One Day's Courtship by Robert Barr (feel good novels .txt) 📕

to see standing at the window, looking out towards the river, a tall young woman. Without changing her position, she looked slowly around at the intruder. Trenton's first thought was a hasty wish that he were better dressed. His roughing-it costume, which up to that time had seemed so comfortable, now appeared uncouth and out of place. He felt as if he had suddenly found himself in a London drawing-room with a shooting-jacket on. But this sensation was quickly effaced by the look which the beauty gave him over her shoulder. Trenton, in all his experience, had never encountered such a glance of indignant scorn. It was a look of resentment and contempt, with just a dash of feminine reproach in it.

"What have I done?" thought the unhappy man; then he stammered aloud, "I--I--really--I beg your pardon. I thought the--ah--room was empty."

The imperious young woman made no reply. She turned to the window again, and Trenton backed out of the room as best he could.

"Well!" he said to himself, as he breathed with relief the outside air again, "that was the rudest thing I ever knew a lady to do. She _is_ a lady, there is no doubt of that. There is nothing of the backwoods about her. But she might at least have answered me. What have I done, I wonder? It must be something terrible and utterly unforgivable, whatever it is. Great heavens!" he murmured, aghast at the thought, "I hope that girl isn't going up to the Shawenegan Falls."

Trenton was no ladies' man. The presence of women always disconcerted him, and made him feel awkward and boorish. He had been too much of a student in higher art to acquire the smaller art of the drawing-room. He felt ill at ease in society, and seemed to have a fatal predilection for saying the wrong thing, and suffered the torture afterwards of remembering what the right thing would have been.

Trenton stood at the gate for a moment, hoping Mason would come. Suddenly he remembered with confusion that he was directly in range of those disdainful eyes in the parlour, and he beat a hasty retreat toward the old mill that stood by the falls. The roar of the turbulent water over the granite rocks had a soothing effect on the soul of the man who knew he was a criminal, yet could not for the life of him tell what his crime had been. Then he wandered up the river-bank toward where he saw the two half-breeds placing the canoe in the still water at the further end of the village. Half-way there he was relieved to meet the genial Ed. Mason, who greeted him, as Trenton thought, with a somewhat overwrought effusion. There evidently was something on the genial Ed.'s mind.

"Hello, old man," he cried, shaking Trenton warmly by the hand. "Been here long? Well, I declare, I'm glad to see you. Going to have a splendid day for it, aren't you? Yes, sir, I _am_ glad to see you."

"When a man says that twice in one breath, a fellow begins to doubt him. Now, you good-natured humbug, what's the matter? What have I done? How did you find me out? Who turned Queen's evidence? Look here, Edward Mason, why are you _not_ glad to see me?"

"Nonsense; you know I am. No one could be more welcome. By the way, my wife's here. You never met her, I think?"

"I saw a young lady remarkably----"

"No, no; that is Miss ----. By the way, Trenton, I want you to do me a favour, now that I think of it. Of course the canoe is yours for to-day, but that young woman wants to go up to the Shawenegan. You wouldn't mind her going up with you, would you? You see, I have no other canoe to-day, and she can't stay till to-morrow."

"I shall be delighted, I'm sure," answered Trenton. But he didn't look it.


CHAPTER II.

Eva Sommerton, of Boston, knew that she lived in the right portion of that justly celebrated city, and this knowledge was evident in the poise of her queenly head, and in every movement of her graceful form. Blundering foreigners--foreigners as far as Boston is concerned, although they may be citizens of the United States--considered Boston to be a large city, with commerce and railroads and busy streets and enterprising newspapers, but the true Bostonian knows that this view is very incorrect. The real Boston is penetrated by no railroads. Even the jingle of the street-car bell does not disturb the silence of the streets of this select city. It is to the ordinary Boston what the empty, out-of-season London is to the rest of the busy metropolis. The stranger, jostled by the throng, may not notice that London is empty, but his lordship, if he happens during the deserted period to pass through, knows there is not a soul in town.

Miss Sommerton had many delusions, but fortunately for her peace of mind she had never yet met a candid friend with courage enough to tell her so. It would have required more bravery than the ordinary society person possesses to tell Miss Sommerton about any of her faults. The young gentlemen of her acquaintance claimed that she had no faults, and if her lady friends thought otherwise, they reserved the expression of such opinions for social gatherings not graced by the presence of Miss Sommerton.

Eva Sommerton thought she was not proud, or if there was any tinge of pride in her character, it was pride of the necessary and proper sort.

