A Distinguished Provincial in Paris by Honoré de Balzac (the best novels to read .TXT) 📕

of forced marches made by the Emperor's orders. Lucien was inspired with the bold idea of deceiving that formidable functionary. He settled his hat on his head, and walked into the editor's office as if he were quite at home.

Looking eagerly about him, he beheld a round table covered with a green cloth, and half-a-dozen cherry-wood chairs, newly reseated with straw. The colored brick floor had not been waxed, but it was clean; so clean that the public, evidently, seldom entered the room. There was a mirror above the chimney-piece, and on the ledge below, amid a sprinkling of visiting-cards, stood a shopkeeper's clock, smothered with dust, and a couple of candlesticks with tallow dips thrust into their sockets. A few antique newspapers lay on the table beside an inkstand containing some black lacquer-like substance, and a collection of quill pens twisted into stars. Sundry dirty scraps of paper, covered with almost undecipherable hieroglyphs, proved to be manuscript articles torn across the top by the compositor to check off the sheets as they were set up. He admired a few rather clever caricatures, sketched on bits of brown paper by somebody who evidently had tried to kill time by killing something else to keep his hand in.

Other works of art were pinned in the cheap sea-green wall-paper. These consisted of nine pen-and-ink illustrations for _Le Solitaire_. The work had attained to such an unheard-of European popularity, that journalists evidently were tired of it.--"The Solitary makes his first appearance in the provinces; sensation among the women.--The Solitary perused at a chateau.--Effect of the Solitary on domestic animals.--The Solitary explained to savage tribes, with the most brilliant results.--The Solitary translated into Chinese and presented by the author to the Emperor at Pekin.--The Mont Sauvage, Rape of Elodie."--(Lucien though this caricature very shocking, but he could not help laughing at it.)--"The Solitary under a canopy conducted in triumphal procession by the newspapers.--The Solitary breaks the press to splinters, and wounds the printers.--Read backwards, the superior beauties of the Solitary produce a sensation at the Academie."--On a newspaper-wrapper Lucien noticed a sketch of a contributor holding out his hat, and beneath it the words, "Finot! my hundred francs," and a name, since grown more notorious than famous.

Between the window and the chimney-piece stood a writing-table, a mahogany armchair, and a waste-paper basket on a strip of hearth-rug; the dust lay thick on all these objects. There were short curtains in the windows. About a score of new books lay on the writing-table, deposited there apparently during the day, together with prints, music, snuff-boxes of the "Charter" pattern, a copy of the ninth edition of _Le Solitaire_ (the great joke of the moment), and some ten unopened letters.

Lucien had taken stock of this strange furniture, and made reflections of the most exhaustive kind upon it, when, the clock striking five, he returned to question the pensioner. Coloquinte had finished his crust, and was waiting with the patience of a commissionaire, for the man of medals, who perhaps was taking an airing on the boulevard.

At this conjuncture the rustle of a dress sounded on the stair, and the light unmistakable footstep of a woman on the threshold. The newcomer was passably pretty. She addressed herself to Lucien.

"Sir," she said, "I know why you cry up Mlle. Virginie's hats so much; and I have come to put down my name for a year's subscription in the first place; but tell me your conditions----"

"I am not connected with the paper, madame."

"Oh!"

"A subscription dating from October?" inquired the pensioner.

"What does the lady want to know?" asked the veteran, reappearing on the scene.

The fair milliner and the retired military man were soon deep in converse; and when Lucien, beginning to lose patience, came back to the first room, he heard the conclusion of the matter.

"Why, I shall be delighted, quite delighted, sir. Mlle. Florentine can come to my shop and choose anything she likes. Ribbons are in my department. So it is all quite settled. You will say no more about Virginie, a botcher that cannot design a new shape, while I have ideas of my own, I have."

Lucien heard a sound as of coins dropping into a cashbox, and the veteran began to make up his books for the day.

"I have been waiting here for an hour, sir," Lucien began, looking not a little annoyed.

"And 'they' have not come yet!" exclaimed Napoleon's veteran, civilly feigning concern. "I am not surprised at that. It is some time since I have seen 'them' here. It is the middle of the month, you see. Those fine fellows only turn up on pay days--the 29th or the 30th."

"And M. Finot?" asked Lucien, having caught the editor's name.

"He is in the Rue Feydeau, that's where he lives. Coloquinte, old chap, just take him everything that has come in to-day when you go with the paper to the printers."

"Where is the newspaper put together?" Lucien said to himself.

"The newspaper?" repeated the officer, as he received the rest of the stamp money from Coloquinte, "the newspaper?--broum! broum!--(Mind you are round at the printers' by six o'clock to-morrow, old chap, to send off the porters.)--The newspaper, sir, is written in the street, at the writers' houses, in the printing-office between eleven and twelve o'clock at night. In the Emperor's time, sir, these shops for spoiled paper were not known. Oh! he would have cleared them out with four men and a corporal; they would not have come over _him_ with their talk. But that is enough of prattling. If my nephew finds it worth his while, and so long as they write for the son of the Other (broum! broum!)----after all, there is no harm in that. Ah! by the way, subscribers don't seem to me to be advancing in serried columns; I shall leave my post."

