The Antiquary — Complete by Walter Scott (fun to read .txt) 📕

place where it rested. The mourners, in regular gradation, according to their rank or their relationship to the deceased, had filed from the cottage, while the younger male children were led along to totter after the bier of their brother, and to view with wonder a ceremonial which they could hardly comprehend. The female gossips next rose to depart, and, with consideration for the situation of the parents, carried along with them the girls of the family, to give the unhappy pair time and opportunity to open their hearts to each other and soften their grief by communicating it. But their kind intention was without effect. The last of them had darkened the entrance of the cottage, as she went out, and drawn the door softly behind her, when the father, first ascertaining by a hasty glance that no stranger remained, started up, clasped his hands wildly above his head, uttered a cry of the despair which he had hitherto repressed, and, in all the impotent impatience of grief, half rushed half staggered forward to the bed on which the coffin had been deposited, threw himself down upon it, and smothering, as it were, his head among the bed-clothes, gave vent to the full passion of his sorrow. It was in vain that the wretched mother, terrified by the vehemence of her husband’s affliction—affliction still more fearful as agitating a man of hardened manners and a robust frame—suppressed her own sobs and tears, and, pulling him by the skirts of his coat, implored him to rise and remember, that, though one was removed, he had still a wife and children to comfort and support. The appeal came at too early a period of his anguish, and was totally unattended to; he continued to remain prostrate, indicating, by sobs so bitter and violent, that they shook the bed and partition against which it rested, by clenched hands which grasped the bed-clothes, and by the vehement and convulsive motion of his legs, how deep and how terrible was the agony of a father’s sorrow.

“O, what a day is this! what a day is this!” said the poor mother, her womanish affliction already exhausted by sobs and tears, and now almost lost in terror for the state in which she beheld her husband—“O, what an hour is this! and naebody to help a poor lone woman—O, gudemither, could ye but speak a word to him!—wad ye but bid him be comforted!”

To her astonishment, and even to the increase of her fear, her husband’s mother heard and answered the appeal. She rose and walked across the floor without support, and without much apparent feebleness, and standing by the bed on which her son had extended himself, she said, “Rise up, my son, and sorrow not for him that is beyond sin and sorrow and temptation. Sorrow is for those that remain in this vale of sorrow and darkness—I, wha dinna sorrow, and wha canna sorrow for ony ane, hae maist need that ye should a’ sorrow for me.”

The voice of his mother, not heard for years as taking part in the active duties of life, or offering advice or consolation, produced its effect upon her son. He assumed a sitting posture on the side of the bed, and his appearance, attitude, and gestures, changed from those of angry despair to deep grief and dejection. The grandmother retired to her nook, the mother mechanically took in her hand her tattered Bible, and seemed to read, though her eyes were drowned with tears.

They were thus occupied, when a loud knock was heard at the door.

“Hegh, sirs!” said the poor mother, “wha is that can be coming in that gate e’enow?—They canna hae heard o’ our misfortune, I’m sure.”

The knock being repeated, she rose and opened the door, saying querulously, “Whatna gait’s that to disturb a sorrowfu’ house?”

A tall man in black stood before her, whom she instantly recognised to be Lord Glenallan. “Is there not,” he said, “an old woman lodging in this or one of the neighbouring cottages, called Elspeth, who was long resident at Craigburnfoot of Glenallan?”

“It’s my gudemither, my lord,” said Margaret; “but she canna see onybody e’enow—Ohon! we’re dreeing a sair weird—we hae had a heavy dispensation!”

“God forbid,” said Lord Glenallan, “that I should on light occasion disturb your sorrow;—but my days are numbered—your mother-in-law is in the extremity of age, and, if I see her not to-day, we may never meet on this side of time.”

“And what,” answered the desolate mother, “wad ye see at an auld woman, broken down wi’ age and sorrow and heartbreak? Gentle or semple shall not darken my door the day my bairn’s been carried out a corpse.”

While she spoke thus, indulging the natural irritability of disposition and profession, which began to mingle itself with her grief when its first uncontrolled bursts were gone by, she held the door about one-third part open, and placed herself in the gap, as if to render the visitor’s entrance impossible. But the voice of her husband was heard from within—“Wha’s that, Maggie? what for are ye steaking them out?—let them come in; it doesna signify an auld rope’s end wha comes in or wha gaes out o’ this house frae this time forward.”

The woman stood aside at her husband’s command, and permitted Lord Glenallan to enter the hut. The dejection exhibited in his broken frame and emaciated countenance, formed a strong contrast with the effects of grief, as they were displayed in the rude and weatherbeaten visage of the fisherman, and the masculine features of his wife. He approached the old woman as she was seated on her usual settle, and asked her, in a tone as audible as his voice could make it, “Are you Elspeth of the Craigburnfoot of Glenallan?”

“Wha is it that asks about the unhallowed residence of that evil woman?” was the answer returned to his query.

“The unhappy Earl of Glenallan.”

“Earl!—Earl of Glenallan!”

“He who was called William Lord Geraldin,” said the Earl; “and whom his mother’s death has made Earl of Glenallan.”

“Open the bole,” said the old woman firmly and hastily to her daughter-in-law, “open the bole wi’ speed, that I may see if this be the right Lord Geraldin—the son of my mistress—him that I received in my arms within the hour after he was born—him that has reason to curse me that I didna smother him before the hour was past!”

The window, which had been shut in order that a gloomy twilight might add to the solemnity of the funeral meeting, was opened as she commanded, and threw a sudden and strong light through the smoky and misty atmosphere of the stifling cabin. Falling in a stream upon the chimney, the rays illuminated, in the way that Rembrandt would have chosen, the features of the unfortunate nobleman, and those of the old sibyl, who now, standing upon her feet, and holding him by one hand, peered anxiously in his features with her light-blue eyes, and holding her long and withered fore-finger within a small distance of his face, moved it slowly as if to trace the outlines and reconcile what she recollected with that she now beheld. As she finished her scrutiny, she said, with a deep sigh, “It’s a sair—sair change; and wha’s fault is it?—but that’s written down where it will be remembered—it’s written on tablets of brass with a pen of steel, where all is recorded that is done in the flesh.—And what,” she said after a pause, “what is Lord Geraldin seeking from a poor auld creature like me, that’s dead already, and only belongs sae far to