The Ghost-Seer by Friedrich Schiller (read aloud books .txt) 📕

however, to be lamented, that a work of so much merit, which if exhibited in some public place, would command the admiration of every one, should be destined merely to ornament the refectory of a few monks. The church of the monastery is no less worthy of admiration, being one of the finest in the whole city. Towards evening we went in a gondola to the Guidecca, in order to spend the pleasant hours of evening in its charming garden. Our party, which was not very numerous, soon dispersed in various directions; and Civitella, who had been waiting all day for an opportunity of speaking to me privately, took me aside into an arbor.

"You are a friend to the prince," he began, "from whom he is accustomed to keep no secrets, as I know from very good authority. As I entered his hotel to-day I met a man coming out whose occupation is well known to me, and when I entered the room the prince's brow was clouded." I wished to interrupt him,--"You cannot deny it," continued he; "I knew the man, I looked at him well. And is it possible that the prince should have a friend in Venice--a friend who owes his life to him, and yet be reduced on an emergency to make use of such creatures?"

"Tell me frankly, Baron! Is the prince in difficulties? It is in vain you strive to conceal it from me. What! you refuse to tell me! I can easily learn from one who would sell any secret for gold."

"My good Marquis!"

"Pardon me! I must appear intrusive in order not to be ungrateful. To the prince I am indebted for life, and what is still more, for a reasonable use of it. Shall I stand idly by and see him take steps which, besides being inconvenient to him, are beneath his dignity? Shall I feel it in my power to assist him, and hesitate for a moment to step forward?"

"The prince," replied I, "is not in difficulties. Some remittances which we expected via Trent have not yet arrived, most likely either by accident, or because not feeling certain whether he had not already left Venice, they waited for a communication from him. This has now been done, and until their arrival--"

Civitella shook his head. "Do not mistake my motive," said he; "in this there can be no question as to diminishing the extent of my obligations towards the prince, which all my uncle's wealth would be insufficient to cancel. My object is simply to spare him a few unpleasant moments. My uncle possesses a large fortune which I can command as freely as though it were my own. A fortunate circumstance occurs, which enables me to avail myself of the only means by which I can possibly be of the slightest use to your master. I know," continued he, "how much delicacy the prince possesses, but the feeling is mutual, and it would be noble on his part to afford me this slight gratification, were it only to make me appear to feel less heavily the load of obligation under which I labor."

He continued to urge his request, until I had pledged my word to assist him to the utmost of my ability. I knew the prince's character, and had but small hopes of success. The marquis promised to agree to any conditions the prince might impose, but added, that it would deeply wound him to be regarded in the light of a stranger.

In the heat of our conversation we had strayed far away from the rest of the company, and were returning, when Z-------- came to meet us.

"I am in search of the prince," he cried; "is he not with you?"

"We were just going to him," was our reply. "We thought to find him with the rest of the party."

"The company is all together, but he is nowhere to be found. I cannot imagine how we lost sight of him."

It now occurred to Civitella that he might have gone to look at the adjoining church, which had a short time before attracted his attention. We immediately went to look for him there. As we approached, we found Biondello waiting in the porch. On coming nearer, we saw the prince emerge hastily from a side door; his countenance was flushed, and he looked anxiously round for Biondello, whom he called. He seemed to be giving him very particular instructions for the execution of some commission, while his eyes continued constantly fixed on the church door, which had remained open. Biondello hastened into the church. The prince, without perceiving us, passed through the crowd, and went back to his party, which he reached before us.

We resolved to sup in an open pavilion of the garden, where the marquis had, without our knowledge, arranged a little concert, which was quite first-rate. There was a young singer in particular, whose delicious voice and charming figure excited general admiration. Nothing, however, seemed to make an impression on the prince; he spoke little, and gave confused answers to our questions; his eyes were anxiously fixed in the direction whence he expected Biondello; and he seemed much agitated. Civitella asked him what he thought of the church; he was unable to give any description of it. Some beautiful pictures, which rendered the church remarkable, were spoken of; the prince had not noticed them. We perceived that our questions annoyed him, and therefore discontinued them. Hour after hour rolled on and still Biondello returned not. The prince could no longer conceal his impatience; he rose from the table, and paced alone, with rapid strides, up and down a retired walk. Nobody could imagine what had happened to him. I did not venture to ask him the reason of so remarkable a change in his demeanor; I have for some time past resigned my former place in his confidence. It was, therefore, with the utmost impatience that I awaited the return of Biondello to explain this riddle to me.

