A Second Home by Honoré de Balzac (phonics story books .TXT) 📕

be spoken to you some day by the woman you love, and in such a tone and accent--"

"Will you put on a dress _a la Grecque_ this evening, and come to the Opera?"

The shudder with which the Countess received the suggestion was a mute reply.


Early in December 1833, a man, whose perfectly white hair and worn features seemed to show that he was aged by grief rather than by years, was walking at midnight along the Rue Gaillon. Having reached a house of modest appearance, and only two stories high, he paused to look up at one of the attic windows that pierced the roof at regular intervals. A dim light scarcely showed through the humble panes, some of which had been repaired with paper. The man below was watching the wavering glimmer with the vague curiosity of a Paris idler, when a young man came out of the house. As the light of the street lamp fell full on the face of the first comer, it will not seem surprising that, in spite of the darkness, this young man went towards the passer-by, though with the hesitancy that is usual when we have any fear of making a mistake in recognizing an acquaintance.

"What, is it you," cried he, "Monsieur le President? Alone at this hour, and so far from the Rue Saint-Lazare. Allow me to have the honor of giving you my arm.--The pavement is so greasy this morning, that if we do not hold each other up," he added, to soothe the elder man's susceptibilities, "we shall find it hard to escape a tumble."

"But, my dear sir, I am no more than fifty-five, unfortunately for me," replied the Comte de Granville. "A physician of your celebrity must know that at that age a man is still hale and strong."

"Then you are in waiting on a lady, I suppose," replied Horace Bianchon. "You are not, I imagine, in the habit of going about Paris on foot. When a man keeps such fine horses----"

"Still, when I am not visiting in the evening, I commonly return from the Courts or the club on foot," replied the Count.

"And with large sums of money about you, perhaps!" cried the doctor. "It is a positive invitation to the assassin's knife."

"I am not afraid of that," said Granville, with melancholy indifference.

"But, at least, do not stand about," said the doctor, leading the Count towards the boulevard. "A little more and I shall believe that you are bent of robbing me of your last illness, and dying by some other hand than mine."

"You caught me playing the spy," said the Count. "Whether on foot or in a carriage, and at whatever hour of the night I may come by, I have for some time past observed at a window on the third floor of your house the shadow of a person who seems to work with heroic constancy."

The Count paused as if he felt some sudden pain. "And I take as great an interest in that garret," he went on, "as a citizen of Paris must feel in the finishing of the Palais Royal."

"Well," said Horace Bianchon eagerly, "I can tell you--"

"Tell me nothing," replied Granville, cutting the doctor short. "I would not give a centime to know whether the shadow that moves across that shabby blind is that of a man or a woman, nor whether the inhabitant of that attic is happy or miserable. Though I was surprised to see no one at work there this evening, and though I stopped to look, it was solely for the pleasure of indulging in conjectures as numerous and as idiotic as those of idlers who see a building left half finished. For nine years, my young--" the Count hesitated to use a word; then he waved his hand, exclaiming--"No, I will not say friend--I hate everything that savors of sentiment.--Well, for nine years past I have ceased to wonder that old men amuse themselves with growing flowers and planting trees; the events of life have taught them disbelief in all human affection; and I grew old within a few days. I will no longer attach myself to any creature but to unreasoning animals, or plants, or superficial things. I think more of Taglioni's grace than of all human feeling. I abhor life and the world in which I live alone. Nothing, nothing," he went on, in a tone that startled the younger man, "no, nothing can move or interest me."

"But you have children?"

"My children!" he repeated bitterly. "Yes--well, is not my eldest daughter the Comtesse de Vandenesse? The other will, through her sister's connections, make some good match. As to my sons, have they not succeeded? The Viscount was public prosecutor at Limoges, and is now President of the Court at Orleans; the younger is public prosecutor in Paris.--My children have their own cares, their own anxieties and business to attend to. If of all those hearts one had been devoted to me, if one had tried by entire affection to fill up the void I have here," and he struck his breast, "well, that one would have failed in life, have sacrificed it to me. And why should he? Why? To bring sunshine into my few remaining years--and would he have succeeded? Might I not have accepted such generosity as a debt? But, doctor," and the Count smiled with deep irony, "it is not for nothing that we teach them arithmetic and how to count. At this moment perhaps they are waiting for my money."

