In the Blue Pike — Complete by Georg Ebers (novels for beginners .txt) 📕

heard this in her own bath-house from the lips of the child's aunt and from other distinguished friends of the Welsers and Peutingers. Unfortunately, these sensible women proved to have been right; for soon after the close of the Reichstag, Juliane was attacked by a lingering illness, from which rumour now asserted that she would never recover. Some people even regarded the little girl's sickness as a just punishment of God, to whom the constant devotion of the father and his young daughter to the old pagans and their ungodly writings must have given grave offence.

This news increased to the utmost the anxiety from which Kuni had long suffered. Often as she thought of Lienhard, she remembered still more frequently that it was she, who had prayed for sickness to visit the child of a mother, who had so kindly offered her, the strolling player, whom good women usually shunned, the shelter of her distinguished house.

The consciousness of owing a debt of gratitude to those, against whom she had sinned so heavily, oppressed her. The kind proposal of the sick child's mother seemed like a mockery. It was painful even to hear the name of Peutinger.

Besides, the further she advanced toward recovery, the more unendurable appeared the absence of liberty. The kind efforts of the abbess to keep her in the cloister, and teach her to make herself useful there by sewing, were unsuccessful; for she could not turn the spinning wheel on account of her amputated foot, and she had neither inclination nor patience for the finer branches of needlework.

Those who charged her with a lamentable lack of perseverance were right; the linen which she began to hem fell into her lap only too soon. When her eyes—which could see nothing here except a small walled yard—closed while she was working, the others thought that she was asleep; but her mind remained awake, though she had lowered her lids, and it wandered restlessly over valleys rivers, and mountains through the wide, wide world. She saw herself in imagination travelling along the highway with nimble jugglers merry musicians, and other care-free vagrant folk, instead of plying the needle. Even the whirling dust, the rushing wind, and the refreshing rain outside seemed desirable compared with the heavy convent air impregnated by a perpetual odour of lavender.

When at last, in the month of March, little Afra, the fair-haired niece of the portress, brought her the first snowdrop, and Kuni saw a pair of starlings enter the box on the budding linden before her window, she could no longer bear her imprisonment in the convent.

Within these walls she must fade, perhaps die and return to dust. In spite of all the warnings, representations, entreaties, and promises of those who—she gratefully perceived it—meant well toward her, she persisted in her desire to be dismissed, to live out of doors as she had always done. At last they paid her what was due, but she accepted only the Emperor's bounty, proudly refusing Lienhard Groland's money, earnestly as she was urged to add it to the other and to the viaticum bestowed by the nuns.

CHAPTER VII.

The April sun was shining brightly when the convent gates closed behind Kuni. The lindens in the square were already putting forth young leaves, the birds were singing, and her heart swelled more joyously than it had done for many years.

True, the cough which had tormented her all winter attacked her in the shady cloister, but she had learned to use her wooden foot, and with a cane in one hand and her little bundle in the other she moved sturdily on. After making her pilgrimage to Compostella, she intended to seek her old employer, Loni. Perhaps he could give her a place as crier, or if the cough prevented that, in collecting the money or training the children. He was a kind-hearted man. If he were even tolerably prosperous he would certainly let her travel with the band, and give the girl who was injured in his service the bit of food she required. Besides, in former days, when she scattered gold with lavish hands, he had predicted what had now befallen her, and when he left Augsburg he had asked the nuns to tell her that if she should ever be in want she must remember Loni.

With the Emperor's five heller pounds, and the two florins which she had received as a viaticum from the convent, she could journey a long distance through the world; for there were plenty of carriers and travellers with carts and wagons who would take her for a trifle, and the vagabonds on the highway rarely left people like her in the lurch.

Probably, in former days, she had looked forward to the future with greater strength and different expectations, yet, even as it was, in spite of the cough and the painful pricking in her scars, she found it pleasant so long as she was free and could follow whatever way she chose. She knew the city, and limped through the streets and alleys toward the tavern where the strolling players usually lodged.

On the way she met a gentleman in a suit of light armour, whom she recognised in the distance as the Knight of Neckerfels, who had been paying court to her before her fall. He was walking alone and looked her directly in the face, but he did not have the slightest idea that he had met madcap Kuni. It was only too evident that he supposed her to be a total stranger. Yet it would have been impossible for any one to recognise her.

Mirrors were not allowed in the convent, but a bright new tin plate had showed her her emaciated face with the broad scar on the forehead, the sunken eyes, and the whole narrow head, where the hair, which grew out again very slowly, was just an ugly length. Now the sight of the bony hand which grasped the cane brought a half-sorrowful, half-scornful, smile to her lips. Her arm had been plump and round, but was now little larger than a stick. Pretty Kuni, the ropedancer, no longer existed; she must become accustomed to have the world regard her as a different and far less important personage, whom Lienhard, too—and this was fortunate —would not have deemed worthy of a glance.

