L'Assommoir by Émile Zola (interesting novels in english .TXT) 📕

flattened ones, sharply peaked ones, hats with extraordinary brims, curled back or flat, too narrow or too wide. Then at the very end, Madame Gaudron came along with her bright dress over her bulging belly and caused the smiles of the audience to grow even wider. The procession made no effort to hasten its progress. They were, in fact, rather pleased to attract so much attention and admiration.

“Look! Here comes the bride!” one of the urchins shouted, pointing to Madame Gaudron. “Oh! Isn’t it too bad! She must have swallowed something!”

The entire wedding procession burst into laughter. Bibi-the-Smoker turned around and laughed. Madame Gaudron laughed the most of all. She wasn’t ashamed as she thought more than one of the women watching had looked at her with envy.

They turned into the Rue de Clery. Then they took the Rue du Mail. On reaching the Place des Victoires, there was a halt. The bride’s left shoe lace had come undone, and as she tied it up again at the foot of the statue of Louis XIV., the couples pressed behind her waiting, and joking about the bit of calf of her leg that she displayed. At length, after passing down the Rue Croix-des-Petits-Champs, they reached the Louvre.

Monsieur Madinier politely asked to be their cicerone. It was a big place, and they might lose themselves; besides, he knew the best parts, because he had often come there with an artist, a very intelligent fellow from whom a large dealer bought designs to put on his cardboard boxes. Down below, when the wedding party entered the Assyrian Museum, a slight shiver passed through it. The deuce! It was not at all warm there; the hall would have made a capital cellar. And the couples slowly advanced, their chins raised, their eyes blinking, between the gigantic stone figures, the black marble gods, dumb in their hieratic rigidity, and the monstrous beasts, half cats and half women, with death-like faces, attenuated noses, and swollen lips. They thought all these things very ugly. The stone carvings of the present day were a great deal better. An inscription in Phoenician characters amazed them. No one could possibly have ever read that scrawl. But Monsieur Madinier, already up on the first landing with Madame Lorilleux, called to them, shouting beneath the vaulted ceiling:

“Come along! They’re nothing, all those things! The things to see are on the first floor!”

The severe barrenness of the staircase made them very grave. An attendant, superbly attired in a red waistcoat and a coat trimmed with gold lace, who seemed to be awaiting them on the landing, increased their emotion. It was with great respect, and treading as softly as possible, that they entered the French Gallery.

Then, without stopping, their eyes occupied with the gilding of the frames, they followed the string of little rooms, glancing at the passing pictures too numerous to be seen properly. It would have required an hour before each, if they had wanted to understand it. What a number of pictures! There was no end to them. They must be worth a mint of money. Right at the end, Monsieur Madinier suddenly ordered a halt opposite the “Raft of the Medusa” and he explained the subject to them. All deeply impressed and motionless, they uttered not a word. When they started off again, Boche expressed the general feeling, saying it was marvellous.

In the Apollo Gallery, the inlaid flooring especially astonished the party—a shining floor, as clear as a mirror, and which reflected the legs of the seats. Mademoiselle Remanjou kept her eyes closed, because she could not help thinking that she was walking on water. They called to Madame Gaudron to be careful how she trod on account of her condition. Monsieur Madinier wanted to show them the gilding and paintings of the ceiling; but it nearly broke their necks to look up above, and they could distinguish nothing. Then, before entering the Square Salon, he pointed to a window, saying:

“That’s the balcony from which Charles IX. fired on the people.”

He looked back to make sure the party was following. In the middle of the Salon Carre, he held up his hand. “There are only masterpieces here,” he said, in a subdued voice, as though in church. They went all around the room. Gervaise wanted to know about “The Wedding at Cana.” Coupeau paused to stare at the “Mona Lisa,” saying that she reminded him of one of his aunts. Boche and Bibi-the-Smoker snickered at the nudes, pointing them out to each other and winking. The Gaudrons looked at the “Virgin” of Murillo, he with his mouth open, she with her hands folded on her belly.

When they had been all around the Salon, Monsieur Madinier wished them to go round it again, it was so worth while. He was very attentive to Madame Lorilleux, because of her silk dress; and each time that she questioned him he answered her gravely, with great assurance. She was curious about “Titian’s Mistress” because the yellow hair resembled her own. He told her it was “La Belle Ferronniere,” a mistress of Henry IV. about whom there had been a play at the Ambigu.

Then the wedding party invaded the long gallery occupied by the Italian and Flemish schools. More paintings, always paintings, saints, men and women, with faces which some of them could understand, landscapes that were all black, animals turned yellow, a medley of people and things, the great mixture of the colors of which was beginning to give them all violent headaches. Monsieur Madinier no longer talked as he slowly headed the procession, which followed him in good order, with stretched necks and upcast eyes. Centuries of art passed before their bewildered ignorance, the fine sharpness of the early masters, the splendors of the Venetians, the vigorous life, beautiful with light, of the Dutch painters. But what interested them most were the artists who were copying, with their easels planted amongst the people, painting away unrestrainedly, an old lady, mounted on a pair of high steps, working a big brush over the delicate sky of an immense painting, struck them as something most peculiar.