"You seem to know all about the newspaper, sir," Lucien began.

"From a business point of view, broum! broum!" coughed the soldier, clearing his throat. "From three to five francs per column, according to ability.--Fifty lines to a column, forty letters to a line; no blanks; there you are! As for the staff, they are queer fish, little youngsters whom I wouldn't take on for the commissariat; and because they make fly tracks on sheets of white paper, they look down, forsooth, on an old Captain of Dragoons of the Guard, that retired with a major's rank after entering every European capital with Napoleon."

The soldier of Napoleon brushed his coat, and made as if he would go out, but Lucien, swept to the door, had courage enough to make a stand.

"I came to be a contributor of the paper," he said. "I am full of respect, I vow and declare, for a captain of the Imperial Guard, those men of bronze----"

"Well said, my little civilian, there are several kinds of contributors; which kind do you wish to be?" replied the trooper, bearing down on Lucien, and descending the stairs. At the foot of the flight he stopped, but it was only to light a cigar at the porter's box.

"If any subscribers come, you see them and take note of them, Mother Chollet.--Simply subscribers, never know anything but subscribers," he added, seeing that Lucien followed him. "Finot is my nephew; he is the only one of my family that has done anything to relieve me in my position. So when anybody comes to pick a quarrel with Finot, he finds old Giroudeau, Captain of the Dragoons of the Guard, that set out as a private in a cavalry regiment in the army of the Sambre-et-Meuse, and was fencing-master for five years to the First Hussars, army of Italy! One, two, and the man that had any complaints to make would be turned off into the dark," he added, making a lunge. "Now writers, my boy, are in different corps; there is the writer who writes and draws his pay; there is the writer who writes and gets nothing (a volunteer we call him); and, lastly, there is the writer who writes nothing, and he is by no means the stupidest, for he makes no mistakes; he gives himself out for a literary man, he is on the paper, he treats us to dinners, he loafs about the theatres, he keeps an actress, he is very well off. What do you mean to be?"

"The man that does good work and gets good pay."

"You are like the recruits. They all want to be marshals of France. Take old Giroudeau's word for it, and turn right about, in double-quick time, and go and pick up nails in the gutter like that good fellow yonder; you can tell by the look of him that he has been in the army.--Isn't it a shame that an old soldier who has walked into the jaws of death hundreds of times should be picking up old iron in the streets of Paris? Ah! God A'mighty! 'twas a shabby trick to desert the Emperor.--Well, my boy, the individual you saw this morning has made his forty francs a month. Are you going to do better? And, according to Finot, he is the cleverest man on the staff."

"When you enlisted in the Sambre-et-Meuse, did they talk about danger?"

"Rather."

"Very well?"

"Very well. Go and see my nephew Finot, a good fellow, as good a fellow as you will find, if you can find him, that is, for he is like a fish, always on the move. In his way of business, there is no writing, you see, it is setting others to write. That sort like gallivanting about with actresses better than scribbling on sheets of paper, it seems. Oh! they are queer customers, they are. Hope I may have the honor of seeing you again."

With that the cashier raised his formidable loaded cane, one of the defenders of Germainicus, and walked off, leaving Lucien in the street, as much bewildered by this picture of the newspaper world as he had formerly been by the practical aspects of literature at Messrs. Vidal and Porchon's establishment.

Ten several times did Lucien repair to the Rue Feydeau in search of Andoche Finot, and ten times he failed to find that gentleman. He went first thing in the morning; Finot had not come in. At noon, Finot had gone out; he was breakfasting at such and such a cafe. At the cafe, in answer to inquiries of the waitress, made after surmounting unspeakable repugnance, Lucien heard that Finot had just left the place. Lucien, at length tired out, began to regard Finot as a mythical and fabulous character; it appeared simpler to waylay Etienne Lousteau at Flicoteaux's. That youthful journalist would, doubtless, explain the mysteries that enveloped the paper for which he wrote.

Since the day, a hundred times blessed, when Lucien made the acquaintance of Daniel d'Arthez, he had taken another seat at Flicoteaux's. The two friends dined side by side, talking in lowered voices of the higher literature, of suggested subjects, and ways of presenting, opening up, and developing them. At the present time Daniel d'Arthez was correcting the manuscript of _The Archer of Charles IX._ He reconstructed whole chapters, and wrote the fine passages found therein, as well as the magnificent preface, which is, perhaps, the best thing in the book, and throws so much light on the work of the young school of literature. One day it so happened that Daniel had been waiting for Lucien, who now sat with his friend's hand in his own, when he saw Etienne Lousteau turn the door-handle. Lucien instantly dropped Daniel's hand, and told the waiter that he would dine