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say in mere crude words that Napoleon had a more than mediaeval Italian cunning. He presents a succession of documents--gives a series of contemporary instances to prove it. Then, having got that fixed in your head by blow after blow, he passes on to another phase of his character, his coldhearted amorousness, his power of work, his spoiled child wilfulness, or some other quality, and piles up his illustrations of that. Instead, for example, of saying that the Emperor had a marvellous memory for detail, we have the account of the head of Artillery laying the list of all the guns in France before his master, who looked over it and remarked, "Yes, but you have omitted two in a fort near Dieppe." So the man is gradually etched in with indelible ink. It is a wonderful figure of which you are conscious in the end, the figure of an archangel, but surely of an archangel of darkness.

We will, after Taine's method, take one fact and let it speak for itself. Napoleon left a legacy in a codicil to his will to a man who tried to assassinate Wellington. There is the mediaeval Italian again! He was no more a Corsican than the Englishman born in India is a Hindoo. Read the lives of the Borgias, the Sforzas, the Medicis, and of all the lustful, cruel, broad-minded, art-loving, talented despots of the little Italian States, including Genoa, from which the Buonapartes migrated. There at once you get the real descent of the man, with all the stigmata clear upon him--the outward calm, the inward passion, the layer of snow above the volcano, everything which characterized the old despots of his native land, the pupils of Machiavelli, but all raised to the dimensions of genius. You can whitewash him as you may, but you will never get a layer thick enough to cover the stain of that cold-blooded deliberate endorsement of his noble adversary's assassination.

Another book which gives an extraordinarily vivid picture of the man is this one--the Memoirs of Madame de Remusat. She was in daily contact with him at the Court, and she studied him with those quick critical eyes of a clever woman, the most unerring things in life when they are not blinded by love. If you have read those pages, you feel that you know him as if you had yourself seen and talked with him. His singular mixture of the small and the great, his huge sweep of imagination, his very limited knowledge, his intense egotism, his impatience of obstacles, his boorishness, his gross impertinence to women, his diabolical playing upon the weak side of every one with whom he came in contact--they make up among them one of the most striking of historical portraits.

Most of my books deal with the days of his greatness, but here, you see, is a three-volume account of those weary years at St. Helena. Who can help pitying the mewed eagle? And yet if you play the great game you must pay a stake. This was the same man who had a royal duke shot in a ditch because he was a danger to his throne. Was not he himself a danger to every throne in Europe? Why so harsh a retreat as St. Helena, you say? Remember that he had been put in a milder one before, that he had broken away from it, and that the lives of fifty thousand men had paid for the mistaken leniency. All this is forgotten now, and the pathetic picture of the modern Prometheus chained to his rock and devoured by the vultures of his own bitter thoughts, is the one impression which the world has retained. It is always so much easier to follow the emotions than the reason, especially where a cheap magnanimity and second-hand generosity are involved. But reason must still insist that Europe's treatment of Napoleon was not vindictive, and that Hudson Lowe was a man who tried to live up to the trust which had been committed to him by his country.

It was certainly not a post from which any one would hope for credit. If he were slack and easy-going all would be well. But there would be the chance of a second flight with its consequences. If he were strict and assiduous he would be assuredly represented as a petty tyrant. "I am glad when you are on outpost," said Lowe's general in some campaign, "for then I am sure of a sound rest." He was on outpost at St. Helena, and because he was true to his duties Europe (France included) had a sound rest. But he purchased it at the price of his own reputation. The greatest schemer in the world, having nothing else on which to vent his energies, turned them all to the task of vilifying his guardian. It was natural enough that he who had never known control should not brook it now. It is natural also that sentimentalists who have not thought of the details should take the Emperor's point of view. What is deplorable, however, is that our own people should be misled by one-sided accounts, and that they should throw to the wolves a man who was serving his country in a post of anxiety and danger, with such responsibility upon him as few could ever have endured. Let them remember Montholon's remark: "An angel from heaven would not have satisfied us." Let them recall also that Lowe with ample material never once troubled to state his own case. "Je fais mon devoir et suis indifferent pour le reste," said he, in his interview with the Emperor. They were no idle words.

