The Professor by Charlotte Brontë (best beach reads of all time txt) 📕

room, I met M. Pelet.

"Comme vous avez l'air rayonnant!" said he. "Je ne vous ai jamais vu aussi gai. Que s'est-il donc passe?"

"Apparemment que j'aime les changements," replied I.

"Ah! je comprends--c'est cela-soyez sage seulement. Vous etes bien jeune--trop jeune pour le role que vous allez jouer; il faut prendre garde--savez-vous?"

"Mais quel danger y a-t-il?"

"Je n'en sais rien--ne vous laissez pas aller a de vives impressions--voila tout."

I laughed: a sentiment of exquisite pleasure played over my nerves at the thought that "vives impressions" were likely to be created; it was the deadness, the sameness of life's daily ongoings that had hitherto been my bane; my blouse-clad "eleves" in the boys' seminary never stirred in me any "vives impressions" except it might be occasionally some of anger. I broke from M. Pelet, and as I strode down the passage he followed me with one of his laughs--a very French, rakish, mocking sound.

Again I stood at the neighbouring door, and soon was re-admitted into the cheerful passage with its clear dove-colour imitation marble walls. I followed the portress, and descending a step, and making a turn, I found myself in a sort of corridor; a side-door opened, Mdlle. Reuter's little figure, as graceful as it was plump, appeared. I could now see her dress in full daylight; a neat, simple mousseline-laine gown fitted her compact round shape to perfection--delicate little collar and manchettes of lace, trim Parisian brodequins showed her neck, wrists, and feet, to complete advantage; but how grave was her face as she came suddenly upon me! Solicitude and business were in her eye--on her forehead; she looked almost stern. Her "Bon jour, monsieur," was quite polite, but so orderly, so commonplace, it spread directly a cool, damp towel over my "vives impressions." The servant turned back when her mistress appeared, and I walked slowly along the corridor, side by side with Mdlle. Reuter.

"Monsieur will give a lesson in the first class to-day," said she; "dictation or reading will perhaps be the best thing to begin with, for those are the easiest forms of communicating instruction in a foreign language; and, at the first, a master naturally feels a little unsettled."

She was quite right, as I had found from experience; it only remained for me to acquiesce. We proceeded now in silence. The corridor terminated in a hall, large, lofty, and square; a glass door on one side showed within a long narrow refectory, with tables, an armoire, and two lamps; it was empty; large glass doors, in front, opened on the playground and garden; a broad staircase ascended spirally on the opposite side; the remaining wall showed a pair of great folding-doors, now closed, and admitting: doubtless, to the classes.

Mdlle. Reuter turned her eye laterally on me, to ascertain, probably, whether I was collected enough to be ushered into her sanctum sanctorum. I suppose she judged me to be in a tolerable state of self-government, for she opened the door, and I followed her through. A rustling sound of uprising greeted our entrance; without looking to the right or left, I walked straight up the lane between two sets of benches and desks, and took possession of the empty chair and isolated desk raised on an estrade, of one step high, so as to command one division; the other division being under the surveillance of a maitresse similarly elevated. At the back of the estrade, and attached to a moveable partition dividing this schoolroom from another beyond, was a large tableau of wood painted black and varnished; a thick crayon of white chalk lay on my desk for the convenience of elucidating any grammatical or verbal obscurity which might occur in my lessons by writing it upon the tableau; a wet sponge appeared beside the chalk, to enable me to efface the marks when they had served the purpose intended.

I carefully and deliberately made these observations before allowing myself to take one glance at the benches before me; having handled the crayon, looked back at the tableau, fingered the sponge in order to ascertain that it was in a right state of moisture, I found myself cool enough to admit of looking calmly up and gazing deliberately round me.

And first I observed that Mdlle. Reuter had already glided away, she was nowhere visible; a maitresse or teacher, the one who occupied the corresponding estrade to my own, alone remained to keep guard over me; she was a little in the shade, and, with my short sight, I could only see that she was of a thin bony figure and rather tallowy complexion, and that her attitude, as she sat, partook equally of listlessness and affectation. More obvious, more prominent, shone on by the full light of the large window, were the occupants of the benches just before me, of whom some were girls of fourteen, fifteen, sixteen, some young women from eighteen (as it appeared to me) up to twenty; the most modest attire, the simplest fashion of wearing the hair, were apparent in all; and good features, ruddy, blooming complexions, large and brilliant eyes, forms full, even to solidity, seemed to abound. I did not bear the first view like a stoic; I was dazzled, my eyes fell, and in a voice somewhat too low I murmured--

"Prenez vos cahiers de dictee, mesdemoiselles."

Not so had I bid the boys at Pelet's take their reading-books. A rustle followed, and an opening of desks; behind the lifted lids which momentarily screened the heads bent down to search for exercise-books, I heard tittering and whispers.

"Eulalie, je suis prete a pamer de rire," observed one.

"Comme il a rougi en parlant!"

"Oui, c'est un veritable blanc-bec."

"Tais-toi, Hortense--il nous ecoute."

