Bleak House by Charles Dickens (ebook reader that looks like a book TXT) 📕
Thus, in the midst of the mud and at the heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
"Mr. Tangle," says the Lord High Chancellor, latterly something restless under the eloquence of that learned gentleman.
"Mlud," says Mr. Tangle. Mr. Tangle knows more of Jarndyce and Jarndyce than anybody. He is famous f
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- Author: Charles Dickens
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it. You have no young child?”
The woman shakes her head. “One as I calls mine, sir, but it’s
Liz’s.”
“Your own is dead. I see! Poor little thing!”
By this time he has finished and is putting up his case. “I
suppose you have some settled home. Is it far from here?” he asks,
good-humouredly making light of what he has done as she gets up and
curtsys.
“It’s a good two or three and twenty mile from here, sir. At Saint
Albans. You know Saint Albans, sir? I thought you gave a start
like, as if you did.”
“Yes, I know something of it. And now I will ask you a question in
return. Have you money for your lodging?”
“Yes, sir,” she says, “really and truly.” And she shows it. He
tells her, in acknowledgment of her many subdued thanks, that she
is very welcome, gives her good day, and walks away. Tom-all-Alone’s is still asleep, and nothing is astir.
Yes, something is! As he retraces his way to the point from which
he descried the woman at a distance sitting on the step, he sees a
ragged figure coming very cautiously along, crouching close to the
soiled walls—which the wretchedest figure might as well avoid—and
furtively thrusting a hand before it. It is the figure of a youth
whose face is hollow and whose eyes have an emaciated glare. He is
so intent on getting along unseen that even the apparition of a
stranger in whole garments does not tempt him to look back. He
shades his face with his ragged elbow as he passes on the other
side of the way, and goes shrinking and creeping on with his
anxious hand before him and his shapeless clothes hanging in
shreds. Clothes made for what purpose, or of what material, it
would be impossible to say. They look, in colour and in substance,
like a bundle of rank leaves of swampy growth that rotted long ago.
Allan Woodcourt pauses to look after him and note all this, with a
shadowy belief that he has seen the boy before. He cannot recall
how or where, but there is some association in his mind with such a
form. He imagines that he must have seen it in some hospital or
refuge, still, cannot make out why it comes with any special force
on his remembrance.
He is gradually emerging from Tom-all-Alone’s in the morning light,
thinking about it, when he hears running feet behind him, and
looking round, sees the boy scouring towards him at great speed,
followed by the woman.
“Stop him, stop him!” cries the woman, almost breathless. “Stop
him, sir!”
He darts across the road into the boy’s path, but the boy is
quicker than he, makes a curve, ducks, dives under his hands, comes
up half-a-dozen yards beyond him, and scours away again. Still the
woman follows, crying, “Stop him, sir, pray stop him!” Allan, not
knowing but that he has just robbed her of her money, follows in
chase and runs so hard that he runs the boy down a dozen times, but
each time he repeats the curve, the duck, the dive, and scours away
again. To strike at him on any of these occasions would be to fell
and disable him, but the pursuer cannot resolve to do that, and so
the grimly ridiculous pursuit continues. At last the fugitive,
hard-pressed, takes to a narrow passage and a court which has no
thoroughfare. Here, against a hoarding of decaying timber, he is
brought to bay and tumbles down, lying gasping at his pursuer, who
stands and gasps at him until the woman comes up.
“Oh, you, Jo!” cries the woman. “What? I have found you at last!”
“Jo,” repeats Allan, looking at him with attention, “Jo! Stay. To
be sure! I recollect this lad some time ago being brought before
the coroner.”
“Yes, I see you once afore at the inkwhich,” whimpers Jo. “What of
that? Can’t you never let such an unfortnet as me alone? An’t I
unfortnet enough for you yet? How unfortnet do you want me fur to
be? I’ve been a-chivied and a-chivied, fust by one on you and nixt
by another on you, till I’m worritted to skins and bones. The
inkwhich warn’t MY fault. I done nothink. He wos wery good to me,
he wos; he wos the only one I knowed to speak to, as ever come
across my crossing. It ain’t wery likely I should want him to be
inkwhiched. I only wish I wos, myself. I don’t know why I don’t
go and make a hole in the water, I’m sure I don’t.”
He says it with such a pitiable air, and his grimy tears appear so
real, and he lies in the corner up against the hoarding so like a
growth of fungus or any unwholesome excrescence produced there in
neglect and impurity, that Allan Woodcourt is softened towards him.
He says to the woman, “Miserable creature, what has he done?”
To which she only replies, shaking her head at the prostrate figure
more amazedly than angrily, “Oh, you Jo, you Jo. I have found you
at last!”
“What has he done?” says Allan. “Has he robbed you?”
“No, sir, no. Robbed me? He did nothing but what was kind-hearted
by me, and that’s the wonder of it.”
Allan looks from Jo to the woman, and from the woman to Jo, waiting
for one of them to unravel the riddle.
