Adam Bede by George Eliot (the little red hen read aloud TXT) 📕

Lady day or Michaelmas,” a remark which Mrs. Poyser always followed up with her cordial assent. “Ah,” she would say, “it's all very fine having a ready-made rich man, but mayhappen he'll be a ready-made fool; and it's no use filling your pocket full o' money if you've got a hole in the corner. It'll do you no good to sit in a spring-cart o' your own, if you've got a soft to drive you: he'll soon turn you over into the ditch. I allays said I'd never marry a man as had got no brains; for where's the use of a woman having brains of her own if she's tackled to a geck as everybody's a-laughing at? She might as well dress herself fine to sit back'ards on a donkey.”

These expressions, though figurative, sufficiently indicated the bent of Mrs. Poyser's mind with regard to Adam; and though she and her husband might have viewed the subject differently if Hetty had been a daughter of their own, it was clear that they would have welcomed the match with Adam for a penniless niece. For what could Hetty have been but a servant elsewhere, if her uncle had not taken her in and brought her up as a domestic help to her aunt, whose health since the birth of Totty had not been equal to more positive labour than the superintendence of servants and children? But Hetty had never given Adam any steady encouragement. Even in the moments when she was most thoroughly conscious of his superiority to her other admirers, she had never brought herself to think of accepting him. She liked to feel that this strong, skilful, keen-eyed man was in her power, and would have been indignant if he had shown the least sign of slipping from under the yoke of her coquettish tyranny and attaching himself to the gentle Mary Burge, who would have been grateful enough for the most trifling notice from him. “Mary Burge, indeed! Such a sallow-faced girl: if she put on a bit of pink ribbon, she looked as yellow as a crow-flower and her hair was as straight as a hank of cotton.” And always when Adam stayed away for several weeks from the Hall Farm, and otherwise made some show of resistance to his passion as a foolish one, Hetty took care to entice him back into the net by little airs of meekness and timidity, as if she were in trouble at his neglect. But as to marrying Adam, that was a very different affair! There was nothing in the world to tempt her to do that. Her cheeks never grew a shade deeper when his name was mentioned; she felt no thrill when she saw him passing along the causeway by the window, or advancing towards her unexpectedly in the footpath across the meadow; she felt nothing, when his eyes rested on her, but the cold triumph of knowing that he loved her and would not care to look at Mary Burge. He could no more stir in her the emotions that make the sweet intoxication of young love than the mere picture of a sun can stir the spring sap in the subtle fibres of the plant. She saw him as he was—a poor man with old parents to keep, who would not be able, for a long while to come, to give her even such luxuries as she shared in her uncle's house. And Hetty's dreams were all of luxuries: to sit in a carpeted parlour, and always wear white stockings; to have some large beautiful ear-rings, such as were all the fashion; to have Nottingham lace round the top of her gown, and something to make her handkerchief smell nice, like Miss Lydia Donnithorne's when she drew it out at church; and not to be obliged to get up early or be scolded by anybody. She thought, if Adam had been rich and could have given her these things, she loved him well enough to marry him.

But for the last few weeks a new influence had come over Hetty—vague, atmospheric, shaping itself into no self-confessed hopes or prospects, but producing a pleasant narcotic effect, making her tread the ground and go about her work in a sort of dream, unconscious of weight or effort, and showing her all things through a soft, liquid veil, as if she were living not in this solid world of brick and stone, but in a beatified world, such as the sun lights up for us in the waters. Hetty had become aware that Mr. Arthur Donnithorne would take a good deal of trouble for the chance of seeing her; that he always placed himself at church so as to have the fullest view of her both sitting and standing; that he was constantly finding reason for calling at the Hall Farm, and always would contrive to say something for the sake of making her speak to him and look at him. The poor child no more conceived at present the idea that the young squire could ever be her lover than a baker's pretty daughter in the crowd, whom a young emperor distinguishes by an imperial but admiring smile, conceives that she shall be made empress. But the baker's daughter goes home and dreams of the handsome young emperor, and perhaps weighs the flour amiss while she is thinking what a heavenly lot it must be to have him for a husband. And so, poor Hetty had got a face and a presence haunting her waking and sleeping dreams; bright, soft glances had penetrated her, and suffused her life with a strange, happy languor. The eyes that shed those glances were really not half so fine as Adam's, which sometimes looked at her with a sad, beseeching tenderness, but they had found a ready medium in Hetty's little silly imagination, whereas Adam's could get no entrance through that atmosphere. For three weeks, at least, her inward life had consisted of little else than living through in memory the looks and words Arthur had directed towards her—of little else than recalling the sensations with which she heard his voice outside the house, and saw him enter, and became conscious that his eyes were fixed on her, and then became conscious that a tall figure, looking down on her with eyes that seemed to touch her, was coming nearer in clothes of beautiful texture with an odour like that of a flower-garden borne on the evening breeze. Foolish thoughts! But all this happened, you must remember, nearly sixty years ago, and Hetty was quite uneducated—a simple farmer's girl, to whom a gentleman with a white hand was dazzling as an Olympian god. Until to-day, she had never looked farther into the future than to the next time Captain Donnithorne would come to the Farm, or the next Sunday when she should see him at church; but now she thought, perhaps he would try to meet her when she went to the Chase to-morrow—and if he should speak to her, and walk a little way, when nobody was by! That had never happened yet; and now her imagination, instead of retracing the past, was busy fashioning what would happen to-morrow—whereabout in the Chase she should see him coming towards her, how she should put her new rose-coloured ribbon on, which he had never seen, and what he would say to her to make her return his glance—a glance which she would be living through in her memory, over and over again, all the rest of the day.

