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made the unpleasant discovery that in Italy begging is not forbidden, but quite a recognized profession with certain of the poorer classes. They were immediately surrounded by a ragged rabble, some of whom exhibited sores or other unsightly afflictions to compel compassion, and all of whom held out dirty hands and persistently clamored for money. The blind, the halt, and the maimed were there, evidently regarding tourists as their legitimate prey, and bent upon claiming all the charity they could get.

"Don't give them anything," commanded Miss Morley, anxiously keeping her little flock in tow, and shepherding them towards the piazza where the carriages could be hired. "Just say Niente, and shake your heads. Hold a safe hand on your purses and stick together. Don't get separated on any account."

With considerable difficulty they forced their way across the square, and thankfully took refuge in[101] several waiting landaus, whose drivers, feeling sure of their patronage, promptly raised their terms high above the ordinary tariff. It was only after much bargaining on the part of Miss Morley that they consented to fix a reasonable sum for the excursion to Pompeii.

"Miss Morley talks Italian like a native, so they can't 'do' her," rejoiced Stella proudly. "Aren't they the absolute limit? No, I don't want to buy a comb, or corals, or brooches, or post-cards, or anything. They seem to think we're made of money. Why can't they let us alone? There, thank goodness, we're off at last and can leave the whole persuasive crew of them behind us!"

The five-mile drive from Castellamare was part of the fun of the excursion, but Pompeii was, of course, the main object, and there was much excitement when they at last drew up at the great iron gate. Miss Morley bought tickets for the party, and they were assigned a guide, a smiling Italian of superlative politeness, bearing a badge with the number 24 upon it.

"I asked for one who could speak English, but they're all out with other visitors," explained Miss Morley. "Never mind. It's a good opportunity of testing your Italian, and I can interpret if you don't understand."

In spite of the lantern-slides which they had previously been shown, the girls had come with varying expectations of what they were to see. Some imag[102]ined they would walk into a Roman city exactly as it stood when buried by the ashes of the great eruption of a.d. 79; others thought there would be a few interesting things peeping up here and there amid mounds of cinders. None had imagined it would be so large.

As a matter of fact the remains are simply the bare ruins of a town destroyed by burning ashes, which have been extricated from the rubbish accumulated during more than seventeen centuries. The paved streets and the roofless and broken walls of the houses still remain, with here and there some building that by a fortunate chance escaped, either in whole or in part, the general catastrophe, and suffice to show the general style and beauty of the Græco-Roman architecture of the first century. The guide marshaled his party along, pointing out to them the various objects of interest that had been excavated, the beautiful marble drinking-fountain, the marble counters of the shops, identical with those still used in Southern Italy, the wine jars of red earthenware, the hand-mills for grinding corn, the brick ovens, or the vaults where wine had been stored. They went into the site of the ancient market, and the Forum and several temples, and walked up long flights of steps and admired rows of broken columns, and saw the public swimming-baths with their tasteful wall decorations and the niches where the bathers had placed their clothes, and they admired the law-courts, and marveled at the great[103] theater that had been wont to hold five thousand spectators.

The general impression was one of utter desolation. The mighty ruins lay in the bright Italian sunshine, and, close above, Vesuvius frowned over the scene, as if still watching the result of his deadly handiwork. Who had lived in those blackened fire-swept houses, and walked in those grass-grown streets? It was difficult to imagine the busy thronging crowds that once must have peopled all these silent haunts, where the only signs of life were the little green lizards that darted over the crumbling walls.

Certain of the best houses were railed round and kept carefully locked, and inside these could be seen what was left of the domestic life of civilized Pompeii. The girls enjoyed looking at the rooms in the Casa Dei Vettii, with the exquisite paintings of cupids still left upon the scarlet walls, they laughed at the quaint mosaic of the chained dog with its warning Cave Canem (Beware of the dog!), and they went into ecstasies over the lovely little statue of the Dancing Faun and some terracottas of Venus and Mercury. One link with the past was left in the fact that a few of the houses still preserved the names and even the portrait-busts of their former owners.

"My! Doesn't he look boss of the place still? I wonder if I ought to leave my visiting card for him," declared Delia, staring at the green marble[104] representation of Cecilius Giscondis, a banker by profession.

The others laughed. They had all been feeling rather oppressed, and were glad to break the ice.

"I'm so tired, I should think we must have walked miles," groaned Lorna.

"And I'm on the point of famishing," protested Irene, slapping her lunch-bag with a resounding smack.

Miss Morley turned round at the sound, and possibly caught the remark, for she spoke hastily to the guide, then suggested that the girls should sit in a row on a fallen column and consume their provisions.

"You all need a rest and something to eat now. Then we'll go on with our sightseeing, and have tea at the restaurant when we've finished," she decreed.

Never were ham sandwiches and oranges so acceptable. Viewing ruins may be extremely interesting, but it is a highly fatiguing occupation, and Delia at least had reached the stage of the over-burdened camel.

"I guess I don't like anything b.c. It's too depressing. Give me Paris!" she declared tragically.

"Cheer up, old sport!" consoled Irene. "I'm going to take a snap-shot of some of us when the guide isn't looking. You shall be in it. You'd like to send some prints to your friends in America, wouldn't you?"[105]

"Rather! They'd burst with envy to see me photographed inside Pompeii. Where are you going to take us? I've finished my lunch. Let's get busy quick, before the guide comes round the corner."

