Atlantida by Pierre Benoît (e book reader free .TXT) 📕
"'Gentlemen,' he said, 'I have a communication to make to you, and I shall ask for your advice. Here is the question. Tomorrow morning the City of Naples lands at Sfax. Aboard her is Captain de Saint-Avit, recently assigned to Feriana, en route to his post.'
"The Colonel paused. 'Good,' thought I, 'tomorrow's menu is about to be considered.' For you know the custom, Lieutenant, which has existed ever since there have been any officers' clubs in Africa. When an officer is passing by, his comrades go to meet him
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"You must realize," he continued, "the mistake of those who, believing in Atlantis, have sought to explain the cataclysm in which they suppose the island to have sunk. Without exception, they have thought that it was swallowed up. Actually, there has not been an immersion. There has been an emersion. New lands have emerged from the Atlantic wave. The desert has replaced the sea, the sebkhas, the salt lakes, the Triton lakes, the sandy Syrtes are the desolate vestiges of the free sea water over which, in former days, the fleets swept with a fair wind towards the conquest of Attica. Sand swallows up civilization better than water. To-day there remains nothing of the beautiful isle that the sea and winds kept gay and verdant but this chalky mass. Nothing has endured in this rocky basin, cut off forever from the living world, but the marvelous oasis that you have at your feet, these red fruits, this cascade, this blue lake, sacred witnesses to the golden age that is gone. Last evening, in coming here, you had to cross the five enclosures: the three belts of water, dry forever; the two girdles of earth through which are hollowed the passages you traversed on camel back, where, formerly, the triremes floated. The only thing that, in this immense catastrophe, has preserved its likeness to its former state, is this mountain, the mountain where Neptune shut up his well-beloved Clito, the daughter of Evenor and Leucippe, the mother of Atlas, and the ancestress of Antinea, the sovereign under whose dominion you are about to enter forever."
"Sir," Morhange with the most exquisite courtesy, "it would be only a natural anxiety which would urge us to inquire the reasons and the end of this dominion. But behold to what extent your revelation interests me; I defer this question of private interest. Of late, in two caverns, it has been my fortune to discover Tifinar inscriptions of this name, Antinea. My comrade is witness that I took it for a Greek name. I understand now, thanks to you and the divine Plato, that I need no longer feel surprised to hear a barbarian called by a Greek name. But I am no less perplexed as to the etymology of the word. Can you enlighten me?"
"I shall certainly not fail you there, sir," said M. Le Mesge. "I may tell you, too, that you are not the first to put to me that question. Most of the explorers that I have seen enter here in the past ten years have been attracted in the same way, intrigued by this Greek work reproduced in Tifinar. I have even arranged a fairly exact catalogue of these inscriptions and the caverns where they are to be met with. All, or almost all, are accompanied by this legend: Antinea. Here commences her domain. I myself have had repainted with ochre such as were beginning to be effaced. But, to return to what I was telling you before, none of the Europeans who have followed this epigraphic mystery here, have kept their anxiety to solve this etymology once they found themselves in Antinea's palace. They all become otherwise preoccupied. I might make many disclosures as to the little real importance which purely scientific interests possess even for scholars, and the quickness with which they sacrifice them to the most mundane considerations—their own lives, for instance."
"Let us take that up another time, sir, if it is satisfactory to you," said Morhange, always admirably polite.
"This digression had only one point, sir: to show you that I do not count you among these unworthy scholars. You are really eager to know the origin of this name, Antinea, and that before knowing what kind of woman it belongs to and her motives for holding you and this gentleman as her prisoners."
I stared hard at the little old man. But he spoke with profound seriousness.
"So much the better for you, my boy," I thought. "Otherwise it wouldn't have taken me long to send you through the window to air your ironies at your ease. The law of gravity ought not to be topsy-turvy here at Ahaggar."
"You, no doubt, formulated several hypotheses when you first encountered the name, Antinea," continued M. Le Mesge, imperturbable under my fixed gaze, addressing himself to Morhange. "Would you object to repeating them to me?"
"Not at all, sir," said Morhange.
And, very composedly, he enumerated the etymological suggestions I have given previously.
The little man with the cherry-colored shirt front rubbed his hands.
"Very good," he admitted with an accent of intense jubilation. "Amazingly good, at least for one with only the modicum of Greek that you possess. But it is all none the less false, super-false."
"It is because I suspected as much that I put my question to you," said Morhange blandly.
"I will not keep you longer in suspense," said M. Le Mesge. "The word, Antinea, is composed as follows: ti is nothing but a Tifinar addition to an essentially Greek name. Ti is the Berber feminine article. We have several examples of this combination. Take Tipasa, the North African town. The name means the whole, from ti and from Tifinar word . So, tinea signifies the new, from ti and from Tifinar word ."
"And the prefix, an?" queried Morhang.
"Is it possible, sir, that I have put myself to the trouble of talking to you for a solid hour about the Critias with such trifling effect? It is certain that the prefix an, alone, has no meaning. You will understand that it has one, when I tell you that we have here a very curious case of apocope. You must not read an; you must read atlan. Atl has been lost, by apocope; an has survived. To sum up, Antinea is composed in the following manner: Tifinar word — Tifinar word . And its meaning, the new Atlantis, is dazzlingly apparent from this demonstration."
