Les MisĂ©rables by Victor Hugo (early reader books txt) đ
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- Author: Victor Hugo
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Thus did Grantaire, more than intoxicated, launch into speech, catching at the dish-washer in her passage, from his corner in the back room of the Café Musain.
Bossuet, extending his hand towards him, tried to impose silence on him, and Grantaire began again worse than ever:â
âAigle de Meaux, down with your paws. You produce on me no effect with your gesture of Hippocrates refusing Artaxerxesâ bric-Ă -brac. I excuse you from the task of soothing me. Moreover, I am sad. What do you wish me to say to you? Man is evil, man is deformed; the butterfly is a success, man is a failure. God made a mistake with that animal. A crowd offers a choice of ugliness. The first comer is a wretch, Femmeâwomanârhymes with infĂąme,âinfamous. Yes, I have the spleen, complicated with melancholy, with homesickness, plus hypochondria, and I am vexed and I rage, and I yawn, and I am bored, and I am tired to death, and I am stupid! Let God go to the devil!â
âSilence then, capital R!â resumed Bossuet, who was discussing a point of law behind the scenes, and who was plunged more than waist high in a phrase of judicial slang, of which this is the conclusion:â
ââAnd as for me, although I am hardly a legist, and at the most, an amateur attorney, I maintain this: that, in accordance with the terms of the customs of Normandy, at Saint-Michel, and for each year, an equivalent must be paid to the profit of the lord of the manor, saving the rights of others, and by all and several, the proprietors as well as those seized with inheritance, and that, for all emphyteuses, leases, freeholds, contracts of domain, mortgagesââ
âEcho, plaintive nymph,â hummed Grantaire.
Near Grantaire, an almost silent table, a sheet of paper, an inkstand and a pen between two glasses of brandy, announced that a vaudeville was being sketched out.
This great affair was being discussed in a low voice, and the two heads at work touched each other: âLet us begin by finding names. When one has the names, one finds the subject.â
âThat is true. Dictate. I will write.â
âMonsieur Dorimon.â
âAn independent gentleman?â
âOf course.â
âHis daughter, CĂ©lestine.â
ââtine. What next?â
âColonel Sainval.â
âSainval is stale. I should say Valsin.â
Beside the vaudeville aspirants, another group, which was also taking advantage of the uproar to talk low, was discussing a duel. An old fellow of thirty was counselling a young one of eighteen, and explaining to him what sort of an adversary he had to deal with.
âThe deuce! Look out for yourself. He is a fine swordsman. His play is neat. He has the attack, no wasted feints, wrist, dash, lightning, a just parade, mathematical parries, bigre! and he is left-handed.â
In the angle opposite Grantaire, Joly and Bahorel were playing dominoes, and talking of love.
âYou are in luck, that you are,â Joly was saying. âYou have a mistress who is always laughing.â
âThat is a fault of hers,â returned Bahorel. âOneâs mistress does wrong to laugh. That encourages one to deceive her. To see her gay removes your remorse; if you see her sad, your conscience pricks you.â
âIngrate! a woman who laughs is such a good thing! And you never quarrel!â
âThat is because of the treaty which we have made. On forming our little Holy Alliance we assigned ourselves each our frontier, which we never cross. What is situated on the side of winter belongs to Vaud, on the side of the wind to Gex. Hence the peace.â
âPeace is happiness digesting.â
âAnd you, Jolllly, where do you stand in your entanglement with Mamselleâyou know whom I mean?â
âShe sulks at me with cruel patience.â
âYet you are a lover to soften the heart with gauntness.â
âAlas!â
âIn your place, I would let her alone.â
âThat is easy enough to say.â
âAnd to do. Is not her name Musichetta?â
âYes. Ah! my poor Bahorel, she is a superb girl, very literary, with tiny feet, little hands, she dresses well, and is white and dimpled, with the eyes of a fortune-teller. I am wild over her.â
âMy dear fellow, then in order to please her, you must be elegant, and produce effects with your knees. Buy a good pair of trousers of double-milled cloth at Staubâs. That will assist.â
âAt what price?â shouted Grantaire.
The third corner was delivered up to a poetical discussion. Pagan mythology was giving battle to Christian mythology. The question was about Olympus, whose part was taken by Jean Prouvaire, out of pure romanticism.
Jean Prouvaire was timid only in repose. Once excited, he burst forth, a sort of mirth accentuated his enthusiasm, and he was at once both laughing and lyric.
