The Historical Nights' Entertainment by Rafael Sabatini (mini ebook reader .TXT) ๐
My narrative in "The Night of Hate" is admittedly a purely theoretical account of the crime. But it is closely based upon all the known facts of incidence and of character; and if there is nothing in the surviving records that will absolutely support it, neither is there anything that can absolutely refute it.
In "The Night of Masquerade" I am guilty of quite arbitrarily discovering a reason to explain the mystery of Baron Bjelke's sudden change from the devoted friend and servant of Gustavus III of Sweden into his most bitter enemy. That speculation is quite indefensible, although affording a possible explanation of that mystery. In the case of "The Night of Kirk o' Field," on the other hand, I do not think any apology is necessary for my reconstruction of the precise manner in which Darnley met his death. The event has long been looked upon as one of the mysteries of history - the mystery lying in the fact that whilst the house at Kirk o' Field was destroyed by an e
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matters by a certain habit of gaming contracted in youth. The
chateau bore abundant signs of it. It was a burnt red pile standing
four-square on a little eminence, about the base of which the river
went winding turbulently; it was turreted at each of its four angles,
imposing in its way, but in a sad state of dilapidation and disrepair.
The interior, when Don Antonio reached it, was rather better; the
furnishings, though sparse, were massive and imposing; the tapestries
on the walls, if old, were rich and choice. But everywhere the
ill-assorted marriage of pretentiousness and neediness was apparent.
The floors of hall and living-room were strewn with fresh-cut rushes,
an obsolescent custom which served here alike to save the heavy cost
of carpets and to lend the place an ancient baronial dignity. Whilst
pretence was made of keeping state, the servitors were all old, and
insufficient in number to warrant the retention of the infirm
seneschal by whom Don Antonio was ceremoniously received. A single
groom, aged and without livery, took charge at once of Don Antonioโs
mule, his servantโs horse, and the servant himself.
The seneschal, hobbling before him, conducted our Spaniard across
the great hall, gloomy and half denuded, through the main living-room
of the chateau into a smaller, more intimate apartment, holding some
trace of luxury, which he announced as madameโs own room. And there
he left him to await the coming of the chatelaine.
She, at least, showed none of the outward disrepair of her
surroundings. She came to him sheathed in a gown of shimmering silk
that was of the golden brown of autumn tints, caught to her waist
by a slender girdle of hammered gold. Eyes of deepest blue pondered
him questioningly, whilst red lips smiled their welcome. โSo you
have come in spite of all?โ she greeted him. โBe very welcome to
my poor house, Don Antonio.โ
And regally she proffered her hand to his homage.
He took it, observing the shapely, pointed fingers, the delicately
curving nails. Reluctantly, almost, he admitted to himself how
complete was her beauty, how absolute her charm. He sighed - a sigh
for that lost youth of his, perhaps - as he bowed from his fine,
lean height to press cold lips of formal duty on that hand.
โYour will, madame, was stronger than my prudence,โ said he.
โPrudence?โ quoth she, and almost sneered. โSince when has Antonio
Perez stooped to prudence?โ
โSince paying the bitter price of imprudence. You know my story?โ
โA little. I know, for instance, that you murdered Escovedo - all
the world knows that. Is that the imprudence of which you speak?
I have heard it said that it was for love of a woman that you did
it.โ
โYou have heard that, too?โ he said. He had paled a little. โYou
have heard a deal, Marquise. I wonder would it amuse you to hear
more, to hear from my own lips this story of mine which all Europe
garbles? Would it?โ
There was a faint note of anxiety in his voice, a look faintly
anxious in his eyes.
She scanned him a moment gravely, almost inscrutably. โWhat purpose
can it serve?โ she asked; and her tone was forbidding - almost a
tone of fear.
โIt will explain,โ he insisted.
โExplain what?โ
โHow it comes that I am not this moment prostrate at your feet; how
it happens that I am not on my knees to worship your heavenly beauty;
how I have contrived to remain insensible before a loveliness that
in happier times would have made me mad.โ
โVive Dieu!โ she murmured, half ironical. โPerhaps that needs
explaining.โ
โHow it became necessary,โ he pursued, never heeding the interruption,
โthat yesterday you should proclaim your disbelief that I could be,
as you said, a Spaniard of Spain. How it happens that Antonio Perez
has become incapable of any emotion but hate. Will you hear the
story - all of it?โ
He was leaning towards her, his white face held close to her own, a
smouldering fire in the dark, sunken eyes that now devoured her.
She shivered, and her own cheeks turned very pale. Her lips were
faintly twisted as if in an effort to smile.
โMy friend - if you insist,โ she consented.
โIt is the purpose for which I came,โ he announced.
For a long moment each looked into the otherโs eyes with a singular
intentness that nothing here would seem to warrant.
At length she spoke.
โCome,โ she said, โyou shall tell me.โ
And she waved him to a chair set in the embrasure of the mullioned
window that looked out over a tract of meadowland sweeping gently
down to the river.
Don Antonio sank into the chair, placing his hat and whip upon the
floor beside him. The Marquise faced him, occupying the padded
window-seat, her back to the light, her countenance in shadow.
