Vittoria — Volume 8 by George Meredith (free children's online books txt) 📕

come within hail that a friend ran seeking them. Farther up, while thinking of the fine nature of that Lorenzo, and the many men like him who could not by the very existence of nobility in their bosoms suffer their country to go through another generation of servitude, his heart bounded immensely, for he heard a shout and his name, and he beheld two figures on a rock near the gorge where the mountain opened to its heights. But they were not Carlo and Angelo. They were Wilfrid and Count Karl, the latter of whom had discerned him through a telescope. They had good news to revive him, however: good at least in the main. Nagen had captured Carlo and Angelo, they believed; but they had left Weisspriess near on Nagen's detachment, and they furnished sound military reasons to show why, if Weisspriess favoured the escape, they should not be present. They supposed that they were not half-a-mile from the scene in the pass where Nagen was being forcibly deposed from his authority: Merthyr borrowed Count Karl's glass, and went as they directed him round a bluff of the descending hills, that faced the vale, much like a blown and beaten sea-cliff. Wilfrid and Karl were so certain of Count Ammiani's safety, that their only thought was to get under good cover before nightfall, and haply into good quarters, where the three proper requirements of the soldier-meat, wine, and tobacco—might be furnished to them. After an imperative caution that they should not present themselves before the Countess Alessandra, Merthyr sped quickly over the broken ground. How gaily the two young men cheered to him as he hurried on! He met a sort of pedlar turning the bluntfaced mountain-spur, and this man said, "Yes, sure enough, prisoners had been taken," and he was not aware of harm having been done to them; he fancied there was a quarrel between two captains. His plan being always to avoid the military, he had slunk round and away from them as fast as might be. An Austrian common soldier, a good-humoured German, distressed by a fall that had hurt his knee-cap, sat within the gorge, which was very wide at the mouth. Merthyr questioned him, and he, while mending one of his gathered cigar-ends, pointed to a meadow near the beaten track, some distance up the rocks. Whitecoats stood thick on it. Merthyr lifted his telescope and perceived an eager air about the men, though they stood ranged in careless order. He began to mount forthwith, but amazed by a sudden ringing of shot, he stopped, asking himself in horror whether it could be an execution. The shots and the noise increased, until the confusion of a positive mellay reigned above. The fall of the meadow swept to a bold crag right over the pathway, and with a projection that seen sideways made a vulture's head and beak of it. There rolled a corpse down the precipitous wave of green grass on to the crag, where it lodged, face to the sky; sword dangled from swordknot at one wrist, heels and arms were in the air, and the body caught midway hung poised and motionless. The firing deadened. Then Merthyr drawing nearer beneath the crag, saw one who had life in him slipping down toward the body, and knew the man for Beppo. Beppo knocked his hands together and groaned miserably, but flung himself astride the beak of the crag, and took the body in his arms, sprang down with it, and lay stunned at Merthyr's feet. Merthyr looked on the face of Carlo Ammiani. EPILOGUE

No uncontested version of the tragedy of Count Ammiani's death passed current in Milan during many years. With time it became disconnected from passion, and took form in a plain narrative. He and Angelo were captured by Major Nagen, and were, as the soldiers of the force subsequently let it be known, roughly threatened with what he termed I 'Brescian short credit.' The appearance of Major Weisspriess and his claim to the command created a violent discussion between the two officers. For Nagen, by all military rules, could well contest it. But Weisspriess had any body of the men of the army under his charm, and seeing the ascendency he gained with them over an unpopular officer, he dared the stroke for the charitable object he had in view. Having established his command, in spite of Nagen's wrathful protests and menaces, he spoke to the prisoners, telling Carlo that for his wife's sake he should be spared, and Angelo that he must expect the fate of a murderer. His address to them was deliberate, and quite courteous: he expressed himself sorry that a gallant gentleman like Angelo Guidascarpi should merit a bloody grave, but so it was. At the same time he entreated Count Ammiani to rely on his determination to save him. Major Nagen did not stand far removed from them. Carlo turned to him and repeated the words of Weisspriess; nor could Angelo restrain his cousin's vehement renunciation of hope and life in doing this. He accused Weisspriess of a long evasion of a brave man's obligation to repair an injury, charged him with cowardice, and requested Major Nagen, as a man of honour, to drag his brother officer to the duel. Nagen then said that Major Weisspriess was his superior, adding that his gallant brother officer had only of late objected to vindicate his reputation with his sword. Stung finally beyond the control of an irritable temper, Weisspriess walked out of sight of the soldiery with Carlo, to whom, at a special formal request from Weisspriess, Nagen handed his sword. Again he begged Count Ammiani to abstain from fighting; yea, to strike him and disable him, and fly, rather—than provoke the skill of his right hand. Carlo demanded his cousin's freedom. It was denied to him, and Carlo claimed his privilege. The witnesses of the duel were Jenna and another young subaltern: both declared it fair according to the laws of honour, when their stupefaction on beholding the proud swordsman of the army stretched lifeless on the brown leaves of the past year left them with power to speak. Thus did Carlo slay his old enemy who would have served as his friend. A shout of rescue was heard before Carlo had yielded up his weapon. Four haggard and desperate men, headed by Barto Rizzo, burst from an ambush on the guard encircling Angelo. There, with one thought of saving his doomed cousin and comrade, Carlo rushed, and not one Italian survived the fight.

An unarmed spectator upon the meadow-borders, Beppo, had but obscure glimpses of scenes shifting like a sky in advance of hurricane winds.

Merthyr delivered the burden of death to Vittoria. Her soul had crossed the darkness of the river of death in that quiet agony preceding the revelation of her Maker's will, and she drew her dead husband to her bosom and kissed him on the eyes and the forehead, not as one who had quite gone away from her, but as one who lay upon another shore whither she would come. The manful friend, ever by her side, saved her by his absolute trust in her fortitude to bear the burden of the great sorrow undeceived, and to walk with it to its last resting-place on earth unobstructed. Clear knowledge of her, the issue of reverent love, enabled him to read her unequalled strength of nature, and to rely on her fidelity to her highest mortal duty in a conflict with extreme despair. She lived through it as her Italy had lived through the hours which brought her face to face with her dearest in death; and she also on the day, ten years later, when an Emperor and a King stood beneath the vault of the grand Duomo, and the organ and a peal of voices rendered thanks to heaven for liberty, could show the fruit of her devotion in the dark-eyed boy, Carlo Merthyr Ammiani, standing between Merthyr and her, with old blind Agostino's hands upon his head. And then once more, and but for once, her voice was heard in Milan.

ETEXT EDITOR'S BOOKMARKS:

Confess no more than is necessary, but do everything you can
English antipathy to babblers
He is in the season of faults
Impossible for us women to comprehend love without folly in man
Never, never love a married woman
Speech was a scourge to her sense of hearing

End of this Project Gutenberg Etext of Vittoria, v8 by George Meredith