Casanova's Homecoming by Arthur Schnitzler (english novels to improve english .txt) π
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- Author: Arthur Schnitzler
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adventurer.
He told them of the fair Unknown who had travelled with him for weeks disguised as a man in officer's uniform, and one morning had suddenly disappeared from his side; of the daughter of the gentleman cobbler in Madrid who, in the intervals between their embraces, had studiously endeavored to make a good Catholic of him; of Lia, the lovely Jewess of Turin, who had a better seat on horseback than any princess; of Manon Balletti, sweet and innocent, the only woman he had almost married; of the singer whom he had hissed in Warsaw because of her bad performance, whereupon he had had to fight a duel with her lover, General Branitzky, and had been compelled to flee the city; of the wicked woman Charpillon, who had made such an abject fool of him in London; of the night when he crossed the lagoons to Murano on the way to his adored nun, the night when he nearly lost his life in a storm; of Croce the gamester, who, after losing a fortune at Spa, had taken a tearful farewell of Casanova upon the high-road, and had set off on his way to St. Petersburg, just as he was, wearing silk stockings and a coat of apple-green satin, and carrying nothing but a walking cane.
He told of actresses, singers, dressmakers, countesses, dancers, chambermaids; of gamblers, officers, princes, envoys, financiers, musicians, and adventurers. So carried away was he by the rediscovered charm of his own past, so completely did the triumph of these splendid though irrecoverable experiences eclipse the consciousness of the shadows that encompassed his present, that he was on the point of telling the story of a pale but pretty girl who in a twilit church at Mantua had confided her love troubles to him - absolutely forgetting that this same girl, sixteen years older, now sat at the table before him as the wife of his friend Olivo - when the maid came in to say that the carriage was waiting. Instantly, with his incomparable talent for doing the right thing, Casanova rose to bid adieu. He again pressed Olivo, who was too much affected to speak, to bring wife and children to visit him in Venice. Having embraced his friend, he approached Amalia with intent to embrace her also, but she held out her hand and he kissed it affectionately.
When he turned to Marcolina, she said: "You ought to write down everything you told us this evening, Chevalier, and a great deal more, just as you have penned the story of your flight from The Leads."
"Do you really mean that, Marcolina?" he enquired, with the shyness of a young author.
She smiled with gentle mockery, saying: "I fancy such a book might prove far more entertaining than your polemic against Voltaire."
"Very likely," he thought. "Perhaps I may follow your advice some day. If so, you, Marcolina, shall be the theme of the last chapter."
This notion, and still more the thought that the last chapter was to be lived through that very night, made his face light up so strangely that Marcolina, who had given him her hand in farewell, drew it away again before he could stoop to kiss it. Without betraying either disappointment or anger, Casanova turned to depart, after signifying, with one of those simple gestures of which he was a master, his desire that no one, not even Olivo, should follow him.
He strode rapidly through the chestnut avenue, handed a gold piece to the maid who had brought his valise to the carriage, took his seat and drove away.
The sky was overcast. In the village, lamps were still burning in some of the cottages; but by the time the carriage regained the open road, the only light piercing the darkness was supplied by the yellow rays of the lantern dangling from the shaft. Casanova opened the valise, took out Lorenzi's cloak, flung it over his shoulders, and under this cover rapidly undressed. He packed the discarded clothing, together with shoes and stockings, in the valise, and wrapped himself in the cloak. Then he called to the coachman:
"Stop, we must drive back!"
The coachman turned heavily hi his seat.
"I have left some of my papers in the house. Don't you understand? We must drive back."
When the coachman, a surly, thin greybeard, still hesitated, Casanova said: "Of course I will pay you extra for your trouble. Here you are!" He pressed a gold piece into the man's hand.
The coachman nodded, muttered something, gave his horse a needless cut with the whip, and turned the carriage round. When they drove back through the village, all the houses were dark. A little farther on, the coachman was about to turn into the by-road leading up the gentle ascent to Olivo's house.
"Halt!" cried Casanova. "We won't drive any nearer, lest we should wake them all up. Wait for me here at the corner. I shall be back in a minute or two. If I should happen to keep you longer, you shall have a ducat for every hour!"
The man by his nod seemed to show he understood what was afoot.
Casanova descended and made quickly past the closed door and along the wall to the corner. Here began the path leading through the vineyards. It still led along the wall. Having walked it twice by daylight, Casanova had no difficulty in the dark. Half way up the hill came a second angle in the wall. Here he had again to turn to the right, across soft meadow-land, and in the pitchy night had to feel along the wall until he found the garden door. At length his fingers recognized the change from smooth stone to rough wood, and he could easily make out the framework of the narrow door. He unlocked it, entered the garden, and made all fast again behind him.