I looked at Morhange. His astonishment was without bounds. The Berber prefix ti had literally stunned him.
"Have you had occasion, sir, to verify this very ingenious etymology?" he was finally able to gasp out.
"You have only to glance over these few books," said M. Le Mesge disdainfully.
He opened successively five, ten, twenty cupboards. An enormous library was spread out to our view.
"Everything, everything—it is all here," murmured Morhange, with an astonishing inflection of terror and admiration.
"Everything that is worth consulting, at any rate," said M. Le Mesge. "All the great books, whose loss the so-called learned world deplores to-day."
"And how has it happened?"
"Sir, you distress me. I thought you familiar with certain events. You are forgetting, then, the passage where Pliny the Elder speaks of the library of Carthage and the treasures which were accumulated there? In 146, when that city fell under the blows of the knave, Scipio, the incredible collection of illiterates who bore the name of the Roman Senate had only the profoundest contempt for these riches. They presented them to the native kings. This is how Mantabal received this priceless heritage; it was transmitted to his son and grandson, Hiempsal, Juba I, Juba II, the husband of the admirable Cleopatra Selene, the daughter of the great Cleopatra and Mark Antony. Cleopatra Selene had a daughter who married an Atlantide king. This is how Antinea, the daughter of Neptune, counts among her ancestors the immortal queen of Egypt. That is how, by following the laws of inheritance, the remains of the library of Carthage, enriched by the remnants of the library of Alexandria, are actually before your eyes.
"Science fled from man. While he was building those monstrous Babels of pseudo-science in Berlin, London, Paris, Science was taking refuge in this desert corner of Ahaggar. They may well forge their hypotheses back there, based on the loss of the mysterious works of antiquity: these works are not lost. They are here. They are here: the Hebrew, the Chaldean, the Assyrian books. Here, the great Egyptian traditions which inspired Solon, Herodotus and Plato. Here, the Greek mythologists, the magicians of Roman Africa, the Indian mystics, all the treasures, in a word, for the lack of which contemporary dissertations are poor laughable things. Believe me, he is well avenged, the little universitarian whom they took for a madman, whom they defied. I have lived, I live, I shall live in a perpetual burst of laughter at their false and garbled erudition. And when I shall be dead, Error,—thanks to the jealous precaution of Neptune taken to isolate his well-beloved Clito from the rest of the world,—Error, I say, will continue to reign as sovereign mistress over their pitiful compositions."
"Sir," said Morhange in grave voice, "you have just affirmed the influence of Egypt on the civilizations of the people here. For reasons which some day, perhaps, I shall have occasion to explain to you, I would like to have proof of that relationship."
"We need not wait for that, sir," said M. Le Mesge. Then, in my turn, I advanced.
"Two words, if you please, sir," I said brutally. "I will not hide from you that these historical discussions seem to me absolutely out of place. It is not my fault if you have had trouble with the University, and if you are not to-day at the College of France or elsewhere. For the moment, just one thing concerns me: to know just what this lady, Antinea, wants with us. My comrade would like to know her relation with ancient Egypt: very well. For my part, I desire above everything to know her relations with the government of Algeria and the Arabian Bureau."
M. Le Mesge gave a strident laugh.
"I am going to give you an answer that will satisfy you both," he replied.
And he added:
"Follow me. It is time that you should learn."
X THE RED MARBLE HALL
We passed through an interminable series of stairs and corridors following M. Le Mesge.
"You lose all sense of direction in this labyrinth," I muttered to Morhange.
"Worse still, you will lose your head," answered my companion sotto voce. "This old fool is certainly very learned; but God knows what he is driving at. However, he has promised that we are soon to know."
M. Le Mesge had stopped before a heavy dark door, all incrusted with strange symbols. Turning the lock with difficulty, he opened it.
"Enter, gentlemen, I beg you," he said.
A gust of cold air struck us full in the face. The room we were entering was chill as a vault.
At first, the darkness allowed me to form no idea of its proportions. The lighting, purposely subdued, consisted of twelve enormous copper lamps, placed column-like upon the ground and burning with brilliant red flames. As we entered, the wind from the corridor made the flames flicker, momentarily casting about us our own enlarged and misshapen shadows. Then the gust died down, and the flames, no longer flurried, again licked up the darkness with their motionless red tongues.
These twelve giant lamps (each one about ten feet high) were arranged in a kind of crown, the diameter of which must have been about fifty feet. In the center of this circle was a dark mass, all streaked with trembling red reflections. When I drew nearer, I saw it was a bubbling fountain. It was the freshness of this water which had maintained the temperature of which I have spoken.
Huge seats were cut in the central rock from which gushed the murmuring, shadowy fountain. They were heaped with silky cushions. Twelve incense burners, within the circle of red lamps, formed a second crown, half as large in diameter. Their smoke mounted toward the vault, invisible in the darkness, but their perfume, combined with the coolness and sound of the water, banished from the soul all other desire than to remain there forever.
M. Le Mesge made us sit down in
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