Les Misérables by Victor Hugo (early reader books txt) 📕
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- Author: Victor Hugo
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And the old man, releasing Montparnasse, put his purse in the latter’s hand; Montparnasse weighed it for a moment, after which he allowed it to slide gently into the back pocket of his coat, with the same mechanical precaution as though he had stolen it.
All this having been said and done, the goodman turned his back and tranquilly resumed his stroll.
“The blockhead!” muttered Montparnasse.
Who was this goodman? The reader has, no doubt, already divined.
Montparnasse watched him with amazement, as he disappeared in the dusk. This contemplation was fatal to him.
While the old man was walking away, Gavroche drew near.
Gavroche had assured himself, with a sidelong glance, that Father Mabeuf was still sitting on his bench, probably sound asleep. Then the gamin emerged from his thicket, and began to crawl after Montparnasse in the dark, as the latter stood there motionless. In this manner he came up to Montparnasse without being seen or heard, gently insinuated his hand into the back pocket of that frock-coat of fine black cloth, seized the purse, withdrew his hand, and having recourse once more to his crawling, he slipped away like an adder through the shadows. Montparnasse, who had no reason to be on his guard, and who was engaged in thought for the first time in his life, perceived nothing. When Gavroche had once more attained the point where Father Mabeuf was, he flung the purse over the hedge, and fled as fast as his legs would carry him.
The purse fell on Father Mabeuf’s foot. This commotion roused him.
He bent over and picked up the purse.
He did not understand in the least, and opened it.
The purse had two compartments; in one of them there was some small change; in the other lay six napoleons.
M. Mabeuf, in great alarm, referred the matter to his housekeeper.
“That has fallen from heaven,” said Mother Plutarque.
Cosette’s grief, which had been so poignant and lively four or five months previously, had, without her being conscious of the fact, entered upon its convalescence. Nature, spring, youth, love for her father, the gayety of the birds and flowers, caused something almost resembling forgetfulness to filter gradually, drop by drop, into that soul, which was so virgin and so young. Was the fire wholly extinct there? Or was it merely that layers of ashes had formed? The truth is, that she hardly felt the painful and burning spot any longer.
One day she suddenly thought of Marius: “Why!” said she, “I no longer think of him.”
That same week, she noticed a very handsome officer of lancers, with a wasp-like waist, a delicious uniform, the cheeks of a young girl, a sword under his arm, waxed moustaches, and a glazed schapka, passing the gate. Moreover, he had light hair, prominent blue eyes, a round face, was vain, insolent and good-looking; quite the reverse of Marius. He had a cigar in his mouth. Cosette thought that this officer doubtless belonged to the regiment in barracks in the Rue de Babylone.
On the following day, she saw him pass again. She took note of the hour.
From that time forth, was it chance? she saw him pass nearly every day.
The officer’s comrades perceived that there was, in that “badly kept” garden, behind that malicious rococo fence, a very pretty creature, who was almost always there when the handsome lieutenant,—who is not unknown to the reader, and whose name was Théodule Gillenormand,—passed by.
“See here!” they said to him, “there’s a little creature there who is making eyes at you, look.”
“Have I the time,” replied the lancer, “to look at all the girls who look at me?”
This was at the precise moment when Marius was descending heavily towards agony, and was saying: “If I could but see her before I die!”—Had his wish been realized, had he beheld Cosette at that moment gazing at the lancer, he would not have been able to utter a word, and he would have expired with grief.
Whose fault was it? No one’s.
Marius possessed one of those temperaments which bury themselves in sorrow and there abide; Cosette was one of those persons who plunge into sorrow and emerge from it again.
Cosette was, moreover, passing through that dangerous period, the fatal phase of feminine reverie abandoned to itself, in which the isolated heart of a young girl resembles the tendrils of the vine which cling, as chance directs, to the capital of a marble column or to the post of a wine-shop: A rapid and decisive moment, critical for every orphan, be she rich or poor, for wealth does not prevent a bad choice; misalliances are made in very high circles, real misalliance is that of souls; and as many an unknown young man, without name, without birth, without fortune, is a marble column which bears up a temple of grand sentiments and grand ideas, so such and such a man of the world satisfied and opulent, who has polished boots and varnished words, if looked at not outside, but inside, a thing which is reserved for his wife, is nothing more than a block obscurely haunted by violent, unclean, and vinous passions; the post of a drinking-shop.