âLet us not insult the gods,â said he. âThe gods may not have taken their departure. Jupiter does not impress me as dead. The gods are dreams, you say. Well, even in nature, such as it is to-day, after the flight of these dreams, we still find all the grand old pagan myths. Such and such a mountain with the profile of a citadel, like the Vignemale, for example, is still to me the headdress of Cybele; it has not been proved to me that Pan does not come at night to breathe into the hollow trunks of the willows, stopping up the holes in turn with his fingers, and I have always believed that Io had something to do with the cascade of Pissevache.â
In the last corner, they were talking politics. The Charter which had been granted was getting roughly handled. Combeferre was upholding it weakly. Courfeyrac was energetically making a breach in it. On the table lay an unfortunate copy of the famous Touquet Charter. Courfeyrac had seized it, and was brandishing it, mingling with his arguments the rattling of this sheet of paper.
âIn the first place, I wonât have any kings; if it were only from an economical point of view, I donât want any; a king is a parasite. One does not have kings gratis. Listen to this: the dearness of kings. At the death of François I., the national debt of France amounted to an income of thirty thousand livres; at the death of Louis XIV. it was two milliards, six hundred millions, at twenty-eight livres the mark, which was equivalent in 1760, according to Desmarets, to four milliards, five hundred millions, which would to-day be equivalent to twelve milliards. In the second place, and no offence to Combeferre, a charter granted is but a poor expedient of civilization. To save the transition, to soften the passage, to deaden the shock, to cause the nation to pass insensibly from the monarchy to democracy by the practice of constitutional fictions,âwhat detestable reasons all those are! No! no! let us never enlighten the people with false daylight. Principles dwindle and pale in your constitutional cellar. No illegitimacy, no compromise, no grant from the king to the people. In all such grants there is an Article 14. By the side of the hand which gives there is the claw which snatches back. I refuse your charter point-blank. A charter is a mask; the lie lurks beneath it. A people which accepts a charter abdicates. The law is only the law when entire. No! no charter!â
It was winter; a couple of fagots were crackling in the fireplace. This was tempting, and Courfeyrac could not resist. He crumpled the poor Touquet Charter in his fist, and flung it in the fire. The paper flashed up. Combeferre watched the masterpiece of Louis XVIII. burn philosophically, and contented himself with saying:â
âThe charter metamorphosed into flame.â
And sarcasms, sallies, jests, that French thing which is called entrain, and that English thing which is called humor, good and bad taste, good and bad reasons, all the wild pyrotechnics of dialogue, mounting together and crossing from all points of the room, produced a sort of merry bombardment over their heads.
The shocks of youthful minds among themselves have this admirable property, that one can never foresee the spark, nor divine the lightning flash. What will dart out presently? No one knows. The burst of laughter starts from a tender feeling.
At the moment of jest, the serious makes its entry. Impulses depend on the first chance word. The spirit of each is sovereign, jest suffices to open the field to the unexpected. These are conversations with abrupt turns, in which the perspective changes suddenly. Chance is the stage-manager of such conversations.
A severe thought, starting oddly from a clash of words, suddenly traversed the conflict of quips in which Grantaire, Bahorel, Prouvaire, Bossuet, Combeferre, and Courfeyrac were confusedly fencing.
How does a phrase crop up in a dialogue? Whence comes it that it suddenly impresses itself on the attention of those who hear it? We have just said, that no one knows anything about it. In the midst of the uproar, Bossuet all at once terminated some apostrophe to Combeferre, with this date:â
âJune 18th, 1815, Waterloo.â
At this name of Waterloo, Marius, who was leaning his elbows on a table, beside a glass of water, removed his wrist from beneath his chin, and began to gaze fixedly at the audience.
âPardieu!â exclaimed Courfeyrac (âParbleuâ was falling into disuse at this period), âthat number 18 is strange and strikes me. It is Bonaparteâs fatal number. Place Louis in front and Brumaire behind, you have the whole destiny of the man, with this significant peculiarity, that the end treads close on the heels of the commencement.â
Enjolras, who had remained mute up to that point, broke the silence and addressed this remark to Combeferre:â
âYou mean to say, the crime and the expiation.â
This word crime overpassed the measure of what Marius, who was already greatly agitated by the abrupt evocation of Waterloo, could accept.
He rose, walked slowly to the map of France spread out on the wall, and at whose base an island was visible in a separate compartment, laid his finger on this compartment and said:â
âCorsica, a little island which has rendered France very great.â
This was like a breath of icy air. All ceased talking. They felt that something was on the point of occurring.
Bahorel, replying to Bossuet, was just assuming an attitude of the torso to which he was addicted. He gave it up to listen.
Enjolras, whose blue eye was not fixed on any one, and who seemed to be gazing at space, replied, without glancing at
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