The Young Trawler by Robert Michael Ballantyne (classic novels txt) 📕

as mine fore long, Billy. Den you be like some ob de leetle fishes we catch--all mout and no body worth mentioning. But you no tell me yit: Kin you do cookin'?"

"Oh yes, I can manage a Yarmouth bloater," replied Billy.

"But," said Zulu, "kin you cook a 'tater widout makin' him's outside all of a mush, an' him's inside same so as a stone?"

Instead of answering, Billy sat down on the settle which ran round the cabin and looked up at his dark friend very solemnly.

"Hallo!" exclaimed Zulu.

"There--there's something wrong wi' me," said Billy, with a faint attempt to smile as he became rather pale.

Seeing this, his friend quietly put a bucket beside him.

"I say, Zulu," observed the poor boy with a desperate attempt at pleasantry, "I wonder what's up."

"Des nuffin' up yit but he won't be long," replied the young cook with a look full of sympathy.

It would be unjust to our little hero to proceed further. This being, as we have said, his first trip to sea, he naturally found himself, after an hour or two, stretched out in one of the bunks which surrounded the little cabin. There he was permitted to lie and think longingly of his mother, surrounded by dense tobacco smoke, hot vapours, and greasy fumes, until he blushed to find himself wishing, with all his heart, that he had never left home!

There we will leave him to meditate and form useless resolves, which he never carried out, while we introduce to the reader some of the other actors in our tale.


CHAPTER TWO.


A CONTRAST TO CHAPTER I.

From that heaving grey wilderness of water called the North Sea we pass now to that lively wilderness of bricks and mortar called London.

West-end mansions are not naturally picturesque or interesting subjects either for the brush or the pen, and we would not willingly drag our readers into one of them, did not circumstances--over which we have not a shadow of control--compel us to do so.

The particular mansion to which we now direct attention belonged to a certain Mrs Dotropy, whose husband's ancestors, by the way, were said to have come over with the Conqueror--whether in his own ship or in one of the bumboats that followed is not certain. They were De Tropys at that time, but, having sunk in the social scale in the course of centuries, and then risen again in succeeding centuries through the medium of trade, they reappeared on the surface with their patronymic transformed as now presented.

"Mother," said Ruth Dotropy to a magnificent duchess-like woman, "I've come to ask you about the poor--"

"Ruth, dear," interrupted the mother, "I wish you would not worry me about the poor! They're a troublesome, ill-doing set; always grumbling, dirty, ill-natured, suspicious, and envious of the rich--as if it was our fault that we are rich! I don't want to hear anything more about the poor."

Ruth, who was a soft-cheeked, soft-handed, and soft-hearted girl of eighteen, stood, hat in hand, before her mother with a slight smile on her rosy lips.

"You are not quite just to the poor, mother," returned Ruth, scarce able to restrain a laugh at her parent's vehemence. "Some of them are all that you say, no doubt, but there are many, even among the poorest of the poor, who are good-natured, well-doing, unsuspicious, and respectful, not only to the rich but also to each other and to everybody. There is Mrs Wolsey, for instance, she--"

"Oh! but she's an exception, you know," said Mrs Dotropy, "there are not many like Mrs Wolsey."

"And there is Mrs Gladman," continued Ruth.

"Yes, but she's another exception."

"And Mrs Robbie."

"Why, Ruth, what's the use of picking out all the exceptions to prove your point? Of course the exception proves the rule--at least so the proverb says--but a great many exceptions prove nothing that I know of, except--that is--but what's the use of arguing, child, you'll never be convinced. Come, how much do you want me to give?"

Easy-going Mrs Dotropy's mind, we need scarcely point out, was of a confused type, and she "hated argument." Perhaps, on the whole, it was to the advantage of her friends and kindred that she did so.

"I only want you to give a little time, mother," replied Ruth, swinging her hat to and fro, while she looked archly into Mrs Dotropy's large, dignified, and sternly-kind countenance, if we may venture on such an expression,--"I want you to go with me and see--"

"Yes, yes, I know what you're going to say, child, you want me to go and `see for myself,' which means that I'm to soil my boots in filthy places, subject my ears to profanity, my eyes to horrible sights, and my nose to intolerable smells. No, Ruth, I cannot oblige you. Of what use would it be? If my doing this would relieve the miseries of the poor, you might reasonably ask me to go among them, but it would not. I give them as much money as I can afford to give, and, as far as I can see, it does them no good. They never seem better off, and they always want more. They are not even grateful for it. Just look at Lady Openhand. What good does she accomplish by her liberality, and her tearful eyes, and sympathetic heart, even though her feelings are undoubtedly genuine? Only the other day I chanced to walk behind her along several streets and saw her stop and give money to seven or eight beggars who accosted her. She never _can_ refuse any one who asks with a pitiful look and a pathetic cock-and-bull story. Several of them were young and strong, and quite undeserving of charity. Three, I observed, went straight to a public-house with what she had given them, and the last, a small street boy, went into fits of suppressed laughter after she had passed, and made faces at her--finishing off by putting the thumb of his left hand to his nose, and spreading out his fingers as wide as possible. I do not understand the exact significance of that action, but there is something in it so intensely insolent that it is quite incompatible with the idea of gratitude."