"O Monsieur le Comte, how could such an idea enter your head--you who are kind, friendly, and humane! Indeed, if I were not myself a living proof of the benevolence you exercise so liberally and so nobly--"

"To please myself," replied the Count. "I pay for a sensation, as I would to-morrow pay a pile of gold to recover the most childish illusion that would but make my heart glow.--I help my fellow-creatures for my own sake, just as I gamble; and I look for gratitude from none. I should see you die without blinking; and I beg of you to feel the same with regard to me. I tell you, young man, the events of life have swept over my heart like the lavas of Vesuvius over Herculaneum. The town is there--dead."

"Those who have brought a soul as warm and as living as yours was to such a pitch of indifference are indeed guilty!"

"Say no more," said the Count, with a shudder of aversion.

"You have a malady which you ought to allow me to treat," said Bianchon in a tone of deep emotion.

"What, do you know of a cure for death?" cried the Count irritably.

"I undertake, Monsieur le Comte, to revive the heart you believe to be frozen."

"Are you a match for Talma, then?" asked the Count satirically.

"No, Monsieur le Comte. But Nature is as far above Talma as Talma is superior to me.--Listen: the garret you are interested in is inhabited by a woman of about thirty, and in her love is carried to fanaticism. The object of her adoration is a young man of pleasing appearance but endowed by some malignant fairy with every conceivable vice. This fellow is a gambler, and it is hard to say which he is most addicted to--wine or women; he has, to my knowledge, committed acts deserving punishment by law. Well, and to him this unhappy woman sacrificed a life of ease, a man who worshiped her, and the father of her children.--But what is wrong, Monsieur le Comte?"

"Nothing. Go on."

"She has allowed him to squander a perfect fortune; she would, I believe, give him the world if she had it; she works night and day; and many a time she has, without a murmur, seen the wretch she adores rob her even of the money saved to buy the clothes the children need, and their food for the morrow. Only three days ago she sold her hair, the finest hair I ever saw; he came in, she could not hide the gold piece quickly enough, and he asked her for it. For a smile, for a kiss, she gave up the price of a fortnight's life and peace. Is it not dreadful, and yet sublime?--But work is wearing her cheeks hollow. Her children's crying has broken her heart; she is ill, and at this moment on her wretched bed. This evening they had nothing to eat; the children have not strength to cry, they were silent when I went up."

Horace Bianchon stood still. Just then the Comte de Granville, in spite of himself, as it were, had put his hand into his waistcoat pocket.

"I can guess, my young friend, how it is that she is yet alive if you attend her," said the elder man.

"O poor soul!" cried the doctor, "who could refuse to help her? I only wish I were richer, for I hope to cure her of her passion."

"But how can you expect me to pity a form of misery of which the joys to me would seem cheaply purchased with my whole fortune!" exclaimed the Count, taking his hand out of his pocket empty of the notes which Bianchon had supposed his patron to be feeling for. "That woman feels, she is alive! Would not Louis XV. have given his kingdom to rise from the grave and have three days of youth and life! And is not that the history of thousands of dead men, thousands of sick men, thousands of old men?"

"Poor Caroline!" cried Bianchon.

As he heard the name the Count shuddered, and grasped the doctor's arm with the grip of an iron vise, as it seemed to Bianchon.

"Her name is Caroline Crochard?" asked the President, in a voice that was evidently broken.

"Then you know her?" said the doctor, astonished.

"And the wretch's name is Solvet.--Ay, you have kept your word!" exclaimed Granville; "you have roused my heart to the most terrible pain it can suffer till it is dust. That emotion, too, is a gift from hell, and I always know how to pay those debts."

By this time the Count and the doctor had reached the corner of the Rue de la Chaussee d'Antin. One of those night-birds who wonder round with a basket on their back and crook in hand, and were, during the Revolution, facetiously called the Committee of Research, was standing by the curbstone where the two men now stopped. This scavenger had a shriveled face worthy of those immortalized by Charlet in his caricatures of the sweepers of Paris.

"Do you ever pick up a thousand-franc note?"

"Now and then, master."

"And you restore them?"

"It depends on the reward offered."

"You're the man for me," cried the Count, giving the man a thousand-franc note. "Take this, but, remember, I give it to you on condition of your spending it at the wineshop, of your getting drunk, fighting, beating your wife, blacking your friends' eyes. That will give work to the watch, the surgeon, the druggist--perhaps to the police, the public prosecutor, the judge, and the prison warders. Do not try to do anything else, or the devil will be revenged on you sooner or later."

A draughtsman would need at once the pencil of Charlet and of Callot, the brush of Teniers and of Rembrandt, to give a true notion of this night-scene.

"Now I have squared accounts with hell, and had some pleasure for my money," said the Count in a deep voice, pointing out the indescribable physiognomy of the