Slowly the word must have gone around that a wedding party was visiting the Louvre. Several painters came over with big smiles. Some visitors were so curious that they went to sit on benches ahead of the group in order to be comfortable while they watched them pass in review. Museum guards bit back comments. The wedding party was now quite weary and beginning to drag their feet.

Monsieur Madinier was reserving himself to give more effect to a surprise that he had in store. He went straight to the “Kermesse” of Rubens; but still he said nothing. He contented himself with directing the others’ attention to the picture by a sprightly glance. The ladies uttered faint cries the moment they brought their noses close to the painting. Then, blushing deeply they turned away their heads. The men though kept them there, cracking jokes, and seeking for the coarser details.

“Just look!” exclaimed Boche, “it’s worth the money. There’s one spewing, and another, he’s watering the dandelions; and that one—oh! that one. Ah, well! They’re a nice clean lot, they are!”

“Let us be off,” said Monsieur Madinier, delighted with his success. “There is nothing more to see here.”

They retraced their steps, passing again through the Salon Carre and the Apollo Gallery. Madame Lerat and Mademoiselle Remanjou complained, declaring that their legs could scarcely bear them. But the cardboard box manufacturer wanted to show Lorilleux the old jewelry. It was close by in a little room which he could find with his eyes shut. However, he made a mistake and led the wedding party astray through seven or eight cold, deserted rooms, only ornamented with severe looking-glass cases, containing numberless broken pots and hideous little figures.

While looking for an exit they stumbled into the collection of drawings. It was immense. Through room after room they saw nothing interesting, just scribblings on paper that filled all the cases and covered the walls. They thought there was no end to these drawings.

Monsieur Madinier, losing his head, not willing to admit that he did not know his way, ascended a flight of stairs, making the wedding party mount to the next floor. This time they traversed the Naval Museum, among models of instruments and cannons, plans in relief, and vessels as tiny as playthings. After going a long way, and walking for a quarter of an hour, the party came upon another staircase; and, having descended this, found itself once more surrounded by the drawings. Then despair took possession of them as they wandered at random through long halls, following Monsieur Madinier, who was furious and mopping the sweat from his forehead. He accused the government of having moved the doors around. Museum guards and visitors looked on with astonishment as the procession, still in a column of couples, passed by. They passed again through the Salon Carre, the French Gallery and then along the cases where minor Eastern divinities slumbered peacefully. It seemed they would never find their way out. They were getting tired and made a lot of noise.

“Closing time! Closing time!” called out the attendants, in a loud tone of voice.

And the wedding party was nearly locked in. An attendant was obliged to place himself at the head of it, and conduct it to a door. Then in the courtyard of the Louvre, when it had recovered its umbrellas from the cloakroom, it breathed again. Monsieur Madinier regained his assurance. He had made a mistake in not turning to the left, now he recollected that the jewelry was to the left. The whole party pretended to be very pleased at having seen all they had.

Four o’clock was striking. There were still two hours to be employed before the dinner time, so it was decided they should take a stroll, just to occupy the interval. The ladies, who were very tired, would have preferred to sit down; but, as no one offered any refreshments, they started off, following the line of quays. There they encountered another shower and so sharp a one that in spite of the umbrellas, the ladies’ dresses began to get wet. Madame Lorilleux, her heart sinking within her each time a drop fell upon her black silk, proposed that they should shelter themselves under the Pont-Royal; besides if the others did not accompany her, she threatened to go all by herself. And the procession marched under one of the arches of the bridge. They were very comfortable there. It was, most decidedly a capital idea! The ladies, spreading their handkerchiefs over the paving-stones, sat down with their knees wide apart, and pulled out the blades of grass that grew between the stones with both hands, whilst they watched the dark flowing water as though they were in the country. The men amused themselves with calling out very loud, so as to awaken the echoes of the arch. Boche and Bibi-the-Smoker shouted insults into the air at the top of their voices, one after the other. They laughed uproariously when the echo threw the insults back at them. When their throats were hoarse from shouting, they made a game of skipping flat stones on the surface of the Seine.

The shower had ceased but the whole party felt so comfortable that no one thought of moving away. The Seine was flowing by, an oily sheet carrying bottle corks, vegetable peelings, and other refuse that sometimes collected in temporary whirlpools moving along with the turbulent water. Endless traffic rumbled on the bridge overhead, the noisy bustle of Paris, of which they could glimpse only the rooftops to the left and right, as though they were in the bottom of a deep pit.

Mademoiselle Remanjou sighed; if the leaves had been out this would have reminded her of a bend