Delia was prancing with eagerness. She flitted about like a butterfly, bent on choosing the best position for the desired snap-shot. Blanche, Mabel, and Elsie came hurrying up anxious to join the group, and fixed themselves in elegant poses.

"Oh, I can't put in such a crowd," objected Irene. "You block out the whole of the view. I only want Delia and Lorna, and yes, I'll have DΓ©sirΓ©e, but nobody else. Please clear out of the way."

"Well, really!"

"You mean thing!"

"We don't want to be in your old photo!"

Irene had felt cross and was possibly impolite, but she was not prepared for the Nemesis that descended upon her head. She had just congratulated herself that Blanche, Mabel, and Elsie had beaten a retreat and that she had been able to take her snap-shot so successfully, when who should make his unwelcome appearance but the guide, catching her in the very act of winding on her film. He sighed sorrowfully, and spread out his hands with a dramatic Italian gesture.

"Signorina! Non e permesso!" he objected.

"'SIGNORINA! IT IS NOT PERMITTED!'"
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"I'm awfully sorry. I won't do it again, really,"[106] murmured Irene, cramming the little camera back into her pocket.

But this apology did not content No. 24. He very courteously, but quite firmly, insisted upon temporarily confiscating the prohibited article. Miss Morley, who hurried up at the sound of the altercation, took the side of the authorities.

"Who brought a camera? Irene! You knew it was not allowed. Yes, you must let the guide have it. He'll give it back to you at the gate. I hope there won't be any trouble about it. I believe you can be fined. It was very naughty of you to do such a thing."

Much crestfallen Irene retired into the rear of the party, and bewailed the fate of her snap-shots.

"It was hard luck the guide should pop round the corner that exact minute," she groaned.

"Mabel fetched him," squeaked DΓ©sirΓ©e. "I could see over the railing, and I watched her go. She was mad that you wouldn't put her in the photo."

"What a sneaking trick to play. She's the meanest girl. I wouldn't have told about her. I hope No. 24 won't take the spool out of the camera, because there are three undeveloped snaps of the Villa Camellia on it, and I shall be wild if I lose them. He couldn't be so heartless. If I only knew Italian better I'd try and coax him."[107]

The guide had obligingly waited while the girls ate lunch, but he now waxed impatient, and hurried his party on to the House of Pansa. This must have been quite a palatial residence, and showed such perfect examples of the arrangement of the various rooms in a Roman mansion that they lingered a long time looking at the atrium, the tablinum, the peristyle, and the kitchen with its curious mosaics of snakes. Now, though it was all very interesting, it was certainly tiring, and some of the girls grew weary of listening to the guide's descriptions in Italian or Miss Morley's explanations.

"I'm bored stiff," confessed Delia, in a whisper, linking on to Irene's arm. "If I have any more information crammed into my head it will burst. I know quite enough about ancient customs already. All I can say is I'm thankful I'm living now instead of then. Renie, if you love me, take me out of ear-shot of Miss Morley and let me chatter and frivol."

"Poor old sport!" laughed Irene. "Let's slip away and take another turn round the garden while the guide finishes haranguing. I'm out of friends with him since he stole my camera. He doesn't deserve anybody to listen to him. I've a few chocs left in this package. You shall have some to cheer you up. They're modern at any rate."

"You mascot!" murmured Delia. "Stella says I'm a Goth, but why need I like old things? Did the Pompeians take their schoolgirls to look at buried[108] Greek cities, or were they satisfied with their own times? How soon do you think we shall have tea? These chocs have saved my life, but I'm longing for bread and butter and buns."

"Why, we haven't finished lunch very long."

"I ate more than half of mine in the carriage, so I hadn't much left. Hello! Where have the others been? I didn't know there was a way up there."

The rest of the party were clattering down a flight of wooden steps with many expressions of admiration for what they had seen at the top.

"Perfectly beautiful! The finest view of all," purred Miss Morley. "Renie and Delia, didn't you go up? You silly girls. You've missed a treat. No, I'm afraid we can't wait now. The guide is anxious to take us on. We haven't seen the House of Sallust yet or the Street of Tombs. I want to ask him whether they've been doing any more excavations near the Herculaneum Gate."

Miss Morley, deep in conversation with No. 24, passed on, in the full belief that all her flock were following behind her. Irene and Delia, however, were determined to have just one peep at the view from the top of the wall, so both made a dash up the wooden staircase. From here there was a glorious prospect of the entire city with its arches and columns and broken temples, its cypress trees, and its somber background of smoking mountain. They could see exactly the way they had come from the entrance, and could tell which was the Street of[109] Fortune and which the Street of Abundance. It was so fascinating that they lingered rather longer than they intended.

"They'll be waiting for us," ventured Irene at last.

"Oh, bother! So they will," exclaimed Delia, rushing down prepared for a scolding.

But the others had not waited. They had all simply walked on, and the custodian had locked the gate behind them. It was fast closed, and no amount of shaking would move it.

"We're shut in," gasped Irene. "Where's the porter? He ought to be somewhere about with the key."

The custodian,

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