Heart and Science by Wilkie Collins (read with me TXT) 📕
The conditions under which the old doctor was willing to assume the character of a prophet never occurred. Ovid remembered that he was go
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Carmina looked as unintelligent as Zo herself. Mrs. Gallilee’s science seemed to frighten her. The Diathermancy of Ebonite, by some incomprehensible process, drove her bewildered mind back on her old companion. “I want to give Teresa a little pleasure before we part,” she said timidly; “may she go with us?”
“Of course!” cried Mrs. Gallilee. “And, now I think of it, why shouldn’t the children have a little pleasure too? I will give them a holiday. Don’t be alarmed, Ovid; Miss Minerva will look after them. In the meantime, Carmina, tell your good old friend to get ready.”
Carmina hastened away, and so helped Mrs. Gallilee to the immediate object which she had in view—a private interview with her son.
Ovid anticipated a searching inquiry into the motives which had led him to give up the sea voyage. His mother was far too clever a woman to waste her time in that way. Her first words told him that his motive was as plainly revealed to her as the sunlight shining in at the window.
“That’s a charming girl,” she said, when Carmina closed the door behind her. “Modest and natural—quite the sort of girl, Ovid, to attract a clever man like you.”
Ovid was completely taken by surprise, and owned it by his silence. Mrs. Gallilee went on in a tone of innocent maternal pleasantry.
“You know you began young,” she said; “your first love was that poor little wizen girl of Lady Northlake’s who died. Child’s play, you will tell me, and nothing more. But, my dear, I am afraid I shall require some persuasion, before I quite sympathize with this new—what shall I call it?—infatuation is too hard a word, and ‘fancy’ means nothing. We will leave it a blank. Marriages of cousins are debatable marriages, to say the least of them; and Protestant fathers and Papist mothers do occasionally involve difficulties with children. Not that I say, No. Far from it. But if this is to go on, I do hesitate.”
Something in his mother’s tone grated on Ovid’s sensibilities. “I don’t at all follow you,” he said, rather sharply; “you are looking a little too far into the future.”
“Then we will return to the present,” Mrs. Gallilee replied—still with the readiest submission to the humour of her son.
On recent occasions, she had expressed the opinion that Ovid would do wisely—at his age, and with his professional prospects—to wait a few years before he thought of marrying. Having said enough in praise of her niece to satisfy him for the time being (without appearing to be meanly influenced, in modifying her opinion, by the question of money), her next object was to induce him to leave England immediately, for the recovery of his health. With Ovid absent, and with Carmina under her sole superintendence, Mrs. Gallilee could see her way to her own private ends.
“Really,” she resumed, “you ought to think seriously of change of air and scene. You know you would not allow a patient, in your present state of health, to trifle with himself as your are trifling now. If you don’t like the sea, try the Continent. Get away somewhere, my dear, for your own sake.”
It was only possible to answer this, in one way. Ovid owned that his mother was right and asked for time to think. To his infinite relief, he was interrupted by a knock at the door. Miss Minerva entered the room—not in a very amiable temper, judging by appearances.
“I am afraid I disturb you,” she began.
Ovid seized the opportunity of retreat. He had some letters to write—he hurried away to the library.
“Is there any mistake?” the governess asked, when she and Mrs. Gallilee were alone.
“In what respect, Miss Minerva?”
“I met your niece, ma’am, on the stairs. She says you wish the children to have a holiday.”
“Yes, to go with my son and Miss Carmina to the Zoological Gardens.”
“Miss Carmina said I was to go too.”
“Miss Carmina was perfectly right.”
The governess fixed her searching eyes on Mrs. Gallilee. “You really wish me to go with them?” she said.
“I do.”
“I know why.”
In the course of their experience, Mrs. Gallilee and Miss Minerva had once quarrelled fiercely—and Mrs. Gallilee had got the worst of it. She learnt her lesson. For the future she knew how to deal with her governess. When one said, “I know why,” the other only answered, “Do you?”
“Let’s have it out plainly, ma’am,” Miss Minerva proceeded. “I am not to let Mr. Ovid” (she laid a bitterly strong emphasis on the name, and flushed angrily)—“I am not to let Mr. Ovid and Miss Carmina be alone together.”
“You are a good guesser,” Mrs. Gallilee remarked quietly.
“No,” said Miss Minerva more quietly still; “I have only seen what you have seen.”
“Did I tell you what I have seen?”
“Quite needless, ma’am. Your son is in love with his cousin. When am I to be ready?”
The bland mistress mentioned the hour. The rude governess left the room.
Mrs. Gallilee looked at the closing door with a curious smile. She had already suspected Miss Minerva of being crossed in love. The suspicion was now confirmed, and the man was discovered.
“Soured by a hopeless passion,” she said to herself. “And the object is—my son.”
CHAPTER XI.
On entering the Zoological Gardens, Ovid turned at once to the right, leading Carmina to the aviaries, so that she might begin by seeing the birds. Miss Minerva, with Maria in dutiful attendance, followed them. Teresa kept at a little distance behind; and Zo took her own erratic course, now attaching herself to one member of the little party, and now to another.
