had finished, they left the ballroom by the farther door where Mrs. Ogilvie was standing.

Peter stopped when he saw her, and looked at her a little anxiously. 'You should not be standing, should you?' he said, in his kindly way; 'you look tired.'

Mrs. Ogilvie gave one of her enigmatic smiles. 'Who would not be tired?' she said. 'Was there ever such an extraordinary way of amusing oneself as to stand in a draughty doorway in the middle of the night, shaking hands with some hundreds of people whom one doesn't want to see!'

She sat down on a sofa and watched the two figures as they passed down the long corridor. The mechanical smile of welcome with which she had greeted half the county this evening had not died away from her face; she sat upright on the satin-covered sofa. There was about her an air of strength, of eminence almost, which seemed to place her genuine ugliness above criticism. Her dress was of some heavy purple stuff which few women would have had the courage to wear, and the diamonds in her hair, with their sharp points of radiating light, accentuated something that was magnificent and almost defiant about Mrs. Ogilvie to-night. Her short-sighted eyes contracted in their usual fashion as she watched the couple disappear down the vista of the corridor. 'If only it could be soon! If only their marriage could be soon!' she murmured to herself, her lips moving in an inward cry that in another woman might have been a prayer.

'How do you think she is looking?' said Peter, as, without conscious intention, he and Jane drifted away from the dancers into a more distant part of the house. 'Surely she gets tired too easily? I wish she would see a doctor; but she hates being fussed over, and one can never persuade her to take care of herself.'

'What is one to do with so wilful a woman?' said Jane.

They paused and looked at the dim crowd of dancers through one of the entrances to the ballroom, and passed down the corridor where misty figures sat on sofas and chairs enjoying the cool. Every one looked to them misty and far away to-night, almost as though they had not sufficiently materialized to be perfectly distinct.

With definite intention Peter led his partner towards a little room, hung with miniatures and plaques, at the farther end of the long corridor. Here they found Nigel Christopherson in conversation with Miss Sherard. Kitty was talking as lightly as usual, deliberately misunderstanding everything that was said to her, and being as provoking as she ever was; and Toffy was so much in earnest that he did not see Peter and Jane, but continued