Portia by Margaret Wolfe Hungerford (great novels .TXT) 📕

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"Why, those are the flowers we were talking about," says Dulce, with a faint contraction of her brows. "Fabian! Did you risk your life to get them?"

"Your life!" says Portia, in an indescribable tone, and as if the words are drawn from her against her will. I think she had made up her mind to keep utter silence, but some horror connected with Dulce's hasty remark has unbound her lips. She turns her eyes upon him, and he can see by the moonlight that her face is very white.

"My dear fellow," says Sir Mark, "you grow more eccentric daily. Now this last act was rashness itself. That cliff is very nearly impassable, and in this uncertain light--"

"It was the simplest thing in the world," says Fabian, coldly. "There was the ledge Dulce told you of, and plenty of tough heather to hold on by. I assure you, if there was the smallest danger, I should not have attempted it. And, besides, I was fully rewarded for any trouble I undertook. The view up there to-night is magnificent."

To Portia it is an easy matter to translate this last remark. He is giving her plainly to understand that he neither seeks nor desires thanks from _her_. The view has sufficed him. It was to let his eyes feast upon the glorious riches nature had spread before him that led him up the mountain-side, not a foolish longing to gratify her whim at any cost to himself.

She looks at the flowers again, and with one tapered finger turns them over and over in her hand.

"Well, good people," says Sir Mark, rising to his feet, "as it is eleven o'clock, and as the dew is falling, and as you are all plainly bent on committing suicide by means of rheumatism, neuralgia and catarrhs generally, I shall leave you and seek my virtuous couch."

"What's a catarrh?" asks Dicky Browne, confidentially, of no one in particular.

"A cold in your nose," replies Roger, uncompromisingly.

"I thought it was something to play on," says Mr. Browne unabashed.

"Dear me! Is it really eleven?" asks Julia. "I should never have thought it,"--in reality she thought it was twelve--"why did you not tell me?"--this to the attentive Dicky, who is placing a shawl round her shoulders--"you must have known."

"'With thee conversing I forget all time,'" quotes that ardent personage, with a beautiful smile. "I thought it was only nine."

Even with this flagrant lie Julia is well pleased.

"Dulce, tuck up your gown, the grass is really wet," says Roger, carelessly, "and put this round you." He goes up to her, as he speaks, with a soft white scarf in his hands.

"Thank you; Mr. Gower will put it on for me," says Dulce, rather more wilfully than coquettishly handing the wrap to Stephen, who takes it as if it were some sacred symbol, and, with nervous care, smothers her slender figure in it. Roger, with a faint shrug, turns away, and devotes his attentions to Sir Mark.

Portia, still with the flowers in her hand, has wandered away from the others, and entering the drawing-room before they have mounted the balcony steps, goes up to a mirror and regards herself attentively for a moment.

A little gold brooch, of Indian workmanship, is fastening the lace at her bosom. She loosens it, and then raises the flowers (now growing rather crushed and drooping) as if with the evident intention of placing them, by means of the brooch, against her neck.

Yet, even with her hand half lifted she hesitates, glances at her own image again; and finally, turning away, leaves the brooch empty.

Fabian, entering the drawing-room at this moment with the others, has had time to notice the action, the hesitation, everything.

Then comes bed hour. The men prepare to go to the smoking-room--the women think fondly of their own rooms and their maids.

Fabian, lighting a candle, takes it up to Portia. They are all standing in the hall now, beneath the light of the hanging lamps. She smiles her thanks without letting her eyes meet his, and lets him place the candle in her left hand.

"Have you hurt this?" he asks, lightly touching her right hand as he speaks.

"No." She pauses a moment, and then, slowly opening her closed fingers, shows him the blue flowers lying therein.

"They are lovely," she says, in a low tone, "and I _did_ wish for them. But never--_never_--do that again."

"Do what again?"

"Endanger your life for me."

"There was no danger--and you had expressed a wish for them."


CHAPTER X.


"Every one is as God made him, and oftentimes a great deal worse!"
--MIGUEL DE CERVANTES.


WITH a continuous sob and a roar from the distant ocean the storm beats on. All night it has hurled itself upon path and lawn with impotent fury; towards morning it still rages, and even now, when noonday is at its height, its anger is not yet expended.

The rain falls in heavy torrents, the trees bow and creak most mournfully, the rose leaves--sweet-scented and pink as glowing morn--are scattered along the walks, or else, lifted high in air by vehement gusts of wind, are dashed hither and thither in a mazy dance full of passion and despair.

"Just three o'clock," says Dulce, drearily, "and what weather!"

"It is always bad on your day," says Julia, with a carefully suppressed yawn. Julia, when yawning, is not pretty. "I remember when I was here last year, that Thursday, as a rule, was the most melancholy day in the week."