In this state of mind, how could Hetty give any feeling to Adam's troubles, or think much about poor old Thias being drowned? Young souls, in such pleasant delirium as hers are as unsympathetic as butterflies sipping nectar; they are isolated from all appeals by a barrier of dreams—by invisible looks and impalpable arms.

While Hetty's hands were busy packing up the butter, and her head filled with these pictures of the morrow, Arthur Donnithorne, riding by Mr. Irwine's side towards the valley of the Willow Brook, had also certain indistinct anticipations, running as an undercurrent in his mind while he was listening to Mr. Irwine's account of Dinah—indistinct, yet strong enough to make him feel rather conscious when Mr. Irwine suddenly said, “What fascinated you so in Mrs. Poyser's dairy, Arthur? Have you become an amateur of damp quarries and skimming dishes?”

Arthur knew the rector too well to suppose that a clever invention would be of any use, so he said, with his accustomed frankness, “No, I went to look at the pretty butter-maker Hetty Sorrel. She's a perfect Hebe; and if I were an artist, I would paint her. It's amazing what pretty girls one sees among the farmers' daughters, when the men are such clowns. That common, round, red face one sees sometimes in the men—all cheek and no features, like Martin Poyser's—comes out in the women of the family as the most charming phiz imaginable.”

“Well, I have no objection to your contemplating Hetty in an artistic light, but I must not have you feeding her vanity and filling her little noddle with the notion that she's a great beauty, attractive to fine gentlemen, or you will spoil her for a poor man's wife—honest Craig's, for example, whom I have seen bestowing soft glances on her. The little puss seems already to have airs enough to make a husband as miserable as it's a law of nature for a quiet man to be when he marries a beauty. Apropos of marrying, I hope our friend Adam will get settled, now the poor old man's gone. He will only have his mother to keep in future, and I've a notion that there's a kindness between him and that nice modest girl, Mary Burge, from something that fell from old Jonathan one day when I was talking to him. But when I mentioned the subject to Adam he looked uneasy and turned the conversation. I suppose the love-making doesn't run smooth, or perhaps Adam hangs back till he's in a better position. He has independence of spirit enough for two men—rather an excess of pride, if anything.”

“That would be a capital match for Adam. He would slip into old Burge's shoes and make a fine thing of that building business, I'll answer for him. I should like to see him well settled in this parish; he would be ready then to act as my grand-vizier when I wanted one. We could plan no end of repairs and improvements together. I've never seen the girl, though, I think—at least I've never looked at her.”

“Look at her next Sunday at church—she sits with her father on the left of the reading-desk. You needn't look quite so much at Hetty Sorrel then. When I've made up my mind that I can't afford to buy a tempting dog, I take no notice of him, because if he took a strong fancy to me and looked lovingly at me, the struggle between arithmetic and inclination might become unpleasantly severe. I pique myself on my wisdom there, Arthur, and as an old fellow to whom wisdom had become cheap, I bestow it upon you.”

“Thank you. It may stand me in good stead some day though I don't know that I have any present use for it. Bless me! How the brook has overflowed. Suppose we have a canter, now we're at the bottom of the hill.”

That is the great advantage of dialogue on horseback; it can be merged any minute into a trot or a canter, and one might have escaped from Socrates himself in the saddle. The two friends were free from the necessity of further conversation till they pulled up in the lane behind Adam's cottage.