Across the greensward he could now discern house and tower. They seemed incredibly far off and yet incredibly large. He stood where he was for a while, looking around. What to other eyes would have been impenetrable darkness, was to him no more than deep twilight. The gravel path being painful to his bare feet, he walked upon the greensward, where, moreover, his footfall made no sound. So light was his tread that he felt as if soaring.
"Has my mood changed," he thought, "since those days when, as a man of thirty, I sought such adventures? Do I not now, as then, feel all the ardors of desire and all the sap of youth course through my veins? Am I not, as of old, Casanova? Being Casanova, why should I be subject, as others are subject, to the pitiful law which is called age!"
Growing bolder, he asked himself: "Why am I creeping in disguise to Marcolina? Is not Casanova a better man than Lorenzi, even though he be thirty years older? Is not she the one woman who would have understood the incomprehensible? Was it needful to commit this lesser rascality, and to mislead another man into the commission of a greater rascality? Should I not, with a little patience, have reached the same goal? Lorenzi would in any case have gone to-morrow, whilst I should have remained. Five days, three days, and she would have given herself to me, knowing me to be Casanova."
He stood close to the wall of the house beneath Marcolina's window, which was still closed. His thoughts ran on: "Is it too late? I could come back to-morrow or the next day. Could begin the work of seduction - in honorable fashion, so to speak. To-night would be but a foretaste of the future. Marcolina must not learn that I have been here to-day - or not until much later."
CHAPTER TEN.
Marcolina's window was still closed. There was no sign from within. It wanted a few minutes to midnight. Should he make his presence known in any way? By tapping gently at the window? Since nothing of this sort had been arranged, it might arouse Marcolina's suspicions. Better wait. It could not be much longer. The thought that she might instantly recognize him, might detect the fraud before he had achieved his purpose, crossed his mind - not for the first time, yet as a passing fancy, as a remote possibility which it was logical to take into account, but not anything to be seriously dreaded.
A ludicrous adventure now recurred to his mind. Twenty years ago he had spent a night with a middle-aged ugly vixen in Soleure, when he had imagined himself to be possessing a beautiful young woman whom he adored. He recalled how next day, in a shameless letter, she had derided him for the mistake that she had so greatly desired him to make and that she had compassed with such infamous cunning. He shuddered at the thought. It was the last thing he would have wished to think of just now, and he drove the detestable image from his mind.
It must be midnight! How long was he to stand shivering there? Waiting in vain, perhaps? Cheated, after all? Two thousand ducats for nothing. Lorenzi behind the curtain, mocking at the fool outside!
Involuntarily he gripped the hilt of the sword he carried beneath the cloak, pressed to his naked body. After all, with a fellow like Lorenzi one must be prepared for any tricks.
At that instant he heard a gentle rattling, and knew it was made by the grating of Marcolina's window hi opening. Then both wings of the window were drawn back, though the curtain still veiled the interior. Casanova remained motionless for a few seconds more, until the curtain was pulled aside by an unseen hand. Taking this as a sign, he swung himself over the sill into the room, and promptly closed window and grating behind him. The curtain had fallen across his shoulders, so that he had to push his way beneath it. Now he would have been in absolute darkness had there not been shining from the depths of the distance, incredibly far away, as if awakened by his own gaze, the faintest possible illumination to show him the way. No more than three paces forward, and eager arms enfolded him. Letting the sword slip from his hand, the cloak from his shoulders, he gave himself up to his bliss.
From Marcolina's sigh of surrender, from the tears of happiness which he kissed from her cheeks, from the ever-renewed warmth with which she received his caresses, he felt sure that she shared his rapture; and to him this rapture seemed more intense than he had ever experienced, seemed to possess a new and strange quality. Pleasure became worship; passion was transfused with an intense consciousness. Here at last was the reality which he had often falsely imagined himself to be on the point of attaining, and which had always eluded his grasp. He held in his arms a woman upon whom he could squander himself, with whom he could feel himself inexhaustible; the woman upon whose breast the moment of ultimate self-abandonment and of renewed desire seemed to coalesce into a single instant of hitherto unimagined spiritual ecstasy. Were not life and death, time and eternity, one upon these lips? Was he not a god? Were not youth and age merely a fable; visions of men's fancy? Were not home and exile, splendor and misery, renown and oblivion, senseless distinctions, fit only for the use of the uneasy, the lonely, the frustrate; had not the words become unmeaning to one who was Casanova, and who had found Marcolina?
