The Hill of Dreams by Arthur Machen (classic fiction txt) 📕

had discovered one of the secrets of true magic; this was the key to the symbolic transmutations of the Eastern tales. The adept could, in truth, change those who were obnoxious to him into harmless and unimportant shapes, not as in the letter of the old stories, by transforming the enemy, but by transforming himself. The magician puts men below him by going up higher, as one looks down on a mountain city from a loftier crag. The stones on the road and such petty obstacles do not trouble the wise man on the great journey, and so Lucian, when obliged to stop and converse with his fellow-creatures, to listen to their poor pretences and inanities, was no more inconvenienced than when he had to climb an awkward stile in the course of a walk. As for the more unpleasant manifestations of humanity; after all they no longer concerned him. Men intent on the great purpose did not suffer the current of their thoughts to be broken by the buzzing of a fly caught in a spider's web, so why should he be perturbed by the misery of a puppy in the hands of village boys? The fly, no doubt, endured its tortures; lying helpless and bound in those slimy bands, it cried out in its thin voice when the claws of the horrible monster fastened on it; but its dying agonies had never vexed the reverie of a lover. Lucian saw no reason why the boys should offend him more than the spider, or why he should pity the dog more than he pitied the fly. The talk of the men and women might be wearisome and inept and often malignant; but he could not imagine an alchemist at the moment of success, a general in the hour of victory, or a financier with a gigantic scheme of swindling well on the market being annoyed by the buzz of insects. The spider is, no doubt, a very terrible brute with a hideous mouth and hairy tiger-like claws when seen through the microscope; but Lucian had taken away the microscope from his eyes. He could now walk the streets of Caermaen confident and secure, without any dread of interruption, for at a moment's notice the transformation could be effected. Once Dr. Burrows caught him and made him promise to attend a bazaar that was to be held in aid of the Hungarian Protestants; Lucian assented the more willingly as he wished to pay a visit to certain curious mounds on a hill a little way out of the town, and he calculated on slinking off from the bazaar early in the afternoon. Lord Beamys was visiting Sir Vivian Ponsonby, a local magnate, and had kindly promised to drive over and declare the bazaar open. It was a solemn moment when the carriage drew up and the great man alighted. He was rather an evil-looking old nobleman, but the clergy and gentry, their wives and sons and daughters welcomed him with great and unctuous joy. Conversations were broken off in mid-sentence, slow people gaped, not realizing why their friends had so suddenly left them, the Meyricks came up hot and perspiring in fear lest they should be too late, Miss Colley, a yellow virgin of austere regard, smiled largely, Mrs. Dixon beckoned wildly with her parasol to the "girls" who were idly strolling in a distant part of the field, and the archdeacon ran at full speed. The air grew dark with bows, and resonant with the genial laugh of the archdeacon, the cackle of the younger ladies, and the shrill parrot-like voices of the matrons; those smiled who had never smiled before, and on some maiden faces there hovered that look of adoring ecstasy with which the old maidens graced their angels. Then, when all the due rites had been performed, the company turned and began to walk towards the booths of their small Vanity Fair. Lord Beamys led the way with Mrs. Gervase, Mrs. Dixon followed with Sir Vivian Ponsonby, and the multitudes that followed cried, saying, "What a dear old man!"—"Isn't it kind of him to come all this way?"—"What a sweet expression, isn't it?"—"I think he's an old love"—"One of the good old sort"—"Real English nobleman"—"Oh most correct, I assure you; if a girl gets into trouble, notice to quit at once"—"Always stands by the Church"—"Twenty livings in his gift"—"Voted for the Public Worship Regulation Act"—"Ten thousand acres strictly preserved." The old lord was leering pleasantly and muttering to himself: "Some fine gals here. Like the looks of that filly with the pink hat. Ought to see more of her. She'd give Lotty points."

The pomp swept slowly across the grass: the archdeacon had got hold of Mr. Dixon, and they were discussing the misdeeds of some clergyman in the rural deanery.

"I can scarce credit it," said Mr. Dixon.

"Oh, I assure you, there can be no doubt. We have witnesses. There can be no question that there was a procession at Llanfihangel on the Sunday before Easter; the choir and minister went round the church, carrying palm branches in their hands."

"Very shocking."

"It has distressed the bishop. Martin is a hard-working man enough, and all that, but those sort of things can't be tolerated. The bishop told me that he had set his face against processions."

"Quite right: the bishop is perfectly right. Processions are unscriptural."

"It's the thin end of the wedge, you know, Dixon."

"Exactly. I have always resisted anything of the kind here."

"Right. Principiis obsta, you know. Martin is so imprudent.
There's a way of doing things."

The "scriptural" procession led by Lord Beamys broke up when the stalls were reached, and gathered round the nobleman as he declared the bazaar open.

Lucian was sitting on a garden-seat, a little distance off, looking dreamily before him. And all that he saw was a swarm of flies clustering and buzzing about a lump of tainted meat that lay on the grass. The spectacle in no way interrupted the harmony of his thoughts, and soon after the opening of the bazaar he went quietly away, walking across the fields in the direction of the ancient mounds he desired to inspect.

