The Worlds of If by Stanley G. Weinbaum (most read books of all time txt) 📕

of the device hummed like distant voices, but without the added suggestion of the picture, they meant nothing. My own face flashed and dissolved and then, finally, I had it. There was a picture of myself sitting in an ill-defined room; that was all. I released the knob and gestured.

A click followed. The light dimmed, then brightened. The picture cleared, and amazingly, another figure emerged, a woman. I recognized her; it was Whimsy White, erstwhile star of television and premiere of the "Vision Varieties of '09." She was changed on that picture, but I recognized her.

I'll say I did! I'd been trailing her all through the boom years of '07 to '10, trying to marry her, while old N. J. raved and ranted and threatened to leave everything to the Society for Rehabilitation of the Gobi Desert. I think those threats were what kept her from accepting me, but after I took my own money and ran it up to a couple of million in that crazy market of '08 and '09, she softened.

Temporarily, that is. When the crash of the spring of '10 came and bounced me back on my father and into the firm of N. J. Wells, her favor dropped a dozen points to the market's one. In February we were engaged, in April we were hardly speaking. In May they sold me out. I'd been late again.

And now, there she was on the psychomat screen, obviously plumping out, and not nearly so pretty as memory had pictured her. She was staring at me with an expression of enmity, and I was glaring back. The buzzes became voices.

"You nit-wit!" she snapped. "You can't bury me out here. I want to go back to New York, where there's a little life. I'm bored with you and your golf."

"And I'm bored with you and your whole dizzy crowd."

"At least they're alive. You're a walking corpse. Just because you were lucky enough to gamble yourself into the money, you think you're a tin god."

"Well, I don't think you're Cleopatra! Those friends of yours—they trail after you because you give parties and spend money—my money."

"Better than spending it to knock a white walnut along a mountainside!"

"Indeed? You ought to try it, Marie." (That was her real name.) "It might help your figure—though I doubt if anything could!"

She glared in rage and—well, that was a painful half hour. I won't give all the details, but I was glad when the screen dissolved into meaningless colored clouds.

"Whew!" I said, staring at Van Manderpootz, who had been reading.

"You liked it?"

"Liked it! Say, I guess I was lucky to be cleaned out. I won't regret it from now on."

"That," said the professor grandly, "is van Manderpootz's great contribution to human happiness. 'Of all sad words of tongue or pen, the saddest are these: It might have been!' True no longer, my friend Dick. Van Manderpootz has shown that the proper reading is, 'It might have been—worse!'"

It was very late when I returned home, and as a result, very late when I rose, and equally late when I got to the office. My father was unnecessarily worked up about it, but he exaggerated when he said I'd never been on time. He forgets the occasions when he's awakened me and dragged me down with him. Nor was it necessary to refer so sarcastically to my missing the Baikal; I reminded him of the wrecking of the liner, and he responded very heartlessly that if I'd been aboard, the rocket would have been late, and so would have missed colliding with the British fruitship. It was likewise superfluous for him to mention that when he and I had tried to snatch a few weeks of golfing in the mountains, even the spring had been late. I had nothing to do with that.

"Dixon," he concluded, "you have no conception whatever of time. None whatever."

The conversation with van Manderpootz recurred to me. I was impelled to ask, "And have you, sir?"

"I have," he said grimly. "I most assuredly have. Time," he said oracularly, "is money."

You can't argue with a viewpoint like that.

But those aspersions of his rankled, especially that about the Baikal. Tardy I might be, but it was hardly conceivable that my presence aboard the rocket could have averted the catastrophe. It irritated me; in a way, it made me responsible for the deaths of those unrescued hundreds among the passengers and crew, and I didn't like the thought.

Of course, if they'd waited an extra five minutes for me, or if I'd been on time and they'd left on schedule instead of five minutes late, or if—if!

If! The word called up van Manderpootz and his subjunctivisor—the worlds of "if," the weird, unreal worlds that existed beside reality, neither past nor future, but contemporary, yet extemporal. Somewhere among their ghostly infinities existed one that represented the world that would have been had I made the liner. I had only to call up Haskel van Manderpootz, make an appointment, and then—find out.

Yet it wasn't an easy decision. Suppose—just suppose that I found myself responsible—not legally responsible, certainly; there'd be no question of criminal negligence, or anything of that sort—not even morally responsible, because I couldn't possibly have anticipated that my presence or absence could weigh so heavily in the scales of life and death, nor could I have known in which direction the scales would tip. Just—responsible; that was all. Yet I hated to find out.

I hated equally not finding out. Uncertainty has its pangs too, quite as painful as those of remorse. It might be less nerve-racking to know myself responsible than to wonder, to waste thoughts in vain doubts and futile reproaches. So I seized the visiphone, dialed the number of the University, and at length gazed on the broad, humorous, intelligent features of van Manderpootz, dragged from a morning lecture by my call.

I was all but prompt for the appointment the following evening, and might actually have been on time but for an unreasonable traffic officer who insisted on booking me for speeding. At any rate, van Manderpootz was impressed.

"Well!" he rumbled. "I almost missed you, Dixon. I was just going over to the club, since I didn't expect you for an hour. You're only ten minutes late."

I ignored this. "Professor, I want to use your—uh—your subjunctivisor."

"Eh? Oh, yes. You're lucky, then. I was just about to dismantle it."

"Dismantle it! Why?"

