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the amateur theatricals at Compiegne, burst out with 'Balzac! But did you know him? Do you know, sir, the sort of man he was? An utter Bohemian! A man, sir, who never had a guinea in his pocket! I had it from his friend Frederic Lemaitre. Never one guinea! And you would have had the Academie----' Here old Jean Rehu, having his trumpet to his ear, got the notion that we were talking of 'tallies,' and told us the fine story of his friend Suard coming to the Academie on January 21, 1793, the day the king was executed, and availing himself of the absence of his colleagues to sweep off the whole fees for the meeting.
He tells a story well, does the old gentleman, and but for his deafness would be a brilliant talker. When I gave his health, with a few complimentary verses on his marvellous youth, the old fellow in a gracious reply called me his dear colleague. My master Astier corrected him--'future colleague.' Laughter and applause. 'Future colleague' was the title which they all gave me as they said goodbye, shaking my hand with a significant pressure, and adding, 'We shall meet before long,' or 'See you soon,' in reference to my expected call. It is not a pleasant process, paying these calls, but everyone goes through it. Astier-Rehu told me, as we came away from the dinner, that when he was elected old Dufaure let him come ten times without seeing him. Well, he would not give up, and the eleventh time the door was thrown open. Nothing like persistence.
In truth, if Ripault-Babin or Loisillon died (they are both in danger, but even now I have most hopes of Ripault-Babin), my only serious competitor would be Dalzon. He has talent and wealth, stands well with the 'dukes,' and his cellar is capital; the only thing against him is a youthful peccadillo lately discovered, 'Without the Veil,' a poem of 600 lines printed 'at Eropolis,' anonymously, and utterly outrageous. They say that he has bought up and suppressed the whole, but there are still some copies in circulation with signature and dedication. Poor Dalzon contradicts the story and makes a desperate fight. The Academie reserves judgment pending the inquiry. That is why my respected master said to me gravely one evening without giving reasons, 'I shall not vote again for M. Dalzon.' The Academie is a club, that is the important thing to remember. You cannot go in without proper dress and clean hands. For all that I have too much gallantry and too much respect for my opponent to make use of such concealed weapons; and Fage, the bookbinder in the Cour des Comptes, the strange little humpback whom I sometimes meet in Vedrine's studio--Fage, I say, who has much acquaintance with the curiosities of bibliography, got a good snub when he offered me one of the signed copies of 'Without the Veil.' 'Then it will go to M. Moser,' was his calm reply.
Talking of Vedrine, I am in an awkward position. In the warmth of our first few meetings I made him promise to bring his family to stay with us in the country. But how can we have him along with people like Astier and Lavaux, who detest him? He is so uncivilised, such an oddity! Just imagine! He is by descent Marquis de Vedrine, but even at school he suppressed the title and the 'de,' additions coveted by most people in this democratic age, when everything else may be got. And what is his reason? Because, do you see, he wants to be liked for his own sake! The latest of him is that the Princess de Rosen will not take the knight, which he has done for the Prince's tomb. It was mentioned every minute in the family, where money is not plenty. 'When we have sold the knight, I am to have a clockwork horse,' said the boy. The poor mother too counted upon the knight for refurnishing her empty presses, and to Vedrine himself the price of the master-piece meant just three months' holiday in a Nile-boat. Well! the knight not sold, or to be paid for heaven knows when, after a lawsuit and a valuation, if you fancy they are thrown out by that, you are much mistaken. When I got to the Cour des Comptes the day after the disappointment, I found friend Vedrine planted before an easel, absorbed in pleasure, sketching upon a large canvas the curious wild vegetation on the burnt building. Behind him were his wife and son in ecstasy, and Madame Vedrine, with the little girl in her arms, said to me in a serious undertone, 'We are so happy; Monsieur Vedrine has at last got to oils.' Is it not laughable? Is it not touching?
This piecemeal letter, dear, will show you in what a bustle and fever I live since I have been working at my candidature. I go here and go there, to 'at homes,' to dinner parties, to evening parties. I am even supposed to be 'zebra' to good Madame Ancelin, because I am constant at her drawing-room on Fridays, and on Tuesday evenings in her box at the Francais. A very countrified 'zebra,' I am sure, in spite of the changes I have had made to give myself a graver and more fashionable appearance. You must look for a surprise when I come back. Last Monday there was a select party at the Duchess Padovani's, where I had the honour to be presented to the Grand-Duke Leopold. His Highness complimented me on my last book, and all my books, which he knows as well as I do. It is marvellous what foreigners do know. But it is at the Astiers' that I am most comfortable. It is such a primitive, simple, united family. One day, after breakfast, there arrived a new Academic coat for the master, and we tried it on together. I say 'we,' for he wanted to see how the palm leaves looked upon me. I put on the coat, hat, and sword, a real sword, my dear, which comes out, and has a groove in the middle for the blood to run away, and I assure you I was struck with my appearance; but this I tell you only to show the intimacy of this invaluable friendship.
