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chestnut must be dropped into all the boxes nailed to the doors of the dormitories—a watchman looked through the peep-hole of the dormitory and beheld Brujon sitting on his bed and writing something by the light of the hall-lamp. The guardian entered, Brujon was put in a solitary cell for a month, but they were not able to seize what he had written. The police learned nothing further about it.

What is certain is, that on the following morning, a “postilion” was flung from the Charlemagne yard into the Lions’ Ditch, over the five-story building which separated the two court-yards.

What prisoners call a “postilion” is a pallet of bread artistically moulded, which is sent into Ireland, that is to say, over the roofs of a prison, from one courtyard to another. Etymology: over England; from one land to another; into Ireland. This little pellet falls in the yard. The man who picks it up opens it and finds in it a note addressed to some prisoner in that yard. If it is a prisoner who finds the treasure, he forwards the note to its destination; if it is a keeper, or one of the prisoners secretly sold who are called sheep in prisons and foxes in the galleys, the note is taken to the office and handed over to the police.

On this occasion, the postilion reached its address, although the person to whom it was addressed was, at that moment, in solitary confinement. This person was no other than Babet, one of the four heads of Patron Minette.

The postilion contained a roll of paper on which only these two lines were written:—

“Babet. There is an affair in the Rue Plumet. A gate on a garden.”

This is what Brujon had written the night before.

In spite of male and female searchers, Babet managed to pass the note on from La Force to the Salpêtrière, to a “good friend” whom he had and who was shut up there. This woman in turn transmitted the note to another woman of her acquaintance, a certain Magnon, who was strongly suspected by the police, though not yet arrested. This Magnon, whose name the reader has already seen, had relations with the Thénardier, which will be described in detail later on, and she could, by going to see Éponine, serve as a bridge between the Salpêtrière and Les Madelonettes.

It happened, that at precisely that moment, as proofs were wanting in the investigation directed against Thénardier in the matter of his daughters, Éponine and Azelma were released. When Éponine came out, Magnon, who was watching the gate of the Madelonettes, handed her Brujon’s note to Babet, charging her to look into the matter.

Éponine went to the Rue Plumet, recognized the gate and the garden, observed the house, spied, lurked, and, a few days later, brought to Magnon, who delivers in the Rue Clocheperce, a biscuit, which Magnon transmitted to Babet’s mistress in the Salpêtrière. A biscuit, in the shady symbolism of prisons, signifies: Nothing to be done.

So that in less than a week from that time, as Brujon and Babet met in the circle of La Force, the one on his way to the examination, the other on his way from it:—

“Well?” asked Brujon, “the Rue P.?”

“Biscuit,” replied Babet. Thus did the fœtus of crime engendered by Brujon in La Force miscarry.

This miscarriage had its consequences, however, which were perfectly distinct from Brujon’s programme. The reader will see what they were.

Often when we think we are knotting one thread, we are tying quite another.

CHAPTER III—APPARITION TO FATHER MABEUF

Marius no longer went to see any one, but he sometimes encountered Father Mabeuf by chance.

While Marius was slowly descending those melancholy steps which may be called the cellar stairs, and which lead to places without light, where the happy can be heard walking overhead, M. Mabeuf was descending on his side.

The Flora of Cauteretz no longer sold at all. The experiments on indigo had not been successful in the little garden of Austerlitz, which had a bad exposure. M. Mabeuf could cultivate there only a few plants which love shade and dampness. Nevertheless, he did not become discouraged. He had obtained a corner in the Jardin des Plantes, with a good exposure, to make his trials with indigo “at his own expense.” For this purpose he had pawned his copperplates of the Flora. He had reduced his breakfast to two eggs, and he left one of these for his old servant, to whom he had paid no wages for the last fifteen months. And often his breakfast was his only meal. He no longer smiled with his infantile smile, he had grown morose and no longer received visitors. Marius did well not to dream of going thither. Sometimes, at the hour when M. Mabeuf was on his way to the Jardin des Plantes, the old man and the young man passed each other on the Boulevard de l’Hôpital. They did not speak, and only exchanged a melancholy sign of the head. A heart-breaking thing it is that there comes a moment when misery looses bonds! Two men who have been friends become two chance passers-by.

Royol the bookseller was dead. M. Mabeuf no longer knew his books, his garden, or his indigo: these were the three forms which happiness, pleasure, and hope had assumed for him. This sufficed him for his living. He said to himself: “When I shall have made my balls of blueing, I shall be rich, I will withdraw my copperplates from the pawn-shop, I will put my Flora in vogue again with trickery, plenty of money and advertisements in the newspapers and I will buy, I know well where, a copy of Pierre de Médine’s Art de Naviguer, with wood-cuts, edition of 1655.” In the meantime, he toiled all day over his plot of indigo, and at night he returned home to water his garden, and to read his books. At that epoch, M. Mabeuf was nearly eighty years of age.

One evening he had a singular apparition.

He had returned home while it was still broad daylight. Mother Plutarque, whose health was declining, was ill and in bed. He had dined on a bone, on which a little meat lingered, and a bit of bread that he had found on the kitchen table, and had seated himself on an overturned stone post, which took the place of a bench in his garden.