More contemptible, more absurd, as the minutes passed, seemed to him the prospect of keeping the resolution which he had made
He told them of the fair Unknown who had travelled with him for weeks disguised as a man in officer's uniform, and one morning had suddenly disappeared from his side; of the daughter of the gentleman cobbler in Madrid who, in the intervals between their embraces, had studiously endeavored to make a good Catholic of him; of Lia, the lovely Jewess of Turin, who had a better seat on horseback than any princess; of Manon Balletti, sweet and innocent, the only woman he had almost married; of the singer whom he had hissed in Warsaw because of her bad performance, whereupon he had had to fight a duel with her lover, General Branitzky, and had been compelled to flee the city; of the wicked woman Charpillon, who had made such an abject fool of him in London; of the night when he crossed the lagoons to Murano on the way to his adored nun, the night when he nearly lost his life in a storm; of Croce the gamester, who, after losing a fortune at Spa, had taken a tearful farewell of Casanova upon the high-road, and had set off on his way to St. Petersburg, just as he was, wearing silk stockings and a coat of apple-green satin, and carrying nothing but a walking cane.
He told of actresses, singers, dressmakers, countesses, dancers, chambermaids; of gamblers, officers, princes, envoys, financiers, musicians, and adventurers. So carried away was he by the rediscovered charm of his own past, so completely did the triumph of these splendid though irrecoverable experiences eclipse the consciousness of the shadows that encompassed his present, that he was on the point of telling the story of a pale but pretty girl who in a twilit church at Mantua had confided her love troubles to him - absolutely forgetting that this same girl, sixteen years older, now sat at the table before him as the wife of his friend Olivo - when the maid came in to say that the carriage was waiting. Instantly, with his incomparable talent for doing the right thing, Casanova rose to bid adieu. He again pressed Olivo, who was too much affected to speak, to bring wife and children to visit him in Venice. Having embraced his friend, he approached Amalia with intent to embrace her also, but she held out her hand and he kissed it affectionately.
When he turned to Marcolina, she said: "You ought to write down everything you told us this evening, Chevalier, and a great deal more, just as you have penned the story of your flight from The Leads."
"Do you really mean that, Marcolina?" he enquired, with the shyness of a young author.
She smiled with gentle mockery, saying: "I fancy such a book might prove far more entertaining than your polemic against Voltaire."
"Very likely," he thought. "Perhaps I may follow your advice some day. If so, you, Marcolina, shall be the theme of the last chapter."
This notion, and still more the thought that the last chapter was to be lived through that very night, made his face light up so strangely that Marcolina, who had given him her hand in farewell, drew it away again before he could stoop to kiss it. Without betraying either disappointment or anger, Casanova turned to depart, after signifying, with one of those simple gestures of which he was a master, his desire that no one, not even Olivo, should follow him.
He strode rapidly through the chestnut avenue, handed a gold piece to the maid who had brought his valise to the carriage, took his seat and drove away.
The sky was overcast. In the village, lamps were still burning in some of the cottages; but by the time the carriage regained the open road, the only light piercing the darkness was supplied by the yellow rays of the lantern dangling from the shaft. Casanova opened the valise, took out Lorenzi's cloak, flung it over his shoulders, and under this cover rapidly undressed. He packed the discarded clothing, together with shoes and stockings, in the valise, and wrapped himself in the cloak. Then he called to the coachman:
"Stop, we must drive back!"
The coachman turned heavily hi his seat.
"I have left some of my papers in the house. Don't you understand? We must drive back."
When the coachman, a surly, thin greybeard, still hesitated, Casanova said: "Of course I will pay you extra for your trouble. Here you are!" He pressed a gold piece into the man's hand.
The coachman nodded, muttered something, gave his horse a needless cut with the whip, and turned the carriage round. When they drove back through the village, all the houses were dark. A little farther on, the coachman was about to turn into the by-road leading up the gentle ascent to Olivo's house.
"Halt!" cried Casanova. "We won't drive any nearer, lest we should wake them all up. Wait for me here at the corner. I shall be back in a minute or two. If I should happen to keep you longer, you shall have a ducat for every hour!"
The man by his nod seemed to show he understood what was afoot.
Casanova descended and made quickly past the closed door and along the wall to the corner. Here began the path leading through the vineyards. It still led along the wall. Having walked it twice by daylight, Casanova had no difficulty in the dark. Half way up the hill came a second angle in the wall. Here he had again to turn to the right, across soft meadow-land, and in the pitchy night had to feel along the wall until he found the garden door. At length his fingers recognized the change from smooth stone to rough wood, and he could easily make out the framework of the narrow door. He unlocked it, entered the garden, and made all fast again behind him.