When I come back to my peaceful, if narrow, quarters, if it is too late to write to you, I always do a little counting. On the full list of the Academie I tick those of whom I am sure, and those who stand by Dalzon. Then I do various sums in subtraction and addition. It is an excellent amusement, as you will see when I show you. As I was telling you, Dalzon has the 'dukes,' but the writer of the 'House of Orleans,' who is received at Chantilly, is to introduce me there before long. If I get on there--and with this object I am diligently studying a certain engagement at Rocroy; so you see your brother is becoming deep--well, if I get on, the author of 'Without the Veil, printed at Eropolis,' loses his strongest support. As for my opinions, I do not disavow them. I am a Republican, but not extreme, and more particularly I am a Candidate! Immediately after this little expedition I quite expect to come back to my darling Germaine, who will, I do hope, bear up and think of the happiness of the triumph! We will do it, dear! We will get into the 'goose's garden,' as it is called by that Bohemian Vedrine; but we shall need endurance.
Your loving brother,
Abel de Freydet.
I have opened my letter again to say that the morning papers announce the death of Loisillon. The stroke of fate is always affecting, even when fully expected. What a sad event! What a loss to French literature! And unhappily, dear, it will keep me here still longer. Please pay the labourers. More news soon.


CHAPTER VIII.
DESTINY had willed that Loisillon, fortunate always, should be fortunate in dying at the right moment. A week later, when houses were closed, society broken up, the Chamber and the Institute not sitting, his funeral train would have been composed of Academicians attentive to their tallies, followed only by deputies from the numerous societies of which he was Secretary or President. But business-like to the last and after, he went off to the moment, just before the Grand Prix, choosing a week entirely blank, when, as there was no crime, or duel, or interesting lawsuit, or political event, the sensational obsequies of the Permanent Secretary would be the only pastime of the town.
The funeral mass was to be at twelve o'clock, and long before that hour an immense crowd was gathering round St. Germain des Pres. The traffic was stopped, and no carriages but those of persons invited were allowed to pass within the rails, strictly kept by a line of policemen posted at intervals. Who Loisillon was, what he had done in his seventy years' sojourn among mankind, what was the meaning of the capital letter embroidered in silver on the funeral drapery, was known to but few in the crowd. The one thing which struck them was the arrangement of the protecting line, and the large space left to the dead, distance, room, and emptiness being the constant symbols of respect and grandeur. It had been understood that there would be a chance of seeing actresses and persons of notoriety, and the cockneys at a distance were putting names to the faces they recognised among the groups conversing in front of the church.
There, under the black-draped porch, was the place for hearing the true funeral oration on Loisillon, quite other than that which was to be delivered presently at Mont Parnasse, and the true article on the man and his work, very different from the notices ready for to-morrow's newspapers. His work was a 'Journey in Val d'Andorre,' and two reports published at the National Press, relating to the time when he was Superintendent at the Beaux-Arts. The man was a sort of shrewd attorney, creeping and cringing, with a permanent bow and an apologetic attitude, which seemed to ask your pardon for his decorations, your pardon for his insignia, your pardon for his place in the Academie--where his experience as a man of business was useful in fusing together a number of different elements, with none of which he could well have been classed--your pardon for the amazing success which had raised so high such a worthless winged grub. It was remembered that at an official dinner he had said of himself complacently, as he bustled round the table with a napkin on his arm, 'What an excellent servant I should have made!' And it might have been written on his tomb.
And while they moralised upon the nothingness of his life, his corpse, the remains of nothing, was receiving the honours of death. Carriage after carriage drew up at the church; liveries brown and liveries blue came and disappeared; long-frocked footmen bowed to the pavement with a pompous banging of doors and steps; the groups of journalists respectfully made way, now for the Duchess Padovani, stately and proud, now for Madame Ancelin, blooming in her crape, now for Madame Eviza, whose Jewish eyes shone through her veil with blaze enough to attract a constable--all the ladies of the Academie, assembled in full congregation to practise their worship, not so much by a service to the memory of Loisillon, as by contemplation of their living idols, the 'deities' made and fashioned by the cunning of their little hands, the
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