Martin Chuzzlewit by Charles Dickens (best novels in english .TXT) 📕

had required him to give an opinion on the case, the quick fulfilment of his prophecy may be taken as an instance of his professional tact; for, unless the threatening aspect of the night had been perfectly plain and unmistakable, Mr Jobling would never have compromised his reputation by delivering any sentiments on the subject. He used this principle in Medicine with too much success to be unmindful of it in his commonest transactions.

It was one of those hot, silent nights, when people sit at windows listening for the thunder which they know will shortly break; when they recall dismal tales of hurricanes and earthquakes; and of lonely travellers on open plains, and lonely ships at sea, struck by lightning. Lightning flashed and quivered on the black horizon even now; and hollow murmurings were in the wind, as though it had been blowing where the thunder rolled, and still was charged with its exhausted echoes. But the storm, though gathering swiftly, had not yet come up; and the prevailing stillness was the more solemn, from the dull intelligence that seemed to hover in the air, of noise and conflict afar off.

It was very dark; but in the murky sky there were masses of cloud which shone with a lurid light, like monstrous heaps of copper that had been heated in a furnace, and were growing cold. These had been advancing steadily and slowly, but they were now motionless, or nearly so. As the carriage clattered round the corners of the streets, it passed at every one a knot of persons who had come there--many from their houses close at hand, without hats--to look up at that quarter of the sky. And now a very few large drops of rain began to fall, and thunder rumbled in the distance.

Jonas sat in a corner of the carriage with his bottle resting on his knee, and gripped as tightly in his hand as if he would have ground its neck to powder if he could. Instinctively attracted by the night, he had laid aside the pack of cards upon the cushion; and with the same involuntary impulse, so intelligible to both of them as not to occasion a remark on either side, his companion had extinguished the lamp. The front glasses were down; and they sat looking silently out upon the gloomy scene before them.

They were clear of London, or as clear of it as travellers can be whose way lies on the Western Road, within a stage of that enormous city. Occasionally they encountered a foot-passenger, hurrying to the nearest place of shelter; or some unwieldy cart proceeding onward at a heavy trot, with the same end in view. Little clusters of such vehicles were gathered round the stable-yard or baiting-place of every wayside tavern; while their drivers watched the weather from the doors and open windows, or made merry within. Everywhere the people were disposed to bear each other company rather than sit alone; so that groups of watchful faces seemed to be looking out upon the night AND THEM, from almost every house they passed.

It may appear strange that this should have disturbed Jonas, or rendered him uneasy; but it did. After muttering to himself, and often changing his position, he drew up the blind on his side of the carriage, and turned his shoulder sulkily towards it. But he neither looked at his companion, nor broke the silence which prevailed between them, and which had fallen so suddenly upon himself, by addressing a word to him.

The thunder rolled, the lightning flashed; the rain poured down like Heaven's wrath. Surrounded at one moment by intolerable light, and at the next by pitchy darkness, they still pressed forward on their journey. Even when they arrived at the end of the stage, and might have tarried, they did not; but ordered horses out immediately. Nor had this any reference to some five minutes' lull, which at that time seemed to promise a cessation of the storm. They held their course as if they were impelled and driven by its fury. Although they had not exchanged a dozen words, and might have tarried very well, they seemed to feel, by joint consent, that onward they must go.

Louder and louder the deep thunder rolled, as through the myriad halls of some vast temple in the sky; fiercer and brighter became the lightning, more and more heavily the rain poured down. The horses (they were travelling now with a single pair) plunged and started from the rills of quivering fire that seemed to wind along the ground before them; but there these two men sat, and forward they went as if they were led on by an invisible attraction.

The eye, partaking of the quickness of the flashing light, saw in its every gleam a multitude of objects which it could not see at steady noon in fifty times that period. Bells in steeples, with the rope and wheel that moved them; ragged nests of birds in cornices and nooks; faces full of consternation in the tilted waggons that came tearing past; their frightened teams ringing out a warning which the thunder drowned; harrows and ploughs left out in fields; miles upon miles of hedge-divided country, with the distant fringe of trees as obvious as the scarecrow in the bean-field close at hand; in a trembling, vivid, flickering instant, everything was clear and plain; then came a flush of red into the yellow light; a change to blue; a brightness so intense that there was nothing else but light; and then the deepest and profoundest darkness.

