Through the Postern Gate by Florence Louisa Barclay (grave mercy txt) 📕

want to obliterate that name? No, she knew he would not. Nothing approaching a hard or a bitter thought could ever find a place in his heart. It would always be the golden heart of her little Boy Blue.

Tears forced their way beneath her closed lashes, and rolled slowly down her cheeks.

"Oh, Boy dear," she said aloud, "I love you so--I love you so!"

"I know you do, dear," he said. "It's almost unbelievable--yet I know you do."

She opened her eyes. The Boy had come back. She had not heard his light step, on the springy turf. He knelt in his favourite place, on the left of her chair, and bent over her. Once more his face was radiant. His faith had not failed.

She looked up into his shining eyes, and the joy in her own heart made her dizzy.

"Boy dear," she whispered, "not my lips, because--I am not altogether yours--I may have to--you know?--the Professor. But, oh Boy, I can't help it! I'm afraid I care terribly."

He was quite silent; yet it seemed to her that he had shouted. A burst of trumpet-triumph seemed to fill the air.

He bent lower. "Of course I wouldn't, Christobel," he said; "not before the seventh day. But there's a lot beside lips, and it's all so dear."

Then she felt the Boy's kisses on her hair, on her brow, on her eyes. "Dear eyes," he said, "shedding tears for my pain. Ah, dear eyes!" And he kissed them again.

She put up her hand, to push him gently away. He captured it, and held it to his lips.

"Stop, Boy dear," she said. "Be good now, and sit down."

He slipped to the grass at her feet, and rested his head against her knee.

She stroked his hair, with gentle, tender touch. Her Little Boy Blue had come back to her. Oh, bliss unutterable! Why worry about the future?

"How silly we were, dear!" he said. "How silly to suppose we could part like that--you and I!" Then his sudden merry laugh rang out--oh, such music! such sweet music! "I say, Christobel," he said, "it is all very well _now_ to say 'Stop, and be good.' But on the seventh day, when the walls fall down, and I march up into the citadel, I shall give you millions of kisses--or will it be _billions_?"

"Judging from my knowledge of you, Boy dear," she said, "I rather _think_ it would be billions."

Later, as they stood once more by the postern gate, he turned, framed in the doorway, smiling a last gay good-bye.

It was their second parting that day, and how different from the first. There was to be a third, unlike either, before the day was over; but its approach was, as yet, unsuspected.

But as he stood in the doorway, full in a shaft of sunlight, the glad certainty in his eyes smote her with sudden apprehension.

"Oh, Boy dear," she said, "take care! You are building castles again. They will tumble about our ears. I haven't promised you anything, Little Boy Blue of mine; and I am afraid I shall _have_ to marry the Professor."

"If you do, dear," he said, "I shall have to give him a new umbrella as a wedding present!" And the Boy went whistling down the lane.

But, out of sight of the postern gate and of the woman who, leaning against it, watched him to the turning, he dropped his bounding step and jaunty bearing. His face grew set and anxious; his walk, perplexed.

"Oh, God," said the Boy, as he walked, "don't let me lose her!"

A few minutes later, a telegram was put into his hand from the friend left on the coast, in charge of his newest aeroplane.

"_Arrange Channel flight, if possible, day after to-morrow_."

"Not I," said the Boy, crumpling the message into his pocket. "The day after to-morrow is the seventh day."

* * * * *


He was dining with friends, but an unaccountable restlessness seized him during the evening. He made his excuses, and returned to the Bull Hotel soon after nine o'clock. The hall-porter at once handed him a note, left by special messenger, ten minutes earlier. It was marked "urgent." The handwriting was Christobel's.

The Boy flung away his cigarette, tore the note open, and turned to a light. It was very short and clear.

"_Boy dear,--I must see you at once. You will find me in the garden._

"_Christobel._"

* * * * *


When the Boy had turned the corner and disappeared, Miss Charteris passed through the little postern gate, and moved slowly up the lawn. Ah, how different to her sad return from that gate an hour before!

The William Allen Richardsons still opened their golden hearts to the sunset. The jolly little "what-d'-you-call-'ems" still lifted their purple faces to the sky. But instead of stabbing her with agony, they sang a fragrant psalm of love.

Ah, why was the Boy so dear? Why was the Boy so near? She had watched him go striding down the lane, yet he still walked beside her; his gay young laugh of glad content was in her ears; his pure young kisses on her brow and eyes; his head against her knee.