"It has served its purpose. It has given birth to an idea far more important than itself. I shall need the space it occupies."

"But what is the idea, if it's not too presumptuous of me to ask?"

"It is not too presumptuous. You and the world which awaits it so eagerly may both know, but you hear it from the lips of the author. It is nothing less than the autobiography of van Manderpootz!" He paused impressively.

I gaped. "Your autobiography?"

"Yes. The world, though perhaps unaware, is crying for it. I shall detail my life, my work. I shall reveal myself as the man responsible for the three years' duration of the Pacific War of 2004."

"You?"

"None other. Had I not been a loyal Netherlands subject at that time, and therefore neutral, the forces of Asia would have been crushed in three months instead of three years. The subjunctivisor tells me so; I would have invented a calculator to forecast the chances of every engagement; van Manderpootz would have removed the hit or miss element in the conduct of war." He frowned solemnly. "There is my idea. The autobiography of van Manderpootz. What do you think of it?"

I recovered my thoughts. "It's—uh—it's colossal!" I said vehemently. "I'll buy a copy myself. Several copies. I'll send 'em to my friends."

"I," said van Manderpootz expansively, "shall autograph your copy for you. It will be priceless. I shall write in some fitting phrase, perhaps something like Magnificus sed non superbus. 'Great but not proud!' That well described van Manderpootz, who despite his greatness is simple, modest, and unassuming. Don't you agree?"

"Perfectly! A very apt description of you. But—couldn't I see your subjunctivisor before it's dismantled to make way for the greater work?"

"Ah! You wish to find out something?"

"Yes, professor. Do you remember the Baikal disaster of a week or two ago? I was to have taken that liner to Moscow. I just missed it." I related the circumstances.

"Humph!" he grunted. "You wish to discover what would have happened had you caught it, eh? Well, I see several possibilities. Among the world of 'if' is the one that would have been real if you had been on time, the one that depended on the vessel waiting for your actual arrival, and the one that hung on your arriving within the five minutes they actually waited. In which are you interested?"

"Oh—the last one." That seemed the likeliest. After all, it was too much to expect that Dixon Wells could ever be on time, and as to the second possibility—well, they hadn't waited for me, and that in a way removed the weight of responsibility.

"Come on," rumbled van Manderpootz. I followed him across to the Physics Building and into his littered laboratory. The device still stood on the table and I took my place before it, staring at the screen of the Horsten psychomat. The clouds wavered and shifted as I sought to impress my memories on their suggestive shapes, to read into them some picture of that vanished morning.

Then I had it. I made out the vista from the Staten Bridge, and was speeding across the giant span toward the airport. I waved a signal to van Manderpootz, the thing clicked, and the subjunctivisor was on.

The grassless clay of the field appeared. It is a curious thing about the psychomat that you see only through the eyes of your image on the screen. It lends a strange reality to the working of the toy; I suppose a sort of self-hypnosis is partly responsible.

I was rushing over the ground toward the glittering, silver-winged projectile that was the Baikal. A glowering officer waved me on, and I dashed up the slant of the gangplank and into the ship; the port dropped and I heard a long "Whew!" of relief.

"Sit down!" barked the officer, gesturing toward an unoccupied seat. I fell into it; the ship quivered under the thrust of the catapult, grated harshly into motion, and then was flung bodily into the air. The blasts roared instantly, then settled to a more muffled throbbing, and I watched Staten Island drop down and slide back beneath me. The giant rocket was under way.

"Whew!" I breathed again. "Made it!" I caught an amused glance from my right. I was in an aisle seat; there was no one to my left, so I turned to the eyes that had flashed, glanced, and froze staring.

It was a girl. Perhaps she wasn't actually as lovely as she looked to me; after all, I was seeing her through the half-visionary screen of a psychomat. I've told myself since that she couldn't have been as pretty as she seemed, that it was due to my own imagination filling in the details. I don't know; I remember only that I stared at curiously lovely silver-blue eyes and velvety brown hair, and a small amused mouth, and an impudent nose. I kept staring until she flushed.

"I'm sorry," I said quickly. "I—was startled."

There's a friendly atmosphere aboard a trans-oceanic rocket. The passengers are forced into a crowded intimacy for anywhere from seven to twelve hours, and there isn't much room for moving about. Generally, one strikes up an acquaintance with his neighbors; introductions aren't at all necessary, and the custom is simply to speak to anybody you choose—something like an all-day trip on the railroad trains of the last century, I suppose. You make friends for the duration of the journey, and then, nine times out of ten, you never hear of your traveling companions again.

The girl smiled. "Are you the individual responsible for the delay in starting?"

I admitted it. "I seem to be chronically late. Even watches lose time as soon as I wear them."

She laughed. "Your responsibilities can't be very heavy."

Well, they weren't of course, though it's surprising how many clubs, caddies, and chorus girls have depended on me at various times for appreciable portions of their incomes. But somehow I didn't feel like mentioning those things to the silvery-eyed girl.

We talked. Her name, it developed, was Joanna Caldwell, and she was going as far as Paris. She was an artist, or hoped to be one day, and of course there is no place in the world that can supply both training and inspiration like Paris. So it was there she was bound for a year of study, and despite her demurely humorous lips and laughing eyes, I could see that the business was of vast importance to her. I gathered that she had worked hard for the year in Paris, had scraped and saved for three years as fashion illustrator for some woman's magazine, though she couldn't have been many months over twenty-one. Her painting meant