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recalled to his mind, turned pale and came to his senses.
"Here you are, messieurs!" cried Pierrotin, pulling up at a fine iron gate.
"Here we are--where?" said the painter, and Georges, and Oscar all at once.
"Well, well!" exclaimed Pierrotin, "if that doesn't beat all! Ah ca, monsieurs, have none of you been here before? Why, this is the chateau de Presles."
"Oh, yes; all right, friend," said Georges, recovering his audacity. "But I happen to be going on to Les Moulineaux," he added, not wishing his companions to know that he was really going to the chateau.
"You don't say so? Then you are coming to me," said Pere Leger.
"How so?"
"Why, I'm the farmer at Moulineaux. Hey, colonel, what brings you there?"
"To taste your butter," said Georges, pulling out his portfolio.
"Pierrotin," said Oscar, "leave my things at the steward's. I am going straight to the chateau."
Whereupon Oscar plunged into a narrow path, not knowing, in the least, where he was going.
"Hi! Monsieur l'ambassadeur," cried Pere Leger, "that's the way to the forest; if you really want to get to the chateau, go through the little gate."
Thus compelled to enter, Oscar disappeared into the grand court-yard. While Pere Leger stood watching Oscar, Georges, utterly confounded by the discovery that the farmer was the present occupant of Les Moulineaux, has slipped away so adroitly that when the fat countryman looked round for his colonel there was no sign of him.
The iron gates opened at Pierrotin's demand, and he proudly drove in to deposit with the concierge the thousand and one utensils belonging to the great Schinner. Oscar was thunderstruck when he became aware that Mistigris and his master, the witnesses of his bravado, were to be installed in the chateau itself. In ten minutes Pierrotin had discharged the various packages of the painter, the bundles of Oscar Husson, and the pretty little leather portmanteau, which he took from its nest of hay and confided mysteriously to the wife of the concierge. Then he drove out of the courtyard, cracking his whip, and took the road that led through the forest to Isle-Adam, his face beaming with the sly expression of a peasant who calculates his profits. Nothing was lacking now to his happiness; on the morrow he would have his thousand francs, and, as a consequence, his magnificent new coach.
CHAPTER VI. THE MOREAU INTERIOR
Oscar, somewhat abashed, was skulking behind a clump of trees in the centre of the court-yard, and watching to see what became of his two road-companions, when Monsieur Moreau suddenly came out upon the portico from what was called the guard-room. He was dressed in a long blue overcoat which came to his heels, breeches of yellowish leather and top-boots, and in his hand he carried a riding-whip.
"Ah! my boy, so here you are? How is the dear mamma?" he said, taking Oscar by the hand. "Good-day, messieurs," he added to Mistigris and his master, who then came forward. "You are, no doubt, the two painters whom Monsieur Grindot, the architect, told me to expect."
He whistled twice at the end of his whip; the concierge came.
"Take these gentlemen to rooms 14 and 15. Madame Moreau will give you the keys. Go with them to show the way; make fires there, if necessary, and take up all their things. I have orders from Monsieur le comte," he added, addressing the two young men, "to invite you to my table, messieurs; we dine at five, as in Paris. If you like hunting, you will find plenty to amuse you; I have a license from the Eaux et Forets; and we hunt over twelve thousand acres of forest, not counting our own domain."
Oscar, the painter, and Mistigris, all more or less subdued, exchanged glances, but Mistigris, faithful to himself, remarked in a low tone, "'Veni, vidi, cecidi,--I came, I saw, I slaughtered.'"
Oscar followed the steward, who led him along at a rapid pace through the park.
"Jacques," said Moreau to one of his children whom they met, "run in and tell your mother that little Husson has come, and say to her that I am obliged to go to Les Moulineaux for a moment."