She also possessed the vain belief that true merit was the one essential, but if true merit had had the misfortune to be presented to Miss Sommerton without an introduction of a strictly unimpeachable nature, there is every reason to fear true merit would not have had the exquisite privilege of basking in the smiles of that young Bostonian. But perhaps her chief delusion was the belief that she was an artist. She had learned all that Boston could teach of drawing, and this thin veneer had received a beautiful foreign polish abroad. Her friends pronounced her sketches really wonderful. Perhaps if Miss Sommerton's entire capital had been something less than her half-yearly income, she might have made a name for herself; but the rich man gets a foretaste of the scriptural difficulty awaiting him at the gates of heaven, when he endeavours to achieve an earthly success, the price of which is hard labour, and not hard cash.

We are told that pride must have a fall, and there came an episode in Miss Sommerton's career as an artist which was a rude shock to her self-complacency. Having purchased a landscape by a celebrated artist whose work she had long admired, she at last ventured to write to him and enclose some of her own sketches, with a request for a candid judgment of them--that is, she _said_ she wanted a candid judgment of them.

The reply seemed to her so ungentlemanly, and so harsh, that, in her vexation and anger, she tore the letter to shreds and stamped her pretty foot with a vehemence which would have shocked those who knew her only as the dignified and self-possessed Miss Eva Sommerton.

Then she looked at her libelled sketches, and somehow they did not appear to be quite so faultless as she had supposed them to be.

This inspection was followed by a thoughtful and tearful period of meditation; and finally, with contriteness, the young woman picked up from her studio floor the shreds of the letter and pasted them carefully together on a white sheet of paper, in which form she still preserved the first honest opinion she had ever received.

In the seclusion of her aesthetic studio Miss Sommerton made a heroic resolve to work hard. Her life was to be consecrated to art. She would win reluctant recognition from the masters. Under all this wave of heroic resolution was an under-current of determination to get even with the artist who had treated her work so contemptuously.

Few of us quite live up to our best intentions, and Miss Sommerton was no exception to the rule. She did not work as devotedly as she had hoped to do, nor did she become a recluse from society. A year after she sent to the artist some sketches which she had taken in Quebec--some unknown waterfalls, some wild river scenery--and received from him a warmer letter of commendation than she had hoped for. He remembered her former sketches, and now saw a great improvement. If the waterfall sketches were not exaggerations, he would like to see the originals. Where were they? The lady was proud of her discoveries in the almost unknown land of Northern Quebec, and she wrote a long letter telling all about them, and a polite note of thanks for the information ended the correspondence.

Miss Sommerton's favourite discovery was that tremendous downward plunge of the St. Maurice, the Falls of Shawenegan. She had sketched it from a dozen different standpoints, and raved about it to her friends, if such a dignified young person as Miss Sommerton could be said to rave over anything. Some Boston people, on her recommendation, had visited the falls, but their account of the journey made so much of the difficulties and discomforts, and so little of the magnificence of the cataract, that our amateur artist resolved to keep the falls, as it were, to herself. She made yearly pilgrimages to the St. Maurice, and came to have a kind of idea of possession which always amused Mr. Mason. She seemed to resent the fact that others went to look at the falls, and, worse than all, took picnic baskets there, actually lunching on its sacred shores, leaving empty champagne bottles and boxes of sardines that had evidently broken some one's favourite knife in the opening. This particular summer she had driven out to "The Greys," but finding that a party was going up in canoes every day that week, she promptly ordered her driver to take her back to Three Rivers, saying to Mr. Mason she would return when she could have the falls to herself.

"You remind me of Miss Porter," said the lumber king.

"Miss Porter! Who is she?"

"When Miss Porter visited England and saw Mr. Gladstone, he asked her if she had ever seen the Niagara Falls. 'Seen them?' she answered. 'Why, I _own_ them!'"

"What did she mean by that? I confess I don't see the point, or perhaps it isn't a joke."

"Oh yes, it is. You mustn't slight my good stories in that way. She meant just what she said. I believe the Porter family own, or did own, Goat Island, and, I suppose, the other bank, and, therefore, the American Fall. The joke--I do dislike to have to explain jokes, especially to you cool, unsympathising Bostonians--is the ridiculousness of any mere human person claiming to own such a thing as the Niagara Falls. I believe, though, that you are quite equal to it--I do indeed."

"Thank you, Mr. Mason."

"I knew you would be grateful when I made myself clearly understood. Now, what I was going to propose is this. You should apply to the Canadian Government for possession of the Shawenegan. I think they would let it go at a reasonable figure. They look on it merely as an annoying impediment to the navigation of the river, and an obstruction which has caused them to spend some thousands of dollars in building a slide by the side of it, so that the logs may come down safely."

"If I owned it, the slide is the first thing I