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little change of tone, a careless 'You will find us next Wednesday as usual; So-and-so is coming to play,' Langham would walk home in a state of feeling he did not care to analyze, but which certainly quickened the pace of life a good deal. She would not let him try his luck at friendship again, but in the strangest slightest ways did she not make him suspect every now and then that he _was_ in some sort important to her, that he sometimes preoccupied her against her will; that her will, indeed, sometimes escaped her, and failed to control her manner to him?

It was not only his relations to the beauty, however, his interest in her career, or his perpetual consciousness of Mrs. Elsmere's cold dislike and disapproval of his presence in her mother's drawing-room, that accounted for Langham's heightened mental temperature this winter. The existence and the proceedings of Mr. Hugh Flaxman had a very considerable share in it.

'Tell me about Mr. Langham,' said Mr. Flaxman once to Agnes Leyburn, in the early days of his acquaintance with the family; 'is he an old friend?'

'Of Robert's,' replied Agnes, her cheerful impenetrable look fixed upon the speaker. 'My sister met him once for a week in the country at the Elsmeres'. My mother and I have been only just introduced to him.'

Hugh Flaxman pondered the information a little.

'Does he strike you as--well--what shall we say?--unusual?'

His smile struck one out of her.

'Even Robert might admit that' she said demurely.

'Is Elsmere so attached to him? I own I was provoked just now by his tone about Elsmere. I was remarking on the evident physical and mental strain your brother-in-law had gone through, and he said with a _nonchalance_ I cannot convey: "Yes, it is astonishing Elsmere should have ventured it. I confess I often wonder whether it was worth while." "Why?" said I, perhaps a little hotly. Well, he didn't know--wouldn't say. But I gathered that according to him, Elsmere is still swathed in such an unconscionable amount of religion that the few rags and patches he has got rid of are hardly worth the discomfort of the change. It seemed to me the tone of the very cool spectator, rather than the friend. However--does your sister like him?'

'I don't know,' said Agnes, looking her questioner full in the face.

Hugh Flaxman's fair complexion flushed a little. He got up to go.

'He is one of the most extraordinarily handsome persons I ever saw,' he remarked as he buttoned up his coat. 'Don't you think so?'

'Yes,' said Agnes dubiously, 'if he didn't stoop, and if he didn't in general look half-asleep.'

Hugh Flaxman departed more puzzled than ever as to the reason for the constant attendance of this uncomfortable anti-social person at the Leyburns' house. Being himself a man of very subtle and fastidious tastes, he could imagine that so original a suitor, with such eyes, such an intellectual reputation so well sustained by scantiness of speech and the most picturesque capacity for silence, _might_ have attractions for a romantic and wilful girl. But where were the signs of it? Rose rarely talked to him, and was always ready to make him the target of a sub-acid raillery. Agnes was clearly indifferent to him, and Mrs. Leyburn equally clearly afraid of him. Mrs. Elsmere, too, seemed to dislike him, and yet there he was, week after week. Flaxman could not make it out.

Then he tried to explore the man himself. He started various topics with him--University reform, politics, music. In vain. In his most characteristic Oxford days Langham had never assumed a more wholesale ignorance of all subjects in heaven and earth, and never stuck more pertinaciously to the flattest forms of commonplace. Flaxman walked away at last boiling over. The man of parts masquerading as the fool is perhaps at least as exasperating as the fool playing at wisdom.

However, he was not the only person irritated. After one of these fragments of conversation, Langham also walked rapidly home in a state of most irrational petulance, his hands thrust with energy into the pockets of his overcoat.

'No, my successful aristocrat, you shall not have everything your own way so easily with me or with _her!_ You may break me, but you shall not play upon me. And as for her, I will see it out--I will see it out!'

And he stiffened himself as he walked, feeling life electric all about him and a strange new force tingling in every vein.

Meanwhile, however, Mr. Flaxman was certainly having a good deal of his own way. Since the moment when his aunt, Lady Charlotte, had introduced him to Miss Leyburn--watching him the while with a half-smile which soon broadened into one of sly triumph--Hugh Flaxman had persuaded himself that country houses are intolerable even in the shooting season, and that London is the only place of residence during the winter for the man who aspires to govern his life on principles of reason. Through his influence and that of his aunt, Rose and Agnes--Mrs. Leyburn never went out--were being carried into all the high life that London can supply in November and January. Wealthy, highborn, and popular, he was gradually devoting his advantages in the freest way to Rose's service. He was an excellent musical amateur, and was always proud to play with her; he had a fine country house, and the little rooms on Campden Hill were almost always filled with flowers from his gardens; he had a famous musical library, and its treasures were lavished on the girl violinist; he had a singularly wide circle of friends, and with his whimsical energy he was soon inclined to make kindness to the two sisters the one test of a friend's good-will.