Indeed, as she speaks, she looks more than melancholy, almost aggrieved. She has donned her most sensational garments (there is any amount of red about them) and her most recherche cap to greet the country, and naught cometh but the rain.

"I don't know anything more melancholy at any time than one's at-home day," says Dicky Browne, meditatively, and very sorrowfully; "It is like Sunday, it puts every one out of sorts, and creates evil tempers all round. I never yet knew any family that didn't go down to zero when brought face to face with the fact that to-day they must receive their friends."

"It's a pity you can't talk sense," says Dulce, with a small curl of her upper lip.

"It's a pity I _can_, you mean. I am too above-board, too genuine for the times in which we live. My candor will be my ruin!" says Mr. Browne, hopelessly unabashed.

"It will!" declares Roger, in a tone that perhaps it will be wise not to go into.

"I suppose nobody will come here to-day," says Portia, somewhat disappointedly; they have been indoors all day, and have become so low in spirit, that even the idea of possible visitors is to be welcomed with delight.

"Nobody," returns Sir Mark, "except the Boers and Miss Gaunt, and _they_ are utter certainties; they always come; they never fail us; they are thoroughly safe people in every respect."

"If Miss Gaunt inflicts herself upon us to-day (which the gods forbid), be sure you pitch into her about the cook she sent you," says Roger, gloomily, turning to Dulce. "That will be a topic of conversation at all events; you owe me a debt of gratitude for suggesting it."

"Well I shan't pay it," says Miss Blount, with decision.

"Well you _ought_. As a rule, the attempts at conversation down here are calculated to draw tears to the eyes of any intellectual person."

"But why?" asks Portia, indolently.

"It is utterly simple," says Roger, mildly. "There is nothing to talk about; you cannot well ask people what they had for dinner yesterday, without being rude, and there are no theatres, or concerts, or clubs to discuss, and nobody ever dies (the country is fatally healthy), and nobody ever gets married (because there is nobody to marry), and nothing is ever born, because they were all born years ago, or else have made up their minds never to be born at all. It is, in fact, about as unsatisfactory a neighborhood as any one could wish to inhabit."

"I dare say there are worse," says Dulce.

"You have strong faith," retorts Roger.

"Well, it would be a nice question to decide," says Sir Mark, amiably, with a view to restoring order.

"I don't think it is half a bad place," says Dicky Browne, genially, addressing nobody in particular, and talking for the mere sake of hearing his own voice.

"Dicky, I love you," says Dulce, triumphantly.

"Lucky Dicky," says Roger, with an only half-suppressed sneer, which brings down upon him a withering glance from his betrothed.

"How I hate rain," she says, pettishly, tapping the window with two impatient little fingers.

"I love it," says Roger, unpleasantly.

"Love rain!" with an air of utter disbelief. "How can you make such a ridiculous remark! I never heard of _any_ one who liked rain."

"Well, you hear of me now. _I_ like it."

"Oh! nonsense," says Miss Blount, contemptuously.

"It _isn't_ nonsense!" exclaims he, angrily, "I suppose I am entitled to my own likes and dislikes. You can hate rain as much as you do _me_ if you wish it; but at least allow me to--"

"Love it, as you do me," with an artificial laugh, and a soft shrug of her rounded shoulders. "It is perfectly absurd, in spite of your obstinate determination to say you do, I don't believe you _can_ have a desire for wet weather."

"Thank you!" indignantly. "That is simply giving me the lie direct. I must say you _can_ be uncivil when you choose."

"Uncivil!"

"Decidedly uncivil, and even more than that."

"What do you mean! I insist on knowing what you mean by more."

"They're at it again," says Mr. Browne, at this auspicious moment, waving his hand in an airy fashion in the direction of our two belligerents.

Mr. Browne is a person who can always say and do what he likes for several reasons, the principal being that nobody pays the smallest attention to either his sayings or doings. Everybody likes Dicky, and Dicky, as a rule, likes everybody. He has a father and a home somewhere, but where (especially with regard to the former), is vague.

The home, certainly, is kept up for nobody except the servants, as neither Dicky nor his father ever put in an appearance there. The latter (who has never yet mastered the fact that he is growing old), spends all his time in the favorite window of his Club in Pall Mall, with his nose pressed against the pane and his attention irrevocably fixed upon the passers-by on the other side of the way. This is his sole occupation from morning till night; unless one can take notice of a dismal and most diabolical tattoo that at unfortunate moments he is in the habit of inflicting upon the window, and the nerves of the other occupants of the room in which he may be.

Dicky puts in most of his time at Blount Hall. Indeed, it has grown to be a matter of speculation with the Blount's whether in the event of his marriage he will not elect to bring his bride also to stay with them for good and all! They have even gone so far as to hope he will marry