Vanity Fair by William Makepeace Thackeray (reader novel .TXT) 📕

makes one happy. At this time of summer evening, the cows are trooping down from the hills, lowing and with their bells tinkling, to the old town, with its old moats, and gates, and spires, and chestnut-trees, with long blue shadows stretching over the grass; the sky and the river below flame in crimson and gold; and the moon is already out, looking pale towards the sunset. The sun sinks behind the great castle-crested mountains, the night falls suddenly, the river grows darker and darker, lights quiver in it from the windows in the old ramparts, and twinkle peacefully in the villages under the hills on the opposite shore.

So Jos used to go to sleep a good deal with his bandanna over his face and be very comfortable, and read all the English news, and every word of Galignani's admirable newspaper (may the blessings of all Englishmen who have ever been abroad rest on the founders and proprietors of that piratical print! ) and whether he woke or slept, his friends did not very much miss him. Yes, they were very happy. They went to the opera often of evenings—to those snug, unassuming, dear old operas in the German towns, where the noblesse sits and cries, and knits stockings on the one side, over against the bourgeoisie on the other; and His Transparency the Duke and his Transparent family, all very fat and good-natured, come and occupy the great box in the middle; and the pit is full of the most elegant slim-waisted officers with straw-coloured mustachios, and twopence a day on full pay. Here it was that Emmy found her delight, and was introduced for the first time to the wonders of Mozart and Cimarosa. The Major's musical taste has been before alluded to, and his performances on the flute commended. But perhaps the chief pleasure he had in these operas was in watching Emmy's rapture while listening to them. A new world of love and beauty broke upon her when she was introduced to those divine compositions; this lady had the keenest and finest sensibility, and how could she be indifferent when she heard Mozart? The tender parts of "Don Juan" awakened in her raptures so exquisite that she would ask herself when she went to say her prayers of a night whether it was not wicked to feel so much delight as that with which "Vedrai Carino" and "Batti Batti" filled her gentle little bosom? But the Major, whom she consulted upon this head, as her theological adviser (and who himself had a pious and reverent soul), said that for his part, every beauty of art or nature made him thankful as well as happy, and that the pleasure to be had in listening to fine music, as in looking at the stars in the sky, or at a beautiful landscape or picture, was a benefit for which we might thank Heaven as sincerely as for any other worldly blessing. And in reply to some faint objections of Mrs. Amelia's (taken from certain theological works like the Washerwoman of Finchley Common and others of that school, with which Mrs. Osborne had been furnished during her life at Brompton) he told her an Eastern fable of the Owl who thought that the sunshine was unbearable for the eyes and that the Nightingale was a most overrated bird. "It is one's nature to sing and the other's to hoot," he said, laughing, "and with such a sweet voice as you have yourself, you must belong to the Bulbul faction."

I like to dwell upon this period of her life and to think that she was cheerful and happy. You see, she has not had too much of that sort of existence as yet, and has not fallen in the way of means to educate her tastes or her intelligence. She has been domineered over hitherto by vulgar intellects. It is the lot of many a woman. And as every one of the dear sex is the rival of the rest of her kind, timidity passes for folly in their charitable judgments; and gentleness for dulness; and silence—which is but timid denial of the unwelcome assertion of ruling folks, and tacit protestantism—above all, finds no mercy at the hands of the female Inquisition. Thus, my dear and civilized reader, if you and I were to find ourselves this evening in a society of greengrocers, let us say, it is probable that our conversation would not be brilliant; if, on the other hand, a greengrocer should find himself at your refined and polite tea-table, where everybody was saying witty things, and everybody of fashion and repute tearing her friends to pieces in the most delightful manner, it is possible that the stranger would not be very talkative and by no means interesting or interested.

And it must be remembered that this poor lady had never met a gentleman in her life until this present moment. Perhaps these are rarer personages than some of us think for. Which of us can point out many such in his circle—men whose aims are generous, whose truth is constant, and not only constant in its kind but elevated in its degree; whose want of meanness makes them simple; who can look the world honestly in the face with an equal manly sympathy for the great and the small? We all know a hundred whose coats are very well made, and a score who have excellent manners, and one or two happy beings who are what they call in the inner circles, and have shot into the very centre and bull's-eye of the fashion; but of gentlemen how many? Let us take a little scrap of paper and each make out his list.

My friend the Major I write, without any doubt, in mine. He had very long legs, a yellow face, and a slight lisp, which at first was rather ridiculous. But his thoughts were just, his brains were fairly good, his life was honest and pure, and his heart warm and humble. He certainly had very large hands and feet, which the two George Osbornes used to caricature and laugh at; and their jeers and laughter perhaps led poor little Emmy astray as to his worth. But have we not all been misled about our heroes and changed our opinions a hundred times? Emmy, in this happy time, found that hers underwent a very great change in respect of the merits of the Major.

