The New Jerusalem by G. K. Chesterton (room on the broom read aloud .TXT) 📕

impulsive movement of religious toleration, sent for a Greek priest to bury Greek soldiers, and told him to take his choice in a heap of corpses of all creeds and colours. But at once the most curious and the most common touch of comedy is the perpetual social introduction to solid and smiling citizens who have been nearly hanged by the Turks. The fortunate gentleman seems still to be regarding his escape with a broad grin. If you were introduced to a polite Frenchman who had come straight from the guillotine, or to an affable American who had only just vacated the electrical chair, you would feel a faint curiosity about the whole story. If a friend introduced somebody, saying, "My friend Robinson; his sentence has been commuted to penal servitude," or "My Uncle William, just come from Dartmoor Prison," your mind and perhaps your lips would faintly form the syllables "What for?" But evidently, under Turkish rule, being hanged was like being knocked down by a cab; it might happen to anybody. This is a parenthesis, since I am only dealing here with the superficial experience of the streets, especially in the snow. But it will be well to safeguard it by saying that this unpolitical carelessness and comprehensiveness of the indiscriminate Turk had its tragic as well as its comic side. It was by no means everybody that escaped hanging; and there was a tree growing outside the Jaffa Gate at which men might still shudder as they pass it in the sunlight. It was what a modern revolutionary poet has called bitterly the Tree of Man's Making; and what a medieval revolutionary poet called the fruit tree in the orchard of the king. It was the gibbet; and lives have dropped from it like leaves from a tree in autumn. Yet even on the sterner side, we can trace the truth about the Moslem fatalism which seems so alien to political actuality. There was a popular legend or proverb that this terrible tree was in some way bound up with the power of the Turk, and perhaps the Moslem over a great part of the earth. There is nothing more strange about that Moslem fatalism than a certain gloomy magnanimity which can invoke omens and oracles against itself. It is astonishing how often the Turks seem to have accepted a legend or prophecy about their own ultimate failure. De Quincey mentions one of them in the blow that half broke the Palladium of Byzantium. It is said that the Moslems themselves predict the entry of a Christian king of Jerusalem through the Golden Gate. Perhaps that is why they have blocked up the fatal gate; but in any case they dealt in that fashion with the fatal tree. They elaborately bound and riveted it with iron, as if accepting the popular prophecy which declared that so long as it stood the Turkish Empire would stand. It was as if the wicked man of Scripture had daily watered a green bay-tree, to make sure that it should flourish.

In the last chapter I have attempted to suggest a background of the battlemented walls with the low gates and narrow windows which seem to relieve the liveliest of the coloured groups against the neutral tints of the North, and how this was intensified when the neutral tints were touched with the positive hue of snow. In the same merely impressionist spirit I would here attempt to sketch some of the externals of the actors in such a scene, though it is hard to do justice to such a picture even in the superficial matter of the picturesque. Indeed it is hard to be sufficiently superficial; for in the East nearly every external is a symbol. The greater part of it is the gorgeous rag-heap of Arabian humanity, and even about that one could lecture on almost every coloured rag. We hear much of the gaudy colours of the East; but the most striking thing about them is that they are delicate colours. It is rare to see a red that is merely like a pillar-box, or a blue that is Reckitt's blue; the red is sure to have the enrichment of tawny wine or blood oranges, and the blue of peacocks or the sea. In short these people are artistic in the sense that used to be called aesthetic; and it is a nameless instinct that preserves these nameless tints. Like all such instincts, it can be blunted by a bullying rationalism; like all such children, these people do not know why they prefer the better, and can therefore be persuaded by sophists that they prefer the worst. But there are other elements emerging from the coloured crowd, which are more significant, and therefore more stubborn. A stranger entirely ignorant of that world would feel something like a chill to the blood when he first saw the black figures of the veiled Moslem women, sinister figures without faces. It is as if in that world every woman were a widow. When he realised that these were not the masked mutes at a very grisly funeral, but merely ladies literally obeying a convention of wearing veils in public, he would probably have a reaction of laughter. He would be disposed to say flippantly that it must be, a dull life, not only for the women but the men; and that a man might well want five wives if he had to marry them before he could even look at them. But he will be wise not to be satisfied with such flippancy, for the complete veiling of the Moslem women of Jerusalem, though not a finer thing than the freedom of the Christian woman of Bethlehem, is almost certainly a finer thing than the more coquettish compromise of the other Moslem women of Cairo. It simply means that the Moslem religion is here more sincerely observed; and this in turn is part of something that a sympathetic person will soon feel in Jerusalem, if he has come from these more commercial cities of the East; a spiritual tone decidedly more delicate and dignified, like the clear air about the mountain city. Whatever the human vices involved, it is not altogether for nothing that this is the holy town of three great religions. When all is said, he will feel that there are some tricks that could not be played, some trades that could not be plied, some shops that could not be opened, within a stone's throw of the Sepulchre. This indefinable seriousness has its own fantasies of fanaticism or formalism; but if these are vices they are not vulgarities. There is no stronger example of this than the real Jews of Jerusalem, especially those from the ghettoes of eastern Europe. They can be immediately picked out by the peculiar wisps of hair worn on each side of the face, like something between curls and whiskers. Sometimes they look strangely effeminate, like some rococo burlesque of the ringlets of an Early Victorian woman. Sometimes they look considerably more like the horns of a devil; and one need not be an Anti-Semite to say that the face is often made to match. But though they may be ugly, or even horrible, they are not vulgar like the Jews at Brighton; they trail behind them too many primeval traditions and laborious loyalties, along with their grand though often greasy robes of bronze or purple velvet. They often wear on their heads that odd turban of fur worn by the Rabbis in the pictures of Rembrandt. And indeed that great name is not irrelevant; for the whole truth at the back of Zionism is in the difference between the picture of a Jew by Rembrandt and a picture of a Jew by Sargent. For Rembrandt the Rabbi was, in a special and double sense, a distinguished figure. He was something distinct from the world of the artist, who drew a Rabbi as he would a Brahmin. But Sargent had to treat his sitters as solid citizens of England or America; and consequently his pictures are direct provocations to a pogrom. But the light that Rembrandt loved falls not irreverently on the strange hairy haloes that can still be seen on the shaven heads of the Jews of Jerusalem. And I should be sorry for any pogrom that brought down any of their grey wisps or whiskers in sorrow to the grave.

