The Haunted Chamber by Margaret Wolfe Hungerford (motivational books for students .TXT) 📕

beginning to be treated with due respect as the next heir to the baronetcy, has quietly hinted to old Lady FitzAlmont that perhaps it will be as well, in the extraordinary circumstances, if they all take their departure. This the old lady, though strongly disinclined to quit the castle, is debating in her own mind, and, being swayed by Lady Gertrude, who is secretly rather bored by the dullness that has ensued on the strange absence of their host, decides to leave on the morrow, to the great distress of both Dora and Florence Delmaine, who shrink from deserting the castle while its master's fate is undecided. But they are also sensible that, to remain the only female guests, would be to outrage the conventionalities.

Henry Villiers, Ethel's father, is also of opinion that they should all quit the castle without delay. He is a hunting man, an M.F.H. in his own county, and is naturally anxious to get back to his own quarters some time before the hunting-season commences. Some others have already gone, and altogether it seems to Florence that there is no other course open to her but to pack up and desert him, whom she loves, in the hour of his direst need. For there are moments even now when she tells herself that he is still living, and only waiting for a saving hand to drag him into smooth waters once again!

A silence has fallen upon the house more melancholy than the loudest expression of grief. The servants are conversing over their supper in frightened whispers, and conjecturing moodily as to the fate of their late master. To them Sir Adrian is indeed dead, if not buried.

In the servants' corridor a strange dull light is being flung upon the polished boards by a hanging-lamp that is burning dimly, as though oppressed by the dire evil that has fallen upon the old castle. No sound is to be heard here in this spot, remote from the rest of the house, where the servants seldom come except to go to bed, and never indeed without an inward shudder as they pass the door that leads to the haunted chamber.

Just now, being at their supper, there is no fear that any of them will be about, and so the dimly lighted corridor is wrapped in an unbroken silence. Not quite unbroken, however. What is this that strikes upon the ear? What sound comes to break the unearthly stillness? A creeping footstep, a cautious tread, a slinking, halting, uncertain motion, belonging surely to some one who sees an enemy, a spy in every flitting shadow. Nearer and nearer it comes now into the fuller glare of the lamp-light, and stops short at the door so dreaded by the castle servants.

Looking uneasily around him, Arthur Dynecourt--for it is he--unfastens this door, and, entering hastily, closes it firmly behind him, and ascends the staircase within. There is no halting in his footsteps now, no uncertainty, no caution, only a haste that betokens a desire to get his errand over as quickly as possible.

Having gained the first landing, he walks slowly and on tiptoe again, and, creeping up the stone stairs, crouches down so as to bring his ear on a level with the lower chink of the door.

Alas, all is still; no faintest groan can be heard! The silence of Death is on all around. In spite of his hardihood, the cold sweat of fear breaks out upon Dynecourt's brow; and yet he tells himself that now he is satisfied, all is well, his victim is secure, is beyond the power of words or kindly search to recall him to life. He may be discovered now as soon as they like. Who can fix the fact of his death upon him? There is no blow, no mark of violence to criminate any one. He is safe, and all the wealth he had so coveted is at last his own!

There is something fiendish in the look of exultation that lights Arthur Dynecourt's face. He has a small dull lantern with him, and now it reveals the vile glance of triumph that fires his eyes. He would fain have entered to gaze upon his victim, to assure himself of his victory, but he refrains. A deadly fear that he may not yet be quite dead keeps him back, and, with a frown, he prepares to descend once more.

Again he listens, but the sullen roar of the rising night wind is all that can be heard. His hand shakes, his face assumes a livid hue, yet he tells himself that surely this deadly silence is better than what he listened to last night. Then a ghostly moaning, almost incessant and unearthly in its sound, had pierced his brain. It was more like the cry of a dying brute than that of a man. Sir Adrian slowly starved to death! In his own mind Arthur can see him now, worn, emaciated, lost to all likeness of anything fair or comely. Have the rats attacked him yet? As this grewsome thought presents itself, Dynecourt rises quickly from his crouching position, and, flying down the steps, does not stop running until he arrives in the corridor below again.

He dashes into this like one possessed; but, finding himself in the light of the hanging lamp, collects himself by a violent effort, and looks around.

Yes, all is still. No living form but his is near. The corridor, as he glances affrightedly up and down, is empty. He can see nothing but his own shadow, at sight of which he starts and turns pale and shudders.

The next moment he recovers himself, and, muttering an anathema upon his cowardice, he moves noiselessly toward his room and the brandy-bottle that has been his constant companion of late.

