Man and Wife by Wilkie Collins (easy novels to read txt) 📕

Geoffrey set down the empty pail; and, turning to Anne, pointed across the passage.

“You won’t be much inconvenienced by this,” he said. “You have only to shift your quarters to the spare room.”

With the assistance of the lad, he moved Anne’s boxes, and the chest of drawers, which had escaped damage, into the opposite room. This done, he cautioned her to be careful with her candles for the future—and went down stairs, without waiting to hear what she said in reply. The lad followed him, and was dismissed for the night.

Even in the confusion which attended the extinguishing of the fire, the conduct of Hester Dethridge had been remarkable enough to force itself on the attention of Anne.

She had come out from her bedroom, when the alarm was given; had looked at the flaming curtains; and had drawn back, stolidly submissive, into a corner to wait the event. There she had stood—to all appearance, utterly indifferent to the possible destruction of her own cottage. The fire extinguished, she still waited impenetrably in her corner, while the chest of drawers and the boxes were being moved—then locked the door, without even a passing glance at the scorched ceiling and the burned bed-furniture—put the key into her pocket—and went back to her room.

Anne had hitherto not shared the conviction felt by most other persons who were brought into contact with Hester Dethridge, that the woman’s mind was deranged. After what she had just seen, however, the general impression became her impression too. She had thought of putting certain questions to Hester, when they were left together, as to the origin of the fire. Reflection decided her on saying nothing, for that night at least. She crossed the passage, and entered the spare room—the room which she had declined to occupy on her arrival at the cottage, and which she was obliged to sleep in now.

She was instantly struck by a change in the disposition of the furniture of the room.

The bed had been moved. The head—set, when she had last seen it, against the side wall of the cottage—was placed now against the partition wall which separated the room from Geoffrey’s room. This new arrangement had evidently been effected with a settled purpose of some sort. The hook in the ceiling which supported the curtains (the bed, unlike the bed in the other room, having no canopy attached to it) had been moved so as to adapt itself to the change that had been made. The chairs and the washhand-stand, formerly placed against the partition wall, were now, as a matter of necessity, shifted over to the vacant space against the side wall of the cottage. For the rest, no other alteration was visible in any part of the room.

In Anne’s situation, any event not immediately intelligible on the face of it, was an event to be distrusted. Was there a motive for the change in the position of the bed? And was it, by any chance, a motive in which she was concerned?

The doubt had barely occurred to her, before a startling suspicion succeeded it. Was there some secret purpose to be answered by making her sleep in the spare room? Did the question which the servant had heard Geoffrey put to Hester, on the previous night, refer to this? Had the fire which had so unaccountably caught the curtains in her own room, been, by any possibility, a fire purposely kindled, to force her out?

She dropped into the nearest chair, faint with horror, as those three questions forced themselves in rapid succession on her mind.

After waiting a little, she recovered self-possession enough to recognize the first plain necessity of putting her suspicions to the test. It was possible that her excited fancy had filled her with a purely visionary alarm. For all she knew to the contrary, there might be some undeniably sufficient reason for changing the position of the bed. She went out, and knocked at the door of Hester Dethridge’s room.

“I want to speak to you,” she said.

Hester came out. Anne pointed to the spare room, and led the way to it. Hester followed her.

“Why have you changed the place of the bed,” she asked, “from the wall there, to the wall here?”

Stolidly submissive to the question, as she had been stolidly submissive to the fire, Hester Dethridge wrote her reply. On all other occasions she was accustomed to look the persons to whom she offered her slate steadily in the face. Now, for the first time, she handed it to Anne with her eyes on the floor. The one line written contained no direct answer: the words were these:

“I have meant to move it, for some time past.”

“I ask you why you have moved it.”

She wrote these four words on the slate: “The wall is damp.”

Anne looked at the wall. There was no sign of damp on the paper. She passed her hand over it. Feel where she might, the wall was dry.

“That is not your reason,” she said.

Hester stood immovable.

“There is no dampness in the wall.”

Hester pointed persistently with her pencil to the four words, still without looking up—waited a moment for Anne to read them again—and left the room.

It was plainly useless to call her back. Anne’s first impulse when she was alone again was to secure the door. She not only locked it, but bolted it at top and bottom. The mortise of the lock and the staples of the bolts, when she tried them, were firm. The lurking treachery—wherever else it might be—was not in the fastenings of the door.