Apart from this particular epoch, French literature, which is so rich in all its branches, is richest of all in its memoirs. Whenever there was anything of interest going forward there was always some kindly gossip who knew all about it, and was ready to set it down for the benefit of posterity. Our own history has not nearly enough of these charming sidelights. Look at our sailors in the Napoleonic wars, for example. They played an epoch-making part. For nearly twenty years Freedom was a Refugee upon the seas. Had our navy been swept away, then all Europe would have been one organized despotism. At times everybody was against us, fighting against their own direct interests under the pressure of that terrible hand. We fought on the waters with the French, with the Spaniards, with the Danes, with the Russians, with the Turks, even with our American kinsmen. Middies grew into post-captains, and admirals into dotards during that prolonged struggle. And what have we in literature to show for it all? Marryat's novels, many of which are founded upon personal experience, Nelson's and Collingwood's letters, Lord Cochrane's biography--that is about all. I wish we had more of Collingwood, for he wielded a fine pen. Do you remember the sonorous opening of his Trafalgar message to his captains?--

"The ever to be lamented death of Lord Viscount Nelson, Duke
of Bronte, the Commander-in-Chief, who fell in the action of
the 21st, in the arms of Victory, covered with glory, whose
memory will be ever dear to the British Navy and the British
Nation; whose zeal for the honour of his king and for the
interests of his country will be ever held up as a shining
example for a British seaman--leaves to me a duty to return
thanks, etc., etc."

It was a worthy sentence to carry such a message, written too in a raging tempest, with sinking vessels all around him. But in the main it is a poor crop from such a soil. No doubt our sailors were too busy to do much writing, but none the less one wonders that among so many thousands there were not some to understand what a treasure their experiences would be to their descendants. I can call to mind the old three-deckers which used to rot in Portsmouth Harbour, and I have often thought, could they tell their tales, what a missing chapter in our literature they could supply.

It is not only in Napoleonic memoirs that the French are so fortunate. The almost equally interesting age of Louis XIV. produced an even more wonderful series. If you go deeply into the subject you are amazed by their number, and you feel as if every one at the Court of the Roi Soleil had done what he (or she) could to give away their neighbours. Just to take the more obvious, there are St. Simon's Memoirs--those in themselves give us a more comprehensive and intimate view of the age than anything I know of which treats of the times of Queen Victoria. Then there is St. Evremond, who is nearly as complete. Do you want the view of a woman of quality? There are the letters of Madame de Sevigne (eight volumes of them), perhaps the most wonderful series of letters that any woman has ever penned. Do you want the confessions of a rake of the period? Here are the too salacious memoirs of the mischievous Duc de Roquelaure, not reading for the nursery certainly, not even for the boudoir, but a strange and very intimate picture of the times. All these books fit into each other, for the characters of the one reappear in the others. You come to know them quite familiarly before you have finished, their loves and their hates, their duels, their intrigues, and their ultimate fortunes. If you do not care to go so deeply into it you have only to put Julia Pardoe's four-volumed "Court of Louis XIV." upon your shelf, and you will find a very admirable condensation--or a distillation rather, for most of the salt is left behind. There is another book too--that big one on the bottom shelf--which holds it all between its brown and gold covers. An extravagance that--for it cost me some sovereigns--but it is something to have the portraits of all that wonderful galaxy, of Louis, of the devout Maintenon, of the frail Montespan, of Bossuet, Fenelon, Moliere, Racine, Pascal, Conde, Turenne, and all the saints and sinners of the age. If you want to make yourself a present, and chance upon a copy of "The Court and Times of Louis XIV.," you will never think that your money has been wasted.

Well, I have bored you unduly, my patient friend, with my love of memoirs, Napoleonic and otherwise, which give a touch of human interest to the arid records of history. Not that history should be arid. It ought to be the most interesting subject upon earth, the story of ourselves, of our forefathers, of the human race, the events which made us what we are, and wherein, if Weismann's views hold the field, some microscopic fraction of this very body which for the instant we chance to inhabit may have borne a part. But unfortunately the power of accumulating knowledge and that of imparting it are two very different things, and the uninspired historian becomes merely the dignified compiler of an enlarged almanac. Worst of all, when a man does come along with fancy and imagination, who can breathe the breath of life into the dry bones, it is the fashion for the dryasdusts to belabour him, as one who has wandered away from the orthodox path and must necessarily be inaccurate. So Froude was attacked. So also Macaulay in his day. But both will be read when the pedants are forgotten. If I were asked my very ideal of how history should be written, I think I should point to those two rows on yonder shelf, the one M'Carthy's "History of Our Own Times," the other Lecky's "History of England in the Eighteenth Century." Curious that each should have been written
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