Yet, here in his own room, he can not rest. The hours go by with laggard steps. Midnight has struck, and still he paces his floor from wall to wall, half-maddened by his thoughts. Not that he relents. No feelings of repentance stir him, there is only a nervous dread of the hour when it will be necessary to produce the dead body, if only to prove his claim to the title so dearly and so infamously purchased.

Is he indeed dead--gone past recall? Is this house, this place, the old title, the chance of winning the woman he would have, all his own? Is his hated rival--hateful to him only because of his fair face and genial manners and lovable disposition, and the esteem with which he filled the hearts of all who knew him--actually swept out of his path?

Again the lurking morbid longing to view the body with his own eyes, the longing that had been his some hours ago when listening at the fatal door, seizes hold of him, and grows in intensity with every passing moment.

At last it conquers him. Lighting a candle, he opens his door and peers out. No one is astir. In all probability every one is abed, and now sleeping the sleep of the just--all except him. Will there ever be any rest or dreamless sleep for him again?

He goes softly down-stairs, and makes his way to the lower door. Meeting no one, he ascends the stairs like one only half conscious, until he finds himself again before the door of the haunted chamber.

Then he wakes into sudden life. An awful terror takes possession of him. He struggles with himself, and presently so far succeeds in regaining some degree of composure that he can lean against the wall and wipe his forehead, and vow to himself that he will never descend until he has accomplished the object of his visit. But the result of this terrible fight with fear and conscience shows itself in the increasing pallor of his brow and the cold perspiration that stands thick upon his forehead.

Nerving himself for a final effort, he lays his hand upon the door and pushes it open. This he does with bowed head and eyes averted, afraid to look upon his terrible work. A silence, more horrible to his guilty conscience than the most appalling noises, follows this act; and, again the nameless terror seizing him, he shudders and draws back, until, finding the wall behind him, he leans against it gladly, as if for support.

And now at last he raises his eyes. Slowly at first and cringingly, as if dreading what they might see. Upon the board at his feet they rest for a moment, and then glide to the next board, and so on, until his coward eyes have covered a considerable portion of the floor.

And now, grown bolder, he lifts his gaze to the wall opposite and searches it carefully. Then his eyes turn again to the floor. His face ghastly, and with his eyes almost darting from their sockets, he compels himself to bring his awful investigation to an end. Avoiding the corners at first, as though there he expects his vile deed will cry aloud to him demanding vengeance, he gazes in a dazed way at the center of the apartment, and dwells upon it stupidly, until he knows he must look further still; and then his dull eyes turn to the corners where the dusky shadows lie, brought thither by the glare of his small lantern. Reluctantly, but carefully, he scans the apartment, no remotest spot escapes his roused attention. But no object, dead or living, attracts his notice! The room is empty!

He staggers. His hold upon the door relaxes. His lamp falls to the ground; the door closes with a soft but deadly thud behind him, and--he is a prisoner in the haunted chamber! As the darkness closes in upon him, and he finds himself alone with what he hardly dares to contemplate, his senses grow confused, his brain reels; a fearful scream issues from his lips, and he falls to the floor insensible.


CHAPTER XI.

Dora, after her interview with Arthur Dynecourt, feels indeed that all is lost. Hope is abandoned--nothing remains but despair; and in this instance despair gains in poignancy by the knowledge that she believes she knows the man who could help them to a solution of their troubles if he would or dared. No; clearly he dare not! Therefore, no assistance can be looked for from him.

Dinner at the castle has been a promiscuous sort of entertainment for the past three or four days, so Dora feels no compunction in declining to go to it. In her own room she sits brooding miserably over her inability to be of any use in the present crisis, when she suddenly remembers that she had promised in the afternoon when with Florence to give her, later on, an account of her effort to obtain the truth about this mystery which is harrowing them.

It is now eleven o'clock, and Dora decides that she must see Florence at once. Rising, wearily, she is about to cross the corridor to her cousin's room, when, the door opening, she sees Florence, with a face pale and agitated, coming toward her.

"You, Florence!" she exclaims. "I was just going to you, to tell you that my hopes of this afternoon are all--"

"Let me speak," interrupts Florence breathlessly. "I must, or--" She sinks into a chair, her eyes close, and involuntarily she lays her hand upon her heart as if to allay its tumultuous beating.

Dora, really alarmed, rushing to her dressing-case, seizes upon a flask of eau-de-Cologne, and flings some of its contents freely over the fainting girl. Florence, with a sigh, rouses herself, and sits upright.

"There is no time to lose," she says confusedly. "Oh, Dora!" Here she breaks