The steward, then about fifty years old, was a dark man of medium height, and seemed stern. His bilious complexion, to which country habits had added a certain violent coloring, conveyed, at first sight, the impression of a nature which was other than his own. His blue eyes and a large crow-beaked nose gave him an air that was the more threatening because his eyes were placed too close together. But his large lips, the outline of his face, and the easy good-humor of his manner soon showed that his nature was a kindly one. Abrupt in speech and decided in tone, he impressed Oscar immensely by the force of his penetration, inspired, no doubt, by the affection which he felt for the boy. Trained by his mother to magnify the steward, Oscar had always felt himself very small in Moreau's presence; but on reaching Presles a new sensation came over him, as if he expected some harm from this fatherly figure, his only protector.
"Well, my Oscar, you don't look pleased at getting here," said the steward. "And yet you'll find plenty of amusement; you shall learn to ride on horseback, and shoot, and hunt."
"I don't know any of those things," said Oscar, stupidly.
"But I brought you here to learn them."
"Mamma told me only to stay two weeks because of Madame Moreau."
"Oh! we'll see about that," replied Moreau, rather wounded that his conjugal authority was doubted.
Moreau's youngest son, an active, strapping lad of twelve, here ran up.
"Come," said his father, "take Oscar to your mother."
He himself went rapidly along the shortest path to the gamekeeper's house, which was situated between the park and the forest.
The pavilion, or lodge, in which the count had established his steward, was built a few years before the Revolution. It stood in the centre of a large garden, one wall of which adjoined the court-yard of the stables and offices of the chateau itself. Formerly its chief entrance was on the main road to the village. But after the count's father bought the building, he closed that entrance and united the place with his own property.
The house, built of freestone, in the style of the period of Louis XV. (it is enough to say that its exterior decoration consisted of a stone drapery beneath the windows, as in the colonnades of the Place Louis XV., the flutings of which were stiff and ungainly), had on the ground-floor a fine salon opening into a bedroom, and a dining-room connected with a billiard-room. These rooms, lying parallel to one another, were separated by a staircase, in front of which was a sort of peristyle which formed an entrance-hall, on which the two suits of rooms on either side opened. The kitchen was beneath the dining-room, for the whole building was raised ten steps from the ground level.
By placing her own bedroom on the first floor above the ground-floor, Madame Moreau was able to transform the chamber adjoining the salon into a boudoir. These two rooms were richly furnished with beautiful pieces culled from the rare old furniture of the chateau. The salon, hung with blue and white damask, formerly the curtains of the state-bed, was draped with ample portieres and window curtains lined with white silk. Pictures, evidently from old panels, plant-stands, various pretty articles of modern upholstery, handsome lamps, and a rare old cut-glass chandelier, gave a grandiose appearance to the room. The carpet was a Persian rug. The boudoir, wholly modern, and furnished entirely after Madame Moreau's own taste, was arranged in imitation of a tent, with ropes of blue silk on a gray background. The classic divan was there, of course, with its pillows and footstools. The plant-stands, taken care of by the head-gardener of Presles, rejoiced the eye with their pyramids of bloom. The dining-room and billiard-room were furnished in mahogany.
Around the house the steward's wife had laid out a beautiful garden, carefully cultivated, which opened into the great park. Groups of choice parks hid the offices and stables. To improve the entrance by which visitors came to see her, she had substituted a handsome iron gateway for the shabby railing, which she discarded.
The dependence in which the situation of their dwelling placed the Moreaus, was thus adroitly concealed, and they seemed all the more like rich and independent persons taking care of the property of a friend, because neither the count nor the countess ever came to Presles to take down their pretensions. Moreover, the perquisites granted by Monsieur de Serizy allowed them to live in the midst of that abundance which is the luxury of country life. Milk, eggs, poultry, game, fruits, flowers, forage, vegetables, wood, the steward and his wife used in profusion, buying absolutely nothing but butcher's-meat, wines, and the colonial supplies required by their life of luxury. The poultry-maid baked their bread; and of late years Moreau had paid his butcher with pigs from the farm, after reserving those he needed for his own use.