It was past ten o'clock when he made his appearance. The tidings he brought did not make the prince more communicative. He returned in an ill-humor to the company, the gondola was ordered, and we returned. home.

During the remainder of that evening I could find no opportunity of speaking to Biondello, and was, therefore, obliged to retire to my pillow with my curiosity unsatisfied. The prince had dismissed us early, but a thousand reflections flitted across my brain, and kept me awake. For a long time I could hear him pacing up and down his room; at length sleep overcame me. Late at midnight I was awakened by a voice, and I felt a hand passed across my face; I opened my eyes, and saw the prince standing at my bedside, with a lamp in his hand. He told me he was unable to sleep, and begged me to keep him company through the night. I was going to dress myself, but he told me to stay where I was, and seated himself at my bedside.

"Something has happened to me to-day," he began, "the impression of which will never be effaced from my soul. I left you, as you know, to see the church, respecting which Civitella had raised my curiosity, and which had already attracted my attention. As neither you nor he were at hand, I walked the short distance alone, and ordered Biondello to wait for me at the door. The church was quite empty; a dim and solemn light surrounded me as I entered from the blazing sultry day without. I stood alone in the spacious building, throughout which there reigned the stillness of the grave. I placed myself in the centre of the church, and gave myself up to the feelings which the sight was calculated to produce; by degrees the grand proportions of this majestic building expanded to my gaze, and I stood wrapt in deep and pleasing contemplation. Above me the evening bell was tolling; its tones died softly away in the aisles, and found an echo in my heart. Some altar-pieces at a distance attracted my attention. I approached to look at them; unconsciously I had wandered through one side of the church, and was now standing at the opposite end. Here a few steps, raised round a pillar, led into a little chapel, containing several small altars, with statues of saints in the niches above them. On entering the chapel on the right I heard a whispering, as though some one near was speaking in a low voice. I turned towards the spot whence the sound proceeded, and saw before me a female form. No! I cannot describe to you the beauty of this form. My first feeling was one of awe, which, however, soon gave place to ravishing surprise."

"But this figure, your highness? Are you certain that it was something living, something real, and not perhaps a picture, or an illusion of your fancy?"

"Hear me further. It was a lady. Surely, till that moment, I have never seen her sex in its full perfection! All around was sombre; the setting sun shone through a single window into the chapel, and its rays rested upon her figure. With inexpressible grace, half kneeling, half lying, she was stretched before an altar; one of the most striking, most lovely, and picturesque objects in all nature. Her dress was of black moreen, fitting tightly to her slender waist and beautifully-formed arms, the skirts spreading around her like a Spanish robe; her long light-colored hair was divided into two broad plaits, which, apparently from their own weight, had escaped from under her veil, and flowed in charming disorder down her back. One of her hands grasped the crucifix, and her head rested gracefully upon the other. But, where shall I find words to describe to you the angelic beauty of her countenance, in which the charms of a seraph seemed displayed. The setting sun shone full upon her face, and its golden beams seemed to surround it as with a glory. Can you recall to your mind the Madonna of our Florentine painter? She was here personified, even to those few deviations from the studied costume which so powerfully, so irresistibly attracted me in the picture."

With regard to the Madonna, of whom the prince spoke, the case is this: Shortly after your departure he made the acquaintance of a Florentine painter, who had been summoned to Venice to paint an altar-piece for some church, the name of which I do not recollect. He had brought with him three paintings, which had been intended for the gallery in the Cornari palace. They consisted of a Madonna, a Heloise, and a Venus, very lightly apparelled. All three were of great beauty; and, although the subjects were quite different, they were so intrinsically equal that it seemed almost impossible to determine which to prefer. The prince alone did not hesitate for a moment. As soon as the pictures were placed before him the Madonna absorbed his whole attention; in the two others he admired the painter's genius; but in this he forgot the artist and his art, his whole soul being absorbed in the contemplation of the work. He was quite moved, and could scarcely tear himself away from it. We could easily see by the artist's countenance that in his heart he coincided with the prince's judgment; he obstinately refused to separate the pictures, and demanded fifteen hundred zechins for the three. The prince offered him half that sum for the Madonna alone, but in vain. The artist insisted on his first demand, and who knows what might have been the result if a ready purchaser had not stepped forward.

Two hours afterwards all three pictures were sold, and we never