Across the greensward he could now discern house and tower. They seemed incredibly far off and yet incredibly large. He stood where he was for a while, looking around. What to other eyes would have been impenetrable darkness, was to him no more than deep twilight. The gravel path being painful to his bare feet, he walked upon the greensward, where, moreover, his footfall made no sound. So light was his tread that he felt as if soaring.
"Has my mood changed," he thought, "since those days when, as a man of thirty, I sought such adventures? Do I not now, as then, feel all the ardors of desire and all the sap of youth course through my veins? Am I not, as of old, Casanova? Being Casanova, why should I be subject, as others are subject, to the pitiful law which is called age!"
Growing bolder, he asked himself: "Why am I creeping in disguise to Marcolina? Is not Casanova a better man than Lorenzi, even though he be thirty years older? Is not she the one woman who would have understood the incomprehensible? Was it needful to commit this lesser rascality, and to mislead another man into the commission of a greater rascality? Should I not, with a little patience, have reached the same goal? Lorenzi would in any case have gone to-morrow, whilst I should have remained. Five days, three days, and she would have given herself to me, knowing me to be Casanova."
He stood close to the wall of the house beneath Marcolina's window, which was still closed. His thoughts ran on: "Is it too late? I could come back to-morrow or the next day. Could begin the work of seduction - in honorable fashion, so to speak. To-night would be but a foretaste of the future. Marcolina must not learn that I have been here to-day - or not until much later."
CHAPTER TEN.
Marcolina's window was still closed. There was no sign from within. It wanted a few minutes to midnight. Should he make his presence known in any way? By tapping gently at the window? Since nothing of this sort had been arranged, it might arouse Marcolina's suspicions. Better wait. It could not be much longer. The thought that she might instantly recognize him, might detect the fraud before he had achieved his purpose, crossed his mind - not for the first time, yet as a passing fancy, as a remote possibility which it was logical to take into account, but not anything to be seriously dreaded.
A ludicrous adventure now recurred to his mind. Twenty years ago he had spent a night with a middle-aged ugly vixen in Soleure, when he had imagined himself to be possessing a beautiful young woman whom he adored. He recalled how next day, in a shameless letter, she had derided him for the mistake that she had so greatly desired him to make and that she had compassed with such infamous cunning. He shuddered at the thought. It was the last thing he would have wished to think of just now, and he drove the detestable image from his mind.
It must be midnight! How long was he to stand shivering there? Waiting in vain, perhaps? Cheated, after all? Two thousand ducats for nothing. Lorenzi behind the curtain, mocking at the fool outside!
Involuntarily he gripped the hilt of the sword he carried beneath the cloak, pressed to his naked body. After all, with a fellow like Lorenzi one must be prepared for any tricks.
At that instant he heard a gentle rattling, and knew it was made by the grating of Marcolina's window hi opening. Then both wings of the window were drawn back, though the curtain still veiled the interior. Casanova remained motionless for a few seconds more, until the curtain was pulled aside by an unseen hand. Taking this as a sign, he swung himself over the sill into the room, and promptly closed window and grating behind him. The curtain had fallen across his shoulders, so that he had to push his way beneath it. Now he would have been in absolute darkness had there not been shining from the depths of the distance, incredibly far away, as if awakened by his own gaze, the faintest possible illumination to show him the way. No more than three paces forward, and eager arms enfolded him. Letting the sword slip from his hand, the cloak from his shoulders, he gave himself up to his bliss.
From Marcolina's sigh of surrender, from the tears of happiness which he kissed from her cheeks, from the ever-renewed warmth with which she received his caresses, he felt sure that she shared his rapture; and to him this rapture seemed more intense than he had ever experienced, seemed to possess a new and strange quality. Pleasure became worship; passion was transfused with an intense consciousness. Here at last was the reality which he had often falsely imagined himself to be on the point of attaining, and which had always eluded his grasp. He held in his arms a woman upon whom he could squander himself, with whom he could feel himself inexhaustible; the woman upon whose breast the moment of ultimate self-abandonment and of renewed desire seemed to coalesce into a single instant of hitherto unimagined spiritual ecstasy. Were not life and death, time and eternity, one upon these lips? Was he not a god? Were not youth and age merely a fable; visions of men's fancy? Were not home and exile, splendor and misery, renown and oblivion, senseless distinctions, fit only for the use of the uneasy, the lonely, the frustrate; had not the words become unmeaning to one who was Casanova, and who had found Marcolina?
More contemptible, more absurd, as the minutes passed, seemed to him the prospect of keeping the resolution which he had made
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