On one occasion, the countess, always kind and good to her former maid, gave her, as a souvenir perhaps, a little travelling-carriage, the fashion of which was out of date. Moreau had it repainted, and now drove his wife about the country with two good horses which belonged to the farm. Besides these horses, Moreau had his own saddle-horse. He did enough farming on the count's property to keep the horses and maintain his servants. He stacked three hundred tons of excellent hay, but accounted for only one hundred, making use of a vague permission once granted by the count. He kept his poultry-yard, pigeon-cotes, and cattle at the cost of the estate, but the manure of the stables was used by the count's gardeners. All these little stealings had some ostensible excuse.
Madame Moreau had taken into her service a daughter of one of the gardeners, who was first her maid and afterwards her cook. The poultry-game, also the dairy-maid, assisted in the work of the household; and the steward had hired a discharged soldier to groom the horses and do the heavy labor.
At Nerville, Chaumont, Maffliers, Nointel, and other places of the neighborhood, the handsome wife of the steward was received by persons who either did not know, or pretended not to know her previous condition. Moreau did services to many persons. He induced his master to agree to certain things which seem trifles in Paris, but are really of immense importance in the country. After bringing about the appointment of a certain "juge de paix" at Beaumont and also at Isle-Adam, he had, in the same year, prevented the dismissal of a keeper-general of the Forests, and obtained the cross of the Legion of honor for the first cavalry-sergeant at Beaumont. Consequently, no festivity was ever given among the bourgeoisie to which Monsieur and Madame Moreau were not invited. The rector of Presles and the mayor of Presles came every evening to play cards with them. It is difficult for a man not to be kind and hospitable after feathering his nest so comfortably.
A pretty woman, and an affected one, as all retired waiting-maids of great ladies are, for after they are married they imitate their mistresses, Madame Moreau imported from Paris all the new fashions. She wore expensive boots, and never was seen on foot, except, occasionally, in the finest weather. Though her husband allowed but five hundred francs a year for her toilet, that
"Here you are, messieurs!" cried Pierrotin, pulling up at a fine iron gate.
"Here we are--where?" said the painter, and Georges, and Oscar all at once.
"Well, well!" exclaimed Pierrotin, "if that doesn't beat all! Ah ca, monsieurs, have none of you been here before? Why, this is the chateau de Presles."
"Oh, yes; all right, friend," said Georges, recovering his audacity. "But I happen to be going on to Les Moulineaux," he added, not wishing his companions to know that he was really going to the chateau.
"You don't say so? Then you are coming to me," said Pere Leger.
"How so?"
"Why, I'm the farmer at Moulineaux. Hey, colonel, what brings you there?"
"To taste your butter," said Georges, pulling out his portfolio.
"Pierrotin," said Oscar, "leave my things at the steward's. I am going straight to the chateau."
Whereupon Oscar plunged into a narrow path, not knowing, in the least, where he was going.
"Hi! Monsieur l'ambassadeur," cried Pere Leger, "that's the way to the forest; if you really want to get to the chateau, go through the little gate."
Thus compelled to enter, Oscar disappeared into the grand court-yard. While Pere Leger stood watching Oscar, Georges, utterly confounded by the discovery that the farmer was the present occupant of Les Moulineaux, has slipped away so adroitly that when the fat countryman looked round for his colonel there was no sign of him.
The iron gates opened at Pierrotin's demand, and he proudly drove in to deposit with the concierge the thousand and one utensils belonging to the great Schinner. Oscar was thunderstruck when he became aware that Mistigris and his master, the witnesses of his bravado, were to be installed in the chateau itself. In ten minutes Pierrotin had discharged the various packages of the painter, the bundles of Oscar Husson, and the pretty little leather portmanteau, which he took from its nest of hay and confided mysteriously to the wife of the concierge. Then he drove out of the courtyard, cracking his whip, and took the road that led through the forest to Isle-Adam, his face beaming with the sly expression of a peasant who calculates his profits. Nothing was lacking now to his happiness; on the morrow he would have his thousand francs, and, as a consequence, his magnificent new coach.