What did Cosette’s soul contain? Passion calmed or lulled to sleep; something limpid, brilliant, troubled to a certain depth, and gloomy lower down. The image of the handsome officer was reflected in the surface. Did a souvenir linger in the depths?—Quite at the bottom?—Possibly. Cosette did not know.
A singular incident supervened.
During the first fortnight in April, Jean Valjean took a journey. This, as the reader knows, happened from time to time, at very long intervals. He remained absent a day or two days at the utmost. Where did he go? No one knew, not even Cosette. Once only, on the occasion of one of these departures, she had accompanied him in a hackney-coach as far as a little blind-alley at the corner of which she read: Impasse de la Planchette. There he alighted, and the coach took Cosette back to the Rue de Babylone. It was usually when money was lacking in the house that Jean Valjean took these little trips.
So Jean Valjean was absent. He had said: “I shall return in three days.”
That evening, Cosette was alone in the drawing-room. In order to get rid of her ennui, she had opened her piano-organ, and had begun to sing, accompanying herself the while, the chorus from Euryanthe: “Hunters astray in the wood!” which is probably the most beautiful thing in all the sphere of music. When she had finished, she remained wrapped in thought.
All at once, it seemed to her that she heard the sound of footsteps in the garden.
It could not be her father, he was absent; it could not be Toussaint, she was in bed, and it was ten o’clock at night.
She stepped to the shutter of the drawing-room, which was closed, and laid her ear against it.
It seemed to her that it was the tread of a man, and that he was walking very softly.
She mounted rapidly to the first floor, to her own chamber, opened a small wicket in her shutter, and peeped into the garden. The moon was at the full. Everything could be seen as plainly as by day.
There was no one there.
She opened the window. The garden was absolutely calm, and all that was visible was that the street was deserted as usual.
Cosette thought that she had been mistaken. She thought that she had heard a noise. It was a hallucination produced by the melancholy and magnificent chorus of Weber, which lays open before the mind terrified depths, which trembles before the gaze like a dizzy forest, and in which one hears the crackling of dead branches beneath the uneasy tread of the huntsmen of whom one catches a glimpse through the twilight.
She thought no more about it.
Moreover, Cosette was not very timid by nature. There flowed in her veins some of the blood of the bohemian and the adventuress who runs barefoot. It will be remembered that she was more of a lark than a dove. There was a foundation of wildness and bravery in her.
On the following day, at an earlier hour, towards nightfall, she was strolling in the garden. In the midst of the confused thoughts which occupied her, she fancied that she caught for an instant a sound similar to that of the preceding evening, as though some one were walking beneath the trees in the dusk, and not very far from her; but she told herself that nothing so closely resembles a step on the grass as the friction of two branches which have moved from side to side, and she paid no heed to it. Besides, she could see nothing.
She emerged from “the thicket”; she had still to cross a small lawn to regain the steps.
The moon, which had just risen behind her, cast Cosette’s shadow in front of her upon this lawn, as she came out from the shrubbery.
Cosette halted in alarm.
Beside her shadow, the moon outlined distinctly upon the turf another shadow, which was particularly startling and terrible, a shadow which had a round hat.
It was the shadow of a man, who must have been standing on the border of the clump of shrubbery, a few paces in the rear of Cosette.
She stood for a moment without the power to speak, or cry, or call, or stir, or turn her head.
Then she summoned up all her courage, and turned round resolutely.
There was no one there.
She glanced on the ground. The figure had disappeared.
She re-entered the thicket, searched the corners boldly, went as far as the gate, and found nothing.
She felt herself absolutely chilled with terror. Was this another hallucination? What! Two days in succession! One hallucination might pass, but two hallucinations? The disquieting point about it was, that the shadow had assuredly not been a phantom. Phantoms do not wear round hats.
On the following day Jean Valjean returned. Cosette told him what she thought she had heard and seen. She wanted to be reassured and
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