She looked all round the room; examining the fire place, the window and its shutters, the interior of the wardrobe, the hidden space under the bed. Nothing was any where to be discovered which could justify the most timid person living in feeling suspicion or alarm.

Appearances, fair as they were, failed to convince her. The presentiment of some hidden treachery, steadily getting nearer and nearer to her in the dark, had rooted itself firmly in her mind. She sat down, and tried to trace her way back to the clew, through the earlier events of the day.

The effort was fruitless: nothing definite, nothing tangible, rewarded it. Worse still, a new doubt grew out of it—a doubt whether the motive which Sir Patrick had avowed (through Blanche) was the motive for helping her which was really in his mind.

Did he sincerely believe Geoffrey’s conduct to be animated by no worse object than a mercenary object? and was his only purpose in planning to remove her out of her husband’s reach, to force Geoffrey’s consent to their separation on the terms which Julius had proposed? Was this really the sole end that he had in view? or was he secretly convinced (knowing Anne’s position as he knew it) that she was in personal danger at the cottage? and had he considerately kept that conviction concealed, in the fear that he might otherwise e ncourage her to feel alarmed about herself? She looked round the strange room, in the silence of the night, and she felt that the latter interpretation was the likeliest interpretation of the two.

The sounds caused by the closing of the doors and windows reached her from the ground-floor. What was to be done?

It was impossible, to show the signal which had been agreed on to Sir Patrick and Arnold. The window in which they expected to see it was the window of the room in which the fire had broken out—the room which Hester Dethridge had locked up for the night.

It was equally hopeless to wait until the policeman passed on his beat, and to call for help. Even if she could prevail upon herself to make that open acknowledgment of distrust under her husband’s roof, and even if help was near, what valid reason could she give for raising an alarm? There was not the shadow of a reason to justify any one in placing her under the protection of the law.

As a last resource, impelled by her blind distrust of the change in the position of the bed, she attempted to move it. The utmost exertion of her strength did not suffice to stir the heavy piece of furniture out of its place, by so much as a hair’s breadth.

There was no alternative but to trust to the security of the locked and bolted door, and to keep watch through the night—certain that Sir Patrick and Arnold were, on their part, also keeping watch in the near neighborhood of the cottage. She took out her work and her books; and returned to her chair, placing it near the table, in the middle of the room.

The last noises which told of life and movement about her died away. The breathless stillness of the night closed round her.

CHAPTER THE FIFTY-SIXTH.

THE MEANS.

THE new day dawned; the sun rose; the household was astir again. Inside the spare room, and outside the spare room, nothing had happened.

At the hour appointed for leaving the cottage to pay the promised visit to Holchester House, Hester Dethridge and Geoffrey were alone together in the bedroom in which Anne had passed the night.

“She’s dressed, and waiting for me in the front garden,” said Geoffrey. “You wanted to see me here alone. What is it?”

Hester pointed to the bed.

“You want it moved from the wall?”

Hester nodded her head.

They moved the bed some feet away from the partition wall. After a momentary pause, Geoffrey spoke again.

“It must be done to-night,” he said. “Her friends may interfere; the girl may come back. It must be done to-night.”

Hester bowed her head slowly.

“How long do you want to be left by yourself in the house?”

She held up three of her fingers.

“Does that mean three hours?”

She nodded her head.

“Will it be done in that time?”

She made the affirmative sign once more.

Thus far, she had never lifted her eyes to his. In her manner of listening to him when he spoke, in the slightest movement that she made when necessity required it, the same lifeless submission to him, the same mute horror of him, was expressed. He had, thus far, silently resented this, on his side. On the point of leaving the room the restraint which he had laid on himself gave way. For the first time, he resented it in words.

“Why the devil can’t you look at me?” he asked

She let the question pass, without a sign to show that she had heard him. He angrily repeated it. She wrote on her slate, and held it out to him—still without raising her eyes to his face.

“You know you can speak,” he said. “You know I have found you out. What’s the use of playing the fool with me?”

She persisted in holding the slate before him. He read these words:

” I am dumb to you, and blind to you. Let me be.”

“Let you be!” he repeated. “It’s a little late in the day to be scrupulous, after what you have done. Do you want your Confession back, or not?”

As the reference to the Confession passed his lips, she raised her head. A faint tinge of color showed itself on her livid cheeks; a momentary spasm of pain stirred her deathlike face. The one last interest left in the woman’s life was the