CHAPTER VI. THE MOREAU INTERIOR
Oscar, somewhat abashed, was skulking behind a clump of trees in the centre of the court-yard, and watching to see what became of his two road-companions, when Monsieur Moreau suddenly came out upon the portico from what was called the guard-room. He was dressed in a long blue overcoat which came to his heels, breeches of yellowish leather and top-boots, and in his hand he carried a riding-whip.
"Ah! my boy, so here you are? How is the dear mamma?" he said, taking Oscar by the hand. "Good-day, messieurs," he added to Mistigris and his master, who then came forward. "You are, no doubt, the two painters whom Monsieur Grindot, the architect, told me to expect."
He whistled twice at the end of his whip; the concierge came.
"Take these gentlemen to rooms 14 and 15. Madame Moreau will give you the keys. Go with them to show the way; make fires there, if necessary, and take up all their things. I have orders from Monsieur le comte," he added, addressing the two young men, "to invite you to my table, messieurs; we dine at five, as in Paris. If you like hunting, you will find plenty to amuse you; I have a license from the Eaux et Forets; and we hunt over twelve thousand acres of forest, not counting our own domain."
Oscar, the painter, and Mistigris, all more or less subdued, exchanged glances, but Mistigris, faithful to himself, remarked in a low tone, "'Veni, vidi, cecidi,--I came, I saw, I slaughtered.'"
Oscar followed the steward, who led him along at a rapid pace through the park.
"Jacques," said Moreau to one of his children whom they met, "run in and tell your mother that little Husson has come, and say to her that I am obliged to go to Les Moulineaux for a moment."
The steward, then about fifty years old, was a dark man of medium height, and seemed stern. His bilious complexion, to which country habits had added a certain violent coloring, conveyed, at first sight, the impression of a nature which was other than his own. His blue eyes and a large crow-beaked nose gave him an air that was the more threatening because his eyes were placed too close together. But his large lips, the outline of his face, and the easy good-humor of his manner soon showed that his nature was a kindly one. Abrupt in speech and decided in tone, he impressed Oscar immensely by the force of his penetration, inspired, no doubt, by the affection which he felt for the boy. Trained by his mother to magnify the steward, Oscar had always felt himself very small in Moreau's presence; but on reaching Presles a new sensation came over him, as if he expected some harm from this fatherly figure, his only protector.
"Well, my Oscar, you don't look pleased at getting here," said the steward. "And yet you'll find plenty of amusement; you shall learn to ride on horseback, and shoot, and hunt."
"I don't know any of those things," said Oscar, stupidly.
"But I brought you here to learn them."
"Mamma told me only to stay two weeks because of Madame Moreau."
"Oh! we'll see about that," replied Moreau, rather wounded that his conjugal authority was doubted.
Moreau's youngest son, an active, strapping lad of twelve, here ran up.
"Come," said his father, "take Oscar to your mother."
He himself went rapidly along the shortest path to the gamekeeper's house, which was situated between the park and the forest.
The pavilion, or lodge, in which the count had established his steward, was built a few years before the Revolution. It stood in the centre of a large garden, one wall of which adjoined the court-yard of the stables and offices of the chateau itself. Formerly its chief entrance was on the main road to the village. But after the count's father bought the building, he closed that entrance and united the place with his own property.
The house, built of freestone, in the style of the period of Louis XV. (it is enough to say that its exterior decoration consisted of a stone drapery beneath the windows, as in the colonnades of the Place Louis XV., the flutings of which were stiff and ungainly), had on the ground-floor a fine salon opening into a bedroom, and a dining-room connected with a billiard-room. These rooms, lying parallel to one another, were separated by a staircase, in front of which was a sort of peristyle which formed an entrance-hall, on which the two suits of rooms on either side opened. The kitchen was beneath the dining-room, for the whole building was raised ten steps from the ground level.