And here, in his own words, follows the story that he told her as
she herself set it down soon after. Whilst more elaborate and
intimate in parts, it yet so closely agrees throughout with his own
famous โRelacion,โ that I do not hesitate to accept the assurance
she has left us that every word he uttered was burnt as if by an
acid upon her memory.
THE STORY OF ANTONIO PEREZ
As a love-story this is, I think, the saddest that ever was invented
by a romancer intent upon wringing tears from sympathetic hearts.
How sad it is you will realize when I tell you that daily I thank
God on my knees - for I still believe in God, despite what was
alleged against me by the inquisitors of Aragon - that she who
inspired this love of which I am to tell you is now in the peace of
death. She died in exile at Pastrana a year ago. Anne de Mendoza
was what you call in France a great parti. She came of one of the
most illustrious families in Spain, and she was a great heiress.
So much all the world knew. What the world forgot was that she was
a woman, with a womanโs heart and mind, a womanโs natural instincts
to select her mate. There are fools who envy the noble and the
wealthy. They are little to be envied, those poor pawns in the game
of statecraft, moved hither and thither at the will of players who
are themselves no better. The human nature of them is a negligible
appendage to the names and rent-rolls that predetermine their place
upon the board of worldly ambition, a board befouled by blood, by
slobberings from the evil mouth of greed, and by infamy of every
kind.
So, because Anne was a daughter of the House of Mendoza, because
her endowments were great, they plucked her from her convent at the
age of thirteen years, knowing little more of life than the merest
babe, and they flung her into the arms of Ruy Gomez, Prince of Eboli,
who was old enough to have been her father. But Eboli was a great
man in Spain, perhaps the greatest; he was, first Minister to
Philip II, and between his House and that of Mendoza an alliance
was desired. To establish it that tender child was sacrificed
without ruth. She discovered that life held nothing of all that
her maiden dreamings had foreseen; that it was a thing of horror
and greed and lovelessness and worse. For there was much worse
to come.
Eboli brought his child-princess to Court. He wore her lightly as
a ribbon or a glove, the insignificant appendage to the wealth and
powerful alliance he had acquired with her. And at Court she came
under the eye of that pious satyr Philip. The Catholic King is very
devout - perfervidly devout. He prays, he fasts, he approaches the
sacraments, he does penance, all in proper season as prescribed by
Mother Church; he abominates sin and lack of faith - particularly
in others; he has drenched Flanders in blood that he might wash it
clean of the heresy of thinking differently from himself in
spiritual matters, and he would have done the same by England but
that God - Who cannot, after all, be quite of Philipโs way of
thinking - willed otherwise. All this he has done for the greater
honour and glory of his Maker, but he will not tolerate his Makerโs
interference with his own minor pleasures of the flesh. He is, as
you would say, a Spaniard of Spain.
This satyrโs protruding eyes fell upon the lovely Princess of Eboli
- for lovely she was, a very pearl among women. I spare you
details. Eboli was most loyal and submissive where his King was
concerned, most complacent and accommodating. That was but logical,
and need not shock you at all. To advance his worldly ambitions
had he taken Anne to wife; why should he scruple, then, to yield
her again that thus he might advance those ambitions further?
If poor Anne argued at all, she must have argued thus. For the
rest, she was told that to be loved by the King was an overwhelming
honour, a matter for nightly prayers of thankfulness. Philip was
something very exalted, hardly human in fact; almost, if not quite,
divine. Who and what was Anne that she should dispute with those
who knew the world, and who placed these facts before her? Never
in all her little life had she belonged to herself. Always had she
been the property of somebody else, to be dealt with as her owner
might consider best. If about the Court she saw some men more
nearly of her own age - though there were not many, for Philipโs
Court was ever a gloomy, sparsely peopled place - she took it for
granted that such men were not for her. This until I taught her
otherwise, which, however, was not yet a while. Had I been at Court
in those days, I think I should have found the means, at whatever
cost, of preventing that infamy; for I know that I loved her from
the day I saw her. But I was of no more than her own age, and I
had not yet been drawn into that whirlpool.
So she went to the arms of that rachitic prince, and she bore him
a son - for, as all the world knows, the Duke of Prastana owns
Philip for his father. And Eboli increased in power and prosperity
and the favour of his master, and also, no doubt, in the contempt
of posterity. There are times when the thought of posterity and
its vengeances is of great solace.
It would be some six years later when first I came to Court, brought
thither by my father, to enter the service of the Prince of Eboli
as one of his secretaries. As I have told you, I loved the Princess
from the moment I beheld her. From the gossip of the Court I pieced
together her story, and pitied her, and, pitying her, I loved her
the more. Her beauty dazzled me, her charm enmeshed me, and she had
grown by now in worldly wisdom and mental attainments. Yet I set a
mask upon my passion, and walked very circumspectly, for all that by
nature I was as reckless and profligate as all the world could ever
call me. She was the wife of the puissant Secretary of State, the
mistress of the King. Who was I to dispute their property to those
exalted ones?
And another consideration stayed me. She seemed to love the King.
Young and lacking in wisdom, this amazed me. In age he compared
favourably with
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