And now the lids sank and the heads reappeared; I had marked three, the whisperers, and I did not scruple to take a very steady look at them as they emerged from their temporary eclipse. It is astonishing what ease and courage their little phrases of flippancy had given me; the idea by which I had been awed was that the youthful beings before me, with their dark nun-like robes and softly braided hair, were a kind of half-angels. The light titter, the giddy whisper, had already in some measure relieved my mind of that fond and oppressive fancy.

The three I allude to were just in front, within half a yard of my estrade, and were among the most womanly-looking present. Their names I knew afterwards, and may as well mention now; they were Eulalie, Hortense, Caroline. Eulalie was tall, and very finely shaped: she was fair, and her features were those of a Low Country Madonna; many a "figure de Vierge" have I seen in Dutch pictures exactly resembling hers; there were no angles in her shape or in her face, all was curve and roundness--neither thought, sentiment, nor passion disturbed by line or flush the equality of her pale, clear skin; her noble bust heaved with her regular breathing, her eyes moved a little--by these evidences of life alone could I have distinguished her from some large handsome figure moulded in wax. Hortense was of middle size and stout, her form was ungraceful, her face striking, more alive and brilliant than Eulalie's, her hair was dark brown, her complexion richly coloured; there were frolic and mischief in her eye: consistency and good sense she might possess, but none of her features betokened those qualities.

Caroline was little, though evidently full grown; raven-black hair, very dark eyes, absolutely regular features, with a colourless olive complexion, clear as to the face and sallow about the neck, formed in her that assemblage of points whose union many persons regard as the perfection of beauty. How, with the tintless pallor of her skin and the classic straightness of her lineaments, she managed to look sensual, I don't know. I think her lips and eyes contrived the affair between them, and the result left no uncertainty on the beholder's mind. She was sensual now, and in ten years' time she would be coarse--promise plain was written in her face of much future folly.

If I looked at these girls with little scruple, they looked at me with still less. Eulalie raised her unmoved eye to mine, and seemed to expect, passively but securely, an impromptu tribute to her majestic charms. Hortense regarded me boldly, and giggled at the same time, while she said, with an air of impudent freedom--

"Dictez-nous quelquechose de facile pour commencer, monsieur."

Caroline shook her loose ringlets of abundant but somewhat coarse hair over her rolling black eyes; parting her lips, as full as those of a hot-blooded Maroon, she showed her well-set teeth sparkling between them, and treated me at the same time to a smile "de sa facon." Beautiful as Pauline Borghese, she looked at the moment scarcely purer than Lucrece de Borgia. Caroline was of noble family. I heard her lady-mother's character afterwards, and then I ceased to wonder at the precocious accomplishments of the daughter. These three, I at once saw, deemed themselves the queens of the school, and conceived that by their splendour they threw all the rest into the shade. In less than five minutes they had thus revealed to me their characters, and in less than five minutes I had buckled on a breast-plate of steely indifference, and let down a visor of impassible austerity.

"Take your pens and commence writing," said I, in as dry and trite a voice as if I had been addressing only Jules Vanderkelkov and Co.

The dictee now commenced. My three belles interrupted me perpetually with little silly questions and uncalled-for remarks, to some of which I made no answer, and to others replied very quietly and briefly. "Comment dit-on point et virgule en Anglais, monsieur?"

"Semi-colon, mademoiselle."

"Semi-collong? Ah, comme c'est drole!" (giggle.)

"J'ai une si mauvaise plume--impossible d'ecrire!"

"Mais, monsieur--je ne sais pas suivre--vous allez si vite."

"Je n'ai rien compris, moi!"

Here a general murmur arose, and the teacher, opening her lips for the first time, ejaculated--

"Silence, mesdemoiselles!"

No silence followed--on the contrary, the three ladies in front began to talk more loudly.

"C'est si difficile, l'Anglais!"

"Je deteste la dictee."

"Quel ennui d'ecrire quelquechose que l'on ne comprend pas!"

Some of those behind laughed: a degree of confusion began to pervade the class; it was necessary to take prompt measures.

"Donnez-moi votre cahier," said I to Eulalie in an abrupt tone; and bending over, I took it before she had time to give it.

"Et vous, mademoiselle-donnez-moi le votre," continued I, more mildly, addressing a little pale, plain looking girl who sat in the first row of the other division, and whom I had remarked as being at once the ugliest and the most attentive in the room; she rose up, walked over to me, and delivered her book with a grave, modest curtsey. I glanced over the two dictations; Eulalie's was slurred, blotted, and full of silly mistakes--Sylvie's (such was the name of the ugly little girl) was clearly written, it contained no error against sense, and but few faults of orthography. I coolly read aloud both exercises, marking the faults--then I looked at Eulalie:

"C'est honteux!" said I, and I deliberately tore her dictation in four parts, and presented her with the fragments. I returned Sylvie her book with a smile, saying--

"C'est bien--je suis content de vous."

Sylvie looked calmly pleased, Eulalie swelled like an incensed turkey, but the mutiny was quelled: the conceited coquetry and futile flirtation of the first bench were exchanged for a taciturn sullenness, much more convenient to me, and the rest of my lesson passed without interruption.