When they reached the aviaries the order of march became confused; differences in the birds made their appeal to differences in the taste of the visitors. Insatiably eager for useful information, that prize-pupil Maria held her governess captive at one cage; while Zo darted away towards another, out of reach of discipline, and good Teresa volunteered to bring her back. For a minute, Ovid and his cousin were left alone. He might have taken a lover’s advantage even of that small opportunity. But Carmina had something to say to him—and Carmina spoke first.
“Has Miss Minerva been your mother’s governess for a long time?” she inquired.
“For some years,” Ovid replied. “Will you let me put a question on my side? Why do you ask?”
Carmina hesitated—and answered in a whisper, “She looks ill-tempered.”
“She is ill-tempered,” Ovid confessed. “I suspect,” he added with a smile, “you don’t like Miss Minerva.”
Carmina attempted no denial; her excuse was a woman’s excuse all over: “She doesn’t like me.”
“How do you know?”
“I have been looking at her. Does she beat the children?”
“My dear Carmina! do you think she would be my mother’s governess if she treated the children in that way? Besides, Miss Minerva is too well-bred a woman to degrade herself by acts of violence. Family misfortunes have very materially lowered her position in the world.”
He was reminded, as he said those words, of the time when Miss Minerva had entered on her present employment, and when she had been the object of some little curiosity on his own part. Mrs. Gallilee’s answer, when he once asked why she kept such an irritable woman in the house, had been entirely satisfactory, so far as she herself was concerned: “Miss Minerva is remarkably well informed, and I get her cheap.” Exactly like his mother! But it left Miss Minerva’s motives involved in utter obscurity. Why had this highly cultivated woman accepted an inadequate reward for her services, for years together? Why—to take the event of that morning as another example—after plainly showing her temper to her employer, had she been so ready to submit to a suddenly decreed holiday, which disarranged her whole course of lessons for the week? Little did Ovid think that the one reconciling influence which adjusted these contradictions, and set at rest every doubt that grew out of them, was to be found in himself. Even the humiliation of watching him in his mother’s interest, and of witnessing his devotion to another woman, was a sacrifice which Miss Minerva could endure for the one inestimable privilege of being in Ovid’s company.
Before Carmina could ask any more questions a shrill voice, at its highest pitch of excitement, called her away. Zo had just discovered the most amusing bird in the Gardens—the low comedian of the feathered race—otherwise known as the Piping Crow.
Carmina hurried to the cage as if she had been a child herself. Seeing Ovid left alone, the governess seized her chance of speaking to him. The first words that passed her lips told their own story. While Carmina had been studying Miss Minerva, Miss Minerva had been studying Carmina. Already, the same instinctive sense of rivalry had associated, on a common ground of feeling, the two most dissimilar women that ever breathed the breath of life.
“Does your cousin know much about birds?” Miss Minerva began.
The opinion which declares that vanity is a failing peculiar to the sex is a slander on women. All the world over, there are more vain men in it than vain women. If Ovid had not been one of the exceptions to a general rule among men, or even if his experience of the natures of women had been a little less limited, he too might have discovered Miss Minerva’s secret. Even her capacity for self-control failed, at the moment when she took Carmina’s place. Those keen black eyes, so hard and cold when they looked at anyone else—flamed with an all-devouring sense of possession when they first rested on Ovid. “He’s mine. For one golden moment he’s mine!” They spoke—and, suddenly, the every-day blind was drawn down again; there was nobody present but a well-bred woman, talking with delicately implied deference to a distinguished man.
“So far, we have not spoken of the birds,” Ovid innocently answered.
“And yet you seemed to be both looking at them!” She at once covered this unwary outbreak of jealousy under an impervious surface of compliment. “Miss Carmina is not perhaps exactly pretty, but she is a singularly interesting girl.”
Ovid cordially (too cordially) agreed. Miss Minerva had presented her better self to him under a most agreeable aspect. She tried—struggled—fought with herself—to preserve appearances. The demon in her got possession again of her tongue. “Do you find the young lady intelligent?” she inquired.
“Certainly!”
Only one word—spoken perhaps a little sharply. The miserable woman shrank under it. “An idle question on my part,” she said, with the pathetic humility that tries to be cheerful. “And another warning, Mr. Vere, never to judge by appearances.” She looked at him, and returned to the children.
Ovid’s eyes followed her compassionately. “Poor wretch!” he thought. “What an infernal temper, and how hard she tries to control it!” He joined Carmina, with a new delight in being near her again. Zo was still in ecstasies over the Piping Crow. “Oh, the jolly little chap! Look how he cocks his head! He mocks me when I whistle. Buy him,” cried Zo, tugging at Ovid’s coat tails in the excitement that possessed her; “buy him, and let me take him home with me!”
Some visitors within hearing began to laugh. Miss Minerva opened her lips; Maria opened her lips. To the astonishment of both of them the coming rebuke proved to be needless.
A sudden transformation to silence and docility had made a new creature of Zo, before they could speak—and Ovid had unconsciously worked the miracle. For the first time in the child’s experience, he had suffered his coat tails to be pulled without immediately attending to her. Who was he looking at? It was only too easy to see that Carmina had
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