“But he was along with me, sir,” says the woman. “Oh, you Jo! He
was along with me, sir, down at Saint Albans, ill, and a young
lady, Lord bless her for a good friend to me, took pity on him when
I durstn’t, and took him home—”
Allan shrinks back from him with a sudden horror.
“Yes, sir, yes. Took him home, and made him comfortable, and like
a thankless monster he ran away in the night and never has been
seen or heard of since till I set eyes on him just now. And that
young lady that was such a pretty dear caught his illness, lost her
beautiful looks, and wouldn’t hardly be known for the same young
lady now if it wasn’t for her angel temper, and her pretty shape,
and her sweet voice. Do you know it? You ungrateful wretch, do
you know that this is all along of you and of her goodness to you?”
demands the woman, beginning to rage at him as she recalls it and
breaking into passionate tears.
The boy, in rough sort stunned by what he hears, falls to smearing
his dirty forehead with his dirty palm, and to staring at the
ground, and to shaking from head to foot until the crazy hoarding
against which he leans rattles.
Allan restrains the woman, merely by a quiet gesture, but
effectually.
“Richard told me—” He falters. “I mean, I have heard of this—
don’t mind me for a moment, I will speak presently.”
He turns away and stands for a while looking out at the covered
passage. When he comes back, he has recovered his composure,
except that he contends against an avoidance of the boy, which is
so very remarkable that it absorbs the woman’s attention.
“You hear what she says. But get up, get up!”
Jo, shaking and chattering, slowly rises and stands, after the
manner of his tribe in a difficulty, sideways against the hoarding,
resting one of his high shoulders against it and covertly rubbing
his right hand over his left and his left foot over his right.
“You hear what she says, and I know it’s true. Have you been here
ever since?”
“Wishermaydie if I seen Tom-all-Alone’s till this blessed morning,”
replies Jo hoarsely.
“Why have you come here now?”
Jo looks all round the confined court, looks at his questioner no
higher than the knees, and finally answers, “I don’t know how to do
nothink, and I can’t get nothink to do. I’m wery poor and ill, and
I thought I’d come back here when there warn’t nobody about, and
lay down and hide somewheres as I knows on till arter dark, and
then go and beg a trifle of Mr. Snagsby. He wos allus willin fur
to give me somethink he wos, though Mrs. Snagsby she was allus a-chivying on me—like everybody everywheres.”
“Where have you come from?”
Jo looks all round the court again, looks at his questioner’s knees
again, and concludes by laying his profile against the hoarding in
a sort of resignation.
“Did you hear me ask you where you have come from?”
“Tramp then,” says Jo.
“Now tell me,” proceeds Allan, making a strong effort to overcome
his repugnance, going very near to him, and leaning over him with
an expression of confidence, “tell me how it came about that you
left that house when the good young lady had been so unfortunate as
to pity you and take you home.”
Jo suddenly comes out of his resignation and excitedly declares,
addressing the woman, that he never known about the young lady,
that he never heern about it, that he never went fur to hurt her,
that he would sooner have hurt his own self, that he’d sooner have
had his unfortnet ed chopped off than ever gone a-nigh her, and
that she wos wery good to him, she wos. Conducting himself
throughout as if in his poor fashion he really meant it, and
winding up with some very miserable sobs.
Allan Woodcourt sees that this is not a sham. He constrains
himself to touch him. “Come, Jo. Tell me.”
“No. I dustn’t,” says Jo, relapsing into the profile state. “I
dustn’t, or I would.”
“But I must know,” returns the other, “all the same. Come, Jo.”
After two or three such adjurations, Jo lifts up his head again,
looks round the court again, and says in a low voice, “Well, I’ll
tell you something. I was took away. There!”
“Took away? In the night?”
“Ah!” Very apprehensive of being overheard, Jo looks about him and
even glances up some ten feet at the top of the hoarding and
through the cracks in it lest the object of his distrust should be
looking over or hidden on the other side.
“Who took you away?”
“I dustn’t name him,” says Jo. “I dustn’t do it, sir.”
“But I want, in the young lady’s name, to know. You may trust me.
No one else shall hear.”
“Ah, but I don’t know,” replies Jo, shaking his head fearfully, “as
he DON’T hear.”
“Why, he is not in this place.”
“Oh, ain’t he though?” says Jo. “He’s in all manner of places, all
at wanst.”
Allan looks at him in perplexity, but discovers some real meaning
and good faith at the bottom of this bewildering reply. He
patiently awaits an explicit answer; and Jo, more baffled by his
patience than by anything else, at last desperately whispers a name
in his ear.
“Aye!” says Allan. “Why, what had you been doing?”
“Nothink, sir. Never done nothink to get myself into no trouble,
‘sept in not moving on and the inkwhich. But I’m a-moving on now.
I’m a-moving on to the berryin ground—that’s the move as I’m up
to.”
“No, no, we will try to prevent that. But what did he do with
you?”
“Put me in a horsepittle,” replied Jo, whispering, “till I was
discharged, then giv me a little money—four half-bulls, wot you
may call half-crowns—and ses ‘Hook it! Nobody wants you here,’ he
ses. ‘You
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