Near this bench there rose, after the fashion in orchard-gardens, a sort of large chest, of beams and planks, much dilapidated, a rabbit-hutch on the ground floor, a fruit-closet on the first. There was nothing in the hutch, but there were a few apples in the fruit-closet,—the remains of the winter’s provision.

M. Mabeuf had set himself to turning over and reading, with the aid of his glasses, two books of which he was passionately fond and in which, a serious thing at his age, he was interested. His natural timidity rendered him accessible to the acceptance of superstitions in a certain degree. The first of these books was the famous treatise of President Delancre, De l’Inconstance des Démons; the other was a quarto by Mutor de la Rubaudière, Sur les Diables de Vauvert et les Gobelins de la Bièvre. This last-mentioned old volume interested him all the more, because his garden had been one of the spots haunted by goblins in former times. The twilight had begun to whiten what was on high and to blacken all below. As he read, over the top of the book which he held in his hand, Father Mabeuf was surveying his plants, and among others a magnificent rhododendron which was one of his consolations; four days of heat, wind, and sun without a drop of rain, had passed; the stalks were bending, the buds drooping, the leaves falling; all this needed water, the rhododendron was particularly sad. Father Mabeuf was one of those persons for whom plants have souls. The old man had toiled all day over his indigo plot, he was worn out with fatigue, but he rose, laid his books on the bench, and walked, all bent over and with tottering footsteps, to the well, but when he had grasped the chain, he could not even draw it sufficiently to unhook it. Then he turned round and cast a glance of anguish toward heaven which was becoming studded with stars.

The evening had that serenity which overwhelms the troubles of man beneath an indescribably mournful and eternal joy. The night promised to be as arid as the day had been.

“Stars everywhere!” thought the old man; “not the tiniest cloud! Not a drop of water!”

And his head, which had been upraised for a moment, fell back upon his breast.

He raised it again, and once more looked at the sky, murmuring:—

“A tear of dew! A little pity!”

He tried again to unhook the chain of the well, and could not.

At that moment, he heard a voice saying:—

“Father Mabeuf, would you like to have me water your garden for you?”

At the same time, a noise as of a wild animal passing became audible in the hedge, and he beheld emerging from the shrubbery a sort of tall, slender girl, who drew herself up in front of him and stared boldly at him. She had less the air of a human being than of a form which had just blossomed forth from the twilight.

Before Father Mabeuf, who was easily terrified, and who was, as we have said, quick to take alarm, was able to reply by a single syllable, this being, whose movements had a sort of odd abruptness in the darkness, had unhooked the chain, plunged in and withdrawn the bucket, and filled the watering-pot, and the goodman beheld this apparition, which had bare feet and a tattered petticoat, running about among the flower-beds distributing life around her. The sound of the watering-pot on the leaves filled Father Mabeuf’s soul with ecstasy. It seemed to him that the rhododendron was happy now.

The first bucketful emptied, the girl drew a second, then a third. She watered the whole garden.

There was something about her, as she thus ran about among paths, where her outline appeared perfectly black, waving her angular arms, and with her fichu all in rags, that resembled a bat.

When she had finished, Father Mabeuf approached her with tears in his eyes, and laid his hand on her brow.

“God will bless you,” said he, “you are an angel since you take care of the flowers.”

“No,” she replied. “I am the devil, but that’s all the same to me.”

The old man exclaimed, without either waiting for or hearing her response:—

“What a pity that I am so unhappy and so poor, and that I can do nothing for you!”

“You can do something,” said she.

“What?”

“Tell me where M. Marius lives.”

The old man did not understand. “What Monsieur Marius?”

He raised his glassy eyes and seemed to be seeking something that had vanished.

“A young man who used to come here.”

In the meantime, M. Mabeuf had searched his memory.

“Ah! yes—” he exclaimed. “I know what you mean. Wait! Monsieur Marius—the Baron Marius Pontmercy, parbleu! He lives,—or rather, he no longer lives,—ah well, I don’t know.”

As he spoke, he had bent over to train a branch of rhododendron, and he continued:—

“Hold, I know now. He very often passes along the boulevard, and goes in the direction of the Glacière, Rue Croulebarbe. The meadow of the Lark. Go there. It is not hard to meet him.”

When M. Mabeuf straightened himself up, there was no longer any one there; the girl had disappeared.

He was decidedly terrified.

“Really,” he thought, “if my garden had not been watered, I should think that she was a spirit.”

An hour later, when he was in bed, it came back to him, and as he fell asleep, at that confused moment when thought, like that fabulous bird which changes itself into a fish in order to cross the sea, little by little assumes the form of a dream in order to traverse slumber, he said to himself in a bewildered way:—

“In sooth, that greatly resembles what Rubaudière narrates of the goblins. Could it have been a goblin?”

CHAPTER IV—AN APPARITION TO MARIUS

Some days after this visit of a “spirit” to Farmer Mabeuf, one morning,—it was on a Monday, the day when Marius borrowed the hundred-sou piece from Courfeyrac for Thénardier—Marius had put this coin in his pocket, and before carrying it to the clerk’s office, he had gone “to take a little stroll,” in the hope that this would make him work on his return. It was always thus, however. As soon as he rose, he seated himself before a book and a sheet of paper in order to scribble some translation; his task at that epoch consisted in turning into French a celebrated quarrel between Germans, the Gans and Savigny controversy; he took Savigny,

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