Just as she reached the mulberry, Jenkins hastened from the house. The note he brought, in a familiar handwriting, thin and pointed, was marked "urgent" in one corner, and "immediate" in the other; but Miss Ann's notes usually were one or other. This happened to be both.

"You need not wait, Jenkins," she said.

She stood close to a spreading branch of the mulberry. Her tall head was up among the moving leaves. Whispering, they caressed her. Something withheld her from entering the soft shade, sacred to herself and the Boy. She stood, to read Ann Harvey's letter.

As she read, every vestige of colour left her face. Bending over the letter, she might have been a sorely troubled and perplexed replica of the noble Venus of Milo.

Folding the letter, she went slowly up the lawn, still wearing that white look of cold dismay. She spoke to Martha through the open window, keeping her face out of sight.

"Martha," she said, "I am obliged to go immediately to Miss Ann. If I am not back by eight o'clock, I shall be remaining with her for dinner." She passed on, and Martha turned to Jenkins.

By the way, Jenkins was having an unusually festive time. During the last twenty-four hours, Martha had been kinder to him than he had ever known her to be. He was now comfortably ensconced in the Windsor armchair in a corner of the kitchen, reading yesterday's daily paper, and enjoying his pipe. Never before had his pipe been allowed in the kitchen; but he had just been graciously told he might bring it in, if he wouldn't be "messy with the _h_ashes"; Mrs. Jenkins volunteering the additional remarkable information, that it was "good for the beetles." Jenkins was doubtful as to whether this meant that his pipe gave pleasure to the beetles, or the reverse; but experience had taught him that a condition of peaceful uncertainty in his own mind was to be preferred to a torrent of vituperative explanation from Martha. He therefore also received in silence the apparently unnecessary injunction not to go "crawlin' about all over the floor"; it took "a figure to do that!"

Eight o'clock came, and Miss Charteris had not returned.

"Remaining with 'er for dinner," pronounced Martha, flinging open the oven, and wrathfully relegating to the larder the chicken she had been roasting with extreme care; "an' a precious poor dinner it'll be! Jenkins, _you_ may 'ave this sparrow-grass. _I_ 'aven't the 'eart. An' me 'oping she'd 'ave 'ad the sense to keep _'im_ to dinner; knowing as there was a chicking an' 'grass for two. Now what's took Miss _H_ann 'urgent and immediate,' I'd like to know!" continued Martha, deriving considerable comfort from banging the plates and tumblers on to the kitchen table, with just as much violence as was consistent with their personal safety, as she walked round it, laying the table for supper. "Ate a biscuit, I should think, an' flown to 'er cheat. I've no patience; no, _that_ I 'aven't!" And Martha attacked the loaf, with fury.

At a quarter before nine, Miss Charteris returned. In a few moments the bell summoned Jenkins. The note he was to take was also marked "Immediate." He left it on the kitchen table, and, while he changed his coat, Martha fetched her glasses. Then she followed him to the pantry.

"'Ere, run man!" she said, "run! Never mind your muffler. Who wants a muffler in June? _'E_'s in it! It's something more than a biscuit. Drat that woman!"

* * * * *


A quarter of an hour later, a tall white figure moved noiselessly down the lawn, to the seats beneath the mulberry. The full moon was just rising above the high red wall, gliding up among the trees, huge and golden through their branches. Christobel Charteris waited in the garden for the Boy.

He came.

By then, the lawn was bathed in moonlight. She saw him, tall and slim, in the conventional black and white of a man's evening dress, pass silently through the postern gate. She noted that he did not bang it. He came up the lawn slowly--for him. He wore no hat, and every clear-cut feature of the clean-shaven young face showed up in the moonlight.

At the mulberry, he paused, uncertain; peering into the dark shadow.

"Christo_bel_?" he said, softly.

"Boy dear; I am here. Come."

He came; feeling his way among the chairs, and moving aside a table, which stood between.

He found her, sitting where he had found her, on his return, three hours before. A single ray of moonlight pierced the thick foliage of the mulberry, and fell across her face. He marked its unusual pallor. He stood before her, put one hand on each arm of her chair, and bent over her.

"What is it?" he said, softly. "What is it, dear heart? It is so wonderful to be wanted, and sent for. But let me know quickly that you are not in any trouble."

She looked up at him dumbly, during five, ten, twenty seconds. Then she said: "Boy, I have something to tell you. Will you help me to tell it?"

"Of course I will," he said. "How can I help best?"

"I don't know," she answered. "Oh, I _don't_ know!"

He considered a moment. Then he sat down