By placing her own bedroom on the first floor above the ground-floor, Madame Moreau was able to transform the chamber adjoining the salon into a boudoir. These two rooms were richly furnished with beautiful pieces culled from the rare old furniture of the chateau. The salon, hung with blue and white damask, formerly the curtains of the state-bed, was draped with ample portieres and window curtains lined with white silk. Pictures, evidently from old panels, plant-stands, various pretty articles of modern upholstery, handsome lamps, and a rare old cut-glass chandelier, gave a grandiose appearance to the room. The carpet was a Persian rug. The boudoir, wholly modern, and furnished entirely after Madame Moreau's own taste, was arranged in imitation of a tent, with ropes of blue silk on a gray background. The classic divan was there, of course, with its pillows and footstools. The plant-stands, taken care of by the head-gardener of Presles, rejoiced the eye with their pyramids of bloom. The dining-room and billiard-room were furnished in mahogany.
Around the house the steward's wife had laid out a beautiful garden, carefully cultivated, which opened into the great park. Groups of choice parks hid the offices and stables. To improve the entrance by which visitors came to see her, she had substituted a handsome iron gateway for the shabby railing, which she discarded.
The dependence in which the situation of their dwelling placed the Moreaus, was thus adroitly concealed, and they seemed all the more like rich and independent persons taking care of the property of a friend, because neither the count nor the countess ever came to Presles to take down their pretensions. Moreover, the perquisites granted by Monsieur de Serizy allowed them to live in the midst of that abundance which is the luxury of country life. Milk, eggs, poultry, game, fruits, flowers, forage, vegetables, wood, the steward and his wife used in profusion, buying absolutely nothing but butcher's-meat, wines, and the colonial supplies required by their life of luxury. The poultry-maid baked their bread; and of late years Moreau had paid his butcher with pigs from the farm, after reserving those he needed for his own use.
On one occasion, the countess, always kind and good to her former maid, gave her, as a souvenir perhaps, a little travelling-carriage, the fashion of which was out of date. Moreau had it repainted, and now drove his wife about the country with two good horses which belonged to the farm. Besides these horses, Moreau had his own saddle-horse. He did enough farming on the count's property to keep the horses and maintain his servants. He stacked three hundred tons of excellent hay, but accounted for only one hundred, making use of a vague permission once granted by the count. He kept his poultry-yard, pigeon-cotes, and cattle at the cost of the estate, but the manure of the stables was used by the count's gardeners. All these little stealings had some ostensible excuse.
Madame Moreau had taken into her service a daughter of one of the gardeners, who was first her maid and afterwards her cook. The poultry-game, also the dairy-maid, assisted in the work of the household; and the steward had hired a discharged soldier to groom the horses and do the heavy labor.
At Nerville, Chaumont, Maffliers, Nointel, and other places of the neighborhood, the handsome wife of the steward was received by persons who either did not know, or pretended not to know her previous condition. Moreau did services to many persons. He induced his master to agree to certain things which seem trifles in Paris, but are really of immense importance in the country. After bringing about the appointment of a certain "juge de paix" at Beaumont and also at Isle-Adam, he had, in the same year, prevented the dismissal of a keeper-general of the Forests, and obtained the cross of the Legion of honor for the first cavalry-sergeant at Beaumont. Consequently, no festivity was ever given among the bourgeoisie to which Monsieur and Madame Moreau were not invited. The rector of Presles and the mayor of Presles came every evening to play cards with them. It is difficult for a man not to be kind and hospitable after feathering his nest so comfortably.
A pretty woman, and an affected one, as all retired waiting-maids of great ladies are, for after they are married they imitate their mistresses, Madame Moreau imported from Paris all the new fashions. She wore expensive boots, and never was seen on foot, except, occasionally, in the finest weather. Though her husband allowed but five hundred francs a year for her toilet, that
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