The Parisians — Complete by Baron Edward Bulwer Lytton Lytton (best novels ever txt) 📕

the side of the Communists was more or less forcing ominous way to the lips of those who talked with confidence to each other, whether to approve or to condemn) the associates with whom he was leagued, the path to which he had committed his career—still for her instincts for genuine Art—which for its development needs the serenity of peace, which for its ideal needs dreams that soar into the Infinite—Gustave had only the scornful sneer of the man who identifies with his ambition the violent upset of all that civilisation has established in this world, and the blank negation of all that patient hope and heroic aspiration which humanity carries on into the next.

On his side, Gustave Rameau, who was not without certain fine and delicate attributes in a complicated nature over which the personal vanity and the mobile temperament of the Parisian reigned supreme, chafed at the restraints imposed on him. No matter what a man’s doctrines may be—however abominable you and I may deem them—man desires to find, in the dearest fellowship he can establish, that sympathy in the woman his choice singles out from her sex-deference to his opinions, sympathy with his objects, as man. So, too, Gustave’s sense of honour and according to his own Parisian code that sense was keen—became exquisitely stung by the thought that he was compelled to play the part of a mean dissimulator to the girl for whose opinions he had the profoundest contempt. How could these two, betrothed to each other, not feel, though without coming to open dissension, that between them had flowed the inlet of water by which they had been riven asunder? What man, if he can imagine himself a Gustave Rameau, can blame the revolutionist absorbed in ambitious projects for turning the pyramid of society topsy-turvy, if he shrank more and more from the companionship of a betrothed with whom he could not venture to exchange three words without caution and reserve? And what woman can blame an Isaura if she felt a sensation of relief at the very neglect of the affianced whom she had compassionated and could never love?

Possibly the reader may best judge of the state of Isaura’s mind at this time by a few brief extracts from an imperfect fragmentary journal, in which, amid saddened and lonely hours, she held converse with herself.

“One day at Enghien I listened silently to a conversation between M. Savarin and the Englishman, who sought to explain the conception of duty in which the German poet has given such noble utterance to the thoughts of the German philosopher—viz., that moral aspiration has the same goal as the artistic,—the attainment to the calm delight wherein the pain of effort disappears in the content of achievement. Thus in life, as in art, it is through discipline that we arrive at freedom, and duty only completes itself when all motives, all actions, are attuned into one harmonious whole, and it is not striven for as duty, but enjoyed as happiness. M. Savarin treated this theory with the mockery with which the French wit is ever apt to treat what it terms German mysticism. According to him, duty must always be a hard and difficult struggle; and he said laughingly, ‘Whenever a man says, “I have done my duty,” it is with a long face and a mournful sigh.’

“Ah, how devoutly I listened to the Englishman! how harshly the Frenchman’s irony jarred upon my ears! And yet now, in the duty that life imposes on me, to fulfil which I strain every power vouchsafed to my nature, and seek to crush down every impulse that rebels, where is the promised calm, where any approach to the content of achievement? Contemplating the way before me, the Beautiful even of Art has vanished. I see but cloud and desert. Can this which I assume to be duty really be so? Ah, is it not sin even to ask my heart that question?

“Madame Rameau is very angry with her son for his neglect both of his parents and of me. I have had to take his part against her. I would not have him lose their love. Poor Gustave! But when Madame Rameau suddenly said to-day: ‘I erred in seeking the union between thee and Gustave. Retract thy promise; in doing so thou wilt be justified,’—oh, the strange joy that flashed upon me as she spoke. Am I justified? Am I? Oh, if that Englishman had never crossed my path! Oh, if I had never loved! or if in the last time we met he had not asked for my love, and confessed his own! Then, I think, I could honestly reconcile my conscience with my longings, and say to Gustave, ‘We do not suit each other; be we both released!’ But now-is it that Gustave is really changed from what he was, when in despondence at my own lot, and in pitying belief that I might brighten and exalt his, I plighted my troth to him? or is it not rather that the choice I thus voluntarily made became so intolerable a thought the moment I knew I was beloved and sought by another; and from that moment I lost the strength I had before,—strength to silence the voice at my own heart? What! is it the image of that other one which is persuading me to be false?—to exaggerate the failings, to be blind to the merits of him who has a right to say, ‘I am what I was when thou didst pledge thyself to take me for better or for worse’?

“Gustave has been here after an absence of several days. He was not alone. The good Abbe Vertpre and Madame de Vandemar, with her son, M. Raoul, were present. They had come on matters connected with our ambulance. They do not know of my engagement to Gustave; and seeing him in the uniform of a National Guard, the Abbe courteously addressed to him some questions as to the possibility of checking the terrible increase of the vice of intoxication, so alien till of late to the habits of the Parisians, and becoming fatal to discipline and bodily endurance,—could the number of the cantines on the ramparts be more limited? Gustave answered with rudeness and bitter sarcasm, ‘Before priests could be critics in military matters they must undertake military service themselves.’

“The Abbe replied with unalterable good-humour, ‘But, in order to criticise the effects of drunkenness, must one get drunk one’s self?’ Gustave was put out, and retired into a corner of the room, keeping sullen silence till my other visitors left.

“Then before I could myself express the pain his words and manner had given me, he said abruptly, ‘I wonder how you can tolerate the tartuferie which may amuse on the comic stage, but in the tragedy of these times is revolting.’ This speech roused my anger, and the conversation that ensued was the gravest that had ever passed between us.

“If Gustave were of stronger nature and more concentrated will, I believe that the only feelings I should have for him would be antipathy and dread. But it is his very weaknesses and inconsistencies that secure to him a certain tenderness of interest. I think he could never be judged without great indulgence by women; there is in him so much of the child,—wayward, irritating one moment, and the next penitent, affectionate. One feels as if persistence in evil were impossible to one so delicate both in mind and form. That peculiar order of genius to which he belongs seems as if it ought to be so estranged from all directions, violent or coarse. When in poetry he seeks to utter some audacious and defying sentiment, the substance melts away in daintiness of expression, in soft, lute-like strains of slender music. And when he has stung, angered, revolted my heart the most, suddenly he subsides into such pathetic gentleness, such tearful remorse, that I feel as if resentment to one so helpless, desertion of one who must fall without the support of a friendly hand, were a selfish cruelty. It seems to me as if I were dragged towards a precipice by a sickly