The whole scene indeed, seriousness apart, might be regarded as a fantasia for barbers; for the different ways of dressing the hair would alone serve as symbols of different races and religions. Thus the Greek priests of the Orthodox Church, bearded and robed in black with black towers upon their heads, have for some strange reason their hair bound up behind like a woman's. In any case they have in their pomp a touch of the bearded bulls of Assyrian sculpture; and this strange fashion of curling if not oiling the Assyrian bull gives the newcomer an indescribable and illogical impression of the unnatural sublimity of archaic art. In the Apocalypse somewhere there is an inspiringly unintelligible allusion to men coming on the earth, whose hair is like the hair of women and their teeth like the teeth of lions. I have never been bitten by an Orthodox clergyman, and cannot say whether his teeth are at all leonine; though I have seen seven of them together enjoying their lunch at an hotel with decorum and dispatch. But the twisting of the hair in the womanish fashion does for us touch that note of the abnormal which the mystic meant to convey in his poetry, and which others feel rather as a recoil into humour. The best and last touch to this topsy-turvydom was given when a lady, observing one of these reverend gentlemen who for some reason did not carry this curious coiffure, exclaimed, in a tone of heartrending surprise and distress, "Oh, he's bobbed his hair!"

Here again of course even a superficial glance at the pageant of the street should not be content with its comedy. There is an intellectual interest in the external pomp and air of placid power in these ordinary Orthodox parish priests; especially if we compare them with the comparatively prosaic and jog-trot good nature of the Roman monks, called in this country the Latins. Mingling in the same crowd with these black-robed pontiffs can be seen shaven men in brown habits who seem in comparison to be both busy and obscure. These are the sons of St. Francis, who came to the East with a grand simplicity and thought to finish the Crusades with a smile. The spectator will be wise to accept this first contrast that strikes the eye with an impartial intellectual interest; it has nothing to do with personal character, of course, and many Greek priests are as simple in their tastes as they are charming in their manners; while any Roman priests can find as much ritual as they may happen to want in other aspects of their own religion. But it is broadly true that Roman and Greek Catholicism are contrasted in this way in this country; and the contrast is the flat contrary to all our customary associations in the West. In the East it is Roman Catholicism that stands for much that we associate with Protestantism. It is Roman Catholicism that is by comparison plain and practical and scornful of superstition and concerned for social work. It is Greek Catholicism that is stiff with gold and gorgeous with ceremonial, with its hold on ancient history and its inheritance of imperial tradition. In the cant of our own society, we may say it is the Roman who rationalises and the Greek who Romanises. It is the Roman Catholic who is impatient with Russian and Greek childishness, and perpetually appealing for common sense. It is the Greek who defends such childishness as childlike faith and would rebuke such common sense as common