And yet, if the inner self is the true one, there was little change in her. Her soul was moved by the same feelings, only there was now a touch of bitterness. One great advantage of her temperament, it is true, had vanished with her physical beauty and strength—the capacity to hope for happiness and joy. Perhaps it would never return; an oppressive feeling of guilt, usually foreign to her careless nature, had oppressed her ever since she had heard recently in the convent that the child on whom she had called down death and destruction was lying hopelessly ill, and would scarcely live till the joyous Whitsuntide.

This now came back to her mind. The jubilant sense of freedom deserted her; she walked thoughtfully on until she reached the neighbourhood of Jacob Fugger's house.

A long funeral procession was moving slowly toward her. Some very exalted and aristocratic person must be taking the journey to the grave, for it was headed by all the clergy in the city. Choristers, in the most elaborate dress, swinging incense holders by delicate metal chains and bearing lanterns on long poles, surrounded the lofty cross.

Every one of distinction in Augsburg, all the children who attended school, and all the members of the various ecclesiastical orders and guilds in the city marched before the bier. Kuni had never seen such a funeral procession. Perhaps the one she witnessed in Milan, when a great nobleman was buried, was longer, but in this every individual seemed to feel genuine grief. Even the schoolboys who, on such solemn occasions, usually play all sorts of secret pranks, walked as mournfully as if each had lost some relative who was specially dear to him. Among the girls there were few whose rosy cheeks were not constantly wet with tears.

From the first Kuni had believed that she knew who was being borne to the grave. Now she heard several women whispering near her mention the name of Juliane Peutinger. A pale-faced gold embroiderer, who had recently bordered a gala dress with leaves and tendrils for the dead girl's sister, described, sobbing, the severe suffering amid which this fairest blossom of Augsburg girlhood had withered ere death finally broke the slender stem.

Suddenly she stopped; a cry of mingled astonishment, lamentation, and delight, sometimes rising, sometimes falling, ran through the crowd which had gathered along the sides of the street.

The bier was in sight.

Twelve youths bore the framework, covered with a richly embroidered blue cloth, on which the coffin rested. It was open, and the dead girl's couch was so high that it seemed as though the sleeper was only resting lightly on the white silk pillow. A wreath again encircled her head, but this time blossoming myrtles blended with the laurel in the brown curls that lay in thick, soft locks on the snowy pillows and the lace- trimmed shroud.

Juliane's eyes were closed. Ah! how gladly Kuni would have kissed those long-lashed lids to win even one look of forgiveness from her whom her curse had perhaps snatched from the green spring world!

She remembered the sunny radiance with which this sleeper's eyes had sparkled as they met Lienhard's. They were the pure mirror of the keen, mobile intellect and the innocent, loving soul of this rare child. Now death had closed them, and Juliane's end had been one of suffering. The pale embroiderer had said so, and the sorrowful droop of the sweet little mouth, which gave the wondrously beautiful, delicate, touching little face so pathetic an expression, betrayed it. If the living girl had measured her own young intellect with that of grown people, and her face had worn the impress of precocious maturity, now it was that of a charming child who had died in suffering.

Kuni also felt this, and asked herself how it had been possible for her heart to cherish such fierce hatred against this little one, who had numbered only eleven years.

But had this Juliane resembled other children?

No, no! No Emperor's daughter of her age would have been accompanied to the churchyard with such pageantry, such deep, universal grief.

She had been the jewel of a great city. This was proclaimed by many a Greek and Latin maxim on tablets borne by the friends of the great humanist who, with joyful pride, called her his daughter.

Kuni could not read, but she heard at least one sentence translated by a Benedictine monk to the nun at his side: "He whose death compels those who knew him to weep, has the fairest end."—[Seneca, Hippol., 881.]

If this were true, Juliane's end was indeed fair; for she herself, whom the child had met only to inflict pain, had her eyes dimmed by tears, and wherever she turned she saw people weeping.

Most of those who lined the street could have had no close relations with the dead girl. But yonder black-robed mourners who followed the bier were her parents, her brothers and sisters, her nearest relatives, the members of the Council, and the family servants. And she, the wretched, reckless, sinful, crippled strolling player, for whom not a soul on earth cared, whose death would not have drawn even a single tear from any eye, to whom a speedy end could be only a benefit, was perhaps the cause of the premature drying up of this pure fountain of joy, which had refreshed so many hearts and animated them with the fairest hopes.

The tall lady, whose noble face and majestic figure were shrouded in a thick veil, was Juliane's mother—and she had offered the sick ropedancer a home in her wealthy household.

"If she had only known," thought Kuni, "the injury I was inflicting upon her heart's treasure, she would rather have hunted me with dogs from her threshold."

In spite of the veil which floated around the stately figure of the grieving mother, she could see her bosom rise and fall with her sobs of anguish. Kuni's compassionate heart made it impossible for her to watch this sorrow longer, and, covering her face with her hands, she turned her back upon the procession and, weeping aloud, limped away as fast as