He was clearly touched by Rose; and what was to prevent his making an impression on her? To her sex he had always been singularly attractive. Like his sister, he had all sorts of bright impulses and audacities flashing and darting about him. He had a certain _hauteur_ with men, and could play the aristocrat when he pleased, for all his philosophical radicalism. But with women he was the most delightful mixture of deference and high spirits. He loved the grace of them, the daintiness of their dress, the softness of their voices. He would have done anything to please them, anything to save them pain. At twenty-five, when he was still 'Citizen Flaxman' to his college friends, and in the first fervors of a poetic defiance of prejudice and convention, he had married a gamekeeper's pretty daughter. She had died with her child--died, almost, poor thing! of happiness and excitement--of the over-greatness of Heaven's boon to her. Flaxman had adored her, and death had tenderly embalmed a sentiment to which life might possibly have been less kind. Since then he had lived in music, letters, and society, refusing out of a certain fastidiousness to enter politics, but welcomed and considered wherever he went, tall, good-looking, distinguished, one of the most agreeable and courted of men, and perhaps the richest _parti_ in London.

Still, in spite of it all, Langham held his ground--Langham would see it out! And indeed, Flaxman's footing with the beauty was by no means clear--least of all to himself. She evidently liked him, but she bantered him a good deal; she would not be the least subdued or dazzled by his birth and wealth, or by those of his friends; and if she allowed him to provide her with pleasure, she would hardly ever take his advice, or knowingly consult his tastes.

Meanwhile she tormented them both a good deal by the artistic acquaintance she gathered about her. Mrs. Pierson's world, as we have said, contained a good many dubious odds and ends, and she had handed them all over to Rose. The Leyburns' growing intimacy with Mr. Flaxman and his circle, and through them with the finer types of the artistic life, would naturally and by degrees have carried them away somewhat from this earlier circle if Rose would have allowed it. But she clung persistently to its most unpromising specimens, partly out of a natural generosity of feeling, but partly also for the sake of that opposition her soul loved, her poor prickly soul, full under all her gayety and indifference of the most desperate doubt and soreness,--opposition to Catherine, opposition to Mr. Flaxman, but, above all, opposition to Langham.

Flaxman could often avenge himself on her--or rather on the more obnoxious members of her following--by dint of a faculty for light and stinging repartee which would send her, flushed and biting her lip, to have her laugh out in private. But Langham for a long time was defenseless. Many of her friends in his opinion were simply pathological curiosities--their vanity was so frenzied, their sensibilities so morbidly developed. He felt a doctor's interest in them coupled with more than a doctor's scepticism as to all they had to say about themselves. But Rose would invite them, would assume a _quasi_-intimacy with them; and Langham as well as everybody else had to put up with it.

Even the trodden worm however----And there came a time when the concentration of a good many different lines of feeling in Langham's mind betrayed itself at last in a sharp and sudden openness. It began to seem to him that she was specially bent often on tormenting _him_ by these caprices of hers, and he vowed to himself finally, with an outburst of irritation due in reality to a hundred causes, that he would assert himself, that he would make an effort at any rate to save her from her own follies.

One afternoon, at a crowded musical party, to which he had come much against his will, and only in obedience to a compulsion he dared not analyze, she asked him in passing if he would kindly find Mr. MacFadden, a bass singer, whose name stood next on the programme, and who was not to be seen in the drawing-room.

Langham searched the dining-room and the hall, and at last found Mr. MacFadden--a fair, flabby, unwholesome youth--in the little study or cloak room, in a state of collapse, flanked by whisky and water, and attended by two frightened maids, who handed over their charge to Langham and fled.

Then it appeared that the great man had been offended by a change in the programme, which hurt his vanity, had withdrawn from the drawing-room on the brink of hysterics, had called for spirits, which had been provided for him with great difficulty by Mrs. Leyburn's maids, and was there drinking himself into a state of rage and rampant dignity which would soon have shown itself in a melodramatic return to the drawing-room, and a public refusal to sing at all in a house where art had been outraged in his person.

Some of the old disciplinary instincts of the Oxford tutor awoke in Langham at the sight of the creature, and, with a prompt sternness which amazed himself, and nearly set MacFadden whimpering, he got rid of the man, shut the hall door on him, and went back to the drawing-room.

'Well?' said Rose in anxiety, coming up to him.

'I have sent him away,' he said briefly, an eye of unusual quickness and brightness looking down upon her; 'he was in no condition to sing. He chose to be offended, apparently because he was put out of his turn, and has been giving the servants trouble.'

Rose flushed deeply, and drew herself up with a look of half trouble, half defiance, at Langham.

'I trust you will not ask him again,' he said, with the same decision. 'And if I might say so,
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