"Yes, mother, I saw him too," said Ruth, with a demure look; "it curiously enough happened that I was following you at the time. You afterwards passed the same boy with a refusal, I suppose?"

"Yes, child, of course--and a reproof."

"I thought so. Well, after you had passed, he not only applied his left thumb to his nose and spread his fingers, but also put the thumb of his right hand against the little finger of his left, and spread out the other five fingers at _you_. So, whatever he meant Lady Openhand to receive, he meant you to have twice as much. But Lady Openhand makes a mistake, I think, she does not _consider_ the poor; she only feels deeply for them and gives to them."

"_Only_ feels and gives!" repeated Mrs Dotropy, with a look of solemn amazement.

Being quite incapable of disentangling or expressing the flood of ideas that overwhelmed her, the good lady relieved herself after a few broken sentences, with the assertion that it was of no use arguing with Ruth, for Ruth would never be convinced.

She was so far right, in that her daughter could not change her mind on the strength of mere dogmatic assertion, even although she was a pliant and teachable little creature. So, at least, Mr Lewis, her pastor, had found her when he tried to impress on her a few important lessons--such as, that it is better to give than to receive; that man _is_ his brother's keeper; that we are commanded to walk in the footsteps of Jesus, who came to save the lost, to rescue the perishing, and who fed the hungry.

"But, mother," resumed Ruth, "I want you to go with me to-day to visit some poor people who are _not_ troublesome, who are perfectly clean, are never ill-natured, suspect nothing, and envy nobody."

"They must indeed be wonderful people," said Mrs Dotropy, with a laugh at Ruth's enthusiasm, "quite angelic."

"They are as nearly so as mortals ever become, I think," returned Ruth, putting on her hat; "won't you come, mother?"

Now, Mrs Dotropy had the faculty of giving in gracefully, although she could not argue. Rising with an amused smile, she kissed Ruth's forehead and went to prepare for a visit to the poor.

Let us now turn to a small street scarcely ten minutes' walk from the mansion where the above conversation took place.

It was what may be styled a Lilliputian street. Almost everything in it was small. The houses were small; the shops were small; the rents-- well, they were certainly not so small as they should have been, the doors and windows were small; and the very children that played in the gutter, with an exceedingly small amount of clothing on them, were rather diminutive. Some of the doors stood open, revealing the fact that it had been thought wise by the builders of the houses to waste no space in lobbies or entrance halls. One or two, however, displayed entries, or passages--dark and narrow--the doors to which were blistered and severely battered, because, being the public property of several families, they had no particular owner to protect them.

There was a small flat over a green-grocer's shop to which one of the cleanest of those entries led. It consisted of two rooms, a light-closet and a kitchen, and was low-ceilinged and poorly furnished, but there was a distinct air of cleanliness about it, with a consequent tendency to comfort. The carpet of the chief room was very old, but it had been miraculously darned and patched. The table was little larger than that of a gigantic doll's-house, but it was covered with a clean, though threadbare, cloth, that had seen better days, and on it lay several old and well-thumbed books, besides two work-baskets.

In an old--a very old--easy-chair at one side of the fire sat a lady rather beyond middle age, with her hands clasped on her lap, and her eyes gazing dreamily at the fire. Perhaps she was speculating on the question how long two small lumps of coal and a little dross would last. The grate in which that amount of fuel burned was a miniature specimen of simplicity,--a mere hollow in the wall with two bars across. The fire itself was so small that nothing but constant solicitude saved it from extinction.

There was much of grey mingled with the fair tresses of the lady, and the remains of beauty were very distinct on a countenance, the lines of which suggested suffering, gentleness, submission, and humility. Perchance the little sigh that escaped her as she gazed at the preposterously small fire had reference to days gone by when health revelled in her veins; when wealth was lavished in her father's house; when food and fun were plentiful; when grief and care were scarce. Whatever her thoughts might have been, they were interrupted by the entrance of another lady, who sat down beside her, laid a penny on the table, and looked at the lady in the easy-chair with a peculiar, half-comical expression.

"It is our _last_, Jessie," she said, and as she said