All these journeys of his to Caermaen and its neighborhood had a peculiar object; he was gradually leveling to the dust the squalid kraals of modern times, and rebuilding the splendid and golden city of Siluria. All this mystic town was for the delight of his sweetheart and himself; for her the wonderful villas, the shady courts, the magic of tessellated pavements, and the hangings of rich stuffs with their intricate and glowing patterns. Lucian wandered all day through the shining streets, taking shelter sometimes in the gardens beneath the dense and gloomy ilex trees, and listening to the plash and trickle of the fountains. Sometimes he would look out of a window and watch the crowd and color of the market-place, and now and again a ship came up the river bringing exquisite silks and the merchandise of unknown lands in the Far East. He had made a curious and accurate map of the town he proposed to inhabit, in which every villa was set down and named. He drew his lines to scale with the gravity of a surveyor, and studied the plan till he was able to find his way from house to house on the darkest summer night. On the southern slopes about the town there were vineyards, always under a glowing sun, and sometimes he ventured to the furthest ridge of the forest, where the wild people still lingered, that he might catch the golden gleam of the city far away, as the light quivered and scintillated on the glittering tiles. And there were gardens outside the city gates where strange and brilliant flowers grew, filling the hot air with their odor, and scenting the breeze that blew along the streets. The dull modern life was far away, and people who saw him at this period wondered what was amiss; the abstraction of his glance was obvious, even to eyes not over-sharp. But men and women had lost all their power of annoyance and vexation; they could no longer even interrupt his thought for a moment. He could listen to Mr. Dixon with apparent attention, while he was in reality enraptured by the entreating music of the double flute, played by a girl in the garden of Avallaunius, for that was the name he had taken. Mr. Dixon was innocently discoursing archeology, giving a brief résumé of the view expressed by Mr. Wyndham at the last meeting of the antiquarian society.

"There can be no doubt that the temple of Diana stood there in pagan times," he concluded, and Lucian assented to the opinion, and asked a few questions which seemed pertinent enough. But all the time the flute notes were sounding in his ears, and the ilex threw a purple shadow on the white pavement before his villa. A boy came forward from the garden; he had been walking amongst the vines and plucking the ripe grapes, and the juice had trickled down over his breast. Standing beside the girl, unashamed in the sunlight, he began to sing one of Sappho's love songs. His voice was as full and rich as a woman's, but purged of all emotion; he was an instrument of music in the flesh. Lucian looked at him steadily; the white perfect body shone against the roses and the blue of the sky, clear and gleaming as marble in the glare of the sun. The words he sang burned and flamed with passion, and he was as unconscious of their meaning as the twin pipes of the flute. And the girl was smiling. The vicar shook hands and went on, well pleased with his remarks on the temple of Diana, and also with Lucian's polite interest.

"He is by no means wanting in intelligence," he said to his family. "A little curious in manner, perhaps, but not stupid."

"Oh, papa," said Henrietta, "don't you think he is rather silly? He can't talk about anything—anything interesting, I mean. And he pretends to know a lot about books, but I heard him say the other day he had never read The Prince of the House of David or Ben-Hur. Fancy!"

The vicar had not interrupted Lucian. The sun still beat upon the roses, and a little breeze bore the scent of them to his nostrils together with the smell of grapes and vine-leaves. He had become curious in sensation, and as he leant back upon the cushions covered with glistening yellow silk, he was trying to analyze a strange ingredient in the perfume of the air. He had penetrated far beyond the crude distinctions of modern times, beyond the rough: "there's a smell of roses," "there must be sweetbriar somewhere." Modern perceptions of odor were, he knew, far below those of the savage in delicacy. The degraded black fellow of Australia could distinguish odors in a way that made the consumer of "damper" stare in amazement, but the savage's sensations were all strictly utilitarian. To Lucian as he sat in the cool porch, his feet on the marble, the air came laden with scents as subtly and wonderfully interwoven and contrasted as the harmonica of a great master. The stained marble of the pavement gave a cool reminiscence of the Italian mountain, the blood-red roses palpitating in the sunlight sent out an odor mystical as passion itself, and there was the hint of inebriation in the perfume of the trellised vines. Besides these, the girl's desire and the unripe innocence of the boy were as distinct as benzoin and myrrh, both delicious and exquisite, and exhaled as freely as the scent of the roses. But there was another element that puzzled him, an aromatic suggestion of the forest. He understood it at last; it was the vapor of the great red pines that grew beyond the garden; their spicy needles were burning in the sun, and the smell was as fragrant as the fume of incense blown from far. The soft entreaty of the flute and the swelling rapture of the boy's voice beat on the air together, and Lucian wondered whether there were in the nature of things any true distinction between the impressions of sound and scent and color. The violent blue of the sky, the song, and the odours seemed rather varied symbols of one mystery than distinct entities. He could almost imagine that the boy's innocence was indeed a perfume, and that the palpitating roses had become a sonorous chant.

In the curious silence which followed the last notes, when the boy and girl had passed under the purple ilex shadow, he fell into a reverie. The fancy that sensations are symbols and not realities hovered in his mind, and led him to speculate as to whether they could not actually be transmuted one into another.