The lightning being very crooked and very dazzling may have presented or assisted a curious optical illusion, which suddenly rose before the startled eyes of Montague in the carriage, and as rapidly disappeared. He thought he saw Jonas with his hand lifted, and the bottle clenched in it like a hammer, making as if he would aim a blow at his head. At the same time he observed (or so believed) an expression in his face--a combination of the unnatural excitement he had shown all day, with a wild hatred and fear--which might have rendered a wolf a less terrible companion.

He uttered an involuntary exclamation, and called to the driver, who brought his horses to a stop with all speed.

It could hardly have been as he supposed, for although he had not taken his eyes off his companion, and had not seen him move, he sat reclining in his corner as before.

'What's the matter?' said Jonas. 'Is that your general way of waking out of your sleep?'

'I could swear,' returned the other, 'that I have not closed my eyes!'

'When you have sworn it,' said Jonas, composedly, 'we had better go on again, if you have only stopped for that.'

He uncorked the bottle with the help of his teeth; and putting it to his lips, took a long draught.

'I wish we had never started on this journey. This is not,' said Montague, recoiling instinctively, and speaking in a voice that betrayed his agitation; 'this is not a night to travel in.'

'Ecod! you're right there,' returned Jonas, 'and we shouldn't be out in it but for you. If you hadn't kept me waiting all day, we might have been at Salisbury by this time; snug abed and fast asleep. What are we stopping for?'

His companion put his head out of window for a moment, and drawing it in again, observed (as if that were his cause of anxiety), that the boy was drenched to the skin.

'Serve him right,' said Jonas. 'I'm glad of it. What the devil are we stopping for? Are you going to spread him out to dry?'

'I have half a mind to take him inside,' observed the other with some hesitation.

'Oh! thankee!' said Jonas. 'We don't want any damp boys here; especially a young imp like him. Let him be where he is. He ain't afraid of a little thunder and lightning, I dare say; whoever else is. Go on, driver. We had better have HIM inside perhaps,' he muttered with a laugh; 'and the horses!'

'Don't go too fast,' cried Montague to the postillion; 'and take care how you go. You were nearly in the ditch when I called to you.'

This was not true; and Jonas bluntly said so, as they moved forward again. Montague took little or no heed of what he said, but repeated that it was not a night for travelling, and showed himself, both then and afterwards, unusually anxious.

From this time Jonas recovered his former spirits, if such a term may be employed to express the state in which he had left the city. He had his bottle often at his mouth; roared out snatches of songs, without the least regard to time or tune or voice, or anything but loud discordance; and urged his silent friend to be merry with him.

'You're the best company in the world, my good fellow,' said Montague with an effort, 'and in general irresistible; but to-night--do you hear it?'

'Ecod! I hear and see it too,' cried Jonas, shading his eyes, for the moment, from the lightning which was flashing, not in any one direction, but all around them. 'What of that? It don't change you, nor me, nor our affairs. Chorus, chorus,


It may lighten and storm,
Till it hunt the red worm
From the grass where the gibbet is driven;
But it can't hurt the dead,
And it won't save the head
That is doom'd to be rifled and riven.


That must be a precious old song,' he added with an oath, as he stopped short in a kind of wonder at himself. 'I haven't heard it since I was a boy, and how it comes into my head now, unless the lightning put it there, I don't know. "Can't hurt the dead"! No, no. "And won't save the head"! No, no. No! Ha, ha, ha!'

His mirth was of such a savage and extraordinary character, and was, in an inexplicable way, at once so suited to the night, and yet such a coarse intrusion on its terrors, that his fellow-traveller, always a coward, shrunk from him in positive fear. Instead of Jonas being his tool and instrument, their places seemed to be reversed. But there was reason for this too, Montague thought; since the sense of his debasement might naturally inspire such a man with the wish to assert a noisy independence, and in that licence to forget his real condition. Being quick enough, in reference to such subjects of contemplation, he was not long in taking this argument into account and giving it its full weight. But still, he felt a vague sense of alarm, and was depressed and uneasy.

He was certain he had not been asleep; but his eyes might have deceived him; for, looking at Jonas now in any interval of darkness, he could represent his figure to himself in any attitude his state of mind suggested. On the other hand, he knew full well that Jonas had no reason to love him; and even taking the piece of pantomime which had so impressed his mind to be a real gesture, and not the working of his fancy, the most that could be said of it was, that it was quite in keeping with the rest of his diabolical fun, and had the same impotent expression of truth in