Perhaps it was the happiest time of both their lives, indeed, if they did but know it—and who does? Which of us can point out and say that was the culmination—that was the summit of human joy? But at all events, this couple were very decently contented, and enjoyed as pleasant a summer tour as any pair that left England that year. Georgy was always present at the play, but it was the Major who put Emmy's shawl on after the entertainment; and in the walks and excursions the young lad would be on ahead, and up a tower-stair or a tree, whilst the soberer couple were below, the Major smoking his cigar with great placidity and constancy, whilst Emmy sketched the site or the ruin. It was on this very tour that I, the present writer of a history of which every word is true, had the pleasure to see them first and to make their acquaintance.

It was at the little comfortable Ducal town of Pumpernickel (that very place where Sir Pitt Crawley had been so distinguished as an attache; but that was in early early days, and before the news of the Battle of Austerlitz sent all the English diplomatists in Germany to the right about) that I first saw Colonel Dobbin and his party. They had arrived with the carriage and courier at the Erbprinz Hotel, the best of the town, and the whole party dined at the table d'hote. Everybody remarked the majesty of Jos and the knowing way in which he sipped, or rather sucked, the Johannisberger, which he ordered for dinner. The little boy, too, we observed, had a famous appetite, and consumed schinken, and braten, and kartoffeln, and cranberry jam, and salad, and pudding, and roast fowls, and sweetmeats, with a gallantry that did honour to his nation. After about fifteen dishes, he concluded the repast with dessert, some of which he even carried out of doors, for some young gentlemen at table, amused with his coolness and gallant free-and-easy manner, induced him to pocket a handful of macaroons, which he discussed on his way to the theatre, whither everybody went in the cheery social little German place. The lady in black, the boy's mamma, laughed and blushed, and looked exceedingly pleased and shy as the dinner went on, and at the various feats and instances of espieglerie on the part of her son. The Colonel—for so he became very soon afterwards—I remember joked the boy with a great deal of grave fun, pointing out dishes which he hadn't tried, and entreating him not to baulk his appetite, but to have a second supply of this or that.

It was what they call a gast-rolle night at the Royal Grand Ducal Pumpernickelisch Hof—or Court theatre—and Madame Schroeder Devrient, then in the bloom of her beauty and genius, performed the part of the heroine in the wonderful opera of Fidelio. From our places in the stalls we could see our four friends of the table d'hote in the loge which Schwendler of the Erbprinz kept for his best guests, and I could not help remarking the effect which the magnificent actress and music produced upon Mrs. Osborne, for so we heard the stout gentleman in the mustachios call her. During the astonishing Chorus of the Prisoners, over which the delightful voice of the actress rose and soared in the most ravishing harmony, the English lady's face wore such an expression of wonder and delight that it struck even little Fipps, the blase attache, who drawled out, as he fixed his glass upon her, "Gayd, it really does one good to see a woman caypable of that stayt of excaytement." And in the Prison Scene, where Fidelio, rushing to her husband, cries, "Nichts, nichts, mein Florestan," she fairly lost herself and covered her face with her handkerchief. Every woman in the house was snivelling at the time, but I suppose it was because it was predestined that I was to write this particular lady's memoirs that I remarked her.

The next day they gave another piece of Beethoven, Die Schlacht bei Vittoria. Malbrook is introduced at the beginning of the performance, as indicative of the brisk advance of the French army. Then come drums, trumpets, thunders of artillery, and groans of the dying, and at last, in a grand triumphal swell, "God Save the King" is performed.

There may have been a score of Englishmen in the house, but at the burst of that beloved and well-known music, every one of them, we young fellows in the stalls, Sir John and Lady Bullminster (who had taken a house at Pumpernickel for the education of their nine children), the fat gentleman with the mustachios, the long Major in white duck trousers, and the lady with the little boy upon whom he was so sweet, even Kirsch, the courier in the gallery, stood bolt upright in their places and proclaimed themselves to be members of the dear old British nation. As for Tapeworm, the Charge d'Affaires, he rose up in his box and bowed and simpered, as if he would represent the whole empire. Tapeworm was nephew and heir of old Marshal Tiptoff, who has been introduced in this story as General Tiptoff, just before Waterloo, who was Colonel of the —th regiment in which Major Dobbin served, and who died in this year full of honours, and of an aspic of plovers' eggs; when the regiment was graciously given by his Majesty to Colonel Sir Michael O'Dowd, K.C.B. who had commanded it in many glorious fields.

Tapeworm must have met with Colonel Dobbin at the house of the Colonel's Colonel, the Marshal, for he recognized him on this night at the theatre, and with the utmost condescension, his Majesty's minister came over from his own box and publicly shook hands with his new-found friend.

"Look at that infernal sly-boots of a Tapeworm," Fipps whispered, examining his chief from the stalls. "Wherever there's a pretty woman he always twists himself in." And I wonder what were diplomatists made for but for that?

"Have I the honour of addressing myself to Mrs. Dobbin?" asked the Secretary with a most insinuating grin.

Georgy burst out laughing and said, "By Jove, that was a good 'un." Emmy and the Major blushed: we saw them from the stalls.

"This lady is Mrs. George Osborne," said the Major, "and this